Phormio: Prologue
The Old Bard finding it impossibleTo draw our Poet from the love of verse,And bury him in indolence, attemptsBy calumny to scare him from the stage;Pretending that in all his former playsThe characters are low, and mean the style;Because he ne'er describ'd a mad-brain'd youth,Who in his fits of frenzy thought he sawA hind, the dogs in full cry after her;Her too imploring and beseeching himTo give her aid.--But did he understandThat, when the piece was first produc'd, it ow'dMore to the actor than himself its safety,He would not be thus bold to give offense.--But if there's any one who says, or thinks,"That had not the Old Bard assail'd him first,Our Poet could not have devis'd a Prologue,Having no matter for abuse;"--let suchReceive for answer, "that although the prizeTo all advent'rers is held out in common,The Veteran Poet meant to drive our BardFrom study into want: He therefore choseTo answer, though he would not first offend.And had his adversary but have prov'dA generous rival, he had had due praise;Let him then bear these censures, and reflectOf his own slanders 'tis the due return.But henceforth I shall cease to speak of him,Although he ceases not himself to rail."But now what I'd request of you, attend:To-day I bring a new play, which the GreeksCall Epidicazomenos; the Latins,From the chief character, name Phormio:Phormio, whom you will find a parasite,And the chief engine of the plot.--And now,If to our Poet you are well inclin'd,Give ear; be favorable; and be silent!Let us not meet the same ill fortune nowThat we before encounter'd, when our troopWas by a tumult driven from their place;To which the actor's merit, secondedBy your good-will and candor, has restor'd us.
Words in this poem
- indolence n.
- Freedom from that which pains, or harasses, as toil, care, grief, etc. [L. indolentia freedom from pain: cf. F. indolence.]
- scare v. t.
- To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
- imploring a.
- That implores; beseeching; entreating.
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- henceforth adv.
- From this time forward; henceforward.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- candor n.
- Whiteness; brightness; (as applied to moral conditions) usullied purity; innocence. [L. candor, fr. candëre; cf. F. candeur. See candid.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Phormio: Prologue is in the public domain. This text is taken from The Comedies of Terence, Project Gutenberg ebook #22695; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Terence, Phormio: Prologue, in The Comedies of Terence (1765), text of Project Gutenberg ebook #22695, Laurel, https://laurelpoetry.com/poem/terence-comedies/phormio-prologue.html, id L25885.
Form and metre
Phormio: Prologue is 42 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The Old Bard finding it impossible | 10 | ···/˘·˘/˘˘ |
| To draw our Poet from the love of verse, | 10 | ··//˘····· |
| And bury him in indolence, attempts | 10 | ·/˘··/˘˘˘/ |
| By calumny to scare him from the stage; | 10 | ·/˘˘······ |
| Pretending that in all his former plays | 10 | ˘/˘····/˘· |
| The characters are low, and mean the style; | 10 | ·/˘˘······ |
| Because he ne'er describ'd a mad-brain'd youth, | 10 | ····˘/···· |
| Who in his fits of frenzy thought he saw | 10 | ·····/˘··· |
| A hind, the dogs in full cry after her; | 10 | ·········· |
| Her too imploring and beseeching him | 10 | ··˘/˘·˘/˘· |
| To give her aid.--But did he understand | 10 | ········˘/ |
| That, when the piece was first produc'd, it ow'd | 10 | ······˘/·· |
| More to the actor than himself its safety, | 11 | ···/˘·˘/·/˘ |
| He would not be thus bold to give offense. | 10 | ········˘/ |
| --But if there's any one who says, or thinks, | 10 | ···/˘····· |
| "That had not the Old Bard assail'd him first, | 10 | ······˘/·· |
| Our Poet could not have devis'd a Prologue, | 11 | //˘···˘/·/˘ |
| Having no matter for abuse;"--let such | 10 | /˘·/˘·˘/·· |
| Receive for answer, "that although the prize | 10 | ˘/·/˘····· |
| To all advent'rers is held out in common, | 11 | ·········/˘ |
| The Veteran Poet meant to drive our Bard | 10 | ·/˘/˘···/· |
| From study into want: He therefore chose | 10 | ·/˘······· |
| To answer, though he would not first offend. | 10 | ·/˘·····˘/ |
| And had his adversary but have prov'd | 10 | ···/˘·˘··· |
| A generous rival, he had had due praise; | 10 | ·/˘/˘····· |
| Let him then bear these censures, and reflect | 10 | ·····/˘·˘/ |
| Of his own slanders 'tis the due return. | 10 | ···/˘···˘/ |
| But henceforth I shall cease to speak of him, | 10 | ·//······· |
| Although he ceases not himself to rail." | 10 | ···/˘·˘/·· |
| But now what I'd request of you, attend: | 10 | ····˘/··˘/ |
| To-day I bring a new play, which the Greeks | 10 | ·········· |
| Call Epidicazomenos; the Latins, | 11 | ·········/˘ |
| From the chief character, name Phormio: | 9 | ···/˘˘··· |
| Phormio, whom you will find a parasite, | 10 | ·······/˘· |
| And the chief engine of the plot.--And now, | 10 | ···/˘····· |
| If to our Poet you are well inclin'd, | 10 | ··//˘···˘/ |
| Give ear; be favorable; and be silent! | 11 | ···/˘˘˘··/˘ |
| Let us not meet the same ill fortune now | 10 | ·······/˘· |
| That we before encounter'd, when our troop | 10 | ····˘/·/˘· |
| Was by a tumult driven from their place; | 10 | ···/˘/˘··· |
| To which the actor's merit, seconded | 10 | ···/˘/˘/˘˘ |
| By your good-will and candor, has restor'd us. | 11 | ·····/˘·˘/· |
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