Continuation of

Various (about 800), translated by Arthur Waley · 1918

iambic hexameter · unrhymed · 62 lines · from A Hundred and Seventy Chinese Poems

The dead are gone and with them we cannot converse.The living are here and ought to have our love.Leaving the city-gate I look aheadAnd see before me only mounds and tombs.The old graves are ploughed up into fields,The pines and cypresses are hewn for timber.In the white aspens sad winds sing;Their long murmuring kills my heart with grief.I want to go home, to ride to my village gate.I want to go back, but there’s no road back.

The years of a lifetime do not reach a hundred.Yet they contain a thousand years’ sorrow.When days are short and the dull nights long,Why not take a lamp and wander forth?If you want to be happy you must do it now,There is no waiting till an after-time.The fool who’s loath to spend the wealth he’s gotBecomes the laughing-stock of after ages.It is true that Master Wang became immortal,But how can we hope to share his lot?

Cold, cold the year draws to its end,The crickets and grasshoppers make a doleful chirping.The chill wind increases its violence.My wandering love has no coat to cover him.He gave his embroidered furs to the Lady of Lo,But from me his bedfellow he is quite estranged.Sleeping alone in the depth of the long nightIn a dream I thought I saw the light of his face.My dear one thought of our old joys together,He came in his chariot and gave me the front reins.I wanted so to prolong our play and laughter,To hold his hand and go back with him in his coach.But, when he had come he would not stay longNor stop to go with me to the Inner Chamber.Truly without the falcon’s wings to carry meHow can I rival the flying wind’s swiftness?I go and lean at the gate and think of my grief,My falling tears wet the double gates.

At the beginning of winter a cold spirit comes,The North Wind blows--chill, chill.My sorrows being many, I know the length of the nights,Raising my head I look at the stars in their places.On the fifteenth day the bright moon is full,On the twentieth day the “toad and hare” wane.A stranger came to me from a distant landAnd brought me a single scroll with writing on it;At the top of the scroll was written “Do not forget,”At the bottom was written “Goodbye for Ever.”I put the letter away in the folds of my dress,For three years the writing did not fade.How with an undivided heart I loved youI fear that you will never know or guess.

The bright moon, oh, how white it shines,Shines down on the gauze curtains of my bed.Racked by sorrow I toss and cannot sleep.Picking up my clothes, I wander up and down.My absent love says that he is happy,But I would rather he said he was coming back.Out in the courtyard I stand hesitating, alone.To whom can I tell the sad thoughts I think?Staring before me I enter my room again;Falling tears wet my mantle and robe.

Words in this poem

ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
ahead adv.
In or to the front; in advance; onward. [Pref. a- + head.]
lifetime n.
The time that life continues.
loath a.
Hateful; odious; disliked. [OE. looth, loth, AS. la hostile, odious; akin to OS. l, G. leid, Icel. lei, Sw. led, G. leiden to suffer, OHG. lidan to suffer, go, cf. AS. li to go, Goth. leip]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
wang n.
The jaw, jawbone, or cheek bone. [OE. wange, AS. wange, wonge, cheek, jaw; akin to D. wang, OS. & OHG. wanga, G. wange.]
bedfellow n.
One who lies with another in the same bed; a person who shares one's couch.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Continuation of is in the public domain. This text is taken from A Hundred and Seventy Chinese Poems, Project Gutenberg ebook #42290, the Arthur Waley translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, Continuation of, in A Hundred and Seventy Chinese Poems (1918), text of Project Gutenberg ebook #42290, Laurel, https://laurelpoetry.com/poem/waley-chinese/continuation-of.html, id L18756.

Form and metre

Continuation of is 62 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 75%). 83% of its stressed syllables fall where the metre puts the beat. The lines average 10.9 syllables. 15 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.

See other poems in iambic hexameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 ------A--A hundred · sorrow · long · forth · now · time · gotA · ages · immortal · lotA
  2. 4 ----------A--A comes · chill · nights · places · full · wane · land · it · forget · ever · dressA · fade · you · guessA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.

LineSyl.Stress
The dead are gone and with them we cannot converse.12········/˘/˘
The living are here and ought to have our love.12·/˘······/˘·
Leaving the city-gate I look ahead10/˘·/˘···˘/
And see before me only mounds and tombs.10·····/˘···
The old graves are ploughed up into fields,9·········
The pines and cypresses are hewn for timber.11···/˘˘···/˘
In the white aspens sad winds sing;8···/˘···
Their long murmuring kills my heart with grief.10··/˘˘·····
I want to go home, to ride to my village gate.12·········/˘·
I want to go back, but there’s no road back.10··········
The years of a lifetime do not reach a hundred.12····/·····/˘
Yet they contain a thousand years’ sorrow.10··˘/·/˘·/˘
When days are short and the dull nights long,9·········
Why not take a lamp and wander forth?9······/˘·
If you want to be happy you must do it now,12·····/˘·····
There is no waiting till an after-time.10···/˘·····
The fool who’s loath to spend the wealth he’s got10··········
Becomes the laughing-stock of after ages.11˘/·/˘····/˘
It is true that Master Wang became immortal,12····/˘·˘/˘/˘
But how can we hope to share his lot?9·········
Cold, cold the year draws to its end,8········
The crickets and grasshoppers make a doleful chirping.13·/˘·/·˘··/˘/˘
The chill wind increases its violence.10···˘/˘·/˘˘
My wandering love has no coat to cover him.12·/˘˘·····/˘·
He gave his embroidered furs to the Lady of Lo,13···˘/˘···/˘··
But from me his bedfellow he is quite estranged.12····/·˘···˘/
Sleeping alone in the depth of the long night11/˘˘/·······
In a dream I thought I saw the light of his face.12············
My dear one thought of our old joys together,12·····/˘··˘/˘
He came in his chariot and gave me the front reins.13····/˘˘······
I wanted so to prolong our play and laughter,13·/˘··˘//˘··/˘
To hold his hand and go back with him in his coach.12············
But, when he had come he would not stay long10··········
Nor stop to go with me to the Inner Chamber.12········/˘/˘
Truly without the falcon’s wings to carry me12/˘···/˘··/˘·
How can I rival the flying wind’s swiftness?11···/˘·/˘·/˘
I go and lean at the gate and think of my grief,12············
My falling tears wet the double gates.9·/˘···/˘·
At the beginning of winter a cold spirit comes,13··˘/˘·/˘··/˘·
The North Wind blows--chill, chill.6······
My sorrows being many, I know the length of the nights,14·/˘/˘/˘·······
Raising my head I look at the stars in their places.13/˘·········/˘
On the fifteenth day the bright moon is full,10··˘/······
On the twentieth day the “toad and hare” wane.11··/˘˘······
A stranger came to me from a distant land11·/˘·····/˘·
And brought me a single scroll with writing on it;12····/˘··/˘··
At the top of the scroll was written “Do not forget,”13·······/˘··˘/
At the bottom was written “Goodbye for Ever.”12··/˘·/˘·/·/˘
I put the letter away in the folds of my dress,13···/˘˘/······
For three years the writing did not fade.9····/˘···
How with an undivided heart I loved you11····˘/˘····
I fear that you will never know or guess.10·····/˘···
The bright moon, oh, how white it shines,8········
Shines down on the gauze curtains of my bed.10·····/˘···
Racked by sorrow I toss and cannot sleep.10··/˘···/˘·
Picking up my clothes, I wander up and down.11/˘····/˘···
My absent love says that he is happy,10·/˘·····/˘
But I would rather he said he was coming back.12···/˘····/˘·
Out in the courtyard I stand hesitating, alone.13···/···/˘·˘˘/
To whom can I tell the sad thoughts I think?10··········
Staring before me I enter my room again;12/˘····/˘··˘/
Falling tears wet my mantle and robe.9/˘···/˘··
Notes from the edition 1

Arthur Waley's notes to A Hundred and Seventy Chinese Poems (1918; Project Gutenberg #42290).

  1. Stanza 4, line 6 The “toad and hare” correspond to our “man in the moon.” The waning of the moon symbolizes the waning of the lover’s affection. (17) The bright moon, oh, how white it shines, Shines down on the gauze curtains of my bed. Racked by sorrow I toss and cannot sleep. Picking up my clothes, I wander up and down. My absent love says that he is happy, But I would rather he said he was coming back. Out in the courtyard I stand hesitating, alone. To whom can I tell the sad thoughts I think? Staring before me I enter my room again; Falling tears wet my mantle and robe.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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