Spring in the South
Now in the oak the sap of life is welling,Tho' to the bough the rusty leafage clings;Now on the elm the misty buds are swelling;Every little pine-wood grows alive with wings;Blue-jays are fluttering, yodeling and crying,Meadow-larks sailing low above the faded grass,Red-birds whistling clear, silent robins flying,--Who has waked the birds up? What has come to pass?
Last year's cotton-plants, desolately bowing,Tremble in the March-wind, ragged and forlorn;Red are the hillsides of the early ploughing,Gray are the lowlands, waiting for the corn.Earth seems asleep, but she is only feigning;Deep in her bosom thrills a sweet unrest;Look where the jasmine lavishly is rainingJove's golden shower into Danaee's breast!
Now on the plum-tree a snowy bloom is sifted,Now on the peach-tree, the glory of the rose,Far o'er the hills a tender haze is drifted,Full to the brim the yellow river flows.Dark cypress boughs with vivid jewels glisten,Greener than emeralds shining in the sun.Whence comes the magic? Listen, sweetheart, listen!The mocking-bird is singing: Spring is begun.
Hark, in his song no tremor of misgiving!All of his heart he pours into his lay,--"Love, love, love, and pure delight of living:Winter is forgotten: here's a happy day!"Fair in your face I read the flowery presage,Snowy on your brow and rosy on your mouth:Sweet in your voice I hear the season's message,--Love, love, love, and Spring in the South!
Words in this poem
- leafage n.
- Leaves, collectively; foliage.
- desolately adv.
- In a desolate manner.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- unrest n.
- Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
- lavishly adv.
- In a lavish manner.
- snowy a.
- White like snow.
- misgiving n.
- Evil premonition; doubt; distrust.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Spring in the South is in the public domain. This text is taken from The Poems of Henry Van Dyke, Project Gutenberg ebook #16229; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Van Dyke, Spring in the South, in The Poems of Henry Van Dyke (1925), text of Project Gutenberg ebook #16229, Laurel, https://laurelpoetry.com/poem/van-dyke-poems/spring-in-the-south.html, id L22770.
Form and metre
Spring in the South is 32 lines in 4 stanzas of 8 lines each. Every stanza rhymes ABABCDCD. The metre is trochaic hexameter, measured from the stress the words themselves fix (confidence 78%).
See other poems in trochaic hexameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCD wellingA · clingsB · swellingA · wingsB · cryingC · grassD · flyingC · passD
- 2 ABABCDCD bowingA · forlornB · ploughingA · cornB · feigningC · unrestD · rainingC · breastD
- 3 ABABCDCD siftedA · roseB · driftedA · flowsB · glistenC · sunD · listenC · begunD
- 4 ABABCDCD misgivingA · layB · livingA · dayB · presageC · mouthD · messageC · southD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic hexameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now in the oak the sap of life is welling, | 11 | ·········/˘ |
| Tho' to the bough the rusty leafage clings; | 10 | ·····/˘/˘· |
| Now on the elm the misty buds are swelling; | 11 | ·····/˘··/˘ |
| Every little pine-wood grows alive with wings; | 11 | /˘/˘···˘/·· |
| Blue-jays are fluttering, yodeling and crying, | 11 | ···/˘/˘˘·/˘ |
| Meadow-larks sailing low above the faded grass, | 12 | /··/˘····/˘· |
| Red-birds whistling clear, silent robins flying,-- | 11 | ··/˘·/˘/˘/˘ |
| Who has waked the birds up? What has come to pass? | 11 | ··········· |
| Last year's cotton-plants, desolately bowing, | 11 | ··/˘·/˘˘˘/˘ |
| Tremble in the March-wind, ragged and forlorn; | 11 | /˘····/˘·˘/ |
| Red are the hillsides of the early ploughing, | 11 | ···/···/˘/˘ |
| Gray are the lowlands, waiting for the corn. | 10 | ···/·/˘··· |
| Earth seems asleep, but she is only feigning; | 11 | ··˘/···/˘/˘ |
| Deep in her bosom thrills a sweet unrest; | 10 | ···/˘···˘/ |
| Look where the jasmine lavishly is raining | 11 | ···/˘/˘˘·/˘ |
| Jove's golden shower into Danaee's breast! | 9 | ·/˘/˘···· |
| Now on the plum-tree a snowy bloom is sifted, | 12 | ······/˘··/˘ |
| Now on the peach-tree, the glory of the rose, | 11 | ······/˘··· |
| Far o'er the hills a tender haze is drifted, | 11 | ·····/˘··/˘ |
| Full to the brim the yellow river flows. | 10 | ·····/˘/˘· |
| Dark cypress boughs with vivid jewels glisten, | 11 | ·/˘··/˘/˘/˘ |
| Greener than emeralds shining in the sun. | 10 | /˘·/˘/˘··· |
| Whence comes the magic? Listen, sweetheart, listen! | 11 | ···/˘/˘/·/˘ |
| The mocking-bird is singing: Spring is begun. | 11 | ·/˘··/˘··/˘ |
| Hark, in his song no tremor of misgiving! | 11 | ·····/˘·˘/˘ |
| All of his heart he pours into his lay,-- | 10 | ·········· |
| "Love, love, love, and pure delight of living: | 10 | ·····˘/·/˘ |
| Winter is forgotten: here's a happy day!" | 11 | /˘·˘/˘··/˘· |
| Fair in your face I read the flowery presage, | 11 | ·······/˘/˘ |
| Snowy on your brow and rosy on your mouth: | 11 | /˘····/˘··· |
| Sweet in your voice I hear the season's message,-- | 11 | ·······/˘/˘ |
| Love, love, love, and Spring in the South! | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.