The Self-Tormentor: Act the Fourth: Scene VI

Terence · 1765

iambic pentameter · 50 lines · from The Comedies of Terence

CLIT. (to himself). Nothing so easy in itself, but whenPerform'd against one's will, grows difficult.This little walk how easy! yet how faintAnd weary it has made me!--and I fearLest I be still excluded, and forbidTo come near Bacchis. (Seeing SYRUS.)--Now all powers above.Confound you, Syrus, for the trick you play'd me!That brain of yours is evermore contrivingSome villainy to torture me withal.

SYRUS. Away, you malapert! Your frowardnessHad well-nigh ruin'd me.

CLIT. I would it had,As you deserv'd!

SYRUS. As I deserv'd!--How's that?----Before you touch'd the cash, that I was justAbout to give you.

CLIT. Why, what can I say?You went away; came back, beyond my hopes,And brought my mistress with you; then againForbade my touching her.

SYRUS. Well, well, I can'tBe peevish with you now--But do you knowWhere Bacchis is?CLIT. At our house.

SYRUS. At Clinia's.

CLIT. Then I'm ruin'd.

SYRUS. Courage, man!You shall go to her instantly, and carryThe money that you promis'd her.

CLIT. Fine talk!Where should I get it?SYRUS. From your father.

CLIT. Pshaw!You play upon me.

SYRUS. The event shall show.

SYRUS. Hist! here's your father.--Have a care! don't seemSurpris'd at any thing: give way in all:Do as he bids, and say but little. Mum!

HarperSYRUS. Away, you malapert! Your frowardnessHad well-nigh ruin'd me.CLIT. I would it had,As you deserv'd!SYRUS. As I deserv'd!--How's that?----Colman 1768SYRUS. Away, you malapert! Your frowardnessHad well-nigh been my ruin.CLIT. Would it had!For you deserv'd it richly.SYRUS. How! deserv'd it?

Words in this poem

evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
withal adv.
With this; with that. [With + all.]
malapert a.
Bold; forward; impudent; saucy; pert. [OF. malapert unskillful, ill-taught, ill-bred; mal ill + apert open, adroit, intelligent, L. apertus, p. p. of aperire to open. See Malice, and Aperient.]
went n.
Course; way; path; journey; direction.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
pshaw interj.
Pish! pooch! -- an exclamation used as an expression of contempt, disdain, dislike, etc. [Of imitative origin.]
harper n.
A player on the harp; a minstrel. [AS. hearpere.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Self-Tormentor: Act the Fourth: Scene VI is in the public domain. This text is taken from The Comedies of Terence, Project Gutenberg ebook #22695; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Terence, The Self-Tormentor: Act the Fourth: Scene VI, in The Comedies of Terence (1765), text of Project Gutenberg ebook #22695, Laurel, https://laurelpoetry.com/poem/terence-comedies/the-self-tormentor-act-the-fourth-scene-vi.html, id L25806.

Form and metre

The Self-Tormentor: Act the Fourth: Scene VI is 50 lines in 14 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 14 -A-B---A-B-- harper · frowardnessA · me · hadB · deserv'd · that · — · frowardnessA · ruin · hadB · richly · it
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
CLIT. (to himself). Nothing so easy in itself, but when14··˘//˘·/˘·˘/··
Perform'd against one's will, grows difficult.10˘/·····/˘˘
This little walk how easy! yet how faint10·/˘··/˘···
And weary it has made me!--and I fear10·/˘·······
Lest I be still excluded, and forbid10····˘/˘·˘/
To come near Bacchis. (Seeing SYRUS.)--Now all powers above.13···/˘/····/··
Confound you, Syrus, for the trick you play'd me!11˘/·········
That brain of yours is evermore contriving11·····/˘·˘/˘
Some villainy to torture me withal.10·/˘˘·/˘·˘/
SYRUS. Away, you malapert! Your frowardness12··˘/·/˘˘····
Had well-nigh ruin'd me.6···/˘·
CLIT. I would it had,5·····
As you deserv'd!4··˘/
SYRUS. As I deserv'd!--How's that?----8····˘/··
Before you touch'd the cash, that I was just10··········
About to give you.5·····
CLIT. Why, what can I say?6······
You went away; came back, beyond my hopes,10··˘/······
And brought my mistress with you; then again10···/˘···˘/
Forbade my touching her.6˘/·/˘·
SYRUS. Well, well, I can't6······
Be peevish with you now--But do you know10·/˘·······
Where Bacchis is?4·/˘·
CLIT. At our house.5··/˘·
SYRUS. At Clinia's.5·····
CLIT. Then I'm ruin'd.5···/˘
SYRUS. Courage, man!5··/˘·
You shall go to her instantly, and carry11·····/˘˘·/˘
The money that you promis'd her.8·/˘··/˘·
CLIT. Fine talk!3···
Where should I get it?5·····
SYRUS. From your father.6····/˘
CLIT. Pshaw!2··
You play upon me.5·····
SYRUS. The event shall show.7···˘/··
SYRUS. Hist! here's your father.--Have a care! don't seem12·····/˘·····
Surpris'd at any thing: give way in all:10˘/·/˘·····
Do as he bids, and say but little. Mum!10·······/˘·
Harper2/˘
SYRUS. Away, you malapert! Your frowardness12··˘/·/˘˘····
Had well-nigh ruin'd me.6···/˘·
CLIT. I would it had,5·····
As you deserv'd!4··˘/
SYRUS. As I deserv'd!--How's that?----8····˘/··
Colman 17682/˘
SYRUS. Away, you malapert! Your frowardness12··˘/·/˘˘····
Had well-nigh been my ruin.7·····/˘
CLIT. Would it had!4····
For you deserv'd it richly.7··˘/·/˘
SYRUS. How! deserv'd it?6···˘/·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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