Upon His Majesty's Repairing of St Paul's
That shipwreck'd vessel which th'Apostle bore,Scarce suffer'd more upon Melita's shore,Than did his temple in the sea of time,Our nation's glory, and our nation's crime.When the first monarch of this happy isle,Moved with the ruin of so brave a pile,This work of cost and piety begun,To be accomplish'd by his glorious son,Who all that came within the ample thoughtOf his wise sire has to perfection brought;He, like Amphion, makes those quarries leapInto fair figures from a confused heap;For in his art of regiment is foundA power like that of harmony in sound.
Those antique minstrels, sure, were Charles-like kings,Cities their lutes, and subjects' hearts their strings,On which with so divine a hand they strook,Consent of motion from their breath they took:So all our minds with his conspire to graceThe Gentiles' great Apostle, and defaceThose state-obscuring sheds, that like a chainSeem'd to confine and fetter him again;Which the glad saint shakes off at his command,As once the viper from his sacred hand:So joys the aged oak, when we divideThe creeping ivy from his injured side.
Ambition rather would affect the fameOf some new structure, to have borne her name.Two distant virtues in one act we find,The modesty and greatness of his mind;Which, not content to be above the rage,And injury of all-impairing age,In its own worth secure, doth higher climb,And things half swallow'd from the jaws of Time
Reduce; an earnest of his grand design,To frame no new church, but the old refine;Which, spouse-like, may with comely grace command,More than by force of argument or hand.For doubtful reason few can apprehend,And war brings ruin where it should amend;But beauty, with a bloodless conquest findsA welcome sovereignty in rudest minds.
Not aught which Sheba's wond'ring queen beheldAmongst the works of Solomon, excell'dHis ships and building; emblems of a heartLarge both in magnanimity and art.
While the propitious heavens this work attend,Long-wanted showers they forget to send;As if they meant to make it understoodOf more importance than our vital food.
The sun, which riseth to salute the quireAlready finished, setting shall admireHow private bounty could so far extend:The King built all, but Charles the western end.So proud a fabric to devotion given,At once it threatens and obliges Heaven!
Laomedon, that had the gods in pay,Neptune, with him that rules the sacred day,Could no such structure raise: Troy wall'd so high,Th' Atrides might as well have forced the sky.
Glad, though amazed, are our neighbour kings,To see such power employ'd in peaceful things;They list not urge it to the dreadful field;The task is easier to destroy than build.
'St. Paul's': these repairs commenced in the spring of 1633.'Monarch': King James I.'Western end': the western end, built at Charles' own expense,consisted of a splendid portico, built by Inigo Jones.'Sacred day': Apollo.
Words in this poem
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- spouse v. t.
- To wed; to espouse. [See Espouse, and Spouse, n.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- amongst prep.
- Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
- solomon n.
- One of the kings of Israel, noted for his superior wisdom and magnificent reign; hence, a very wise man.
- quire v. i.
- To sing in concert.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- admire v. t.
- To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
- bounty n.
- Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
- neighbour v. i.
- To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
- dreadful a.
- Full of dread or terror; fearful.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Upon His Majesty's Repairing of St Paul's is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edmund Waller, Upon His Majesty's Repairing of St Paul's, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/upon-his-majesty-s-repairing-of-st-paul-s.html, id L09019.
Form and metre
Upon His Majesty's Repairing of St Paul's is 69 lines in 10 verse paragraphs. It is in rhyming couplets, 84% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 3 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGG boreA · shoreA · timeB · crimeB · isleC · pileC · begunD · sonD · thoughtE · broughtE · leapF · heapF · foundG · soundG
- 2 AABBCCDDEEFF kingsA · stringsA · strookB · tookB · graceC · defaceC · chainD · againD · commandE · handE · divideF · sideF
- 3 AABBCCDD fameA · nameA · findB · mindB · rageC · ageC · climbD · timeD
- 4 AABBCCDD designA · refineA · commandB · handB · apprehendC · amendC · findsD · mindsD
- 5 AABB beheldA · excell'dA · heartB · artB
- 6 AA-- attendA · sendA · understood · food
- 7 AABB-- quireA · admireA · extendB · endB · given · heaven
- 8 AABB payA · dayA · highB · skyB
- 9 AA-- kingsA · thingsA · field · build
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| That shipwreck'd vessel which th'Apostle bore, | 10 | ···/˘····· |
| Scarce suffer'd more upon Melita's shore, | 10 | ·/˘···˘/˘· |
| Than did his temple in the sea of time, | 10 | ···/˘····· |
| Our nation's glory, and our nation's crime. | 10 | //˘/˘·//˘· |
| When the first monarch of this happy isle, | 10 | ···/···/˘· |
| Moved with the ruin of so brave a pile, | 10 | ···/˘····· |
| This work of cost and piety begun, | 10 | ·····/˘˘˘/ |
| To be accomplish'd by his glorious son, | 10 | ··˘/˘··/˘· |
| Who all that came within the ample thought | 10 | ·······/˘· |
| Of his wise sire has to perfection brought; | 10 | ···/··˘/˘· |
| He, like Amphion, makes those quarries leap | 9 | ······/˘· |
| Into fair figures from a confused heap; | 10 | ···/˘··˘/· |
| For in his art of regiment is found | 10 | ·····/˘˘·· |
| A power like that of harmony in sound. | 10 | ·/···/˘˘·· |
| Those antique minstrels, sure, were Charles-like kings, | 10 | ·˘//˘····· |
| Cities their lutes, and subjects' hearts their strings, | 10 | /˘···/˘··· |
| On which with so divine a hand they strook, | 10 | ····˘/···· |
| Consent of motion from their breath they took: | 10 | ˘/·/˘····· |
| So all our minds with his conspire to grace | 10 | ··/···˘/·· |
| The Gentiles' great Apostle, and deface | 10 | ·/··˘/˘·˘/ |
| Those state-obscuring sheds, that like a chain | 10 | ··˘/˘····· |
| Seem'd to confine and fetter him again; | 10 | ··˘/·/˘·˘/ |
| Which the glad saint shakes off at his command, | 10 | ········˘/ |
| As once the viper from his sacred hand: | 10 | ···/˘··/˘· |
| So joys the aged oak, when we divide | 9 | ·······˘/ |
| The creeping ivy from his injured side. | 10 | ·/˘/˘··/˘· |
| Ambition rather would affect the fame | 10 | ˘/˘/˘·˘/·· |
| Of some new structure, to have borne her name. | 10 | ···/˘····· |
| Two distant virtues in one act we find, | 10 | ·/˘/˘····· |
| The modesty and greatness of his mind; | 10 | ·/˘˘·/˘··· |
| Which, not content to be above the rage, | 10 | ··/˘······ |
| And injury of all-impairing age, | 10 | ·/˘˘··˘/˘· |
| In its own worth secure, doth higher climb, | 10 | ····˘/·/˘· |
| And things half swallow'd from the jaws of Time | 10 | ···/˘····· |
| Reduce; an earnest of his grand design, | 10 | ˘/·/˘···˘/ |
| To frame no new church, but the old refine; | 10 | ········˘/ |
| Which, spouse-like, may with comely grace command, | 10 | ·····/˘·˘/ |
| More than by force of argument or hand. | 10 | ·····/˘˘·· |
| For doubtful reason few can apprehend, | 10 | ·/˘/˘···˘/ |
| And war brings ruin where it should amend; | 10 | ···/˘···˘/ |
| But beauty, with a bloodless conquest finds | 10 | ·/˘··/˘/˘· |
| A welcome sovereignty in rudest minds. | 10 | ·/˘/˘˘·/˘· |
| Not aught which Sheba's wond'ring queen beheld | 10 | ···/˘···˘/ |
| Amongst the works of Solomon, excell'd | 10 | ·····/˘˘˘/ |
| His ships and building; emblems of a heart | 10 | ···/˘/˘··· |
| Large both in magnanimity and art. | 10 | ·········· |
| While the propitious heavens this work attend, | 11 | ··˘/˘/˘··˘/ |
| Long-wanted showers they forget to send; | 10 | ·/˘/˘·˘/·· |
| As if they meant to make it understood | 10 | ········˘/ |
| Of more importance than our vital food. | 10 | ··˘/˘·//˘· |
| The sun, which riseth to salute the quire | 10 | ······˘/·· |
| Already finished, setting shall admire | 10 | ˘/˘/˘/˘·˘/ |
| How private bounty could so far extend: | 10 | ·/˘/˘···˘/ |
| The King built all, but Charles the western end. | 10 | ·······/˘· |
| So proud a fabric to devotion given, | 11 | ···/˘·˘/˘/˘ |
| At once it threatens and obliges Heaven! | 11 | ···/˘·˘/˘/˘ |
| Laomedon, that had the gods in pay, | 9 | ········· |
| Neptune, with him that rules the sacred day, | 10 | /˘·····/˘· |
| Could no such structure raise: Troy wall'd so high, | 10 | ···/˘····· |
| Th' Atrides might as well have forced the sky. | 10 | ·······˘·· |
| Glad, though amazed, are our neighbour kings, | 10 | ··˘/·/˘/˘· |
| To see such power employ'd in peaceful things; | 10 | ···/˘/·/˘· |
| They list not urge it to the dreadful field; | 10 | ·······/˘· |
| The task is easier to destroy than build. | 10 | ···/˘·˘/·· |
| 'St. Paul's': these repairs commenced in the spring of 1633. | 11 | ···˘/˘/···· |
| 'Monarch': King James I. | 5 | /···· |
| 'Western end': the western end, built at Charles' own expense, | 13 | /˘··/˘·····˘/ |
| consisted of a splendid portico, built by Inigo Jones. | 16 | ˘/˘··/˘/˘······· |
| 'Sacred day': Apollo. | 6 | /˘·˘/˘ |
Notes from the edition 3
George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).
- Stanza 1, line 5 'Monarch': King James I.
- Stanza 7, line 4 'Western end': the western end, built at Charles' own expense, consisted of a splendid portico, built by Inigo Jones.
- Stanza 8, line 2 'Sacred day': Apollo.
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