To Harry
Harry, my little blue-eyed boy,I love to have thee playing near;There's music in thy shouts of joyTo a fond father's ear.
I love to see the lines of mirthMantle thy cheek and forehead fair,As if all pleasures of the earthHad met to revel there;
For gazing on thee, do I sighThat those most happy years must flee,And thy full share of miseryMust fall in life on thee!
There is no lasting grief below,My Harry! that flows not from guilt;Thou canst not read my meaning now--In after times thou wilt.
Thou'lt read it when the churchyard clayShall lie upon thy father's breast,And he, though dead, will point the wayThou shalt be always blest.
They'll tell thee this terrestrial ball,To man for his enjoyment given,Is but a state of sinful thrallTo keep the soul from heaven.
My boy! the verdure-crownèd hills,The vales where flowers innumerous blow,The music of ten thousand rillsWill tell thee, 't is not so.
God is no tyrant who would spreadUnnumbered dainties to the eyes,Yet teach the hungering child to dreadThat touching them he dies!
No! all can do his creatures good,He scatters round with hand profuse--The only precept understood,
But he had other teachers. He studied all classic literature. "TheÆschylean drama had no attraction for him; he reveled in the rich andelegant strains of Virgil, and of the many toned lyre of Horace and thesilver lute of Catullus." From the full and inexhaustible fountain ofEnglish letters he drank unceasingly. Spenser, Shakespeare, Milton,Burns, Wordsworth, and, later, Tennyson were his immediate inspiration.
"In seeds of laurel in the earthThe blossom of your fame is blown,And somewhere waiting for its birth,The shaft is in the stone."
Harp of the South! no more, no moreThy silvery strings shall quiver,The one strong hand might win thy strainsIs chilled and stilled forever.
Our one sweet singer breaks no moreThe silence sad and long,The land is hushed from shore to shore,It brooks no feebler song!
No other voice can charm our ears,None other soothe our pain;Better these echoes lingering yet,Than any ruder strain.
For singing, Fate has given sighs,For music we make moan;Oh, who may touch the harp-strings sinceThat whisper--"HE IS GONE!"
See where he lies--his last sad homeOf all memorial bare,Save for a little heap of leavesThe winds have gathered there!
One fair frail shell from some far seaLies lone above his breast,Sad emblem and sole epitaphTo mark his place of rest.
The sweet winds murmur in its heartA music soft and low,As they would bring their secrets stillTo him who sleeps below.
And lo! one tender, tearful bloomWins upward through the grass,As some sweet thought he left unsungWere blossoming at last.
Wild weeds grow rank about the place,A dark, cold spot, and drear;The dull neglect that marked his lifeHas followed even here.
Around shine many a marble shaftAnd polished pillars fair,And strangers stand on Timrod's graveTo praise them, unaware!
"Hold up the glories of thy dead!"To thine own self be true,Land that he loved! Come, honor nowThis grave that honors you!
"Next to some pine whose antique roots just peepedFrom out the crumbling bases of the sand."
"Hail, twilight! sovereign of one peaceful hour!Not dull art thou as undiscerning night;But only studious to remove from sightDay's mutable distinctions."
"Come out and hear the waters shoot, the owlet hoot, the owlet hoot;Yon crescent moon, a golden boat, hangs dim behind the tree, O!The dropping thorn makes white the grass, O! sweetest lass,and sweetest lassCome out and smell the ricks of hay adown the croft with me, O!"
"I left your climate to my injury. But not only for the sake of myhealth, I begin already to look back with longing regret to 'CopseHill'. You have all made me feel as if I had TWO beloved homes!
"The mission of Genius on Earth! To uplift,Purify, and confirm, by its own gracious gift,The world,"--
"All lovely things, and gentle--the sweet laughOf children, Girlhood's kiss, and Friendship's clasp,The boy that sporteth with the old man's staff,The baby, and the breast its fingers grasp--All that exalts the grounds of happiness,All griefs that hallow, and all joys that bless,
"To me are sacred; at my holy shrineLove breathes its latest dreams, its earliest hints;I turn life's tasteless waters into wine,And flush them through and through with purple tints.Wherever Earth is fair, and Heaven looks down,I rear my altars, and I wear my crown."
"There is no unimpressive spot on earth,The beauty of the stars is over all."
"A shadowy land, where joy and sorrow kiss,Each still to each corrective and relief,Where dim delights are brightened into bliss,And nothing wholly perishes but Grief.
"Ah, me!--not dies--no more than spirit dies;But in a change like death is clothed with wings;A serious angel, with entrancèd eyes,Looking to far off and celestial things."
"But the typeWhereby we shall be known in every landIs that vast gulf which lips our Southern strand,And through the cold, untempered ocean poursIts genial streams, that far off Arctic shoresMay sometimes catch upon the softened breezeStrange tropic warmth and hints of summer seas."
"No fairer land hath fired a poet's lays,Or given a home to man!"
"'I hear a murmur as of wavesThat grope their way through sunless caves,Like bodies struggling in their graves,Carolina!And now it deepens; slow and grandIt swells, as rolling to the land,An ocean broke upon the strand,Carolina!Shout! let it reach the startled Huns!And roar with all thy festal guns!It is the answer of thy sons,Carolina!'"
"There is no holier spot of groundThan where defeated valor lies,By mourning beauty crowned!"
"not dies, no more than Spirit dies;But in a change like death was clothed with wings."
Words in this poem 26
- harry v. i.
- To make a predatory incursion; to plunder or lay waste.
- churchyard n.
- The ground adjoining a church, in which the dead are buried; a cemetery.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- shalt
- 2d per. sing. of Shall.
- unnumbered a.
- Not numbered; not counted or estimated; innumerable.
- classic a.
- Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- chilled a.
- Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- lone n.
- A lane. See Loanin.
- tearful a.
- Abounding with tears; weeping; shedding tears; as, tearful eyes.
- drear n.
- Sadness; dismalness.
- unaware a.
- Not aware; not noticing; giving no heed; thoughtless; inattentive.
- undiscerning n.
- Want of discernment. Spectator.
- owlet n.
- A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
- hoot v. i.
- To cry out or shout in contempt. [OE. hoten, houten, huten; cf. OSw. huta, Sw. huta ut to take one up sharply, fr. Sw. hut interj., begone! cf. also W. hwt off! off with it! away! hoot!]
- lass n.
- A youth woman; a girl; a sweetheart. [OE. lasse; prob. of Celtic origin; cf. W. llodes girl, fem. of llawd lad. (Lad a youth.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- uplift v. t.
- To lift or raise aloft; to raise; to elevate; as, to uplift the arm; to uplift a rock.
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- wherever adv.
- At or in whatever place; wheresoever.
- genial a.
- Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
- sunless a.
- Destitute or deprived of the sun or its rays; shaded; shadowed.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To Harry is in the public domain. This text is taken from Poems of Henry Timrod; with Memoir, Project Gutenberg ebook #845; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Timrod, To Harry, in Poems (1860–1867), text of Project Gutenberg ebook #845, Laurel, https://laurelpoetry.com/poem/timrod-poems/to-harry.html, id L10443.
Form and metre
To Harry is 154 lines in 37 stanzas. The commonest rhyme scheme is ABAB, in 10 of the 37 stanzas; the rest vary or could not be confirmed. The metre is common measure, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.7 syllables. 14 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB boyA · nearB · joyA · earB
- 2 ABAB mirthA · fairB · earthA · thereB
- 3 AA-A sighA · fleeA · misery · theeA
- 4 -A-A below · guiltA · now · wiltA
- 5 ABAB clayA · breastB · wayA · blestB
- 6 ABAB ballA · givenB · thrallA · heavenB
- 7 ABAB hillsA · blowB · rillsA · soB
- 8 ABAB spreadA · eyesB · dreadA · diesB
- 9 A-A goodA · profuse · understoodA
- 10 A-A--- theA · and · theA · of · milton · inspiration
- 11 ABAB earthA · blownB · birthA · stoneB
- 13 ABAB moreA · longB · shoreA · songB
- 14 -A-A ears · painA · yet · strainA
- 16 -A-A home · bareA · leaves · thereA
- 17 -A-A sea · breastA · epitaph · restA
- 18 -A-A heart · lowA · still · belowA
- 19 -A-A bloom · grassA · unsung · lastA
- 20 -A-A place · drearA · life · hereA
- 21 -A-A shaft · fairA · grave · unawareA
- 22 -A-A dead · trueA · now · youA
- 24 -AA- hour · nightA · sightA · distinctions
- 25 -ABBA hoot · oA · lassB · lassB · oA
- 27 AA- upliftA · giftA · world
- 28 ABABCC laughA · claspB · staffA · graspB · happinessC · blessC
- 29 ABABCC shrineA · hintsB · wineA · tintsB · downC · crownC
- 31 ABAB kissA · reliefB · blissA · griefB
- 32 ABAB diesA · wingsB · eyesA · thingsB
- 33 -AABBCC type · landA · strandA · poursB · shoresB · breezeC · seasC
- 35 AAABCCCBDDDB wavesA · cavesA · gravesA · carolinaB · grandC · landC · strandC · carolinaB · hunsD · gunsD · sonsD · carolinaB
- 36 A-A groundA · lies · crownedA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Harry, my little blue-eyed boy, | 8 | /˘·/˘··· |
| I love to have thee playing near; | 8 | ·····/˘· |
| There's music in thy shouts of joy | 8 | ·/˘····· |
| To a fond father's ear. | 6 | ···/˘· |
| I love to see the lines of mirth | 8 | ········ |
| Mantle thy cheek and forehead fair, | 8 | /˘···/˘· |
| As if all pleasures of the earth | 8 | ···/˘··· |
| Had met to revel there; | 6 | ···/˘· |
| For gazing on thee, do I sigh | 8 | ·/˘····· |
| That those most happy years must flee, | 8 | ···/˘··· |
| And thy full share of misery | 8 | ·····/˘˘ |
| Must fall in life on thee! | 6 | ······ |
| There is no lasting grief below, | 8 | ···/˘··· |
| My Harry! that flows not from guilt; | 8 | ·/˘····· |
| Thou canst not read my meaning now-- | 8 | ·····/˘· |
| In after times thou wilt. | 6 | ······ |
| Thou'lt read it when the churchyard clay | 8 | ·····/·· |
| Shall lie upon thy father's breast, | 8 | ·····/˘· |
| And he, though dead, will point the way | 8 | ········ |
| Thou shalt be always blest. | 6 | ···/·· |
| They'll tell thee this terrestrial ball, | 9 | ····˘/˘˘· |
| To man for his enjoyment given, | 9 | ····˘/˘/˘ |
| Is but a state of sinful thrall | 8 | ·····/˘· |
| To keep the soul from heaven. | 7 | ·····/˘ |
| My boy! the verdure-crownèd hills, | 7 | ···/˘·· |
| The vales where flowers innumerous blow, | 10 | ···/˘˘/˘˘· |
| The music of ten thousand rills | 8 | ·/˘··/˘· |
| Will tell thee, 't is not so. | 7 | ······· |
| God is no tyrant who would spread | 8 | ···/˘··· |
| Unnumbered dainties to the eyes, | 9 | ˘/˘˘/˘··· |
| Yet teach the hungering child to dread | 9 | ···/˘˘··· |
| That touching them he dies! | 6 | ·/˘··· |
| No! all can do his creatures good, | 8 | ·····/˘· |
| He scatters round with hand profuse-- | 8 | ·/˘···˘/ |
| The only precept understood, | 8 | ·/˘/··˘/ |
| But he had other teachers. He studied all classic literature. "The | 16 | ···/˘/˘·/˘·/˘/˘· |
| Æschylean drama had no attraction for him; he reveled in the rich and | 18 | ··/˘··˘/˘···/˘···· |
| elegant strains of Virgil, and of the many toned lyre of Horace and the | 17 | /˘··/˘···/···/˘·· |
| silver lute of Catullus." From the full and inexhaustible fountain of | 17 | /˘·········˘/˘/˘· |
| English letters he drank unceasingly. Spenser, Shakespeare, Milton, | 16 | /˘/˘······/˘/·/˘ |
| Burns, Wordsworth, and, later, Tennyson were his immediate inspiration. | 17 | ·/˘·/˘/˘··˘/˘·˘/˘ |
| "In seeds of laurel in the earth | 8 | ···/˘··· |
| The blossom of your fame is blown, | 8 | ·/˘····· |
| And somewhere waiting for its birth, | 8 | ·/·/˘··· |
| The shaft is in the stone." | 6 | ······ |
| Harp of the South! no more, no more | 8 | ········ |
| Thy silvery strings shall quiver, | 8 | ·/˘˘··/˘ |
| The one strong hand might win thy strains | 8 | ········ |
| Is chilled and stilled forever. | 7 | ····˘/˘ |
| Our one sweet singer breaks no more | 9 | /˘··/˘··· |
| The silence sad and long, | 6 | ·/˘··· |
| The land is hushed from shore to shore, | 9 | ····˘···· |
| It brooks no feebler song! | 6 | ······ |
| No other voice can charm our ears, | 9 | ·/˘···/˘· |
| None other soothe our pain; | 7 | ·/˘·/˘· |
| Better these echoes lingering yet, | 9 | /˘·/˘/˘˘· |
| Than any ruder strain. | 6 | ·/˘/˘· |
| For singing, Fate has given sighs, | 8 | ·/˘··/˘· |
| For music we make moan; | 6 | ·/˘··· |
| Oh, who may touch the harp-strings since | 8 | ········ |
| That whisper--"HE IS GONE!" | 6 | ·/˘··· |
| See where he lies--his last sad home | 8 | ········ |
| Of all memorial bare, | 7 | ··˘/˘˘· |
| Save for a little heap of leaves | 8 | ···/˘··· |
| The winds have gathered there! | 6 | ···/˘· |
| One fair frail shell from some far sea | 8 | ········ |
| Lies lone above his breast, | 6 | ······ |
| Sad emblem and sole epitaph | 8 | ·/˘··/˘· |
| To mark his place of rest. | 6 | ······ |
| The sweet winds murmur in its heart | 8 | ···/˘··· |
| A music soft and low, | 6 | ·/˘··· |
| As they would bring their secrets still | 8 | ·····/˘· |
| To him who sleeps below. | 6 | ······ |
| And lo! one tender, tearful bloom | 8 | ···/˘/˘· |
| Wins upward through the grass, | 6 | ·/˘··· |
| As some sweet thought he left unsung | 8 | ······˘/ |
| Were blossoming at last. | 6 | ·/˘˘·· |
| Wild weeds grow rank about the place, | 8 | ········ |
| A dark, cold spot, and drear; | 6 | ······ |
| The dull neglect that marked his life | 9 | ··˘/··˘·· |
| Has followed even here. | 6 | ·/˘/˘· |
| Around shine many a marble shaft | 9 | ···/˘·/˘· |
| And polished pillars fair, | 6 | ·/˘/˘· |
| And strangers stand on Timrod's grave | 8 | ·/˘····· |
| To praise them, unaware! | 6 | ····˘/ |
| "Hold up the glories of thy dead!" | 8 | ···/˘··· |
| To thine own self be true, | 6 | ······ |
| Land that he loved! Come, honor now | 9 | ····˘·/˘· |
| This grave that honors you! | 6 | ···/˘· |
| "Next to some pine whose antique roots just peeped | 10 | ·····˘/··· |
| From out the crumbling bases of the sand." | 10 | ···/˘/˘··· |
| "Hail, twilight! sovereign of one peaceful hour! | 11 | ·/·/˘··/˘/˘ |
| Not dull art thou as undiscerning night; | 10 | ·········· |
| But only studious to remove from sight | 10 | ·/˘/˘·˘/·· |
| Day's mutable distinctions." | 7 | ·/˘˘˘/˘ |
| "Come out and hear the waters shoot, the owlet hoot, the owlet hoot; | 16 | ·····/˘··/˘··/˘· |
| Yon crescent moon, a golden boat, hangs dim behind the tree, O! | 15 | ·/˘··/˘········ |
| The dropping thorn makes white the grass, O! sweetest lass, | 12 | ·/˘······/˘· |
| and sweetest lass | 4 | ·/˘· |
| Come out and smell the ricks of hay adown the croft with me, O!" | 15 | ········˘/····· |
| "I left your climate to my injury. But not only for the sake of my | 18 | ···/˘··/˘··/˘····· |
| health, I begin already to look back with longing regret to 'Copse | 17 | ··˘/˘/˘····/˘˘/·· |
| Hill'. You have all made me feel as if I had TWO beloved homes! | 15 | ············˘/· |
| "The mission of Genius on Earth! To uplift, | 11 | ·/˘·/˘···/˘ |
| Purify, and confirm, by its own gracious gift, | 12 | /˘··˘/···/˘· |
| The world,"-- | 2 | ·· |
| "All lovely things, and gentle--the sweet laugh | 10 | ·/˘··/˘··· |
| Of children, Girlhood's kiss, and Friendship's clasp, | 10 | ·/˘/···/˘· |
| The boy that sporteth with the old man's staff, | 10 | ···/˘····· |
| The baby, and the breast its fingers grasp-- | 10 | ·/˘····/˘· |
| All that exalts the grounds of happiness, | 10 | ··˘/···/˘˘ |
| All griefs that hallow, and all joys that bless, | 10 | ···/˘····· |
| "To me are sacred; at my holy shrine | 10 | ···/˘··/˘· |
| Love breathes its latest dreams, its earliest hints; | 10 | ···/˘··/˘· |
| I turn life's tasteless waters into wine, | 10 | ···/˘/˘··· |
| And flush them through and through with purple tints. | 10 | ·······/˘· |
| Wherever Earth is fair, and Heaven looks down, | 10 | ˘/˘····/·· |
| I rear my altars, and I wear my crown." | 10 | ···/˘····· |
| "There is no unimpressive spot on earth, | 10 | ····˘/˘··· |
| The beauty of the stars is over all." | 10 | ·/˘······· |
| "A shadowy land, where joy and sorrow kiss, | 10 | ·/˘····/˘· |
| Each still to each corrective and relief, | 10 | ····˘/˘·˘/ |
| Where dim delights are brightened into bliss, | 10 | ··˘/·/˘··· |
| And nothing wholly perishes but Grief. | 10 | ·/˘/˘/˘˘·· |
| "Ah, me!--not dies--no more than spirit dies; | 10 | ·······/˘· |
| But in a change like death is clothed with wings; | 10 | ·········· |
| A serious angel, with entrancèd eyes, | 10 | ·/˘˘/˘···· |
| Looking to far off and celestial things." | 10 | /˘····˘/˘· |
| "But the type | 3 | ··· |
| Whereby we shall be known in every land | 10 | ·······/˘· |
| Is that vast gulf which lips our Southern strand, | 10 | ······//˘· |
| And through the cold, untempered ocean pours | 10 | ·······/˘· |
| Its genial streams, that far off Arctic shores | 10 | ·/˘····/˘· |
| May sometimes catch upon the softened breeze | 10 | ·/·····/˘· |
| Strange tropic warmth and hints of summer seas." | 10 | ·/˘····/˘· |
| "No fairer land hath fired a poet's lays, | 10 | ·/˘··/·/˘· |
| Or given a home to man!" | 7 | ·/˘···· |
| "'I hear a murmur as of waves | 8 | ···/˘··· |
| That grope their way through sunless caves, | 8 | ·····/˘· |
| Like bodies struggling in their graves, | 9 | ·/˘/˘˘··· |
| Carolina! | 4 | ·˘/˘ |
| And now it deepens; slow and grand | 8 | ···/˘··· |
| It swells, as rolling to the land, | 8 | ···/˘··· |
| An ocean broke upon the strand, | 8 | ·/˘····· |
| Carolina! | 4 | ·˘/˘ |
| Shout! let it reach the startled Huns! | 9 | ·····/˘˘· |
| And roar with all thy festal guns! | 8 | ·····/˘· |
| It is the answer of thy sons, | 8 | ···/˘··· |
| Carolina!'" | 4 | ·˘/˘ |
| "There is no holier spot of ground | 9 | ···/˘˘··· |
| Than where defeated valor lies, | 8 | ··˘/˘/˘· |
| By mourning beauty crowned!" | 6 | ·/˘/˘· |
| "not dies, no more than Spirit dies; | 8 | ·····/˘· |
| But in a change like death was clothed with wings." | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.