Elegy on the Death of Henry Lord Hastings, 1650
Reader, preserve thy peace: those busy eyesWill weep at their own sad discoveries,When every line they add improves thy loss,Till, having view'd the whole, they seem a cross,Such as derides thy passions' best relief,And scorns the succours of thy easy grief;Yet lest thy ignorance betray thy nameOf man and pious, read and mourn; the shameOf an exemption from just sense doth showIrrational, beyond excess of woe.Since reason, then, can privilege a tear,Manhood, uncensured, pay that tribute hereUpon this noble urn. Here, here remainsDust far more precious than in India's veins;Within those cold embraces, ravish'd, liesThat which completes the age's tyrannies;Who weak to such another ill appear,For what destroys our hope secures our fear.What sin, unexpiated in this landOf groans, hath guided so severe a hand?The late great victim that your altars knew,Ye angry gods! might have excused this newOblation, and have spared one lofty lightOf virtue, to inform our steps aright;By whose example good, condemnèd, weMight have run on to kinder destiny.But as the leader of the herd fell firstA sacrifice, to quench the raging thirstOf inflamed vengeance for past crimes, so noneBut this white, fatted youngling could atone,By his untimely fate, that impious smoke,That sullied earth, and did Heaven's pity choke.Let it suffice for us that we have lostIn him more than the widow'd world can boastIn any lump of her remaining clay.Fair as the gray-eyed morn he was; the day,Youthful, and climbing upwards still, impartsNo haste like that of his increasing parts.Like the meridian beam, his virtue's lightWas seen as full of comfort, and as bright.Had his noon been as fixed, as clear--but he,That only wanted immortalityTo make him perfect, now submits to night,In the black bosom of whose sable spiteHe leaves a cloud of flesh behind, and flies,Refined, all ray and glory, to the skies.Great saint! shine there in an eternal sphere,And tell those powers to whom thou now draw'st near,That by our trembling sense, in Hastings dead,Their anger and our ugly faults are read,The short lines of whose life did to our eyesTheir love and majesty epitomise;Tell them, whose stern decrees impose our laws;The feasted grave may close her hollow jaws.Though Sin search Nature, to provide her hereA second entertainment half so dear,She'll never meet a plenty like this hearse,Till Time present her with the universe!
Words in this poem
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- oblation n.
- The act of offering, or of making an offering. [L. oblatio: cf. F. oblation. See Oblate.]
- aright adv.
- Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
- youngling n.
- A young person; a youth; also, any animal in its early life. [AS. geongling.]
- atone v. t.
- To set at one; to reduce to concord; to reconcile, as parties at variance; to appease.
- suffice v. i.
- To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- hastings n.
- Early fruit or vegetables; especially, early pease. Mortimer. [From Haste, v.]
- epitomise v. t.
- To make an epitome of; to shorten or abridge, as a writing or discourse; to reduce within a smaller space; as, to epitomize the works of Justin.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Elegy on the Death of Henry Lord Hastings, 1650 is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edmund Waller, Elegy on the Death of Henry Lord Hastings, 1650, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/elegy-on-the-death-of-henry-lord-hastings-1650.html, id L09166.
Form and metre
Elegy on the Death of Henry Lord Hastings, 1650 is 58 lines in a single stanza. It is in rhyming couplets, 86% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 4 lines end on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKKLL--MM--NN--OOPPQQ--QQRRSSTTUUVVWWXX eyesA · discoveriesA · lossB · crossB · reliefC · griefC · nameD · shameD · showE · woeE · tearF · hereF · remainsG · veinsG · liesH · tyranniesH · appearI · fearI · landJ · handJ · knewK · newK · lightL · arightL · we · destiny · firstM · thirstM · none · atone · smokeN · chokeN · lost · boast · clayO · dayO · impartsP · partsP · lightQ · brightQ · he · immortality · nightQ · spiteQ · fliesR · skiesR · sphereS · nearS · deadT · readT · eyesU · epitomiseU · lawsV · jawsV · hereW · dearW · hearseX · universeX
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Reader, preserve thy peace: those busy eyes | 10 | /˘˘/···/˘· |
| Will weep at their own sad discoveries, | 10 | ······˘/˘˘ |
| When every line they add improves thy loss, | 10 | ·/˘···˘/·· |
| Till, having view'd the whole, they seem a cross, | 10 | ·/˘······· |
| Such as derides thy passions' best relief, | 10 | ··˘/·/˘·˘/ |
| And scorns the succours of thy easy grief; | 10 | ···/˘··/˘· |
| Yet lest thy ignorance betray thy name | 10 | ···/˘˘˘/·· |
| Of man and pious, read and mourn; the shame | 10 | ···/˘····· |
| Of an exemption from just sense doth show | 10 | ··˘/˘····· |
| Irrational, beyond excess of woe. | 10 | ˘/˘˘··˘/·· |
| Since reason, then, can privilege a tear, | 9 | ·/˘··/˘·· |
| Manhood, uncensured, pay that tribute here | 10 | /······/˘· |
| Upon this noble urn. Here, here remains | 10 | ···/˘···˘/ |
| Dust far more precious than in India's veins; | 10 | ···/˘··/˘· |
| Within those cold embraces, ravish'd, lies | 10 | ····˘/˘··· |
| That which completes the age's tyrannies; | 10 | ··˘/·/˘/˘˘ |
| Who weak to such another ill appear, | 10 | ····˘/˘·˘/ |
| For what destroys our hope secures our fear. | 10 | ··˘//·˘//· |
| What sin, unexpiated in this land | 9 | ········· |
| Of groans, hath guided so severe a hand? | 10 | ···/˘·˘/·· |
| The late great victim that your altars knew, | 10 | ···/˘··/˘· |
| Ye angry gods! might have excused this new | 10 | ·/˘···˘/·· |
| Oblation, and have spared one lofty light | 10 | ˘/˘····/˘· |
| Of virtue, to inform our steps aright; | 10 | ·/˘·˘//·˘/ |
| By whose example good, condemnèd, we | 9 | ··˘/˘···· |
| Might have run on to kinder destiny. | 10 | ·····/˘/˘˘ |
| But as the leader of the herd fell first | 10 | ···/˘····· |
| A sacrifice, to quench the raging thirst | 10 | ·/˘····/˘· |
| Of inflamed vengeance for past crimes, so none | 10 | ·˘//˘····· |
| But this white, fatted youngling could atone, | 10 | ···/˘/˘·˘/ |
| By his untimely fate, that impious smoke, | 11 | ··˘/˘··˘/˘· |
| That sullied earth, and did Heaven's pity choke. | 11 | ·/˘···/˘/˘· |
| Let it suffice for us that we have lost | 10 | ··˘/······ |
| In him more than the widow'd world can boast | 10 | ·····/˘··· |
| In any lump of her remaining clay. | 10 | ·/˘···˘/˘· |
| Fair as the gray-eyed morn he was; the day, | 10 | ·········· |
| Youthful, and climbing upwards still, imparts | 10 | /˘·/˘/˘·˘/ |
| No haste like that of his increasing parts. | 10 | ······˘/˘· |
| Like the meridian beam, his virtue's light | 10 | ··˘/˘··/˘· |
| Was seen as full of comfort, and as bright. | 10 | ·····/˘··· |
| Had his noon been as fixed, as clear--but he, | 10 | ·········· |
| That only wanted immortality | 10 | ·/˘/˘·˘/˘˘ |
| To make him perfect, now submits to night, | 10 | ···/···/·· |
| In the black bosom of whose sable spite | 10 | ···/˘··/˘· |
| He leaves a cloud of flesh behind, and flies, | 10 | ·········· |
| Refined, all ray and glory, to the skies. | 10 | ˘/···/˘··· |
| Great saint! shine there in an eternal sphere, | 10 | ······˘/˘· |
| And tell those powers to whom thou now draw'st near, | 10 | ···/······ |
| That by our trembling sense, in Hastings dead, | 10 | ··//˘··/˘· |
| Their anger and our ugly faults are read, | 10 | ·/˘·//˘··· |
| The short lines of whose life did to our eyes | 10 | ········/· |
| Their love and majesty epitomise; | 10 | ···/˘˘˘/˘· |
| Tell them, whose stern decrees impose our laws; | 10 | ····˘/˘//· |
| The feasted grave may close her hollow jaws. | 10 | ·/˘····/˘· |
| Though Sin search Nature, to provide her here | 10 | ···/˘·˘/·· |
| A second entertainment half so dear, | 10 | ·/˘·˘/˘··· |
| She'll never meet a plenty like this hearse, | 10 | ·/˘··/˘··· |
| Till Time present her with the universe! | 10 | ··˘/···/˘· |
Notes from the edition 1
George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).
- Line 21 'Great victim': Charles I.
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