Upon Ben Jonson

Edmund Waller (1606–1687) · 1645–1668

iambic pentameter · heroic couplets · 32 lines · from Poetical Works

Mirror of poets! mirror of our age!Which her whole face beholding on thy stage,Pleased and displeased with her own faults, enduresA remedy like those whom music cures.Thou hast alone those various inclinationsWhich Nature gives to ages, sexes, nations;So tracèd with thy all-resembling pen,That whate'er custom has imposed on men,Or ill-got habit (which deforms them so,That scarce a brother can his brother know)Is represented to the wond'ring eyesOf all that see, or read, thy comedies.Whoever in those glasses looks, may findThe spots return'd, or graces, of his mind;And by the help of so divine an art,At leisure view, and dress, his nobler part.Narcissus, cozen'd by that flatt'ring well,Which nothing could but of his beauty tell,Had here, discov'ring the deformed estateOf his fond mind, preserved himself with hate.But virtue too, as well as vice, is cladIn flesh and blood so well, that Plato hadBeheld, what his high fancy once embraced,Virtue with colours, speech, and motion graced.The sundry postures of thy copious MuseWho would express, a thousand tongues must use;Whose fate's no less peculiar than thy art;For as thou couldst all characters impart,So none could render thine, which still escapes,Like Proteus, in variety of shapes;Who was nor this nor that; but all we find,And all we can imagine, in mankind.

Words in this poem

beholding a.
Obliged; beholden.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
narcissus n.
A genus of endogenous bulbous plants with handsome flowers, having a cup-shaped crown within the six-lobed perianth, and comprising the daffodils and jonquils of several kinds. [L. narcissus, and (personified) Narcissus, Gr. na`rkissos, Na`rkissos, fr. na`rkh torpor, in allusion to the narcotic properties of the flower. Cf. Narcotic.]
clad v.
To clothe. Holland.
graced a.
Endowed with grace; beautiful; full of graces; honorable.
sundry a.
Several; divers; more than one or two; various. [OE. sundry, sondry, AS. syndrig, fr. sundor asunder. See Sunder, v. t.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Upon Ben Jonson is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, Upon Ben Jonson, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/upon-ben-jonson.html, id L09068.

Form and metre

Upon Ben Jonson is 32 lines in a single stanza. It is in rhyming couplets, 94% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLL--MMNNOO ageA · stageA · enduresB · curesB · inclinationsC · nationsC · penD · menD · soE · knowE · eyesF · comediesF · findG · mindG · artH · partH · wellI · tellI · estateJ · hateJ · cladK · hadK · embracedL · gracedL · muse · use · artM · impartM · escapesN · shapesN · findO · mankindO
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Mirror of poets! mirror of our age!10/˘·/˘/˘·/·
Which her whole face beholding on thy stage,10····˘/˘···
Pleased and displeased with her own faults, endures10··˘/····˘/
A remedy like those whom music cures.10·/˘˘···/˘·
Thou hast alone those various inclinations11··˘/·/˘·˘/˘
Which Nature gives to ages, sexes, nations;11·/˘··/˘/˘/˘
So tracèd with thy all-resembling pen,10·····˘/˘˘·
That whate'er custom has imposed on men,11·˘˘//˘·˘/··
Or ill-got habit (which deforms them so,10···/˘··/··
That scarce a brother can his brother know)10···/˘··/˘·
Is represented to the wond'ring eyes10··˘/˘·····
Of all that see, or read, thy comedies.10·······/˘˘
Whoever in those glasses looks, may find10˘/˘··/˘···
The spots return'd, or graces, of his mind;10··˘/·/˘···
And by the help of so divine an art,10······˘/··
At leisure view, and dress, his nobler part.10·/˘····/˘·
Narcissus, cozen'd by that flatt'ring well,10˘/˘·······
Which nothing could but of his beauty tell,10·/˘····/˘·
Had here, discov'ring the deformed estate10······˘/˘/
Of his fond mind, preserved himself with hate.10····˘/˘/··
But virtue too, as well as vice, is clad10·/˘·······
In flesh and blood so well, that Plato had10·······/˘·
Beheld, what his high fancy once embraced,10˘/···/˘·˘/
Virtue with colours, speech, and motion graced.10/˘·/˘··/˘·
The sundry postures of thy copious Muse10·/˘/˘··/˘·
Who would express, a thousand tongues must use;10··˘/·/˘···
Whose fate's no less peculiar than thy art;10····˘/˘···
For as thou couldst all characters impart,10·····/˘˘˘/
So none could render thine, which still escapes,10···/˘···˘/
Like Proteus, in variety of shapes;10·/˘˘·˘/˘··
Who was nor this nor that; but all we find,10··········
And all we can imagine, in mankind.10····˘/˘·//

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edmund Waller