To Sir William Davenant, upon His Two First Books of Gondibert. Written in France

Edmund Waller (1606–1687) · 1645–1668

iambic pentameter · heroic couplets · 42 lines · from Cooper's Hill, and Other Poems

Thus the wise nightingale that leaves her home,Her native wood, when storms and winter come,Pursuing constantly the cheerful spring,To foreign groves does her old music bring.

The drooping Hebrews' banish'd harps, unstrung,At Babylon upon the willows hung;Yours sounds aloud, and tells us you excelNo less in courage, than in singing well;While, unconcern'd, you let your country knowThey have impoverish'd themselves, not you;Who, with the Muses' help, can mock those fatesWhich threaten kingdoms, and disorder states.So Ovid, when from Cæsar's rage he fled,The Roman Muse to Pontus with him led;Where he so sung, that we, through pity's glass,See Nero milder than Augustus was.Hereafter such, in thy behalf, shall beTh' indulgent censure of posterity.To banish those who with such art can sing,Is a rude crime, which its own curse doth bring;Ages to come shall ne'er know how they fought,Nor how to love, their present youth be taught.

This to thyself.--Now to thy matchless book,Wherein those few that can with judgment look,May find old love in pure fresh language told,Like new-stamp'd coin made out of angel-gold.Such truth in love as th'antique world did know,In such a style as courts may boast of now;Which no bold tales of gods or monsters swell,But human passions, such as with us dwell.Man is thy theme; his virtue or his rageDrawn to the life in each elaborate page.Mars nor Bellona are not namèd here,But such a Gondibert as both might fear;Venus had here, and Hebe, been outshinedBy the bright Birtha and thy Rhodalind.Such is thy happy skill, and such the oddsBetwixt thy worthies and the Grecian gods!Whose deities in vain had here come down,Where mortal beauty wears the Sovereign crown;Such as of flesh compos'd, by flesh and blood,Though not resisted, may be understood.

Words in this poem

aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
nero n.
A Roman emperor notorius for debauchery and barbarous cruelty; hence, any profligate and cruel ruler or merciless tyrant.
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
bellona n.
The goddess of war. [L., from bellum war.]
hebe n.
The goddess of youth, daughter of Jupiter and Juno. She was believed to have the power of restoring youth and beauty to those who had lost them. [L., fr. Gr. "h`bh youth, "H`bh Hebe.]
odds n.
Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
betwixt prep.
In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Sir William Davenant, upon His Two First Books of Gondibert. Written in France is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, To Sir William Davenant, upon His Two First Books of Gondibert. Written in France, in Cooper's Hill, and Other Poems (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/to-sir-william-davenant-upon-his-two-first-books-of-gondibert-written-in-france.html, id L26322.

Form and metre

To Sir William Davenant, upon His Two First Books of Gondibert. Written in France is 42 lines in 3 verse paragraphs. It is in rhyming couplets, 81% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB homeA · comeA · springB · bringB
  2. 2 AABB--CCDD----EEFF unstrungA · hungA · excelB · wellB · know · you · fatesC · statesC · fledD · ledD · glass · was · be · posterity · singE · bringE · foughtF · taughtF
  3. 3 AABB--CCDDEEFFGGHHII bookA · lookA · toldB · goldB · know · now · swellC · dwellC · rageD · pageD · hereE · fearE · outshinedF · rhodalindF · oddsG · godsG · downH · crownH · bloodI · understoodI
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Thus the wise nightingale that leaves her home,10···/˘˘····
Her native wood, when storms and winter come,10·/˘····/˘·
Pursuing constantly the cheerful spring,10˘/˘/˘˘·/˘·
To foreign groves does her old music bring.10·/˘····/˘·
The drooping Hebrews' banish'd harps, unstrung,10·/˘··/˘···
At Babylon upon the willows hung;10·/˘····/··
Yours sounds aloud, and tells us you excel10··˘/····˘/
No less in courage, than in singing well;10···/˘··/˘·
While, unconcern'd, you let your country know10··˘/···/˘·
They have impoverish'd themselves, not you;9··˘/˘˘/··
Who, with the Muses' help, can mock those fates10···/˘·····
Which threaten kingdoms, and disorder states.10·/˘/˘·˘/˘·
So Ovid, when from Cæsar's rage he fled,9·········
The Roman Muse to Pontus with him led;10·/˘·······
Where he so sung, that we, through pity's glass,10·······/˘·
See Nero milder than Augustus was.10·/˘/˘·˘/˘·
Hereafter such, in thy behalf, shall be10˘/˘···˘/··
Th' indulgent censure of posterity.10˘/˘/˘·˘/˘˘
To banish those who with such art can sing,10·/˘·······
Is a rude crime, which its own curse doth bring;10··········
Ages to come shall ne'er know how they fought,10/˘········
Nor how to love, their present youth be taught.10·····/˘···
This to thyself.--Now to thy matchless book,10··˘/···/˘·
Wherein those few that can with judgment look,10·······/˘·
May find old love in pure fresh language told,10·······/˘·
Like new-stamp'd coin made out of angel-gold.10·······/˘·
Such truth in love as th'antique world did know,10··········
In such a style as courts may boast of now;10··········
Which no bold tales of gods or monsters swell,10·······/˘·
But human passions, such as with us dwell.10·/˘/˘·····
Man is thy theme; his virtue or his rage10·····/˘···
Drawn to the life in each elaborate page.10······˘/˘·
Mars nor Bellona are not namèd here,9··˘/˘····
But such a Gondibert as both might fear;10··········
Venus had here, and Hebe, been outshined10/˘·····/·˘
By the bright Birtha and thy Rhodalind.10··········
Such is thy happy skill, and such the odds10···/˘·····
Betwixt thy worthies and the Grecian gods!10˘/·/˘··/˘·
Whose deities in vain had here come down,10·/˘˘······
Where mortal beauty wears the Sovereign crown;10·/˘/˘··/˘·
Such as of flesh compos'd, by flesh and blood,10····˘/····
Though not resisted, may be understood.10··˘/˘···˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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