III. On a Window at the Four Crosses, in the Watling-Street Road, Warwickshire

Jonathan Swift (1667–1745) · 1727

iambic pentameter · 2 lines · from On Poetry: A Rhapsody, and Other Poems

Fool, to put up four crosses at your door,Put up your wife, she's CROSSER than all four.

About this text

III. On a Window at the Four Crosses, in the Watling-Street Road, Warwickshire is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, III. On a Window at the Four Crosses, in the Watling-Street Road, Warwickshire, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/iii-on-a-window-at-the-four-crosses-in-the-watling-street-road-warwickshire.html, id L25629.

Form and metre

III. On a Window at the Four Crosses, in the Watling-Street Road, Warwickshire is 2 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA doorA · fourA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Fool, to put up four crosses at your door,10·····/˘···
Put up your wife, she's CROSSER than all four.10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Jonathan Swift