On the Way to Hangchow: Anchored on the River at Night

Various (about 800), translated by Arthur Waley · 1918

dactylic tetrameter · unrhymed · 8 lines · from A Hundred and Seventy Chinese Poems

Little sleeping and much grieving,--the travellerRises at midnight and looks back towards home.The sands are bright with moonlight that joins the shores;The sail is white with dew that has covered the boat.Nearing the sea, the river grows broader and broader:Approaching autumn,--the nights longer and longer.Thirty times we have slept amid mists and waves,And still we have not reached Hang-chow!

Words in this poem

amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On the Way to Hangchow: Anchored on the River at Night is in the public domain. This text is taken from A Hundred and Seventy Chinese Poems, Project Gutenberg ebook #42290, the Arthur Waley translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, On the Way to Hangchow: Anchored on the River at Night, in A Hundred and Seventy Chinese Poems (1918), text of Project Gutenberg ebook #42290, Laurel, https://laurelpoetry.com/poem/waley-chinese/on-the-way-to-hangchow-anchored-on-the-river-at-night.html, id L18856.

Form and metre

On the Way to Hangchow: Anchored on the River at Night is 8 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is dactylic tetrameter, measured from the stress the words themselves fix (confidence 71%). 78% of its stressed syllables fall where the metre puts the beat. The lines average 11.2 syllables. 3 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.

See other poems in dactylic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against dactylic tetrameter. How this is done.

LineSyl.Stress
Little sleeping and much grieving,--the traveller12/˘/˘··/˘·/˘˘
Rises at midnight and looks back towards home.11/˘·/·······
The sands are bright with moonlight that joins the shores;11·····/·····
The sail is white with dew that has covered the boat.12········/˘··
Nearing the sea, the river grows broader and broader:13/˘···/˘·/˘·/˘
Approaching autumn,--the nights longer and longer.12˘/˘/˘··/˘·/˘
Thirty times we have slept amid mists and waves,11/˘····˘/···
And still we have not reached Hang-chow!8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Various