A Song of the Open Road

John Addington Symonds (1840–1893) · 1884

trochaic tetrameter · rhyming couplets · 48 lines · from Wine, Women and Song

We in our wandering,Blithesome and squandering,Tara, tantara, teino!

Eat to satiety,Drink with propriety;Tara, tantara, teino!

Laugh till our sides we split,Rags on our hides we fit;Tara, tantara, teino!

Jesting eternally,Quaffing infernally:Tara, tantara, teino!

Craft's in the bone of us,Fear 'tis unknown of us:Tara, tantara, teino!

When we're in neediness,Thieve we with greediness:Tara, tantara, teino!

Brother catholical,Man apostolical,Tara, tantara, teino!

Say what you will have done,What you ask 'twill be done!Tara, tantara, teino!

Folk, fear the toss of theHorns of philosophy!Tara, tantara, teino!

Here comes a quadrupleSpoiler and prodigal!Tara, tantara, teino!

License and vanityPamper insanity:Tara, tantara, teino!

As the Pope bade us do,Brother to brother's true:Tara, tantara, teino!

Brother, best friend, adieu!Now, I must part from you!Tara, tantara, teino!

When will our meeting be?Glad shall our greeting be!Tara, tantara, teino!

Vows valedictoryNow have the victory;Tara, tantara, teino!

Clasped on each other's breast,Brother to brother pressed,Tara, tantara, teino!

Words in this poem

blithesome a.
Cheery; gay; merry.
propriety n.
Individual right to hold property; ownership by personal title; property. [F. propriété, L. proprietas, fr. proprius one's own, proper. See Property, Proper.]
eternally adv.
In an eternal manner.
infernally adv.
In an infernal manner; diabolically.
neediness n.
The state or quality of being needy; want; poverty; indigence.
thieve v. t.
To practice theft; to steal. [AS. ge.]
apostolical a.
Pertaining to an apostle, or to the apostles, their times, or their peculiar spirit; as, an apostolical mission; the apostolic age. [L. apostolicus, Gr. apostolique.]
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
spoiler n.
One who spoils; a plunderer; a pillager; a robber; a despoiler.
bade
A form of the pat tense of Bid.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Song of the Open Road is in the public domain. This text is taken from Wine, Women, and Song Mediaeval Latin Students' songs; Now first translated into English verse, Project Gutenberg ebook #18044; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Addington Symonds, A Song of the Open Road, in Wine, Women and Song (1884), text of Project Gutenberg ebook #18044, Laurel, https://laurelpoetry.com/poem/symonds-wine-women/a-song-of-the-open-road.html, id L11810.

Form and metre

A Song of the Open Road is 48 lines in 16 stanzas of 3 lines each. It is in rhyming couplets, 58% of the lines. 85% of its stressed syllables fall where the metre puts the beat. The lines average 6.3 syllables. 16 lines end on an unstressed syllable, a feminine ending. 8% of the lines run on without a stop at the line end.

See other poems in rhyming couplets.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA- wanderingA · squanderingA · teino
  2. 2 AA- satietyA · proprietyA · teino
  3. 3 AA- splitA · fitA · teino
  4. 4 AA- eternallyA · infernallyA · teino
  5. 5 AA- usA · usA · teino
  6. 6 AA- needinessA · greedinessA · teino
  7. 7 AA- catholicalA · apostolicalA · teino
  8. 8 AA- doneA · doneA · teino
  9. 11 AA- vanityA · insanityA · teino
  10. 12 AA- doA · trueA · teino
  11. 13 AA- adieuA · youA · teino
  12. 14 AA- beA · beA · teino
  13. 15 AA- valedictoryA · victoryA · teino
  14. 16 AA- breastA · pressedA · teino
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
We in our wandering,7··/˘/˘˘
Blithesome and squandering,6/˘·/˘˘
Tara, tantara, teino!7/˘·····
Eat to satiety,6··˘/˘˘
Drink with propriety;6··˘/˘˘
Tara, tantara, teino!7/˘·····
Laugh till our sides we split,6··/···
Rags on our hides we fit;6··/···
Tara, tantara, teino!7/˘·····
Jesting eternally,6/˘˘/˘˘
Quaffing infernally:6··˘/˘˘
Tara, tantara, teino!7/˘·····
Craft's in the bone of us,6······
Fear 'tis unknown of us:6··˘/··
Tara, tantara, teino!7/˘·····
When we're in neediness,6···/˘˘
Thieve we with greediness:6···/˘˘
Tara, tantara, teino!7/˘·····
Brother catholical,6/˘˘/˘˘
Man apostolical,6······
Tara, tantara, teino!7/˘·····
Say what you will have done,6······
What you ask 'twill be done!6······
Tara, tantara, teino!7/˘·····
Folk, fear the toss of the6······
Horns of philosophy!6··˘/˘˘
Tara, tantara, teino!7/˘·····
Here comes a quadruple6···˘/˘
Spoiler and prodigal!6/˘·/˘˘
Tara, tantara, teino!7/˘·····
License and vanity6/˘·/˘˘
Pamper insanity:6/˘˘/˘˘
Tara, tantara, teino!7/˘·····
As the Pope bade us do,6······
Brother to brother's true:6/˘·/˘·
Tara, tantara, teino!7/˘·····
Brother, best friend, adieu!6/˘··˘/
Now, I must part from you!6······
Tara, tantara, teino!7/˘·····
When will our meeting be?6··//˘·
Glad shall our greeting be!6··//˘·
Tara, tantara, teino!7/˘·····
Vows valedictory6··˘/˘˘
Now have the victory;6···/˘˘
Tara, tantara, teino!7/˘·····
Clasped on each other's breast,6···/˘·
Brother to brother pressed,6/˘·/˘·
Tara, tantara, teino!7/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by John Addington Symonds