Charleston
Calm as that second summer which precedesThe first fall of the snow,In the broad sunlight of heroic deeds,The City bides the foe.
As yet, behind their ramparts stern and proud,Her bolted thunders sleep--Dark Sumter, like a battlemented cloud,Looms o'er the solemn deep.
No Calpe frowns from lofty cliff or scarTo guard the holy strand;But Moultrie holds in leash her dogs of warAbove the level sand.
And down the dunes a thousand guns lie couched,Unseen, beside the flood--Like tigers in some Orient jungle crouchedThat wait and watch for blood.
Meanwhile, through streets still echoing with trade,Walk grave and thoughtful men,Whose hands may one day wield the patriot's bladeAs lightly as the pen.
And maidens, with such eyes as would grow dimOver a bleeding hound,Seem each one to have caught the strength of himWhose sword she sadly bound.
Thus girt without and garrisoned at home,Day patient following day,Old Charleston looks from roof, and spire, and dome,Across her tranquil bay.
Ships, through a hundred foes, from Saxon landsAnd spicy Indian ports,Bring Saxon steel and iron to her hands,And Summer to her courts.
But still, along yon dim Atlantic line,The only hostile smokeCreeps like a harmless mist above the brine,From some frail, floating oak.
Shall the Spring dawn, and she still clad in smiles,And with an unscathed brow,Rest in the strong arms of her palm-crowned isles,As fair and free as now?
We know not; in the temple of the FatesGod has inscribed her doom;And, all untroubled in her faith, she waitsThe triumph or the tomb.
Words in this poem
- battlemented a.
- Having battlements.
- unseen a.
- Not seen or discovered.
- jungle n.
- A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
- crouched a.
- Marked with the sign of the cross. Crouched friar. See Crutched friar, under Crutched.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- wield v. t.
- To govern; to rule; to keep, or have in charge; also, to possess. [OE. welden to govern, to have power over, to possess, AS. geweldan, gewyldan, from wealdan; akin to OS. waldan, OFries. walda, G. walten, OHG. waltan, Icel. val]
- sadly adv.
- Wearily; heavily; firmly.
- girt v. t.
- To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- clad v.
- To clothe. Holland.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Charleston is in the public domain. This text is taken from Poems of Henry Timrod; with Memoir, Project Gutenberg ebook #845; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Timrod, Charleston, in Poems (1860–1867), text of Project Gutenberg ebook #845, Laurel, https://laurelpoetry.com/poem/timrod-poems/charleston.html, id L10512.
Form and metre
Charleston is 44 lines in 11 stanzas of 4 lines each. Every stanza rhymes ABAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 25% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB precedesA · snowB · deedsA · foeB
- 2 ABAB proudA · sleepB · cloudA · deepB
- 3 ABAB scarA · strandB · warA · sandB
- 4 ABAB couchedA · floodB · crouchedA · bloodB
- 5 ABAB tradeA · menB · bladeA · penB
- 6 ABAB dimA · houndB · himA · boundB
- 7 ABAB homeA · dayB · domeA · bayB
- 8 ABAB landsA · portsB · handsA · courtsB
- 9 ABAB lineA · smokeB · brineA · oakB
- 10 ABAB smilesA · browB · islesA · nowB
- 11 ABAB fatesA · doomB · waitsA · tombB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Calm as that second summer which precedes | 10 | ···/˘/˘·˘/ |
| The first fall of the snow, | 6 | ······ |
| In the broad sunlight of heroic deeds, | 10 | ···/··˘/˘· |
| The City bides the foe. | 6 | ·/˘··· |
| As yet, behind their ramparts stern and proud, | 10 | ·····/···· |
| Her bolted thunders sleep-- | 6 | ·/˘/˘· |
| Dark Sumter, like a battlemented cloud, | 10 | ·/˘··/˘˘˘· |
| Looms o'er the solemn deep. | 6 | ···/˘· |
| No Calpe frowns from lofty cliff or scar | 9 | ····/˘··· |
| To guard the holy strand; | 6 | ···/˘· |
| But Moultrie holds in leash her dogs of war | 10 | ·/˘······· |
| Above the level sand. | 6 | ···/˘· |
| And down the dunes a thousand guns lie couched, | 10 | ·····/˘··· |
| Unseen, beside the flood-- | 6 | ˘/˘/·· |
| Like tigers in some Orient jungle crouched | 10 | ·/··/˘·/˘· |
| That wait and watch for blood. | 6 | ······ |
| Meanwhile, through streets still echoing with trade, | 10 | /····/˘˘·· |
| Walk grave and thoughtful men, | 6 | ···/˘· |
| Whose hands may one day wield the patriot's blade | 10 | ·······/˘· |
| As lightly as the pen. | 6 | ·/˘··· |
| And maidens, with such eyes as would grow dim | 10 | ·/˘······· |
| Over a bleeding hound, | 6 | ···/˘· |
| Seem each one to have caught the strength of him | 10 | ·········· |
| Whose sword she sadly bound. | 6 | ···/˘· |
| Thus girt without and garrisoned at home, | 10 | ·····/˘˘·· |
| Day patient following day, | 7 | ·/˘/˘˘· |
| Old Charleston looks from roof, and spire, and dome, | 10 | ·/˘······· |
| Across her tranquil bay. | 6 | ˘/·/˘· |
| Ships, through a hundred foes, from Saxon lands | 10 | ···/˘··/˘· |
| And spicy Indian ports, | 7 | ·/˘/˘˘· |
| Bring Saxon steel and iron to her hands, | 10 | ·/˘··/˘··· |
| And Summer to her courts. | 6 | ·/˘··· |
| But still, along yon dim Atlantic line, | 10 | ··˘/··˘/˘· |
| The only hostile smoke | 6 | ·/˘/˘· |
| Creeps like a harmless mist above the brine, | 10 | ···/˘····· |
| From some frail, floating oak. | 6 | ···/˘· |
| Shall the Spring dawn, and she still clad in smiles, | 10 | ·········· |
| And with an unscathed brow, | 6 | ···˘/· |
| Rest in the strong arms of her palm-crowned isles, | 10 | ·········· |
| As fair and free as now? | 6 | ······ |
| We know not; in the temple of the Fates | 10 | ·····/˘··· |
| God has inscribed her doom; | 6 | ··˘/·· |
| And, all untroubled in her faith, she waits | 10 | ··˘/˘····· |
| The triumph or the tomb. | 6 | ·/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.