"Only in Sleep"

Sara Teasdale (1884–1933) · 1920

iambic pentameter · 12 lines · from Flame and Shadow

Only in sleep I see their faces,Children I played with when I was a child,Louise comes back with her brown hair braided,Annie with ringlets warm and wild.

Only in sleep Time is forgotten--What may have come to them, who can know?Yet we played last night as long ago,And the doll-house stood at the turn of the stair.

The years had not sharpened their smooth round faces,I met their eyes and found them mild--Do they, too, dream of me, I wonder,And for them am I too a child?

About this text

"Only in Sleep" is in the public domain. This text is taken from Flame and Shadow, Project Gutenberg ebook #591; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sara Teasdale, "Only in Sleep", in Flame and Shadow (1920), text of Project Gutenberg ebook #591, Laurel, https://laurelpoetry.com/poem/teasdale-flame-shadow/only-in-sleep.html, id L20792.

Form and metre

"Only in Sleep" is 12 lines in 3 stanzas of 4 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 80%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A faces · childA · braided · wildA
  2. 2 -AA- forgotten · knowA · agoA · stair
  3. 3 -A-A faces · mildA · wonder · childA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Only in sleep I see their faces,9/˘·····/˘
Children I played with when I was a child,10/˘········
Louise comes back with her brown hair braided,10˘/······/˘
Annie with ringlets warm and wild.8/˘······
Only in sleep Time is forgotten--9/˘····˘/˘
What may have come to them, who can know?9·········
Yet we played last night as long ago,9·······˘/
And the doll-house stood at the turn of the stair.11···········
The years had not sharpened their smooth round faces,11····/˘···/˘
I met their eyes and found them mild--8········
Do they, too, dream of me, I wonder,9·······/˘
And for them am I too a child?8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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