Gitanjali 79

Rabindranath Tagore (1861–1941) · 1912

15 lines · from Gitanjali (Song Offerings)

If it is not my portion to meet thee in this life then let me ever feelthat I have missed thy sight—let me not forget for a moment, let mecarry the pangs of this sorrow in my dreams and in my wakeful hours.

As my days pass in the crowded market of this world and my hands growfull with the daily profits, let me ever feel that I have gainednothing—let me not forget for a moment, let me carry the pangs of thissorrow in my dreams and in my wakeful hours.

When I sit by the roadside, tired and panting, when I spread my bed lowin the dust, let me ever feel that the long journey is still beforeme—let me not forget a moment, let me carry the pangs of this sorrow inmy dreams and in my wakeful hours.

When my rooms have been decked out and the flutes sound and thelaughter there is loud, let me ever feel that I have not invited theeto my house—let me not forget for a moment, let me carry the pangs ofthis sorrow in my dreams and in my wakeful hours.

Words in this poem

wakeful a.
Not sleeping; indisposed to sleep; watchful; vigilant.
roadside n.
Land adjoining a road or highway; the part of a road or highway that borders the traveled part. Also used ajectively.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Gitanjali 79 is in the public domain. This text is taken from Gitanjali (Song Offerings), a collection of prose translations made by the author from the original Bengali, with an introduction by W. B. Yeats (India Society, London, 1912), Project Gutenberg ebook #7164; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rabindranath Tagore, Gitanjali 79, in Gitanjali (Song Offerings) (1912), text of Project Gutenberg ebook #7164, Laurel, https://laurelpoetry.com/poem/tagore-gitanjali/poem-79.html, id L27941.

About this section

Gitanjali 79 is prose, printed in 4 paragraphs. It is part of the edition and is kept for reading, but nothing here is measured: the line breaks are the printer's, so no metre, rhyme scheme or scansion is stated.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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