Gitanjali 96

Rabindranath Tagore (1861–1941) · 1912

9 lines · from Gitanjali (Song Offerings)

When I go from hence let this be my parting word, that what I have seenis unsurpassable.

I have tasted of the hidden honey of this lotus that expands on theocean of light, and thus am I blessed—let this be my parting word.

In this playhouse of infinite forms I have had my play and here have Icaught sight of him that is formless.

My whole body and my limbs have thrilled with his touch who is beyondtouch; and if the end comes here, let it come—let this be my partingword.

Words in this poem

playhouse n.
A building used for dramatic exhibitions; a theater. [AS. pleghus.]
formless a.
Shapeless; without a determinate form; wanting regularity of shape.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Gitanjali 96 is in the public domain. This text is taken from Gitanjali (Song Offerings), a collection of prose translations made by the author from the original Bengali, with an introduction by W. B. Yeats (India Society, London, 1912), Project Gutenberg ebook #7164; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rabindranath Tagore, Gitanjali 96, in Gitanjali (Song Offerings) (1912), text of Project Gutenberg ebook #7164, Laurel, https://laurelpoetry.com/poem/tagore-gitanjali/poem-96.html, id L27958.

About this section

Gitanjali 96 is prose, printed in 4 paragraphs. It is part of the edition and is kept for reading, but nothing here is measured: the line breaks are the printer's, so no metre, rhyme scheme or scansion is stated.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Rabindranath Tagore