Longfellow
In a great land, a new land, a land full of labour and riches andconfusion,Where there were many running to and fro, and shouting, and strivingtogether,In the midst of the hurry and the troubled noise, I heard the voice ofone singing.
"What are you doing there, O man, singing quietly amid all this tumult?This is the time for new inventions, mighty shoutings, and blowings ofthe trumpet."But he answered, "I am only shepherding my sheep with music."
So he went along his chosen way, keeping his little flock around him;And he paused to listen, now and then, beside the antique fountains,Where the faces of forgotten gods were refreshed with musically fallingwaters;
Or he sunned himself in the pine-scented shipyard, amid the tattoo ofthe mallets;Or he leaned on the rail of the bridge, letting his thoughts flow withthe whispering river;He hearkened also to ancient tales, and made them young again with hissinging.
Then a flaming arrow of death fell on his flock, and pierced the heartof his dearest!Silent the music now, as the shepherd entered the mystical temple ofsorrow:Long he tarried in darkness there: but when he came out he was singing.
The lonely sailor on far-off seas; and the gray-minded scholar in hisbook-room;The mill-hand bound to a clacking machine; and the hunter in the forest;And the solitary soul hiding friendless in the wilderness of the city;
Many human faces, full of care and longing, were drawn irresistiblytoward him,By the charm of something known to every heart, yet very strange andlovely,And at the sound of his singing wonderfully all their faces werelightened.
"Why do you listen, O you people, to this old and world-worn music?This is not for you, in the splendour of a new age, in the democratictriumph!Listen to the clashing cymbals, the big drums, the brazen trumpets ofyour poets."
But the people made no answer, following in their hearts the simplermusic:For it seemed to them, noise-weary, nothing could be better worth thehearingThan the melodies which brought sweet order into life's confusion.
So the shepherd sang his way along, until he came unto a mountain:And I know not surely whether the mountain was called Parnassus,But he climbed it out of sight, and still I heard the voice of onesinging.
Words in this poem
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- went n.
- Course; way; path; journey; direction.
- musically adv.
- In a musical manner.
- shipyard n.
- A yard, place, or inclosure where ships are built or repaired.
- friendless a.
- Destitute of friends; forsaken. [AS. freóndleás.]
- irresistibly adv.
- In an irrestible manner.
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- parnassus n.
- A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Longfellow is in the public domain. This text is taken from The Poems of Henry Van Dyke, Project Gutenberg ebook #16229; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Van Dyke, Longfellow, in The Poems of Henry Van Dyke (1925), text of Project Gutenberg ebook #16229, Laurel, https://laurelpoetry.com/poem/van-dyke-poems/longfellow.html, id L25360.
Form and metre
Longfellow is 49 lines in 10 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 10 A-A- mountainA · parnassus · oneA · singing
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In a great land, a new land, a land full of labour and riches and | 17 | ···········/··/˘· |
| confusion, | 3 | ˘/˘ |
| Where there were many running to and fro, and shouting, and striving | 15 | ···//˘····/˘·/˘ |
| together, | 3 | ˘/˘ |
| In the midst of the hurry and the troubled noise, I heard the voice of | 17 | ·····/˘··/˘······ |
| one singing. | 3 | ·/˘ |
| "What are you doing there, O man, singing quietly amid all this tumult? | 17 | ···/···/˘/˘˘/··/˘ |
| This is the time for new inventions, mighty shoutings, and blowings of | 17 | ······˘/˘/˘/˘·/˘· |
| the trumpet." | 3 | ·/˘ |
| But he answered, "I am only shepherding my sheep with music." | 15 | ··/˘··/˘/˘···/˘ |
| So he went along his chosen way, keeping his little flock around him; | 18 | ···˘/·/˘·/˘·/˘···· |
| And he paused to listen, now and then, beside the antique fountains, | 16 | ····/˘···˘/·˘//˘ |
| Where the faces of forgotten gods were refreshed with musically falling | 17 | ··/˘·˘/˘··˘/·/˘/˘ |
| waters; | 2 | /˘ |
| Or he sunned himself in the pine-scented shipyard, amid the tattoo of | 18 | ···˘/···/˘/·˘/·˘/· |
| the mallets; | 3 | ·/˘ |
| Or he leaned on the rail of the bridge, letting his thoughts flow with | 15 | ·········/˘···· |
| the whispering river; | 6 | ·/˘˘/˘ |
| He hearkened also to ancient tales, and made them young again with his | 17 | ···/˘·/˘·····˘/·· |
| singing. | 2 | /˘ |
| Then a flaming arrow of death fell on his flock, and pierced the heart | 16 | ··/˘/˘·········· |
| of his dearest! | 4 | ··/˘ |
| Silent the music now, as the shepherd entered the mystical temple of | 18 | /˘·/˘···/˘/˘·/˘/˘· |
| sorrow: | 2 | /˘ |
| Long he tarried in darkness there: but when he came out he was singing. | 16 | ····/˘········/˘ |
| The lonely sailor on far-off seas; and the gray-minded scholar in his | 18 | ·/˘/˘·······/˘/˘·· |
| book-room; | 2 | ·· |
| The mill-hand bound to a clacking machine; and the hunter in the forest; | 18 | ······/˘˘/··/˘··/˘ |
| And the solitary soul hiding friendless in the wilderness of the city; | 19 | ··/˘·˘·/˘/˘··/˘··/˘ |
| Many human faces, full of care and longing, were drawn irresistibly | 17 | //˘/˘····/˘···˘/˘ |
| toward him, | 3 | ··· |
| By the charm of something known to every heart, yet very strange and | 16 | ····/˘··/˘··/˘·· |
| lovely, | 2 | /˘ |
| And at the sound of his singing wonderfully all their faces were | 15 | ······/˘/˘··/˘· |
| lightened. | 2 | /˘ |
| "Why do you listen, O you people, to this old and world-worn music? | 17 | ···/˘··/˘······/˘ |
| This is not for you, in the splendour of a new age, in the democratic | 19 | ·······/˘·······˘/˘ |
| triumph! | 2 | /˘ |
| Listen to the clashing cymbals, the big drums, the brazen trumpets of | 17 | /˘··/˘/˘····/˘/˘· |
| your poets." | 3 | ·/˘ |
| But the people made no answer, following in their hearts the simpler | 16 | ··/˘··/˘/˘····/˘ |
| music: | 2 | /˘ |
| For it seemed to them, noise-weary, nothing could be better worth the | 16 | ······/˘/˘··/˘·· |
| hearing | 2 | /˘ |
| Than the melodies which brought sweet order into life's confusion. | 15 | ··/˘···/˘···˘/˘ |
| So the shepherd sang his way along, until he came unto a mountain: | 18 | ··/˘···˘/·······/˘ |
| And I know not surely whether the mountain was called Parnassus, | 16 | ····/˘···/˘···/˘ |
| But he climbed it out of sight, and still I heard the voice of one | 15 | ··············· |
| singing. | 2 | /˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.