The Brothers: Act the Fourth: Scene V
Oh torture to my mind! that this misfortuneShould come thus unexpectedly upon me!I know not what to do, which way to turn.Fear shakes my limbs, amazement fills my soul,And in my breast despair shuts out all counsel.Ah, by what means can I acquit myself?Such a suspicion is now fallen on me;And that too grounded on appearances.Sostrata thinks that on my own accountI bought the Music-Girl. That's plain enoughFrom the old nurse. For meeting her by chance,As she was sent from hence to call a midwife,I ran, and ask'd her of my Pamphila.--"Is she in labor? are you going nowTo call a midwife?"--"Go, go, AEschinus!Away, you have deceiv'd us long enough,Fool'd us enough with your fine promises,"Cried she.--"What now?" says I.--"Farewell, enjoyThe girl that you're so taken with!"--I sawImmediately their cause of jealousy:Yet I contain'd myself, nor would discloseMy brother's business to a tattling gossip,By whom the knowledge on't might be betray'd.--But what shall I do now? shall I confessThe girl to be my brother's; an affairWhich should by no means be reveal'd?--But notTo dwell on that.--Perhaps they'd not disclose it.Nay, I much doubt if they would credit it:So many proofs concur against myself.----I bore her off: I paid the money down;She was brought home to me.--All this, I own,Is my own fault. For should I not have toldMy father, be it as it might, the whole?I should, I doubt not, have obtain'd his leaveTo marry Pamphila.--What indolence,Ev'n, till this hour! now, AEschinus, awake!--But first I'll go and clear myself to them.I'll to the door. (Goes up.) Confusion! how I tremble!How guilty like I seem when I approachThis house! (Knocks.) Holloa! within! 'Tis I;'Tis AEschinus. Come, open somebodyThe door immediately!--Who's here? A stranger!I'll step aside. (Retires.)
Words in this poem
- amazement n.
- The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
- tattling a.
- Given to idle talk; apt to tell tales.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- concur v. i.
- To run together; to meet. [L. concurrere to run together, agree; con- + currere to run. See Current.]
- indolence n.
- Freedom from that which pains, or harasses, as toil, care, grief, etc. [L. indolentia freedom from pain: cf. F. indolence.]
- somebody n.
- A person unknown or uncertain; a person indeterminate; some person.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Brothers: Act the Fourth: Scene V is in the public domain. This text is taken from The Comedies of Terence, Project Gutenberg ebook #22695; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Terence, The Brothers: Act the Fourth: Scene V, in The Comedies of Terence (1765), text of Project Gutenberg ebook #22695, Laurel, https://laurelpoetry.com/poem/terence-comedies/the-brothers-act-the-fourth-scene-v.html, id L25839.
Form and metre
The Brothers: Act the Fourth: Scene V is 43 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-ABB-----------C---C---------------------- misfortuneA · me · turnA · soulB · counselB · myself · me · appearances · account · enough · chance · midwife · pamphila · now · aeschinus · enough · promisesC · enjoy · saw · jealousy · discloseC · gossip · betray'd · confess · affair · not · it · it · myself · down · own · told · whole · leave · indolence · awake · them · tremble · approach · i · somebody · stranger · retires
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Oh torture to my mind! that this misfortune | 11 | ·/˘·····˘/˘ |
| Should come thus unexpectedly upon me! | 10 | ····˘/˘··· |
| I know not what to do, which way to turn. | 10 | ·········· |
| Fear shakes my limbs, amazement fills my soul, | 10 | ····˘/˘··· |
| And in my breast despair shuts out all counsel. | 11 | ····˘/···/˘ |
| Ah, by what means can I acquit myself? | 10 | ······˘/·/ |
| Such a suspicion is now fallen on me; | 11 | ··˘/˘··/˘·· |
| And that too grounded on appearances. | 10 | ···/˘·˘/˘˘ |
| Sostrata thinks that on my own account | 10 | ········˘/ |
| I bought the Music-Girl. That's plain enough | 10 | ···/˘···˘/ |
| From the old nurse. For meeting her by chance, | 10 | ·····/˘··· |
| As she was sent from hence to call a midwife, | 11 | ·········/· |
| I ran, and ask'd her of my Pamphila. | 10 | ·········· |
| --"Is she in labor? are you going now | 10 | ···/˘··/˘· |
| To call a midwife?"--"Go, go, AEschinus! | 10 | ···/······ |
| Away, you have deceiv'd us long enough, | 10 | ˘/··˘/··˘/ |
| Fool'd us enough with your fine promises," | 10 | ··˘/···/˘˘ |
| Cried she.--"What now?" says I.--"Farewell, enjoy | 10 | ·······/˘/ |
| The girl that you're so taken with!"--I saw | 10 | ·····/˘··· |
| Immediately their cause of jealousy: | 11 | ˘/˘˘˘···/˘˘ |
| Yet I contain'd myself, nor would disclose | 10 | ··˘/·/··˘/ |
| My brother's business to a tattling gossip, | 11 | ·/˘/˘··/˘/˘ |
| By whom the knowledge on't might be betray'd. | 10 | ···/˘···˘/ |
| --But what shall I do now? shall I confess | 10 | ········˘/ |
| The girl to be my brother's; an affair | 10 | ·····/˘·˘/ |
| Which should by no means be reveal'd?--But not | 10 | ······˘/·· |
| To dwell on that.--Perhaps they'd not disclose it. | 11 | ····˘/··˘/· |
| Nay, I much doubt if they would credit it: | 10 | ·······/˘· |
| So many proofs concur against myself.---- | 10 | ·/˘·˘/···/ |
| I bore her off: I paid the money down; | 10 | ·······/˘· |
| She was brought home to me.--All this, I own, | 10 | ·········· |
| Is my own fault. For should I not have told | 10 | ·········· |
| My father, be it as it might, the whole? | 10 | ·/˘······· |
| I should, I doubt not, have obtain'd his leave | 10 | ······˘/·· |
| To marry Pamphila.--What indolence, | 10 | ·/˘····/˘˘ |
| Ev'n, till this hour! now, AEschinus, awake! | 10 | ···/····˘/ |
| --But first I'll go and clear myself to them. | 10 | ·······/·· |
| I'll to the door. (Goes up.) Confusion! how I tremble! | 13 | ······˘/˘··/˘ |
| How guilty like I seem when I approach | 10 | ·/˘·····˘/ |
| This house! (Knocks.) Holloa! within! 'Tis I; | 9 | ···˘/···· |
| 'Tis AEschinus. Come, open somebody | 10 | ·····/˘/˘˘ |
| The door immediately!--Who's here? A stranger! | 11 | ··˘/˘˘···/˘ |
| I'll step aside. (Retires.) | 6 | ··˘/˘/ |
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