The Crystal Palace
With ganial foireThransfuse me loyre,Ye sacred nympths of Pindus,The whoile I singThat wondthrous thing,The Palace made o' windows!
Say, Paxton, truth,Thou wondthrous youth,What sthroke of art celistial,What power was lintYou to invintThis combineetion cristial.
O would beforeThat Thomas Moore,Likewoise the late Lord Boyron,Thim aigles sthrongOf godlike song,Cast oi on that cast oiron!
And saw thim walls,And glittering halls,Thim rising slendther columns,Which I poor pote,Could not denote,No, not in twinty vollums.
My Muse's wordsIs like the bird'sThat roosts beneath the panes there;Her wing she spoils'Gainst them bright toiles,And cracks her silly brains there.
This Palace tall,This Cristial Hall,Which Imperors might covet,Stands in High ParkLike Noah's Ark,A rainbow bint above it.
The towers and fanes,In other scaynes,The fame of this will undo,Saint Paul's big doom,Saint Payther's Room,And Dublin's proud Rotundo.
'Tis here that roams,As well becomesHer dignitee and stations,Victoria Great,And houlds in stateThe Congress of the Nations.
Her subjects poursFrom distant shores,Her Injians and Canajians;And also we,Her kingdoms three,Attind with our allagiance.
Here come likewiseHer bould allies,Both Asian and Europian;From East and WestThey send their bestTo fill her Coornucopean.
I seen (thank Grace!)This wonthrous place(His Noble Honor MistherH. Cole it wasThat gave the pass,And let me see what is there).
With conscious proideI stud insoideAnd look'd the World's Great Fair in,Until me sightWas dazzled quite,And couldn't see for staring.
There's holy saintsAnd window paints,By Maydiayval Pugin;Alhamborough JonesDid paint the tonesOf yellow and gambouge in.
There's fountains thereAnd crosses fair;There's water-gods with urrns:There's organs three,To play, d'ye see?"God save the Queen," by turrns.
There's Statues brightOf marble white,Of silver, and of copper;And some in zinc,And some, I think,That isn't over proper.
There's staym Ingynes,That stands in lines,Enormous and amazing,That squeal and snortLike whales in sport,Or elephants a-grazing.
There's carts and gigs,And pins for pigs,There's dibblers and there's harrows.And ploughs like toysFor little boys,And ilegant wheelbarrows.
For thim genteelsWho ride on wheels,There's plenty to indulge 'em:There's Droskys snugFrom Paytersbug,And vayhycles from Bulgium.
There's Cabs on StandsAnd Shandthry danns;There's Waggons from New York here;There's Lapland SleighsHave cross'd the seas,And Jaunting Cyars from Cork here.
Amazed I passFrom glass to glass,Deloighted I survey 'em;Fresh wondthers growsBefore me noseIn this sublime Musayum!
Look, here's a fanFrom far Japan,A sabre from Damasco:There's shawls ye getFrom far Thibet,And cotton prints from Glasgow.
There's German flutes,Marocky boots,And Naples Macaronies;BohaymiaHas sent Bohay;Polonia her polonies.
There's granite flintsThat's quite imminse,There's sacks of coals and fuels,There's swords and guns,And soap in tuns,And Gingerbread and Jewels.
There's taypots there,And cannons rare;There's coffins fill'd with roses;There's canvas tints,Teeth insthrumints,And shuits of clothes by MOSES.
There's lashins moreOf things in store,But thim I don't remimber;Nor could discloseDid I composeFrom May time to Novimber!
Ah, JUDY thru!With eyes so blue,That you were here to view it!And could I screwBut tu pound tu,'Tis I would thrait you to it!
So let us raiseVictoria's praise,And Albert's proud condition,That takes his ayseAs he surveysThis Cristial Exhibition.
Words in this poem
- congress n.
- A meeting of individuals, whether friendly or hostile; an encounter. [L. congressus, fr. congredi, p.p. -gressus, to go or come together; con- + grati to go or step, gradus step: cf. F. congr. See Grade.]
- asian a.
- Of or pertaining to Asia; Asiatic. [L. Asianus, Gr. Asia.]
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- cole n.
- A plant of the Brassica or Cabbage genus; esp. that form of B. [OE. col, caul, AS. cawl, cawel, fr. L. caulis, the stalk or stem of a plant, esp. a cabbage stalk, cabbage, akin to Gr. Cauliflower, Kale.]
- amazing a.
- Causing amazement; very wonderful; as, amazing grace.
- squeal v. i.
- To cry with a sharp, shrill, prolonged sound, as certain animals do, indicating want, displeasure, or pain. [Of Scand. origin; cf. Sw. sqväla, Norw. skvella. Cf. Squeak, Squall.]
- sabre n.
- A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
- gingerbread n.
- A kind of plain sweet cake seasoned with ginger, and sometimes made in fanciful shapes.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Crystal Palace is in the public domain. This text is taken from Ballads, Project Gutenberg ebook #2732; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Makepeace Thackeray, The Crystal Palace, in Ballads (1849–1855), text of Project Gutenberg ebook #2732, Laurel, https://laurelpoetry.com/poem/thackeray-ballads/the-crystal-palace.html, id L10417.
Form and metre
The Crystal Palace is 162 lines in 27 stanzas of 6 lines each. The commonest rhyme scheme is AABCCB, in 9 of the 27 stanzas; the rest vary or could not be confirmed. The metre is iambic dimeter, measured from the stress the words themselves fix (confidence 94%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 5.0 syllables. 22 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other poems in iambic dimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---AA- foire · loyre · pindus · singA · thingA · windows
- 2 AABCCB truthA · youthA · celistialB · lintC · invintC · cristialB
- 3 AABCCB beforeA · mooreA · boyronB · sthrongC · songC · oironB
- 4 AABCCB wallsA · hallsA · columnsB · poteC · denoteC · vollumsB
- 5 AABCCB wordsA · bird'sA · thereB · spoilsC · toilesC · thereB
- 6 AABCCB tallA · hallA · covetB · parkC · arkC · itB
- 7 AA-BB- fanesA · scaynesA · undo · doomB · roomB · rotundo
- 8 --ABBA roams · becomes · stationsA · greatB · stateB · nationsA
- 9 AA-BB- poursA · shoresA · canajians · weB · threeB · allagiance
- 10 AA-BB- likewiseA · alliesA · europian · westB · bestB · coornucopean
- 11 AA---- graceA · placeA · misther · was · pass · there
- 12 AA-BB- proideA · insoideA · in · sightB · quiteB · staring
- 13 AA-BB- saintsA · paintsA · pugin · jonesB · tonesB · in
- 14 AABCCB thereA · fairA · urrnsB · threeC · seeC · turrnsB
- 15 AABCCB brightA · whiteA · copperB · zincC · thinkC · properB
- 16 AABCCB ingynesA · linesA · amazingB · snortC · sportC · grazingB
- 17 AABBBB gigsA · pigsA · harrowsB · toysB · boysB · wheelbarrowsB
- 18 AA-BB- genteelsA · wheelsA · em · snugB · paytersbugB · bulgium
- 19 --A--A stands · danns · hereA · sleighs · seas · hereA
- 20 AA-BB- passA · glassA · em · growsB · noseB · musayum
- 21 AA-BB- fanA · japanA · damasco · getB · thibetB · glasgow
- 22 AAB--B flutesA · bootsA · macaroniesB · bohaymia · bohay · poloniesB
- 23 -ABAAB flints · imminseA · fuelsB · gunsA · tunsA · jewelsB
- 24 AA-BB- thereA · rareA · roses · tintsB · insthrumintsB · moses
- 25 AABCCB moreA · storeA · remimberB · discloseC · composeC · novimberB
- 26 AABAAB thruA · blueA · itB · screwA · tuA · itB
- 27 AABAAB raiseA · praiseA · conditionB · ayseA · surveysA · exhibitionB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic dimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| With ganial foire | 4 | ···· |
| Thransfuse me loyre, | 5 | ···/˘ |
| Ye sacred nympths of Pindus, | 8 | ·/˘˘···· |
| The whoile I sing | 5 | ····· |
| That wondthrous thing, | 4 | ···· |
| The Palace made o' windows! | 7 | ·/˘··/˘ |
| Say, Paxton, truth, | 4 | ·/˘· |
| Thou wondthrous youth, | 4 | ···· |
| What sthroke of art celistial, | 7 | ······· |
| What power was lint | 5 | ·/˘·· |
| You to invint | 4 | ···· |
| This combineetion cristial. | 7 | ······· |
| O would before | 4 | ···· |
| That Thomas Moore, | 4 | ·/˘· |
| Likewoise the late Lord Boyron, | 8 | ········ |
| Thim aigles sthrong | 3 | ··· |
| Of godlike song, | 4 | ·/˘· |
| Cast oi on that cast oiron! | 7 | ······· |
| And saw thim walls, | 4 | ···· |
| And glittering halls, | 5 | ·/˘˘· |
| Thim rising slendther columns, | 7 | ·/˘··/˘ |
| Which I poor pote, | 4 | ···· |
| Could not denote, | 4 | ··˘/ |
| No, not in twinty vollums. | 7 | ······· |
| My Muse's words | 4 | ·/˘· |
| Is like the bird's | 4 | ···· |
| That roosts beneath the panes there; | 7 | ······· |
| Her wing she spoils | 4 | ···· |
| 'Gainst them bright toiles, | 4 | ···· |
| And cracks her silly brains there. | 7 | ···/˘·· |
| This Palace tall, | 4 | ·/˘· |
| This Cristial Hall, | 4 | ···· |
| Which Imperors might covet, | 7 | ·····/˘ |
| Stands in High Park | 4 | ···· |
| Like Noah's Ark, | 4 | ·/˘· |
| A rainbow bint above it. | 7 | ·/····· |
| The towers and fanes, | 5 | ·/˘·· |
| In other scaynes, | 4 | ·/˘· |
| The fame of this will undo, | 7 | ·····˘/ |
| Saint Paul's big doom, | 4 | ···· |
| Saint Payther's Room, | 4 | ···· |
| And Dublin's proud Rotundo. | 7 | ·/˘·˘/˘ |
| 'Tis here that roams, | 4 | ···· |
| As well becomes | 4 | ··˘/ |
| Her dignitee and stations, | 7 | ·····/˘ |
| Victoria Great, | 5 | ˘/˘˘· |
| And houlds in state | 4 | ···· |
| The Congress of the Nations. | 7 | ·/˘··/˘ |
| Her subjects pours | 4 | ·/˘· |
| From distant shores, | 4 | ·/˘· |
| Her Injians and Canajians; | 7 | ······· |
| And also we, | 4 | ·/˘· |
| Her kingdoms three, | 4 | ·/˘· |
| Attind with our allagiance. | 8 | ···/˘··· |
| Here come likewise | 4 | ··/· |
| Her bould allies, | 4 | ··/˘ |
| Both Asian and Europian; | 7 | ·/˘···· |
| From East and West | 4 | ···· |
| They send their best | 4 | ···· |
| To fill her Coornucopean. | 7 | ······· |
| I seen (thank Grace!) | 4 | ···· |
| This wonthrous place | 4 | ···· |
| (His Noble Honor Misther | 7 | ·/˘/˘·· |
| H. Cole it was | 4 | ···· |
| That gave the pass, | 4 | ···· |
| And let me see what is there). | 7 | ······· |
| With conscious proide | 4 | ·/˘· |
| I stud insoide | 4 | ···· |
| And look'd the World's Great Fair in, | 7 | ······· |
| Until me sight | 4 | ···· |
| Was dazzled quite, | 4 | ·/˘· |
| And couldn't see for staring. | 7 | ·/˘··/˘ |
| There's holy saints | 4 | ·/˘· |
| And window paints, | 4 | ·/˘· |
| By Maydiayval Pugin; | 6 | ······ |
| Alhamborough Jones | 5 | ····· |
| Did paint the tones | 4 | ···· |
| Of yellow and gambouge in. | 7 | ·/˘···· |
| There's fountains there | 4 | ·/˘· |
| And crosses fair; | 4 | ·/˘· |
| There's water-gods with urrns: | 6 | ·/˘··· |
| There's organs three, | 4 | ·/˘· |
| To play, d'ye see? | 4 | ···· |
| "God save the Queen," by turrns. | 6 | ······ |
| There's Statues bright | 4 | ·/·· |
| Of marble white, | 4 | ·/˘· |
| Of silver, and of copper; | 7 | ·/˘··/˘ |
| And some in zinc, | 4 | ···· |
| And some, I think, | 4 | ···· |
| That isn't over proper. | 7 | ·/˘··/˘ |
| There's staym Ingynes, | 4 | ···· |
| That stands in lines, | 4 | ···· |
| Enormous and amazing, | 7 | ˘/˘·˘/˘ |
| That squeal and snort | 4 | ···· |
| Like whales in sport, | 4 | ···· |
| Or elephants a-grazing. | 7 | ·/˘˘·/˘ |
| There's carts and gigs, | 4 | ···· |
| And pins for pigs, | 4 | ···· |
| There's dibblers and there's harrows. | 7 | ·····/˘ |
| And ploughs like toys | 4 | ···· |
| For little boys, | 4 | ·/˘· |
| And ilegant wheelbarrows. | 7 | ····/·˘ |
| For thim genteels | 4 | ··˘/ |
| Who ride on wheels, | 4 | ···· |
| There's plenty to indulge 'em: | 7 | ·/˘·˘/· |
| There's Droskys snug | 4 | ···· |
| From Paytersbug, | 4 | ···· |
| And vayhycles from Bulgium. | 6 | ······ |
| There's Cabs on Stands | 4 | ···· |
| And Shandthry danns; | 4 | ···· |
| There's Waggons from New York here; | 7 | ······· |
| There's Lapland Sleighs | 4 | ·/·· |
| Have cross'd the seas, | 4 | ···· |
| And Jaunting Cyars from Cork here. | 7 | ·/˘···· |
| Amazed I pass | 4 | ˘/·· |
| From glass to glass, | 4 | ···· |
| Deloighted I survey 'em; | 7 | ····˘/· |
| Fresh wondthers grows | 4 | ···· |
| Before me nose | 4 | ···· |
| In this sublime Musayum! | 6 | ··˘/·· |
| Look, here's a fan | 4 | ···· |
| From far Japan, | 4 | ··˘/ |
| A sabre from Damasco: | 7 | ·/˘···· |
| There's shawls ye get | 4 | ···· |
| From far Thibet, | 4 | ···· |
| And cotton prints from Glasgow. | 7 | ·/˘··/· |
| There's German flutes, | 4 | ·/˘· |
| Marocky boots, | 4 | ···· |
| And Naples Macaronies; | 7 | ·/˘·˘/˘ |
| Bohaymia | 3 | ··· |
| Has sent Bohay; | 4 | ···· |
| Polonia her polonies. | 6 | ······ |
| There's granite flints | 4 | ·/˘· |
| That's quite imminse, | 4 | ···· |
| There's sacks of coals and fuels, | 7 | ·····/˘ |
| There's swords and guns, | 4 | ···· |
| And soap in tuns, | 4 | ···· |
| And Gingerbread and Jewels. | 7 | ·/˘··/˘ |
| There's taypots there, | 4 | ···· |
| And cannons rare; | 4 | ·/˘· |
| There's coffins fill'd with roses; | 7 | ·/˘··/˘ |
| There's canvas tints, | 4 | ·/˘· |
| Teeth insthrumints, | 4 | ···· |
| And shuits of clothes by MOSES. | 7 | ·····/˘ |
| There's lashins more | 4 | ···· |
| Of things in store, | 4 | ···· |
| But thim I don't remimber; | 7 | ······· |
| Nor could disclose | 4 | ··˘/ |
| Did I compose | 4 | ··˘/ |
| From May time to Novimber! | 7 | ······· |
| Ah, JUDY thru! | 4 | ·/˘· |
| With eyes so blue, | 4 | ···· |
| That you were here to view it! | 7 | ······· |
| And could I screw | 4 | ···· |
| But tu pound tu, | 4 | ···· |
| 'Tis I would thrait you to it! | 7 | ······· |
| So let us raise | 4 | ···· |
| Victoria's praise, | 5 | ˘/˘˘· |
| And Albert's proud condition, | 7 | ·/˘·˘/˘ |
| That takes his ayse | 4 | ···· |
| As he surveys | 4 | ··˘/ |
| This Cristial Exhibition. | 7 | ····˘/˘ |
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