The Step-Mother: Act the First: Scene II

Terence · 1765

iambic pentameter · 196 lines · from The Comedies of Terence

PAR. (to SCRITUS within). If our old gentlemanAsks for me, tell him I'm this very momentGone to the Port to seek for Pamphilus.D'ye understand my meaning, Scritus? If he asks,Tell him that; if he should not ask, say nothing;That this excuse may serve another time. (Comes forward.--But is not that Philotis? Whence comes she?Philotis, save you!

PHI. Save you, Parmeno!

SYRA. Save you, good Parmeno!

PAR. And save you, Syra!--Tell me, Philotis, where have you been gadding?Taking your pleasure this long time?

PHI. I've takenNo pleasure, Parmeno, indeed. I wentWith a most brutal Captain hence to Corinth,There have I led a wretched life with himFor two whole years.

PAR. Aye, aye, I warrant youThat you have often wish'd to be in Athens;Often repented of your journey.

PHI. Oh,'Tis quite impossible to tell how muchI long'd to be at home, how much I long'dTo leave the Captain, see you, revel with you,After the good old fashion, free and easy.For there I durst not speak a single word,But what, and when the mighty Captain pleas'd.

PAR. 'Twas cruel in him thus to tie your tongue:At least, I'll warrant, that you thought it so.

PHI. But what's this business, Parmeno? this storyThat Bacchis has been telling me within?I could not have believ'd that PamphilusWould in her lifetime marry.

PHI. Why he is married: is not he?

PAR. He is.But I'm afraid 'twill prove a crazy match,And will not hold together long.

PHI. Heav'n grant it.So it turn out to Bacchis's advantage!But how can I believe this, Parmeno?Tell me.

PAR. It is not fit it should be told.Inquire no more.

PHI. For fear I should divulge it?Now Heav'n so prosper me, as I inquire,Not for the sake of telling it again,But to rejoice within myself.

PAR. All theseFair words, Philotis, sha'n't prevail on meTo trust my back to your discretion.

PHI. Well;Don't tell me, Parmeno.--As if you had notMuch rather tell this secret than I hear it.

PAR. She's in the right: I am a blab, 'tis true,It is my greatest failing.--Give your wordYou'll not reveal it, and I'll tell you.

PHI. NowYou're like yourself again. I give my word.Speak.

PAR. PamphilusDoted on Bacchis still as much as ever,When the old gentleman began to tease himTo marry, in the common cant of fathers;--"That he was now grown old; and PamphilusHis only child; and that he long'd for heirs,As props of his old age." At first my masterWithstood his instances, but as his fatherBecame more hot and urgent, PamphilusBegan to waver in his mind, and feltA conflict betwixt love and duty in him.At length, by hammering on marriage still,And daily instances, th' old man prevail'd,And made a match with our next neighbor's daughter.Pamphilus did not take it much to heart,Till just upon the very brink of wedlock:But when he saw the nuptial rites prepar'd,And, without respite, he must many; thenIt came so home to him, that even Bacchis,Had she been present, must have pitied him.Whenever he could steal from company,And talk to me alone,--"Oh Parmeno,What have I done?" he'd cry.--"I'm lost forever.Into what ruin have I plung'd myself!I can not bear it, Parmeno. Ah wretch!I am undone."

PHI. Now all the powers of heav'nConfound you, Laches, for thus teasing him?

PAR. In short, he marries, and brings home his wife.The first night he ne'er touch'd her! nor the next.

PHI. How! he a youth, and she a maidenhead!Tipsy, and never touch her! 'Tis not likely;Nor do I think it can be true.

PAR. No wonder.For they that come to you come all desire:But he was bound to her against his will.PHI. What followed upon this?

PAR. A few days after,Pamphilus, taking me aside, informs me,"That the maid still remain'd a maid for him;That he had hop'd, before he brought her home,He might have borne the marriage:--but resolvingWithin myself not to retain her long,I held it neither honesty in me,Nor of advantage to the maid herself,That I should throw her off to scorn:--but ratherReturn her to her friends, as I receiv'd her,Chaste and inviolate."

PHI. A worthy youth,And of great modesty!

PAR. "To make this publicWould not, I think, do well: and to return herUpon her father's hands, no crime alleg'd,As arrogant: but she, I hope, as soonAs she perceives she can not live with me,Will of her own accord depart."

PHI. But tell me;Went he meanwhile to Bacchis?

PAR. Every day.But she, as is the way you know, perceivingHe was another's property, becameMore cross and mercenary.

PHI. Troth, no wonder.

PAR. Aye, but 'twas that detach'd him chiefly from her.For when he had examined well himself,Bacchis, and her at home; and had compar'dTheir different manners; seeing that his bride,After the fashion of a lib'ral mind,Was decent, modest, patient of affronts,And anxious to conceal the wrongs he did her;Touch'd partly with compassion for his wife,And partly tir'd with t'other's insolence,He by degrees withdrew his heart from Bacchis,Transferring it to her, whose dispositionWas so congenial to his own. MeanwhileAn old relation of the familyDies in the isle of Imbrus. His estateComes by the law to them; and our old manDispatching thither, much against his will,The now-fond Pamphilus, he leaves his wifeHere with his mother. The old gentlemanRetir'd into the country, and but seldomComes up to town.

PHI. But what is there in thisThat can affect the marriage?

PAR. You shall hearImmediately. At first, for some few days,The women seem'd to live on friendly terms:Till all at once the bride, forsooth, conceiv'dA wonderful disgust to Sostrata:And yet there was no open breach between them,And no complaints on either side.

PAR. If Sostrata, for conversation' sake,Went to the bride, she instantly withdrew,Shunning her company. At length, not ableTo bear it any longer, she pretendsHer mother had sent for her to assistAt some home-sacrifice. Away she went.After a few days' absence, SostrataSent for her back. They made some lame excuse,I know not what. She sends again. No lady.Then after several messages, at lastThey say the gentlewoman's sick. My mistressGoes on a visit to her: not let in.Th' old gentleman, inform'd of all this, cameOn this occasion yesterday to town;And waited on the father of the bride.What pass'd between them, I as yet can't tell;And yet I long to know the end of this.--There's the whole business. Now I'll on my way.

PHI. And I: for there's a stranger here, with whomI have an assignation.PAR. Speed the plow!

PHI. Parmeno, fare you well!

PAR. Farewell, Philotis! (Exeunt severally.

HarperPAR. (to SCRITUS within).D'ye understand my meaning, Scritus?Colman 1768PAR. (to SCIRTUS within).D'ye understand my meaning, Scirtus?

HarperPAR. All theseFair words, Philotis, sha'n't prevail on meColman 1768PAR. No, no:Fair words, Philotis, sha'n't prevail on me

HarperAs arrogant: but she, I hope, as soonColman 1768Is arrogant: but she, I hope, as soon

The women seem'd to live on friendly terms:Harper edition reads "The woman"

HarperShunning her company. At length, not ableColman 1768

Words in this poem 25
gadding a.
Going about much, needlessly or without purpose.
went n.
Course; way; path; journey; direction.
lifetime n.
The time that life continues.
prosper v. t.
To favor; to render successful. [F. prospérer v. i., or L. prosperare, v. i., or L. prosperare, v. t., fr. prosper or prosperus. See Prosperous.]
discretion n.
Disjunction; separation. Mede. [F. discrétion, L. discretio separation, difference, discernment, fr. discernere, discretum. See Discreet, Discern.]
blab v. t.
To utter or tell unnecessarily, or in a thoughtless manner; to publish (secrets or trifles) without reserve or discretion. Udall. [Cf. OE. blaberen, or Dan. blabbre, G. plappern, Gael. blabaran a stammerer; prob. of imitative origin. Cf. also Blubber, v.]
doted a.
Stupid; foolish.
props n.
A game of chance, in which four sea shells, each called a prop, are used instead of dice.
waver v. i.
To play or move to and fro; to move one way and the other; hence, to totter; to reel; to swing; to flutter. [OE. waveren, from AS. wæfre wavering, restless. See Wave, v. i.]
betwixt prep.
In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
undone a.
Not done or performed; neglected. [Pref. un- not + done.]
laches n.
Neglect; negligence; remissness; neglect to do a thing at the proper time; delay to assert a claim. [OF. lachesse, fr. lache lax, indolent, F. lâche, ultimately fr. L. laxus loose, lax. See Lax.]
maidenhead n.
The state of being a maiden; maidenhood; virginity. [See Maidenhood.]
inviolate a.
Not violated; uninjured; unhurt; unbroken. [L. inviolatus. See In- not, and Violate.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
troth n.
Belief; faith; fidelity. [A variant of truth. See Truth.]
insolence n.
The quality of being unusual or novel. [F. insolence, L. insolentia. See Insolent.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
forsooth v. t.
To address respectfully with the term forsooth.
assignation n.
The act of assigning or allotting; apportionment. [L. assignatio, fr. assignare: cf. F. assignation.]
exeunt
They go out, or retire from the scene; as, exeunt all except Hamlet. See 1st Exit. [L., 3d pers. pl. pres. of exire to go out.]
harper n.
A player on the harp; a minstrel. [AS. hearpere.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Step-Mother: Act the First: Scene II is in the public domain. This text is taken from The Comedies of Terence, Project Gutenberg ebook #22695; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Terence, The Step-Mother: Act the First: Scene II, in The Comedies of Terence (1765), text of Project Gutenberg ebook #22695, Laurel, https://laurelpoetry.com/poem/terence-comedies/the-step-mother-act-the-first-scene-ii.html, id L25858.

Form and metre

The Step-Mother: Act the First: Scene II is 196 lines in 41 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 17 A-A trueA · word · youA
  2. 19 ABC-A---A-C--------C--B--- pamphilusA · everB · himC · fathers · pamphilusA · heirs · master · father · pamphilusA · felt · himC · still · prevail'd · daughter · heart · wedlock · prepar'd · then · bacchis · himC · company · parmeno · foreverB · myself · wretch · undone
  3. 24 -A--BBA---- after · meA · him · home · resolvingB · longB · meA · herself · rather · her · inviolate
  4. 30 A-----AB--C---C-BC-C herA · himself · compar'd · bride · mind · affronts · herA · wifeB · insolence · bacchis · dispositionC · meanwhile · family · estate · manC · will · wifeB · gentlemanC · seldom · townC
  5. 33 -------A--AB-B---- sake · withdrew · able · pretends · assist · went · sostrata · excuseA · lady · last · mistressA · inB · came · townB · bride · tell · this · way
  6. 37 -AB-AB harper · withinA · scritusB · — · withinA · scirtusB
  7. 38 --A--A harper · these · meA · — · no · meA
  8. 39 -A-A harper · soonA · — · soonA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
PAR. (to SCRITUS within). If our old gentleman11·······/·/˘
Asks for me, tell him I'm this very moment11·······/˘/˘
Gone to the Port to seek for Pamphilus.10··········
D'ye understand my meaning, Scritus? If he asks,12··˘/·/˘·····
Tell him that; if he should not ask, say nothing;11·········/˘
That this excuse may serve another time. (Comes forward.13··˘/··˘/˘··/˘
--But is not that Philotis? Whence comes she?10··········
Philotis, save you!5·····
PHI. Save you, Parmeno!6······
SYRA. Save you, good Parmeno!8········
PAR. And save you, Syra!6······
--Tell me, Philotis, where have you been gadding?11·········/˘
Taking your pleasure this long time?8/˘·/˘···
PHI. I've taken4··/˘
No pleasure, Parmeno, indeed. I went10·/˘···˘/··
With a most brutal Captain hence to Corinth,11···/˘/˘··/˘
There have I led a wretched life with him10·····/˘···
For two whole years.4····
PAR. Aye, aye, I warrant you7····/˘·
That you have often wish'd to be in Athens;11···/˘····/˘
Often repented of your journey.9/˘˘/˘··/˘
PHI. Oh,2··
'Tis quite impossible to tell how much10··˘/˘˘····
I long'd to be at home, how much I long'd10··········
To leave the Captain, see you, revel with you,11···/˘··/˘··
After the good old fashion, free and easy.11·····/˘··/˘
For there I durst not speak a single word,10·······/˘·
But what, and when the mighty Captain pleas'd.10·····/˘/˘·
PAR. 'Twas cruel in him thus to tie your tongue:10··/·······
At least, I'll warrant, that you thought it so.10···/˘·····
PHI. But what's this business, Parmeno? this story12····/˘····/˘
That Bacchis has been telling me within?10·/˘··/˘···
I could not have believ'd that Pamphilus10····˘/····
Would in her lifetime marry.7···/·/˘
PHI. Why he is married: is not he?9····/˘···
PAR. He is.3···
But I'm afraid 'twill prove a crazy match,10··˘/···/˘·
And will not hold together long.8····˘/˘·
PHI. Heav'n grant it.4····
So it turn out to Bacchis's advantage!10·······˘/˘
But how can I believe this, Parmeno?10····˘/····
Tell me.2··
PAR. It is not fit it should be told.9·········
Inquire no more.4˘/··
PHI. For fear I should divulge it?8·····˘/·
Now Heav'n so prosper me, as I inquire,10···/˘···˘/
Not for the sake of telling it again,10·····/˘·˘/
But to rejoice within myself.8··˘/···/
PAR. All these3···
Fair words, Philotis, sha'n't prevail on me10······˘/··
To trust my back to your discretion.9······˘/˘
PHI. Well;2··
Don't tell me, Parmeno.--As if you had not11···········
Much rather tell this secret than I hear it.11·/˘··/˘····
PAR. She's in the right: I am a blab, 'tis true,11···········
It is my greatest failing.--Give your word10···/˘/˘···
You'll not reveal it, and I'll tell you.9··˘/·····
PHI. Now2··
You're like yourself again. I give my word.10··˘/˘/····
Speak.1·
PAR. Pamphilus4····
Doted on Bacchis still as much as ever,11/˘·/˘····/˘
When the old gentleman began to tease him10···/˘˘/···
To marry, in the common cant of fathers;11·/˘··/˘··/˘
--"That he was now grown old; and Pamphilus10··········
His only child; and that he long'd for heirs,10·/˘·······
As props of his old age." At first my master11·········/˘
Withstood his instances, but as his father11˘/·/˘˘···/˘
Became more hot and urgent, Pamphilus10˘/···/˘···
Began to waver in his mind, and felt10˘/·/˘·····
A conflict betwixt love and duty in him.11·/˘˘/··/˘··
At length, by hammering on marriage still,10···/˘˘·/˘·
And daily instances, th' old man prevail'd,10·/˘/˘˘··˘/
And made a match with our next neighbor's daughter.11·····/·/˘/˘
Pamphilus did not take it much to heart,10··········
Till just upon the very brink of wedlock:11·····/˘··/·
But when he saw the nuptial rites prepar'd,10·····/˘·˘/
And, without respite, he must many; then10···/˘··/˘·
It came so home to him, that even Bacchis,11·······/˘/˘
Had she been present, must have pitied him.10···/˘··/··
Whenever he could steal from company,10˘/˘····/˘˘
And talk to me alone,--"Oh Parmeno,10····˘/····
What have I done?" he'd cry.--"I'm lost forever.11········˘/˘
Into what ruin have I plung'd myself!10···/˘····/
I can not bear it, Parmeno. Ah wretch!10··········
I am undone."4··˘/
PHI. Now all the powers of heav'n8····/˘··
Confound you, Laches, for thus teasing him?10˘/·/˘··/˘·
PAR. In short, he marries, and brings home his wife.11····/˘·····
The first night he ne'er touch'd her! nor the next.10··········
PHI. How! he a youth, and she a maidenhead!11········/˘˘
Tipsy, and never touch her! 'Tis not likely;11/˘·/˘····/˘
Nor do I think it can be true.8········
PAR. No wonder.4··/˘
For they that come to you come all desire:11········˘/˘
But he was bound to her against his will.10··········
PHI. What followed upon this?7··/˘···
PAR. A few days after,6······
Pamphilus, taking me aside, informs me,11···/˘·˘/˘/·
"That the maid still remain'd a maid for him;10····˘/····
That he had hop'd, before he brought her home,10··········
He might have borne the marriage:--but resolving11·····/˘·˘/˘
Within myself not to retain her long,10···/··˘/··
I held it neither honesty in me,10···/˘/˘˘··
Nor of advantage to the maid herself,10··˘/˘···˘/
That I should throw her off to scorn:--but rather11·········/˘
Return her to her friends, as I receiv'd her,11˘/······˘/·
Chaste and inviolate."6··˘/˘˘
PHI. A worthy youth,5··/˘·
And of great modesty!6···/˘˘
PAR. "To make this public6····/˘
Would not, I think, do well: and to return her11········˘/·
Upon her father's hands, no crime alleg'd,10···/˘···˘/
As arrogant: but she, I hope, as soon10·/˘˘······
As she perceives she can not live with me,10··˘/······
Will of her own accord depart."8····˘/˘/
PHI. But tell me;4····
Went he meanwhile to Bacchis?7··/··/˘
PAR. Every day.5·/˘˘·
But she, as is the way you know, perceiving11········˘/˘
He was another's property, became10··˘/˘/˘˘˘/
More cross and mercenary.7···/˘·˘
PHI. Troth, no wonder.5···/˘
PAR. Aye, but 'twas that detach'd him chiefly from her.12·····˘/·/˘··
For when he had examined well himself,10····˘/˘·˘/
Bacchis, and her at home; and had compar'd10/˘······˘/
Their different manners; seeing that his bride,10·/˘˘/˘/···
After the fashion of a lib'ral mind,10···/˘··/˘·
Was decent, modest, patient of affronts,10·/˘/˘/˘·˘/
And anxious to conceal the wrongs he did her;11·/˘·˘/·····
Touch'd partly with compassion for his wife,10·/˘·˘/˘···
And partly tir'd with t'other's insolence,11·/˘/˘···/˘˘
He by degrees withdrew his heart from Bacchis,11··˘/˘/···/˘
Transferring it to her, whose disposition11˘/˘·····˘/˘
Was so congenial to his own. Meanwhile10··˘/˘···/·
An old relation of the family10··˘/˘··/˘˘
Dies in the isle of Imbrus. His estate10········˘/
Comes by the law to them; and our old man10·······/··
Dispatching thither, much against his will,10˘/˘/˘·····
The now-fond Pamphilus, he leaves his wife10··········
Here with his mother. The old gentleman10···/˘··/˘˘
Retir'd into the country, and but seldom11˘/···/˘··/˘
Comes up to town.4····
PHI. But what is there in this7·······
That can affect the marriage?7··˘/·/˘
PAR. You shall hear4····
Immediately. At first, for some few days,10˘/˘˘······
The women seem'd to live on friendly terms:10·/˘····/˘·
Till all at once the bride, forsooth, conceiv'd10······˘/˘/
A wonderful disgust to Sostrata:10·/˘˘˘/····
And yet there was no open breach between them,11·····/˘····
And no complaints on either side.8··˘/·/˘·
PAR. If Sostrata, for conversation' sake,11·······˘/˘·
Went to the bride, she instantly withdrew,10·····/˘˘˘/
Shunning her company. At length, not able11/˘·/˘˘···/˘
To bear it any longer, she pretends10···/˘/˘·˘/
Her mother had sent for her to assist10·/˘·····˘/
At some home-sacrifice. Away she went.10···/˘·˘/··
After a few days' absence, Sostrata10·····/˘···
Sent for her back. They made some lame excuse,10········˘/
I know not what. She sends again. No lady.11······˘/·/˘
Then after several messages, at last10···/˘/˘˘··
They say the gentlewoman's sick. My mistress11···/˘·˘··/˘
Goes on a visit to her: not let in.10···/˘·····
Th' old gentleman, inform'd of all this, came10·/˘˘˘/····
On this occasion yesterday to town;10··˘/˘/˘···
And waited on the father of the bride.10·/˘··/˘···
What pass'd between them, I as yet can't tell;10··········
And yet I long to know the end of this.10··········
--There's the whole business. Now I'll on my way.10···/˘·····
PHI. And I: for there's a stranger here, with whom11······/˘···
I have an assignation.7·······
PAR. Speed the plow!4····
PHI. Parmeno, fare you well!7·······
PAR. Farewell, Philotis! (Exeunt severally.11··/···/˘˘/˘
Harper2/˘
PAR. (to SCRITUS within).6······
D'ye understand my meaning, Scritus?9··˘/·/˘··
Colman 17682/˘
PAR. (to SCIRTUS within).6······
D'ye understand my meaning, Scirtus?9··˘/·/˘··
Harper2/˘
PAR. All these3···
Fair words, Philotis, sha'n't prevail on me10······˘/··
Colman 17682/˘
PAR. No, no:3···
Fair words, Philotis, sha'n't prevail on me10······˘/··
Harper2/˘
As arrogant: but she, I hope, as soon10·/˘˘······
Colman 17682/˘
Is arrogant: but she, I hope, as soon10·/˘˘······
The women seem'd to live on friendly terms:10·/˘····/˘·
Harper edition reads "The woman"9/˘˘/˘··/˘
Harper2/˘
Shunning her company. At length, not able11/˘·/˘˘···/˘
Colman 17682/˘

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