Part II, Section VIII

Henry Timrod (1828–1867) · 1860–1867

iambic pentameter · ABABCC · 24 lines · from Poems

"These leaves, my boyish books in days of yore,When, as the weeks sped by, I seemed to standEver upon the brink of some wild lore--These leaves shall make my bed, and--for the handOf God is on me, chilling brain and breath--I shall not ask a softer couch in death.

"Here was it that I saw, or dreamed I saw,I know not which, that shape of love and light.Spirit of Song! have I not owned thy law?Have I not taught, or striven to teach the right,And kept my heart as clean, my life as sweet,As mortals may, when mortals mortals meet?

"Thou know'st how I went forth, my youthful breastOn fire with thee, amid the paths of men;Once in my wanderings, my lone footsteps pressedA mountain forest; in a sombre glen,Down which its thundrous boom a cataract flung,A little bird, unheeded, built and sung.

"So fell my voice amid the whirl and rushOf human passions; if unto my artSorrow hath sometimes owed a gentler gush,I know it not; if any Poet-heartHath kindled at my songs its light divine,I know it not; no ray came back to mine.

Words in this poem

boyish a.
Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
went n.
Course; way; path; journey; direction.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
lone n.
A lane. See Loanin.
sombre n.
Gloom; obscurity; duskiness; somberness.
thundrous a.
Thunderous; sonorous.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II, Section VIII is in the public domain. This text is taken from Poems of Henry Timrod; with Memoir, Project Gutenberg ebook #845; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Timrod, Part II, Section VIII, in Poems (1860–1867), text of Project Gutenberg ebook #845, Laurel, https://laurelpoetry.com/poem/timrod-poems/part-ii-section-viii.html, id L10482.

Form and metre

Part II, Section VIII is 24 lines in 4 stanzas of 6 lines each. Every stanza rhymes ABABCC. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 29% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCC yoreA · standB · loreA · handB · breathC · deathC
  2. 2 ABABCC sawA · lightB · lawA · rightB · sweetC · meetC
  3. 3 ABABCC breastA · menB · pressedA · glenB · flungC · sungC
  4. 4 ABABCC rushA · artB · gushA · heartB · divineC · mineC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"These leaves, my boyish books in days of yore,10···/˘·····
When, as the weeks sped by, I seemed to stand10··········
Ever upon the brink of some wild lore--10/˘········
These leaves shall make my bed, and--for the hand10··········
Of God is on me, chilling brain and breath--10·····/˘···
I shall not ask a softer couch in death.10·····/˘···
"Here was it that I saw, or dreamed I saw,10··········
I know not which, that shape of love and light.10··········
Spirit of Song! have I not owned thy law?10/˘········
Have I not taught, or striven to teach the right,11·····/˘····
And kept my heart as clean, my life as sweet,10··········
As mortals may, when mortals mortals meet?10·/˘··/˘/˘·
"Thou know'st how I went forth, my youthful breast10·······/˘·
On fire with thee, amid the paths of men;10·/··˘/····
Once in my wanderings, my lone footsteps pressed10···/˘··/··
A mountain forest; in a sombre glen,10·/˘/˘··/˘·
Down which its thundrous boom a cataract flung,10···/˘··/˘·
A little bird, unheeded, built and sung.10·/˘·˘/˘···
"So fell my voice amid the whirl and rush10····˘/····
Of human passions; if unto my art10·/˘/˘·····
Sorrow hath sometimes owed a gentler gush,10/˘·˘/··/˘·
I know it not; if any Poet-heart10·····/˘/˘·
Hath kindled at my songs its light divine,10·/˘·····˘/
I know it not; no ray came back to mine.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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