Margaret of Cortona
FRA PAOLO, since they say the end is near,And you of all men have the gentlest eyes,Most like our father Francis; since you knowHow I have toiled and prayed and scourged and striven,Mothered the orphan, waked beside the sick,Gone empty that mine enemy might eat,Given bread for stones in famine years, and channelledWith vigilant knees the pavement of this cell,Till I constrained the Christ upon the wallTo bend His thorn-crowned Head in mute forgiveness . . .Three times He bowed it . . . (but the whole stands writ,Sealed with the Bishop's signet, as you know),Once for each person of the Blessed Three--A miracle that the whole town attests,The very babes thrust forward for my blessing,And either parish plotting for my bones--Since this you know: sit near and bear with me.
I have lain here, these many empty daysI thought to pack with Credos and Hail MarysSo close that not a fear should force the door--But still, between the blessed syllablesThat taper up like blazing angel heads,Praise over praise, to the Unutterable,Strange questions clutch me, thrusting fiery arms,As though, athwart the close-meshed litanies,My dead should pluck at me from hell, with eyesAlive in their obliterated faces! . . .I have tried the saints' names and our blessed Mother'sFra Paolo, I have tried them o'er and o'er,And like a blade bent backward at first thrustThey yield and fail me--and the questions stay.And so I thought, into some human heart,Pure, and yet foot-worn with the tread of sin,If only I might creep for sanctuary,It might be that those eyes would let me rest. . .
Fra Paolo, listen. How should I forgetThe day I saw him first? (You know the one.)I had been laughing in the market-placeWith others like me, I the youngest there,Jostling about a pack of mountebanksLike flies on carrion (I the youngest there!),Till darkness fell; and while the other girlsTurned this way, that way, as perdition beckoned,I, wondering what the night would bring, half hoping:If not, this once, a child's sleep in my garret,At least enough to buy that two-pronged coralThe others covet 'gainst the evil eye,Since, after all, one sees that I'm the youngest--So, muttering my litany to hell(The only prayer I knew that was not Latin),Felt on my arm a touch as kind as yours,And heard a voice as kind as yours say "Come."I turned and went; and from that day I neverLooked on the face of any other man.So much is known; so much effaced; the sinCast like a plague-struck body to the sea,Deep, deep into the unfathomable pardon--(The Head bowed thrice, as the whole town attests).What more, then? To what purpose? Bear with me!--
It seems that he, a stranger in the place,First noted me that afternoon and wondered:How grew so white a bud in such black slime,And why not mine the hand to pluck it out?Why, so Christ deals with souls, you cry--what then?Not so! Not so! When Christ, the heavenly gardener,Plucks flowers for Paradise (do I not know?),He snaps the stem above the root, and pressesThe ransomed soul between two convent walls,A lifeless blossom in the Book of Life.But when my lover gathered me, he liftedStem, root and all--ay, and the clinging mud--And set me on his sill to spread and bloomAfter the common way, take sun and rain,And make a patch of brightness for the street,Though raised above rough fingers--so you makeA weed a flower, and others, passing, think:"Next ditch I cross, I'll lift a root from it,And dress my window" . . . and the blessing spreads.Well, so I grew, with every root and tendrilGrappling the secret anchorage of his love,And so we loved each other till he died. . . .
Ah, that black night he left me, that dead dawnI found him lying in the woods, aliveTo gasp my name out and his life-blood with it,As though the murderer's knife had probed for meIn his hacked breast and found me in each wound. . .Well, it was there Christ came to me, you know,And led me home--just as that other led me.(Just as that other? Father, bear with me!)My lover's death, they tell me, saved my soul,And I have lived to be a light to men.And gather sinners to the knees of grace.All this, you say, the Bishop's signet covers.But stay! Suppose my lover had not died?(At last my question! Father, help me face it.)I say: Suppose my lover had not died--Think you I ever would have left him living,Even to be Christ's blessed Margaret?--We lived in sin? Why, to the sin I died toThat other was as Paradise, when GodWalks there at eventide, the air pure gold,And angels treading all the grass to flowers!He was my Christ--he led me out of hell--He died to save me (so your casuists say!)--Could Christ do more? Your Christ out-pity mine?Why, yours but let the sinner bathe His feet;Mine raised her to the level of his heart. . .And then Christ's way is saving, as man's wayIs squandering--and the devil take the shards!But this man kept for sacramental useThe cup that once had slaked a passing thirst;This man declared: "The same clay serves to modelA devil or a saint; the scribe may stainThe same fair parchment with obscenities,Or gild with benedictions; nay," he cried,"Because a satyr feasted in this wood,And fouled the grasses with carousing foot,Shall not a hermit build his chapel hereAnd cleanse the echoes with his litanies?The sodden grasses spring again--why notThe trampled soul? Is man less mercifulThan nature, good more fugitive than grass?"And so--if, after all, he had not died,And suddenly that door should know his hand,And with that voice as kind as yours he said:"Come, Margaret, forth into the sun again,Back to the life we fashioned with our handsOut of old sins and follies, fragments scornedOf more ambitious builders, yet by Love,The patient architect, so shaped and fittedThat not a crevice let the winter in--"Think you my bones would not arise and walk,This bruised body (as once the bruised soul)Turn from the wonders of the seventh heavenAs from the antics of the market-place?If this could be (as I so oft have dreamed),I, who have known both loves, divine and human,Think you I would not leave this Christ for that?
--I rave, you say? You start from me, Fra Paolo?Go, then; your going leaves me not alone.I marvel, rather, that I feared the question,Since, now I name it, it draws near to meWith such dear reassurance in its eyes,And takes your place beside me. . .
Nay, I tell you,Fra Paolo, I have cried on all the saints--If this be devil's prompting, let them drown itIn Alleluias! Yet not one replies.And, for the Christ there--is He silent too?Your Christ? Poor father; you that have but one,And that one silent--how I pity you!He will not answer? Will not help you castThe devil out? But hangs there on the wall,Blind wood and bone--?
How if I call on Him--I, whom He talks with, as the town attests?If ever prayer hath ravished me so highThat its wings failed and dropped me in Thy breast,Christ, I adjure Thee! By that naked hourOf innermost commixture, when my soulContained Thee as the paten holds the host,Judge Thou alone between this priest and me;Nay, rather, Lord, between my past and present,Thy Margaret and that other's--whose she isBy right of salvage--and whose call should follow!Thine? Silent still.--Or his, who stooped to her,And drew her to Thee by the bands of love?Not Thine? Then his?
Ah, Christ--the thorn-crowned HeadBends . . . bends again . . . down on your knees,
Fra Paolo!If his, then Thine!Kneel, priest, for this is heaven. . .
Words in this poem 21
- paolo n.
- An old Italian silver coin, worth about ten cents. [It. Cf. Paul.]
- mothered a.
- Thick, like mother; viscid.
- famine n.
- General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
- signet n.
- A seal; especially, in England, the seal used by the sovereign in sealing private letters and grants that pass by bill under the sign manual; -- called also privy signet. [OF. signet a signet, F., a bookmark, dim. of signe. See Sign, n., and cf. Sennet.]
- perdition n.
- Entire loss; utter destruction; ruin; esp., the utter loss of the soul, or of final happiness in a future state; future misery or eternal death. [F., fr. L. perditio, fr. perdere, perditum, to ruin, to lose; per (cf. Skr. para away) + -dere (only in comp.) to put; akin to Gr. do. See Do.]
- garret n.
- A turret; a watchtower. [OE. garite, garette, watchtower, place of lookout, OF. garite, also meaning, a place of refuge, F. guérite a place of refuge, donjon, sentinel box, fr. OF. gari]
- went n.
- Course; way; path; journey; direction.
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- wondered a.
- Having performed wonders; able to perform wonderful things.
- gardener n.
- One who makes and tends a garden; a horticulturist.
- gasp v. i.
- To open the mouth wide in catching the breath, or in laborious respiration; to labor for breath; to respire convulsively; to pant violently. [OE. gaspen, gaispen, to yawn, gasp, Icel. geispa to yawn; akin to Sw. gäspa, Dan. gispe to gasp.]
- eventide n.
- The time of evening; evening. [AS. æfentid. See Tide.]
- sinner n.
- One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
- scribe n.
- One who writes; a draughtsman; a writer for another; especially, an offical or public writer; an amanuensis or secretary; a notary; a copyist. [L. scriba, fr. scribere to write; cf. Gr. scarify. Cf. Ascribe, Describe, Script, Scrivener, Scrutoire.]
- satyr n.
- A sylvan deity or demigod, represented as part man and part goat, and characterized by riotous merriment and lasciviousness. [L. satyrus, Gr. satyre.]
- carousing a.
- That carouses; relating to a carouse.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- reassurance n.
- Assurance or confirmation renewed or repeated. Prynne.
- adjure v. t.
- To charge, bind, or command, solemnly, as if under oath, or under the penalty of a curse; to appeal to in the most solemn or impressive manner; to entreat earnestly. [L. adjurare, adjurdium, to swear to; later, to adjure: cf. F. adjurer. See Jury.]
- commixture n.
- The act or process of mixing; the state of being mingled; the blending of ingredients in one mass or compound. [L. commixtura.]
- kneel v. i.
- To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Margaret of Cortona is in the public domain. This text is taken from Artemis to Actaeon, and Other Verses, Project Gutenberg ebook #4549; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edith Wharton, Margaret of Cortona, in Artemis to Actaeon, and Other Verse (1909), text of Project Gutenberg ebook #4549, Laurel, https://laurelpoetry.com/poem/wharton-artemis/margaret-of-cortona.html, id L22224.
Form and metre
Margaret of Cortona is 173 lines in 10 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --A--------AB---B near · eyes · knowA · striven · sick · eat · channelled · cell · wall · forgiveness · writ · knowA · threeB · attests · blessing · bones · meB
- 2 AA-----BBBB------- daysA · marysA · door · syllables · heads · unutterable · arms · litaniesB · eyesB · facesB · mother'sB · o'er · thrust · stay · heart · sin · sanctuary · rest
- 3 ---A-A----B--BC---C-DC-D forget · one · place · thereA · mountebanks · thereA · girls · beckoned · hoping · garret · coralB · eye · youngest · hellB · latinC · yours · come · never · manC · sin · seaD · pardonC · attests · meD
- 4 ----------AA---------- place · wondered · slime · out · then · gardener · know · presses · walls · life · liftedA · mudA · bloom · rain · street · make · think · it · spreads · tendril · love · died
- 5 -------------A--A-----B---B------------------------------ dawn · alive · it · me · wound · know · me · me · soul · men · grace · covers · died · itA · died · living · margaretA · to · god · gold · flowers · hell · sayB · mine · feet · heart · wayB · shards · use · thirst · model · stain · obscenities · cried · wood · foot · here · litanies · not · merciful · grass · died · hand · said · again · hands · scorned · love · fitted · in · walk · soul · heaven · place · dreamed · human · that
- 6 -AAB-B paolo · aloneA · questionA · meB · eyes · meB
- 7 A---A-A--- youA · saints · it · replies · tooA · one · youA · cast · wall · bone
- 8 ---------A---A him · attests · high · breast · hour · soul · host · me · present · isA · follow · her · love · hisA
- 10 -AA paolo · thineA · heavenA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| FRA PAOLO, since they say the end is near, | 10 | ·/˘······· |
| And you of all men have the gentlest eyes, | 10 | ·······/˘· |
| Most like our father Francis; since you know | 10 | ··//˘/˘··· |
| How I have toiled and prayed and scourged and striven, | 11 | ·········/˘ |
| Mothered the orphan, waked beside the sick, | 10 | /˘·/˘·˘/·· |
| Gone empty that mine enemy might eat, | 10 | ·/˘··/˘˘·· |
| Given bread for stones in famine years, and channelled | 11 | /····/˘··/˘ |
| With vigilant knees the pavement of this cell, | 10 | ·/˘··/˘··· |
| Till I constrained the Christ upon the wall | 10 | ··˘/······ |
| To bend His thorn-crowned Head in mute forgiveness . . . | 11 | ········˘/˘ |
| Three times He bowed it . . . (but the whole stands writ, | 10 | ·········· |
| Sealed with the Bishop's signet, as you know), | 10 | ···/˘/˘··· |
| Once for each person of the Blessed Three-- | 10 | ···/˘···˘· |
| A miracle that the whole town attests, | 10 | ·/˘˘····˘/ |
| The very babes thrust forward for my blessing, | 11 | ·/˘··/˘··/˘ |
| And either parish plotting for my bones-- | 10 | ·/˘/˘/˘··· |
| Since this you know: sit near and bear with me. | 10 | ·········· |
| I have lain here, these many empty days | 10 | ·····/˘/˘· |
| I thought to pack with Credos and Hail Marys | 11 | ·····/˘··/˘ |
| So close that not a fear should force the door-- | 10 | ·········· |
| But still, between the blessed syllables | 10 | ······˘/˘˘ |
| That taper up like blazing angel heads, | 10 | ·/˘··/˘/˘· |
| Praise over praise, to the Unutterable, | 11 | ······˘/˘˘˘ |
| Strange questions clutch me, thrusting fiery arms, | 10 | ·/˘··/˘/˘· |
| As though, athwart the close-meshed litanies, | 10 | ··˘/···/˘˘ |
| My dead should pluck at me from hell, with eyes | 10 | ·········· |
| Alive in their obliterated faces! . . . | 11 | ˘/··˘/˘·˘/˘ |
| I have tried the saints' names and our blessed Mother's | 11 | ·······/·/˘ |
| Fra Paolo, I have tried them o'er and o'er, | 10 | ·/˘······· |
| And like a blade bent backward at first thrust | 10 | ·····/˘··· |
| They yield and fail me--and the questions stay. | 10 | ·······/˘· |
| And so I thought, into some human heart, | 10 | ·······/˘· |
| Pure, and yet foot-worn with the tread of sin, | 10 | ·········· |
| If only I might creep for sanctuary, | 11 | ·/˘····/˘·˘ |
| It might be that those eyes would let me rest. . . | 10 | ·········· |
| Fra Paolo, listen. How should I forget | 10 | ·/˘/˘···˘/ |
| The day I saw him first? (You know the one.) | 10 | ·········· |
| I had been laughing in the market-place | 10 | ···/˘··/˘· |
| With others like me, I the youngest there, | 10 | ·/˘····/˘· |
| Jostling about a pack of mountebanks | 10 | /˘········ |
| Like flies on carrion (I the youngest there!), | 10 | ···/˘··/˘· |
| Till darkness fell; and while the other girls | 10 | ·/˘····/˘· |
| Turned this way, that way, as perdition beckoned, | 11 | ······˘/˘/˘ |
| I, wondering what the night would bring, half hoping: | 11 | ·/˘······/˘ |
| If not, this once, a child's sleep in my garret, | 11 | ·········/˘ |
| At least enough to buy that two-pronged coral | 11 | ··˘/·····/˘ |
| The others covet 'gainst the evil eye, | 10 | ·/˘/˘··/˘· |
| Since, after all, one sees that I'm the youngest-- | 11 | ·········/˘ |
| So, muttering my litany to hell | 10 | ·/˘˘·/˘˘·· |
| (The only prayer I knew that was not Latin), | 11 | ·/˘······/˘ |
| Felt on my arm a touch as kind as yours, | 10 | ·········· |
| And heard a voice as kind as yours say "Come." | 10 | ·········· |
| I turned and went; and from that day I never | 11 | ·········/˘ |
| Looked on the face of any other man. | 10 | ·····/˘/˘· |
| So much is known; so much effaced; the sin | 10 | ······˘/·· |
| Cast like a plague-struck body to the sea, | 10 | ·····/˘··· |
| Deep, deep into the unfathomable pardon-- | 11 | ·····˘/˘˘/˘ |
| (The Head bowed thrice, as the whole town attests). | 10 | ········˘/ |
| What more, then? To what purpose? Bear with me!-- | 10 | ·····/˘··· |
| It seems that he, a stranger in the place, | 10 | ·····/˘··· |
| First noted me that afternoon and wondered: | 11 | ·/˘···˘/·/˘ |
| How grew so white a bud in such black slime, | 10 | ·········· |
| And why not mine the hand to pluck it out? | 10 | ·········· |
| Why, so Christ deals with souls, you cry--what then? | 10 | ·········· |
| Not so! Not so! When Christ, the heavenly gardener, | 11 | ·······/˘/˘ |
| Plucks flowers for Paradise (do I not know?), | 10 | ·/·/˘····· |
| He snaps the stem above the root, and presses | 11 | ·········/˘ |
| The ransomed soul between two convent walls, | 10 | ·/˘····/˘· |
| A lifeless blossom in the Book of Life. | 10 | ·/˘/˘····· |
| But when my lover gathered me, he lifted | 11 | ···/˘/˘··/˘ |
| Stem, root and all--ay, and the clinging mud-- | 10 | ·······/˘· |
| And set me on his sill to spread and bloom | 10 | ·········· |
| After the common way, take sun and rain, | 10 | ···/˘····· |
| And make a patch of brightness for the street, | 10 | ·····/˘··· |
| Though raised above rough fingers--so you make | 10 | ·····/˘··· |
| A weed a flower, and others, passing, think: | 10 | ···/·/˘/˘· |
| "Next ditch I cross, I'll lift a root from it, | 10 | ·········· |
| And dress my window" . . . and the blessing spreads. | 10 | ···/˘··/˘· |
| Well, so I grew, with every root and tendril | 11 | ·····/˘··/˘ |
| Grappling the secret anchorage of his love, | 10 | /˘·/˘/˘··· |
| And so we loved each other till he died. . . . | 10 | ·····/˘··· |
| Ah, that black night he left me, that dead dawn | 10 | ·········· |
| I found him lying in the woods, alive | 10 | ···/˘···˘/ |
| To gasp my name out and his life-blood with it, | 11 | ··········· |
| As though the murderer's knife had probed for me | 10 | ···/˘····· |
| In his hacked breast and found me in each wound. . . | 10 | ·········· |
| Well, it was there Christ came to me, you know, | 10 | ·········· |
| And led me home--just as that other led me. | 11 | ·······/˘·· |
| (Just as that other? Father, bear with me!) | 10 | ···/˘/˘··· |
| My lover's death, they tell me, saved my soul, | 10 | ·/˘······· |
| And I have lived to be a light to men. | 10 | ·········· |
| And gather sinners to the knees of grace. | 10 | ·/˘/˘····· |
| All this, you say, the Bishop's signet covers. | 11 | ·····/˘/˘/˘ |
| But stay! Suppose my lover had not died? | 10 | ··˘/·/˘··· |
| (At last my question! Father, help me face it.) | 11 | ···/˘/˘···· |
| I say: Suppose my lover had not died-- | 10 | ··˘/·/˘··· |
| Think you I ever would have left him living, | 11 | ···/˘····/˘ |
| Even to be Christ's blessed Margaret? | 10 | /˘····˘/˘˘ |
| --We lived in sin? Why, to the sin I died to | 11 | ··········· |
| That other was as Paradise, when God | 10 | ·/˘··/˘··· |
| Walks there at eventide, the air pure gold, | 10 | ···/˘˘···· |
| And angels treading all the grass to flowers! | 11 | ·/˘/˘····/˘ |
| He was my Christ--he led me out of hell-- | 10 | ·········· |
| He died to save me (so your casuists say!)-- | 10 | ·········· |
| Could Christ do more? Your Christ out-pity mine? | 10 | ·······/˘· |
| Why, yours but let the sinner bathe His feet; | 10 | ·····/˘··· |
| Mine raised her to the level of his heart. . . | 10 | ·····/˘··· |
| And then Christ's way is saving, as man's way | 10 | ·····/˘··· |
| Is squandering--and the devil take the shards! | 10 | ·/˘˘··/··· |
| But this man kept for sacramental use | 10 | ·····/˘˘˘· |
| The cup that once had slaked a passing thirst; | 10 | ·······/˘· |
| This man declared: "The same clay serves to model | 11 | ··˘/·····/˘ |
| A devil or a saint; the scribe may stain | 10 | ·/˘······· |
| The same fair parchment with obscenities, | 10 | ···/˘·˘/˘˘ |
| Or gild with benedictions; nay," he cried, | 10 | ····˘/˘··· |
| "Because a satyr feasted in this wood, | 10 | ···/˘/˘··· |
| And fouled the grasses with carousing foot, | 10 | ···/˘·˘/˘· |
| Shall not a hermit build his chapel here | 10 | ···/˘··/˘· |
| And cleanse the echoes with his litanies? | 10 | ···/˘··/˘˘ |
| The sodden grasses spring again--why not | 10 | ·/˘/˘·˘/·· |
| The trampled soul? Is man less merciful | 10 | ·/˘····/˘˘ |
| Than nature, good more fugitive than grass?" | 10 | ·/˘··/˘˘·· |
| And so--if, after all, he had not died, | 10 | ·········· |
| And suddenly that door should know his hand, | 10 | ·/˘˘······ |
| And with that voice as kind as yours he said: | 10 | ·········· |
| "Come, Margaret, forth into the sun again, | 10 | ·/˘·····˘/ |
| Back to the life we fashioned with our hands | 10 | ·····/˘·/· |
| Out of old sins and follies, fragments scorned | 10 | ·····/˘/˘· |
| Of more ambitious builders, yet by Love, | 10 | ··˘/˘/˘··· |
| The patient architect, so shaped and fitted | 11 | ·/˘/˘····/˘ |
| That not a crevice let the winter in--" | 10 | ···/˘··/˘· |
| Think you my bones would not arise and walk, | 10 | ······˘/·· |
| This bruised body (as once the bruised soul) | 10 | ··˘/˘····· |
| Turn from the wonders of the seventh heaven | 11 | ···/˘··/˘/˘ |
| As from the antics of the market-place? | 10 | ···/˘··/˘· |
| If this could be (as I so oft have dreamed), | 10 | ·········· |
| I, who have known both loves, divine and human, | 11 | ······˘/·/˘ |
| Think you I would not leave this Christ for that? | 10 | ·········· |
| --I rave, you say? You start from me, Fra Paolo? | 11 | ·········/˘ |
| Go, then; your going leaves me not alone. | 10 | ···/˘···˘/ |
| I marvel, rather, that I feared the question, | 11 | ·/˘/˘····/˘ |
| Since, now I name it, it draws near to me | 10 | ·········· |
| With such dear reassurance in its eyes, | 10 | ····˘/˘··· |
| And takes your place beside me. . . | 7 | ····˘/· |
| Nay, I tell you, | 4 | ···· |
| Fra Paolo, I have cried on all the saints-- | 10 | ·/˘······· |
| If this be devil's prompting, let them drown it | 11 | ···/˘/˘···· |
| In Alleluias! Yet not one replies. | 9 | ·······˘/ |
| And, for the Christ there--is He silent too? | 10 | ·······/˘· |
| Your Christ? Poor father; you that have but one, | 10 | ···/˘····· |
| And that one silent--how I pity you! | 10 | ···/˘··/˘· |
| He will not answer? Will not help you cast | 10 | ···/˘····· |
| The devil out? But hangs there on the wall, | 10 | ·/˘······· |
| Blind wood and bone--? | 4 | ···· |
| How if I call on Him-- | 6 | ······ |
| I, whom He talks with, as the town attests? | 10 | ········˘/ |
| If ever prayer hath ravished me so high | 10 | ·/˘······· |
| That its wings failed and dropped me in Thy breast, | 10 | ·········· |
| Christ, I adjure Thee! By that naked hour | 11 | ··˘/···/˘/˘ |
| Of innermost commixture, when my soul | 10 | ·/˘·˘/˘··· |
| Contained Thee as the paten holds the host, | 10 | ˘/···/˘··· |
| Judge Thou alone between this priest and me; | 10 | ··˘/······ |
| Nay, rather, Lord, between my past and present, | 11 | ·/˘······/˘ |
| Thy Margaret and that other's--whose she is | 10 | ·/˘··/˘··· |
| By right of salvage--and whose call should follow! | 11 | ···/˘····/˘ |
| Thine? Silent still.--Or his, who stooped to her, | 10 | ·/˘······· |
| And drew her to Thee by the bands of love? | 10 | ·········· |
| Not Thine? Then his? | 4 | ···· |
| Ah, Christ--the thorn-crowned Head | 6 | ······ |
| Bends . . . bends again . . . down on your knees, | 8 | ··˘/···· |
| Fra Paolo! | 3 | ·/˘ |
| If his, then Thine! | 4 | ···· |
| Kneel, priest, for this is heaven. . . | 7 | ·····/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.