Love Outloved
Love cometh and love goeth,And he is wise who knowethWhither and whence love flies:But wise and yet more wiseAre they that heed not whence he flies or whitherWho hither speeds to-day, to-morrow thither;Like to the wind that as it listeth blows,And man doth hear the sound thereof, but knowsNor whence it comes nor whither yet it goes.
O sweet my sometime loved and worshipt oneA day thou gavest meThat rose full-orbed in starlike happinessAnd lit our heaven that other stars had none:--Sole as that westering sphere companionlessWhen twilight is begunAnd the dead sun transfigureth the sea:A day so brightMethought the very shadow, from its lightThrown, were enough to bless(Albeit with but a shadow's benison)The unborn days its dark posterity.Methought our love, though dead, should beFair as in life, by memoryEmbalmed, a rose with bloom for aye unblown.But lo the forest is with faded leavesAnd our two hearts with faded loves bestrown,And in mine ear the weak wind grievesAnd uttereth moan:"Shed leaves and fallen, fallen loves and shed,And those are dead and these are more than dead;And those have knownThe springtime, these the lovetime, overthrown,With all fair times and pleasureful that be."And shall not we, O Time, and shall not weThy strong self seeBrought low and vanquishèd,And made to bow the kneeAnd bow the headTo one that is when thou and thine are fled,The silent-eyed austere Eternity?
Behold a new song still the lark doth singEach morning when he riseth from the grass,And no man sigheth for the song that was,The melody that yestermorn did bring.The rose dies and the lily, and no man mournsThat nevermore the selfsame flower returns:For well we know a thousand flowers will spring,A thousand birds make music on the wing.Ay me! fair things and sweet are birds and flowers,The scent of lily and rose in gardens still,The babble of beakèd mouths that speak no ill:And love is sweeter yet than flower or bird,Or any odor smelled or ditty heard--Love is another and a sweeter thing.But when the music ceaseth in Love's bowers,Who listeneth well shall hear the silence stirredWith aftermoan of many a fretful string:For when Love harpeth to the hollow hours,His gladdest notes make saddest echoing.
Words in this poem
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- sometime adv.
- At a past time indefinitely referred to; once; formerly.
- westering a.
- Passing to the west.
- companionless a.
- Without a companion.
- albeit conj.
- Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
- benison n.
- Blessing; beatitude; benediction. [OE. beneysun, benesoun, OF. beneï, beneïson, fr. L. benedictio, fr. benedicere to bless; bene (adv. of bonus good) + dicere to say. See Bounty, and Diction, and]
- unborn a.
- Not born; no yet brought into life; being still to appear; future.
- springtime n.
- The season of spring; springtide.
- pleasureful a.
- Affording pleasure.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- yestermorn n.
- The morning of yesterday. Coleridge.
- nevermore adv.
- Never again; at no time hereafter. Testament of Love. Tyndale.
- selfsame a.
- Precisely the same; the very same; identical. [Self, a. + same.]
- ditty n.
- A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Love Outloved is in the public domain. This text is taken from The Poems of William Watson, Project Gutenberg ebook #13179; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Watson, Love Outloved, in The Poems of William Watson (1892–1905), text of Project Gutenberg ebook #13179, Laurel, https://laurelpoetry.com/poem/watson-poems/love-outloved.html, id L11371.
Form and metre
Love Outloved is 59 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.0 syllables. 13 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDD goethA · knowethA · fliesB · wiseB · whitherC · thitherC · blowsD · knowsD · goesD
- 2 A-BABA-CC-----DEDEDFFDDGGG-GHH- oneA · me · happinessB · noneA · companionlessB · begunA · sea · brightC · lightC · bless · benison · posterity · be · memory · unblownD · leavesE · bestrownD · grievesE · moanD · shedF · deadF · knownD · overthrownD · beG · weG · seeG · vanquishèd · kneeG · headH · fledH · eternity
- 3 A--A--AABCCDDABDABA singA · grass · was · bringA · mourns · returns · springA · wingA · flowersB · stillC · illC · birdD · heardD · thingA · bowersB · stirredD · stringA · hoursB · echoingA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Love cometh and love goeth, | 6 | ·/˘··· |
| And he is wise who knoweth | 7 | ·····/˘ |
| Whither and whence love flies: | 6 | /˘···· |
| But wise and yet more wise | 6 | ······ |
| Are they that heed not whence he flies or whither | 11 | ·········/˘ |
| Who hither speeds to-day, to-morrow thither; | 11 | ·/˘····/˘/˘ |
| Like to the wind that as it listeth blows, | 10 | ·······/˘· |
| And man doth hear the sound thereof, but knows | 10 | ·········· |
| Nor whence it comes nor whither yet it goes. | 10 | ·····/˘··· |
| O sweet my sometime loved and worshipt one | 10 | ···/······ |
| A day thou gavest me | 6 | ······ |
| That rose full-orbed in starlike happiness | 10 | ·····/·/˘˘ |
| And lit our heaven that other stars had none:-- | 10 | ··//·/˘··· |
| Sole as that westering sphere companionless | 11 | ···/˘˘·˘/˘˘ |
| When twilight is begun | 6 | ·/··˘/ |
| And the dead sun transfigureth the sea: | 10 | ·········· |
| A day so bright | 4 | ···· |
| Methought the very shadow, from its light | 10 | ˘/·/˘/···· |
| Thrown, were enough to bless | 6 | ··˘/·· |
| (Albeit with but a shadow's benison) | 11 | ˘/˘···/·/˘˘ |
| The unborn days its dark posterity. | 10 | ·//···˘/˘˘ |
| Methought our love, though dead, should be | 9 | ˘//˘····· |
| Fair as in life, by memory | 8 | ·····/˘˘ |
| Embalmed, a rose with bloom for aye unblown. | 10 | ˘/········ |
| But lo the forest is with faded leaves | 10 | ···/˘··/˘· |
| And our two hearts with faded loves bestrown, | 10 | ·/···/˘·˘/ |
| And in mine ear the weak wind grieves | 8 | ········ |
| And uttereth moan: | 5 | ·/˘˘· |
| "Shed leaves and fallen, fallen loves and shed, | 10 | ···/˘/˘··· |
| And those are dead and these are more than dead; | 10 | ·········· |
| And those have known | 4 | ···· |
| The springtime, these the lovetime, overthrown, | 11 | ·/·······˘/ |
| With all fair times and pleasureful that be." | 10 | ·····/˘˘·· |
| And shall not we, O Time, and shall not we | 10 | ·········· |
| Thy strong self see | 4 | ···· |
| Brought low and vanquishèd, | 5 | ····· |
| And made to bow the knee | 6 | ······ |
| And bow the head | 4 | ···· |
| To one that is when thou and thine are fled, | 10 | ·········· |
| The silent-eyed austere Eternity? | 10 | ·/˘·˘/˘/˘˘ |
| Behold a new song still the lark doth sing | 10 | ˘/········ |
| Each morning when he riseth from the grass, | 10 | ·/˘······· |
| And no man sigheth for the song that was, | 10 | ···/˘····· |
| The melody that yestermorn did bring. | 10 | ·/˘˘······ |
| The rose dies and the lily, and no man mourns | 11 | ·····/˘···· |
| That nevermore the selfsame flower returns: | 10 | ·/˘··/˘/˘/ |
| For well we know a thousand flowers will spring, | 10 | ·····/˘/·· |
| A thousand birds make music on the wing. | 10 | ·/˘··/˘··· |
| Ay me! fair things and sweet are birds and flowers, | 11 | ·········/˘ |
| The scent of lily and rose in gardens still, | 11 | ···/˘···/˘· |
| The babble of beakèd mouths that speak no ill: | 10 | ·/˘······· |
| And love is sweeter yet than flower or bird, | 10 | ···/˘··/·· |
| Or any odor smelled or ditty heard-- | 10 | ·/˘/˘··/˘· |
| Love is another and a sweeter thing. | 10 | ··˘/˘··/˘· |
| But when the music ceaseth in Love's bowers, | 11 | ···/˘/˘··/˘ |
| Who listeneth well shall hear the silence stirred | 10 | ·/˘····/˘· |
| With aftermoan of many a fretful string: | 10 | ·····/·/˘· |
| For when Love harpeth to the hollow hours, | 11 | ···/˘··/˘/˘ |
| His gladdest notes make saddest echoing. | 10 | ·/˘··/˘/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.