The Test
Seven women loved him. When the wrinkled pallEnwrapt him from their unfulfilled desire(Death, pale, triumphant rival, conquering all,)
They came, for that last look, around his pyre.One strewed white roses, on whose leaves were hungHer tears, like dew; and in discreet attire
Warbled her tuneful sorrow. Next amongThe group, a fair-haired virgin moved serenely,Whose saintly heart no vain repinings wrung,
Reached the calm dust, and there, composed and queenly,Gazed, but the missal trembled in her hand:“That’s with the past,” she said, “nor may I meanly
Give way to tears!” and passed into the land.The third hung feebly on the portals, moaning,With whitened lips, and feet that stood in sand,
So weak they seemed,—and all her passion owning.The fourth, a ripe, luxurious maiden, came,Half for such homage to the dead atoning
By smiles on one who fanned a later flameIn her slight soul, her fickle steps attended.The fifth and sixth were sisters; at the same
Wild moment both above the image bended,And with immortal hatred each on eachGlared, and therewith her exultation blended,
To know the dead had ’scaped the other’s reach!Meanwhile, through all the words of anguish spoken,One lowly form had given no sound of speech,
Through all the signs of woe, no sign nor token;But when they came to bear him to his rest,They found her beauty paled,—her heart was broken:
And in the Silent Land his shade confestThat she, of all the seven, loved him best.
Words in this poem
- pyre n.
- A funeral pile; a combustible heap on which the dead are burned; hence, any pile to be burnt. [L. pure, Gr. Fire.]
- discreet a.
- Possessed of discernment, especially in avoiding error or evil, and in the adaptation of means to ends; prudent; sagacious; judicious; not rash or heedless; cautious. [F. discret, L. discretus separated (whence the meaning reserved, prudent), p. p. of discernere. See Discern, and cf. Discrete.]
- tuneful a.
- Harmonious; melodious; musical; as, tuneful notes.
- serenely adv.
- In a serene manner; clearly.
- saintly a.
- Like a saint; becoming a holy person.
- queenly a.
- Like, becoming, or suitable to, a queen. [AS. cwenlic feminine.]
- missal n.
- The book containing the service of the Mass for the entire year; a Mass book. [LL. missale, liber missalis, from missa mass: cf. F. missel. See 1st Mass.]
- therewith adv.
- With that or this.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Test is in the public domain. This text is taken from The poetical works of Edmund Clarence Stedman, Project Gutenberg ebook #70763; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edmund Clarence Stedman, The Test, in The Poetical Works of Edmund Clarence Stedman (1860–1897), text of Project Gutenberg ebook #70763, Laurel, https://laurelpoetry.com/poem/stedman-poems/the-test.html, id L10681.
Form and metre
The Test is 32 lines in 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.5 syllables. 15 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A- pall · desireA · all
- 2 ABA pyreA · hungB · attireA
- 3 B-B amongB · serenely · wrungB
- 4 CDC queenlyC · handD · meanlyC
- 5 DED landD · moaningE · sandD
- 6 EF- owningE · cameF · atoning
- 7 FGF flameF · attendedG · sameF
- 8 -HG bended · eachH · blendedG
- 9 HIH reachH · spokenI · speechH
- 10 IJI tokenI · restJ · brokenI
- 11 JJ confestJ · bestJ
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Seven women loved him. When the wrinkled pall | 10 | //˘····/˘· |
| Enwrapt him from their unfulfilled desire | 11 | ······˘/˘/˘ |
| (Death, pale, triumphant rival, conquering all,) | 10 | ··˘/˘/˘/˘· |
| They came, for that last look, around his pyre. | 11 | ·········/˘ |
| One strewed white roses, on whose leaves were hung | 10 | ···/˘····· |
| Her tears, like dew; and in discreet attire | 11 | ······˘/˘/˘ |
| Warbled her tuneful sorrow. Next among | 10 | /˘·/˘/˘··· |
| The group, a fair-haired virgin moved serenely, | 11 | ·····/˘·˘/˘ |
| Whose saintly heart no vain repinings wrung, | 10 | ·/˘······· |
| Reached the calm dust, and there, composed and queenly, | 11 | ······˘/·/˘ |
| Gazed, but the missal trembled in her hand: | 10 | ···/˘/˘··· |
| “That’s with the past,” she said, “nor may I meanly | 11 | ·········/˘ |
| Give way to tears!” and passed into the land. | 10 | ·········· |
| The third hung feebly on the portals, moaning, | 11 | ···/˘··/˘/˘ |
| With whitened lips, and feet that stood in sand, | 10 | ·/˘······· |
| So weak they seemed,—and all her passion owning. | 11 | ·······/˘/˘ |
| The fourth, a ripe, luxurious maiden, came, | 10 | ····˘/˘/˘· |
| Half for such homage to the dead atoning | 11 | ···/˘···˘/˘ |
| By smiles on one who fanned a later flame | 10 | ·······/˘· |
| In her slight soul, her fickle steps attended. | 11 | ·····/˘·˘/˘ |
| The fifth and sixth were sisters; at the same | 10 | ·····/˘··· |
| Wild moment both above the image bended, | 11 | ·/˘····/˘/˘ |
| And with immortal hatred each on each | 10 | ··˘/˘/˘··· |
| Glared, and therewith her exultation blended, | 11 | ··˘/·····/˘ |
| To know the dead had ’scaped the other’s reach! | 10 | ·······/˘· |
| Meanwhile, through all the words of anguish spoken, | 11 | /······/˘/˘ |
| One lowly form had given no sound of speech, | 10 | ·/˘··/···· |
| Through all the signs of woe, no sign nor token; | 11 | ·········/˘ |
| But when they came to bear him to his rest, | 10 | ·········· |
| They found her beauty paled,—her heart was broken: | 11 | ···/˘····/˘ |
| And in the Silent Land his shade confest | 10 | ···/˘····· |
| That she, of all the seven, loved him best. | 10 | ·····/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.