The Triple Combat

Edmund Waller (1606–1687) · 1645–1668

iambic pentameter · heroic couplets · 44 lines · from Poetical Works

When through the world fair Mazarin had run,Bright as her fellow-traveller, the sun,Hither at length the Roman eagle flies,As the last triumph of her conqu'ring eyes.As heir to Julius, she may pretendA second time to make this island bend;But Portsmouth, springing from the ancient raceOf Britons, which the Saxon here did chase,As they great Cæsar did oppose, makes head,And does against this new invader lead.That goodly nymph, the taller of the two,Careless and fearless to the field does go.Becoming blushes on the other wait,And her young look excuses want of height.Beauty gives courage; for she knows the dayMust not be won the Amazonian way.Legions of Cupids to the battle come,For Little Britain these, and those for Rome.Dress'd to advantage, this illustrious pairArrived, for combat in the list appear.What may the Fates design! for never yetFrom distant regions two such beauties met.Venus had been an equal friend to both,And vict'ry to declare herself seems loth;Over the camp, with doubtful wings, she flies,Till Chloris shining in the fields she spies.The lovely Chloris well-attended came,A thousand Graces waited on the dame;Her matchless form made all the English glad,And foreign beauties less assurance had;Yet, like the Three on Ida's top, they allPretend alike, contesting for the ball;Which to determine, Love himself declined,Lest the neglected should become less kind.Such killing looks! so thick the arrows fly!That 'tis unsafe to be a stander-by.Poets, approaching to describe the fight,Are by their wounds instructed how to write.They with less hazard might look on, and drawThe ruder combats in Alsatia;And, with that foil of violence and rage,Set off the splendour of our golden age;Where Love gives law, Beauty the sceptre sways,And, uncompell'd, the happy world obeys.

Words in this poem

invader n.
One who invades; an assailant; an encroacher; an intruder.
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
amazonian a.
Pertaining to or resembling an Amazon; of masculine manners; warlike.
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
stander n.
One who stands.
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
sceptre n.
A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Triple Combat is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, The Triple Combat, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/the-triple-combat.html, id L09065.

Form and metre

The Triple Combat is 44 lines in a single stanza. It is in rhyming couplets, 82% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 16% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE----FFGGHHII--JJKKLLMMNNOOPP--QQRR runA · sunA · fliesB · eyesB · pretendC · bendC · raceD · chaseD · headE · leadE · two · go · wait · height · dayF · wayF · comeG · romeG · pairH · appearH · yetI · metI · both · loth · fliesJ · spiesJ · cameK · dameK · gladL · hadL · allM · ballM · declinedN · kindN · flyO · byO · fightP · writeP · draw · alsatia · rageQ · ageQ · swaysR · obeysR
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
When through the world fair Mazarin had run,10··········
Bright as her fellow-traveller, the sun,10···/˘/˘˘··
Hither at length the Roman eagle flies,10/˘···/˘/˘·
As the last triumph of her conqu'ring eyes.11···/˘······
As heir to Julius, she may pretend9···/˘··˘/
A second time to make this island bend;10·/˘····/˘·
But Portsmouth, springing from the ancient race10·/˘/˘··/˘·
Of Britons, which the Saxon here did chase,10·/˘··/˘···
As they great Cæsar did oppose, makes head,9·····˘/··
And does against this new invader lead.10······˘/˘·
That goodly nymph, the taller of the two,10·/˘··/˘···
Careless and fearless to the field does go.10/˘·/˘·····
Becoming blushes on the other wait,10˘/˘/˘··/˘·
And her young look excuses want of height.10····˘/˘···
Beauty gives courage; for she knows the day10/˘·/˘·····
Must not be won the Amazonian way.10······˘/˘·
Legions of Cupids to the battle come,10/˘·/˘··/˘·
For Little Britain these, and those for Rome.10·/˘/˘·····
Dress'd to advantage, this illustrious pair10··˘/˘·˘/˘·
Arrived, for combat in the list appear.10˘/·/˘···˘/
What may the Fates design! for never yet10····˘/·/˘·
From distant regions two such beauties met.10·/˘/˘··/˘·
Venus had been an equal friend to both,10/˘···/˘···
And vict'ry to declare herself seems loth;10····˘/˘/··
Over the camp, with doubtful wings, she flies,10·····/˘···
Till Chloris shining in the fields she spies.10·/˘/˘·····
The lovely Chloris well-attended came,10·/˘/˘·˘/˘·
A thousand Graces waited on the dame;10·/˘/˘/˘···
Her matchless form made all the English glad,10·/˘····/˘·
And foreign beauties less assurance had;10·/˘/˘·˘/˘·
Yet, like the Three on Ida's top, they all10·····/˘···
Pretend alike, contesting for the ball;10˘/˘/˘/˘···
Which to determine, Love himself declined,10··˘/˘·˘/˘/
Lest the neglected should become less kind.10··˘/˘·˘/··
Such killing looks! so thick the arrows fly!10·/˘····/˘·
That 'tis unsafe to be a stander-by.10··˘/···/˘·
Poets, approaching to describe the fight,10/˘˘/˘·˘/··
Are by their wounds instructed how to write.10····˘/˘···
They with less hazard might look on, and draw10···/˘·····
The ruder combats in Alsatia;9·/˘˘/····
And, with that foil of violence and rage,10·····/˘˘··
Set off the splendour of our golden age;10···/˘·//˘·
Where Love gives law, Beauty the sceptre sways,10····/˘·/˘·
And, uncompell'd, the happy world obeys.10·····/˘·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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