Vera II

Henry Van Dyke (1852–1933) · 1925

iambic pentameter · 143 lines · from The Poems of Henry Van Dyke

What rapture of new lifeMust come to one for whom a silent worldIs suddenly made vocal, and whose heartBy the same magic is awaked at once,Without the learner's toil and long delay,Out of a night of dumbly moving dreams,Into a day that overflows with music!This joy was Vera's; and to her it seemedAs if a new creative morn had risenUpon the earth, and after the full weekWhen living things unfolded silently,And after the long, quiet Sabbath day,When all was still, another day had dawned,And through the calm expectancy of heavenA secret voice had said, "Let all things speak."The world responded with an instant joy;And all the unseen avenues of soundWere thronged with varying forms of viewless life.

To every living thing a voice was givenDistinct and personal. The forest treesWere not more varied in their shades of greenThan in their tones of speech; and every birdThat nested in their branches had a songUnknown to other birds and all his own.The waters spoke a hundred dialectsOf one great language; now with pattering fallOf raindrops on the glistening leaves, and nowWith steady roar of rivers rushing downTo meet the sea, and now with rhythmic throbAnd measured tumult of tempestuous waves,And now with lingering lisp of creeping tides,--The manifold discourse of many waters.But most of all the human voice was fullOf infinite variety, and rangedAlong the scale of life's experienceWith changing tones, and notes both sweet and sad,All fitted to express some unseen thought,Some vital motion of the hidden heart.So Vera listened with her new-born senseTo all the messengers that passed the gates,In measureless delight and utter trust,Believing that they brought a true reportFrom every living thing of its true life,And hoping that at last they would make clearThe mystery and the meaning of the world.

But soon there came a trouble in her joy,A note discordant that dissolved the chordAnd broke the bliss of hearing into pain.Not from the harsher sounds and voices wildOf anger and of anguish, that revealThe secret strife in nature, and confessThe touch of sorrow on the heart of life,--From these her trouble came not. For in these,However sad, she felt the note of truth,And truth, though sad, is always musical.The raging of the tempest-ridden sea,The crash of thunder, and the hollow moanOf winds complaining round the mountain-crags,The shrill and quavering cry of birds of prey,The fiercer roar of conflict-loving beasts,--All these wild sounds are potent in their placeWithin life's mighty symphony; the charmOf truth attunes them, and the hearing earFinds pleasure in their rude sincerity.Even the broken and tumultuous noiseThat rises from great cities, where the heartOf human toil is beating heavilyWith ceaseless murmurs of the labouring pulse,Is not a discord; for it speaks to lifeOf life unfeigned, and full of hopes and fears,And touched through all the trouble of its notesWith something real and therefore glorious.

One voice alone of all that sound on earth,Is hateful to the soul, and full of pain,--The voice of falsehood. So when Vera heardThis mocking voice, and knew that it was false;When first she learned that human lips can speakThe thing that is not, and betray the earOf simple trust with treachery of words;The joy of hearing withered in her heart.For now she felt that faithless messengersCould pass the open and unguarded gatesOf sound, and bring a message all untrue,Or half a truth that makes the deadliest lie,Or idle babble, neither false nor true,But hollow to the heart, and meaningless.She heard the flattering voices of deceit,That mask the hidden purposes of menWith fair attire of favourable words,And hide the evil in the guise of good:The voices vain and decorous and smooth,That fill the world with empty-hearted talk;The foolish voices, wandering and confused,That never clearly speak the thing they would,But ramble blindly round their true intentAnd tangle sense in hopeless coils of sound,--All these she heard, and with a deep mistrustBegan to doubt the value of her gift.It seemed as if the world, the living world,Sincere, and vast, and real, were still concealed,And she, within the prison of her soul,Still waiting silently to hear the voiceOf perfect knowledge and of perfect peace.

So with the burden of her discontentShe turned to seek the Master once again,And found him sitting in the market-place,Half-hidden in the shadow of a porch,Alone among the careless crowd.She spoke:"Thy gift was great, dear Master, and my heartHas thanked thee many times because I hearBut I have learned that hearing is not all;For underneath the speech of men, there flowsAnother current of their hidden thoughts;Behind the mask of language I perceiveThe eyes of things unsaid.Touch me again,O Master, with thy liberating hand,And free me from the bondage of deceit.Open another gate, and let me hearThe secret thoughts and purposes of men;For only thus my heart will be at rest,And only thus, at last, I shall perceiveThe mystery and the meaning of the world."

The Master's face was turned aside from her;His eyes looked far away, as if he sawSomething beyond her sight; and yet she knewThat he was listening; for her pleading voiceNo sooner ceased than he put forth his handTo touch her brow, and very gently spoke:"Thou seekest for thyself a wondrous gift,--The opening of the second gate, a giftThat many wise men have desired in vain:But some have found it,--whether well or illFor their own peace, they have attained the powerTo hear unspoken thoughts of other men.And thou hast begged this gift? Thou shalt receive,--Not knowing what thou seekest,--it is thine:The second gate is open! Thou shalt hearAll that men think and feel within their hearts:Thy prayer is granted, daughter, go thy way!But if thou findest sorrow on this path,Come back again,--there is a path to peace."

Words in this poem 24
dumbly adv.
In silence; mutely.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
expectancy n.
The act of expecting ; expectation.
unseen a.
Not seen or discovered.
viewless a.
Not perceivable by the eye; invisible; unseen.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
rhythmic a.
Pertaining to, or of the nature of, rhythm DAy and night I worked my rhythmic thought. Mrs. Browning. [Gr. rhythmicus, F. rhythmique.]
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
lisp v. i.
To pronounce the sibilant letter s imperfectly; to give s and z the sound of th; -- a defect common among children. [OE. lispen, lipsen, AS. wlisp stammering, lisping; akin to D. & OHG. lispen to lisp, G. lispeln, Sw. läspa, Dan. lespe.]
measureless a.
Without measure; unlimited; immeasurable.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
symphony n.
A consonance or harmony of sounds, agreeable to the ear, whether the sounds are vocal or instrumental, or both. [F. symphonie (cf. It. sinfonia), L. symphonia, Gr. Phonetic.]
ceaseless a.
Without pause or end; incessant.
labouring a.
That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
unfeigned a.
Not feigned; not counterfeit; not hypocritical; real; sincere; genuine; as, unfeigned piety; unfeigned love to man.
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
hateful a.
Manifesting hate or hatred; malignant; malevolent.
blindly adv.
Without sight, discernment, or understanding; without thought, investigation, knowledge, or purpose of one's own.
tangle v. t.
To unite or knit together confusedly; to interweave or interlock, as threads, so as to make it difficult to unravel the knot; to entangle; to ravel. [A frequentative fr. tang seaweed; hence, to twist like seaweed. See Tang seaweed, and cf. Tangle, n.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
shalt
2d per. sing. of Shall.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Vera II is in the public domain. This text is taken from The Poems of Henry Van Dyke, Project Gutenberg ebook #16229; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Van Dyke, Vera II, in The Poems of Henry Van Dyke (1925), text of Project Gutenberg ebook #16229, Laurel, https://laurelpoetry.com/poem/van-dyke-poems/vera-ii.html, id L22784.

Form and metre

Vera II is 143 lines in 6 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A---B-C--C-B--C--A lifeA · world · heart · once · delayB · dreams · musicC · seemed · risen · weekC · silently · dayB · dawned · heaven · speakC · joy · sound · lifeA
  2. 2 A-A-------------B---B------ givenA · trees · greenA · bird · song · own · dialects · fall · now · down · throb · waves · tides · waters · full · ranged · experienceB · sad · thought · heart · senseB · gates · trust · report · life · clear · world
  3. 3 ------A----------------A--- joy · chord · pain · wild · reveal · confess · lifeA · these · truth · musical · sea · moan · crags · prey · beasts · place · charm · ear · sincerity · noise · heart · heavily · pulse · lifeA · fears · notes · glorious
  4. 4 ----------A-A----B---B--------- earth · pain · heard · false · speak · ear · words · heart · messengers · gates · untrueA · lie · trueA · meaningless · deceit · men · words · goodB · smooth · talk · confused · wouldB · intent · sound · mistrust · gift · world · concealed · soul · voice · peace
  5. 5 -A-----B---C-A--BA-C- discontent · againA · place · porch · crowd · spoke · heart · hearB · all · flows · thoughts · perceiveC · unsaid · againA · hand · deceit · hearB · menA · rest · perceiveC · world
  6. 6 ------AA----------- her · saw · knew · voice · hand · spoke · giftA · giftA · vain · ill · power · men · receive · thine · hear · hearts · way · path · peace
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
What rapture of new life6·/˘···
Must come to one for whom a silent world10·······/˘·
Is suddenly made vocal, and whose heart10·/˘˘·/˘···
By the same magic is awaked at once,10···/˘·˘/··
Without the learner's toil and long delay,10···/˘···˘/
Out of a night of dumbly moving dreams,10·····/˘/˘·
Into a day that overflows with music!11·····/˘··/˘
This joy was Vera's; and to her it seemed10···/˘·····
As if a new creative morn had risen11····˘/˘··/˘
Upon the earth, and after the full week10··········
When living things unfolded silently,10·/˘·˘/˘/˘˘
And after the long, quiet Sabbath day,10·····/˘/˘·
When all was still, another day had dawned,10····˘/˘···
And through the calm expectancy of heaven11····˘/˘˘·/˘
A secret voice had said, "Let all things speak."10·/˘·······
The world responded with an instant joy;10··˘/˘··/˘·
And all the unseen avenues of sound10···˘//˘···
Were thronged with varying forms of viewless life.10···/˘··/˘·
To every living thing a voice was given11·/˘/˘····/˘
Distinct and personal. The forest trees10˘/·/˘˘·/˘·
Were not more varied in their shades of green10···/˘·····
Than in their tones of speech; and every bird10·······/˘·
That nested in their branches had a song10·/˘··/˘···
Unknown to other birds and all his own.10˘/·/˘·····
The waters spoke a hundred dialects10·/˘··/˘/˘·
Of one great language; now with pattering fall10···/˘··/˘·
Of raindrops on the glistening leaves, and now10·/···/˘···
With steady roar of rivers rushing down10·/˘··/˘/˘·
To meet the sea, and now with rhythmic throb10·······/˘·
And measured tumult of tempestuous waves,10·/˘/˘··/˘·
And now with lingering lisp of creeping tides,--10···/˘··/˘·
The manifold discourse of many waters.11·/˘·/˘·/˘/˘
But most of all the human voice was full10·····/˘···
Of infinite variety, and ranged10·/˘˘˘/˘˘··
Along the scale of life's experience10˘/····˘/˘˘
With changing tones, and notes both sweet and sad,10·/˘·······
All fitted to express some unseen thought,10·/˘·˘/·˘/·
Some vital motion of the hidden heart.10·/˘/˘··/˘·
So Vera listened with her new-born sense10·/˘/˘·····
To all the messengers that passed the gates,10···/˘˘····
In measureless delight and utter trust,10·/˘˘˘/·/˘·
Believing that they brought a true report10˘/˘·····˘/
From every living thing of its true life,10·/˘/˘·····
And hoping that at last they would make clear10·/˘·······
The mystery and the meaning of the world.10·/˘··/˘···
But soon there came a trouble in her joy,10·····/˘···
A note discordant that dissolved the chord10··˘/˘·˘/··
And broke the bliss of hearing into pain.10·····/˘···
Not from the harsher sounds and voices wild10···/˘··/˘·
Of anger and of anguish, that reveal10·/˘··/˘·˘/
The secret strife in nature, and confess10·/˘··/˘·˘/
The touch of sorrow on the heart of life,--10···/˘·····
From these her trouble came not. For in these,10···/˘·····
However sad, she felt the note of truth,10·/˘·······
And truth, though sad, is always musical.10·····/˘/˘˘
The raging of the tempest-ridden sea,10·/˘··/˘/˘·
The crash of thunder, and the hollow moan10···/˘··/˘·
Of winds complaining round the mountain-crags,10··˘/˘··/˘·
The shrill and quavering cry of birds of prey,10···/˘·····
The fiercer roar of conflict-loving beasts,--10·/˘··/˘/˘·
All these wild sounds are potent in their place10·····/˘···
Within life's mighty symphony; the charm10···/˘/˘˘··
Of truth attunes them, and the hearing ear10··˘/···/˘·
Finds pleasure in their rude sincerity.10·/˘···˘/˘˘
Even the broken and tumultuous noise10/·/˘··/˘˘·
That rises from great cities, where the heart10·/˘··/˘···
Of human toil is beating heavily10·/˘··/˘/˘˘
With ceaseless murmurs of the labouring pulse,10·/˘/˘··/˘·
Is not a discord; for it speaks to life10···/˘·····
Of life unfeigned, and full of hopes and fears,10··˘/······
And touched through all the trouble of its notes10·····/˘···
With something real and therefore glorious.10·/˘····/˘˘
One voice alone of all that sound on earth,10··˘/······
Is hateful to the soul, and full of pain,--10·/˘·······
The voice of falsehood. So when Vera heard10···/···/˘·
This mocking voice, and knew that it was false;10·/˘·······
When first she learned that human lips can speak10·····/˘···
The thing that is not, and betray the ear10······˘/··
Of simple trust with treachery of words;10·/˘··/˘˘··
The joy of hearing withered in her heart.10···/˘/˘···
For now she felt that faithless messengers10·····/˘/˘˘
Could pass the open and unguarded gates10···/˘·˘/˘·
Of sound, and bring a message all untrue,10·····/˘·˘/
Or half a truth that makes the deadliest lie,10·······/˘·
Or idle babble, neither false nor true,10·/˘/˘/˘···
But hollow to the heart, and meaningless.10·/˘····/˘˘
She heard the flattering voices of deceit,10···/˘/˘·˘/
That mask the hidden purposes of men10···/˘/˘˘··
With fair attire of favourable words,10··˘/······
And hide the evil in the guise of good:10···/˘·····
The voices vain and decorous and smooth,10·/˘··/˘˘··
That fill the world with empty-hearted talk;10·····/˘/˘·
The foolish voices, wandering and confused,10·/˘/˘/˘·˘/
That never clearly speak the thing they would,10·/˘/˘·····
But ramble blindly round their true intent10·/˘/˘···˘/
And tangle sense in hopeless coils of sound,--10·/˘··/˘···
All these she heard, and with a deep mistrust10········˘/
Began to doubt the value of her gift.10˘/···/˘···
It seemed as if the world, the living world,10·······/˘·
Sincere, and vast, and real, were still concealed,10˘/······˘/
And she, within the prison of her soul,10·····/˘···
Still waiting silently to hear the voice10·/˘/˘˘····
Of perfect knowledge and of perfect peace.10·˘//˘··˘/·
So with the burden of her discontent10···/˘··˘˘/
She turned to seek the Master once again,10·····/˘·˘/
And found him sitting in the market-place,10···/˘··/˘·
Half-hidden in the shadow of a porch,10·/˘··/····
Alone among the careless crowd.8˘/···/˘·
She spoke:2··
"Thy gift was great, dear Master, and my heart10·····/˘···
Has thanked thee many times because I hear10···/˘·····
But I have learned that hearing is not all;10·····/˘···
For underneath the speech of men, there flows10··˘/······
Another current of their hidden thoughts;10˘/˘/˘··/˘·
Behind the mask of language I perceive10·····/˘·˘/
The eyes of things unsaid.6····˘/
Touch me again,4··˘/
O Master, with thy liberating hand,10·/˘··/˘·˘·
And free me from the bondage of deceit.10·····/˘·˘/
Open another gate, and let me hear10/˘˘/˘·····
The secret thoughts and purposes of men;10·/˘··/˘˘··
For only thus my heart will be at rest,10·/˘·······
And only thus, at last, I shall perceive10·/˘·····˘/
The mystery and the meaning of the world."10·/˘··/˘···
The Master's face was turned aside from her;10·/˘···˘/··
His eyes looked far away, as if he saw10····˘/····
Something beyond her sight; and yet she knew10/˘········
That he was listening; for her pleading voice10···/˘··/˘·
No sooner ceased than he put forth his hand10·/˘·······
To touch her brow, and very gently spoke:10·····/˘/˘·
"Thou seekest for thyself a wondrous gift,--10·/˘·˘/·/˘·
The opening of the second gate, a gift10·/˘··/˘···
That many wise men have desired in vain:10·/···˘/˘··
But some have found it,--whether well or ill10··········
For their own peace, they have attained the power11······˘/·/˘
To hear unspoken thoughts of other men.10··˘/˘··/˘·
And thou hast begged this gift? Thou shalt receive,--10········˘/
Not knowing what thou seekest,--it is thine:10·/˘··/˘···
The second gate is open! Thou shalt hear10·/˘··/˘···
All that men think and feel within their hearts:10··········
Thy prayer is granted, daughter, go thy way!10···/˘/˘···
But if thou findest sorrow on this path,10···/˘/˘···
Come back again,--there is a path to peace."10··˘/······

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