Jean Prouvaire’s Song at the Barricade

Edmund Clarence Stedman (1833–1908) · 1860–1897

iambic pentameter · 68 lines · from The Poetical Works of Edmund Clarence Stedman

Do you remember our charming times,When we were both at the age which knows,Of all the pleasures of Paris, noneLike making love in one’s Sunday clo’es;

When all your birthdays, added to mine,A total of forty would not bring,And when, in our humble and cosey roost,All, even the Winter, to us was Spring?

Rare days! then prudish Manuel stalked,Paris feasted each saintsday in;Foy thundered away; and—ah, your waistPricked me well with a truant pin!

Every one ogled you. At Prado’s,Where you and your briefless barrister dined,You were so fair that the roses, I thought,Turned to look at you from behind.

They seemed to whisper: “How handsome she is!What wavy tresses! what sweet perfume!Under her mantle she hides her wings;Her flower of a bonnet is just in bloom!”

I roamed with you, pressing your dainty arm,And the passers thought that Love, in play,Had mated, in unison so sweet,The gallant April with gentle May.

We lived so coseyly, all by ourselves,On love,—that choice forbidden fruit,—And never a word my lips could speakBut your heart already had followed suit.

The Sarbonne was that bucolic placeWhere night till day my passion throve:’Tis thus that an ardent youngster makesThe Student’s Quarter a Realm of Love.

O Place Maubert! O Place Dauphine!Sky-parlor reaching heavenward far,In whose depths, when you drew your stocking on,I saw a twinkling morning-star.

Hard-learned Plato I’ve long forgot:Neither Malebranche nor LamennaisCould teach me such faith in ProvidenceAs the flower which in your bosom lay.

You were my servant and I your slave:O golden attic! O joy, to laceYour corset; to watch you showing, at morn,The ancient mirror your youthful face!

Ah! who indeed could ever forgetThat sky and dawn commingling still;That rìbbony, flowery, gauzy glory,And Love’s sweet nonsense talked at will?

Our garden a pot of tulips was;Your petticoat curtained the window-pane;I took the earthen bowl of my pipeAnd gave you a cup of porcelain.

What huge disasters to make us fun!Your muff afire; your tippet lost;And that cherished portrait of Shakespeare, sold,One hungry evening, at half its cost.

I was a beggar and you were kind:A kiss from your fair round arms I’d steal,While the folio-Dante we gayly spreadWith a hundred chestnuts, our frugal meal.

And oh! when first my favored mouthA kiss to your burning lips had given,You were dishevelled and all aglow;I, pale with rapture, believed in Heaven.

Do you remember our countless joys,Those neckerchiefs rumpled every day?Alas, what sighs from our boding heartsThe infinite skies have borne away!

Words in this poem 18
prudish a.
Like a prude; very formal, precise, or reserved; affectedly severe in virtue; as, a prudish woman; prudish manners.
briefless a.
Having no brief; without clients; as, a briefless barrister.
barrister n.
Counselor at law; a counsel admitted to plead at the bar, and undertake the public trial of causes, as distinguished from an attorney or solicitor. See Attorney. [Eng.] [From Bar, n.]
dainty n.
Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
bucolic a.
Of or pertaining to the life and occupation of a shepherd; pastoral; rustic. [L. bucolicus, Gr. kal to drive: cf. F. bucolique. See Cow the animal.]
youngster n.
A young person; a youngling; a lad.
dauphine n.
The title of the wife of the dauphin.
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
corset n.
In the Middle Ages, a gown or basque of which the body was close fitting, worn by both men and women. [F., dim. of OF. cors, F. corps, body. See Corse.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
gauzy a.
Pertaining to, or resembling, gauze; thin and slight as gauze.
muff n.
A soft cover of cylindrical form, usually of fur, worn by women to shield the hands from cold. [Cf. LG. muff, D. mof, G., Dan., & Sw. muff, F. moufle mitten, LL. muffula, MHG. mouwe sleeve, D. mouw, and E. muffle, v.]
tippet n.
A cape, or scarflike garment for covering the neck, or the neck and shoulders, -- usually made of fur, cloth, or other warm material. [OE. tipet, tepet, AS. tæppet, probably fr. L. tapete tapestry, hangings. Cf. Tape, Tapestry, Tapet.]
gayly adv.
With mirth and frolic; merrily; blithely; gleefully.
aglow adv.
In a glow; glowing; as, cheeks aglow; the landscape all aglow. [Pref. a- + glow.]
countless a.
Incapable of being counted; not ascertainable; innumerable.
rumpled a.
Wrinkled; crumpled.
boding a.
Foreshowing; presaging; ominous.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Jean Prouvaire’s Song at the Barricade is in the public domain. This text is taken from The poetical works of Edmund Clarence Stedman, Project Gutenberg ebook #70763; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Clarence Stedman, Jean Prouvaire’s Song at the Barricade, in The Poetical Works of Edmund Clarence Stedman (1860–1897), text of Project Gutenberg ebook #70763, Laurel, https://laurelpoetry.com/poem/stedman-poems/jean-prouvaire-s-song-at-the-barricade.html, id L10690.

Form and metre

Jean Prouvaire’s Song at the Barricade is 68 lines in 17 stanzas of 4 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 79%). 81% of its stressed syllables fall where the metre puts the beat. The lines average 9.3 syllables. 7 lines end on an unstressed syllable, a feminine ending. 19% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A times · knowsA · none · clo'esA
  2. 2 -A-A mine · bringA · roost · springA
  3. 3 -A-A stalked · inA · waist · pinA
  4. 4 -A-A prado's · dinedA · thought · behindA
  5. 5 -A-A is · perfumeA · wings · bloomA
  6. 6 -A-A arm · playA · sweet · mayA
  7. 7 -A-A ourselves · fruitA · speak · suitA
  8. 9 -A-A dauphine · farA · on · starA
  9. 10 -A-A forgot · lamennaisA · providence · layA
  10. 11 -A-A slave · laceA · morn · faceA
  11. 12 -A-A forget · stillA · glory · willA
  12. 13 -A-A was · paneA · pipe · porcelainA
  13. 14 -A-A fun · lostA · sold · costA
  14. 15 -A-A kind · stealA · spread · mealA
  15. 17 -A-A joys · dayA · hearts · awayA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Do you remember our charming times,10··˘/˘/˘/˘·
When we were both at the age which knows,9·········
Of all the pleasures of Paris, none9···/˘·/˘·
Like making love in one’s Sunday clo’es;9·/˘···/··
When all your birthdays, added to mine,9···/·/˘··
A total of forty would not bring,9·/˘·/˘···
And when, in our humble and cosey roost,10···//˘·/˘·
All, even the Winter, to us was Spring?10·/˘·/˘····
Rare days! then prudish Manuel stalked,9···/˘˘/·˘
Paris feasted each saintsday in;8/˘/˘····
Foy thundered away; and—ah, your waist10·/˘˘˘/····
Pricked me well with a truant pin!9·˘····/˘·
Every one ogled you. At Prado’s,10/˘˘·/˘··/˘
Where you and your briefless barrister dined,10····/˘/˘˘·
You were so fair that the roses, I thought,10······/˘··
Turned to look at you from behind.9·˘·······
They seemed to whisper: “How handsome she is!10···/˘·/˘··
What wavy tresses! what sweet perfume!9·/˘/˘··˘/
Under her mantle she hides her wings;9···/˘····
Her flower of a bonnet is just in bloom!”10·/··/˘····
I roamed with you, pressing your dainty arm,10····/˘·/˘·
And the passers thought that Love, in play,9··/˘·····
Had mated, in unison so sweet,9·/˘·/˘˘··
The gallant April with gentle May.9·/˘/˘·/˘·
We lived so coseyly, all by ourselves,10········˘/
On love,—that choice forbidden fruit,—8····˘/˘·
And never a word my lips could speak9·/˘······
But your heart already had followed suit.10···˘/˘·/˘·
The Sarbonne was that bucolic place9·····˘/˘·
Where night till day my passion throve:8·····/˘·
’Tis thus that an ardent youngster makes9····/˘/˘·
The Student’s Quarter a Realm of Love.9·/˘/˘····
O Place Maubert! O Place Dauphine!8········
Sky-parlor reaching heavenward far,9·/˘/˘/˘˘·
In whose depths, when you drew your stocking on,10·······/˘·
I saw a twinkling morning-star.9···/˘˘/˘·
Hard-learned Plato I’ve long forgot:9··˘/˘··˘/
Neither Malebranche nor Lamennais9/˘·······
Could teach me such faith in Providence9······/˘˘
As the flower which in your bosom lay.10··/˘···/˘·
You were my servant and I your slave:9···/˘····
O golden attic! O joy, to lace9·/˘/˘····
Your corset; to watch you showing, at morn,10·/˘···/˘··
The ancient mirror your youthful face!9·/˘/˘·/˘·
Ah! who indeed could ever forget9··˘/·/˘˘/
That sky and dawn commingling still;9····˘/˘˘·
That rìbbony, flowery, gauzy glory,11····/˘˘/˘/˘
And Love’s sweet nonsense talked at will?9···/˘·˘··
Our garden a pot of tulips was;10/˘/˘···/˘·
Your petticoat curtained the window-pane;10·/˘·/˘·/˘·
I took the earthen bowl of my pipe9···/˘····
And gave you a cup of porcelain.9······/˘˘
What huge disasters to make us fun!9··˘/˘····
Your muff afire; your tippet lost;8··˘/·/˘·
And that cherished portrait of Shakespeare, sold,10··/˘/˘·/··
One hungry evening, at half its cost.9·/˘/˘····
I was a beggar and you were kind:9···/˘····
A kiss from your fair round arms I’d steal,9·········
While the folio-Dante we gayly spread10··/˘/˘·/˘·
With a hundred chestnuts, our frugal meal.10··/˘/˘//˘·
And oh! when first my favored mouth9·····/˘˘·
A kiss to your burning lips had given,10····/˘··/˘
You were dishevelled and all aglow;10··˘/˘˘··˘/
I, pale with rapture, believed in Heaven.10···/˘˘/·/˘
Do you remember our countless joys,10··˘/˘/˘/˘·
Those neckerchiefs rumpled every day?10····/˘/˘˘·
Alas, what sighs from our boding hearts10˘/···/˘/˘·
The infinite skies have borne away!9·/˘˘···˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edmund Clarence Stedman