And Yet Not You Alone

Walt Whitman (1819–1892) · 1855–1892

Free verse · unrhymed · 29 lines · from Leaves of Grass

And yet not you alone, twilight and burying ebb,Nor you, ye lost designs alone--nor failures, aspirations;I know, divine deceitful ones, your glamour’s seeming;Duly by you, from you, the tide and light again--duly the hinges turning,Duly the needed discord-parts offsetting, blending,Weaving from you, from Sleep, Night, Death itself,The rhythmus of Birth eternal.

Proudly the flood comes in, shouting, foaming, advancing,Long it holds at the high, with bosom broad outswelling,All throbs, dilates--the farms, woods, streets of cities--workmen at work,Mainsails, topsails, jibs, appear in the offing--steamers’ pennantsof smoke--and under the forenoon sun,Freighted with human lives, gaily the outward bound, gaily theinward bound,Flaunting from many a spar the flag I love.

By that long scan of waves, myself call’d back, resumed upon myself,In every crest some undulating light or shade--some retrospect,Joys, travels, studies, silent panoramas--scenes ephemeral,The long past war, the battles, hospital sights, the wounded and the dead,Myself through every by-gone phase--my idle youth--old age at hand,My three-score years of life summ’d up, and more, and past,By any grand ideal tried, intentionless, the whole a nothing,And haply yet some drop within God’s scheme’s ensemble--somewave, or part of wave,Like one of yours, ye multitudinous ocean.

Then last of all, caught from these shores, this hill,Of you O tides, the mystic human meaning:Only by law of you, your swell and ebb, enclosing me the same,The brain that shapes, the voice that chants this song.

Words in this poem

blending n.
The act of mingling.
forenoon n.
The early part of the day, from morning to meridian, or noon.
gaily adv.
Merrily; showily. See gaily. [From Gay.]
scan v. t.
To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
retrospect v. i.
To look backward; hence, to affect or concern what is past. [L. retrospicere; retro back + specere, spectum, to look. See Spy, and cf. Expect.]
hospital n.
A place for shelter or entertainment; an inn. [OF. hospital, ospital, F. hôpital, LL. hospitale (or perh. E. hospital is directly from the Late Latin), from L. hospitalis relating to a guest, hospitalia apar]
haply adv.
By hap, chance, luck, or accident; perhaps; it may be.
ensemble n.
The whole; all the parts taken together. [F.]
multitudinous a.
Consisting of a multitude; manifold in number or condition; as, multitudinous waves.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

And Yet Not You Alone is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Walt Whitman, And Yet Not You Alone, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/and-yet-not-you-alone.html, id L04089.

Form and metre

And Yet Not You Alone is 29 lines in 4 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 82% of its stressed syllables fall where the metre puts the beat. The lines average 12.9 syllables. 11 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AA------ advancingA · outswellingA · work · pennants · sun · the · bound · love
  2. 4 -A-A hill · meaningA · same · songA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
And yet not you alone, twilight and burying ebb,13····˘//··/˘˘·
Nor you, ye lost designs alone--nor failures, aspirations;15····˘/˘/·/˘·˘/˘
I know, divine deceitful ones, your glamour’s seeming;13··˘/˘/˘··/˘/˘
Duly by you, from you, the tide and light again--duly the hinges turning,19/˘········˘//˘·/˘/˘
Duly the needed discord-parts offsetting, blending,13/˘·/˘/˘·˘/˘/˘
Weaving from you, from Sleep, Night, Death itself,10/˘······˘/
The rhythmus of Birth eternal.8·/˘··˘/˘
Proudly the flood comes in, shouting, foaming, advancing,13/˘····/˘/˘˘/˘
Long it holds at the high, with bosom broad outswelling,13·······/˘····
All throbs, dilates--the farms, woods, streets of cities--workmen at work,15··˘/·····/˘/˘··
Mainsails, topsails, jibs, appear in the offing--steamers’ pennants15·····˘/··/˘/˘/˘
of smoke--and under the forenoon sun,9······/˘·
Freighted with human lives, gaily the outward bound, gaily the15/˘·/˘·/˘·/˘·/˘·
inward bound,3/˘·
Flaunting from many a spar the flag I love.11/˘·/˘······
By that long scan of waves, myself call’d back, resumed upon myself,16·······/··˘/···/
In every crest some undulating light or shade--some retrospect,17·/˘˘··/˘·˘····/˘·
Joys, travels, studies, silent panoramas--scenes ephemeral,16·/˘/˘/˘·˘/˘·˘/˘˘
The long past war, the battles, hospital sights, the wounded and the dead,17·····/˘/·˘··/˘···
Myself through every by-gone phase--my idle youth--old age at hand,17·/·/˘˘····/˘·····
My three-score years of life summ’d up, and more, and past,12············
By any grand ideal tried, intentionless, the whole a nothing,16·/˘·˘/········/˘
And haply yet some drop within God’s scheme’s ensemble--some14·/˘·······˘/˘·
wave, or part of wave,5·····
Like one of yours, ye multitudinous ocean.12··········/˘
Then last of all, caught from these shores, this hill,10··········
Of you O tides, the mystic human meaning:11·····/˘/˘/˘
Only by law of you, your swell and ebb, enclosing me the same,16/˘········˘/˘···
The brain that shapes, the voice that chants this song.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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