By Mr. William Fairfax

Thomas Stanley (1625–1678) · 1651

iambic pentameter · heroic couplets · 78 lines · from Original Lyrics

As in the crystal-centre of the sightTwo subtle beams make but one cone of light,Or, when one flame twin'd with another is,They both ascend in one bright pyramis;Our spirits thus into each other flow,One in our being, one in what we know,In what we will, desire, dislike, approve,In what we love; and one is that pure love.As in a burning glass the aerial flameWith the producing ray is still the same,We to love's purest quintessence refin'd,Do both become one undivided mind.This sacred fire into itself convertsOur yielding spirits and our melting hearts,Till both our lines into one spirit run;So several lines are in their centre one.And when thy fair idea is impress'dIn the soft tablet of my easier breast,The sweet reflexion brings such sympathy,That I my better self behold in thee;And all perfections that in thee combine,By this resultance are entirely mine.Thy rays disperse my shades, who only liveBright in the lustre thou art pleas'd to give,

'But when hereafter thou shalt knowThat grief hath slain me, come.'

'Who would keep another's heart,With her own must never part.'

'Love, with what strange tyrannic laws must theyComply, which are subjected to thy sway!How far all justice thy commands declineWhich though they hope forbid, yet love enjoin!'

'Or let me not desire, or else possess!Neither, or both, are equal happiness.'

'Thus let me ...Either, or both ...'

'To seek t'inspireA heart so pure as mine.'

'Sickness, in vain thou dost invadeA beauty that can never fade.'

The additional opening lines figure only in 1657; there, however,'her' in the second line is misprinted 'our,' and line 4 reads:

'Men might languish, and not dieAt thy then less scorching fire.'

'And (thou in this flame sacrific'd to me),We might each other's mutual martyr be.'

'Even in divorce delighted,Still in the grave united.'

'I by thy hate might be releas'd,Who now am prisoner to thy love.'

'Thus whilst so many suppliants doImplore thy pity they may prove.'

'And may, in spite of Fate, thus blest,Be, by this death, of heaven possess'd.'

'And be, in spite of Fate, thus blest,By this sad death, of heaven possess'd.'

'Whose cold embraces do a victim hideThat, paid to Beauty, on Love's altar died.'

'That her rich work and labours, thouWilt,' etc.

Wert thou yet fairer than thou art,(Which lies not in the power of art,)Or hadst thou in thine eyes more dartsThan ever Cupid shot at hearts;Yet if they were not thrown at me,I would not cast a thought on thee.

I'd rather marry a disease,Than court the thing I cannot please:She that will cherish my desiresMust meet my flames with equal fires.What pleasure is there in a kiss,To him that doubts the heart's not his?

I love thee not because thou'rt fair,Softer than down, smoother than air;Nor for the Cupids that do lieIn either corner of thine eye.Wouldst thou then know what it might be?'Tis I love you, 'cause you love me.

Words in this poem

centre v. i.
To be placed in a center; to be central.
quintessence n.
The fifth or last and highest essence or power in a natural body. [F., fr. L. quinta essentia fifth essence. See Quint, and Essence.]
resultance n.
The act of resulting; that which results; a result. Donne.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
shalt
2d per. sing. of Shall.
tyrannic a.
Of or pertaining to a tyrant; suiting a tyrant; unjustly severe in government; absolute; imperious; despotic; cruel; arbitrary; as, a tyrannical prince; a tyrannical master; tyrannical government. [L. tyrannicus, Gr. tyrannique. See Tyrant.]
enjoin v. t.
To join or unite. Hooker.
languish v. i.
To cause to dr Shak.
scorching a.
Burning; parching or shriveling with heat.
delighted a.
Endowed with delight.
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
smoother n.
One who, or that which, smooths.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

By Mr. William Fairfax is in the public domain. This text is taken from Thomas Stanley: His Original Lyrics, Complete, In Their Collated Readings of 1647, 1651, 1657. With an Introduction, Textual Notes, a List of Editions, an Appendix of Translations, and a Portrait., Project Gutenberg ebook #32986; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Stanley, By Mr. William Fairfax, in Original Lyrics (1651), text of Project Gutenberg ebook #32986, Laurel, https://laurelpoetry.com/poem/stanley-lyrics/by-mr-william-fairfax.html, id L09013.

Form and metre

By Mr. William Fairfax is 78 lines in 21 verse paragraphs. It is in rhyming couplets, 67% of the lines: heroic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter. 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.7 syllables. 10 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA--BBCCDDEE--FFGG--HHII sightA · lightA · is · pyramis · flowB · knowB · approveC · loveC · flameD · sameD · refin'dE · mindE · converts · hearts · runF · oneF · impress'dG · breastG · sympathy · thee · combineH · mineH · liveI · giveI
  2. 3 AA heartA · partA
  3. 4 AA-- theyA · swayA · decline · enjoin
  4. 5 AA possessA · happinessA
  5. 8 AA invadeA · fadeA
  6. 11 AA meA · beA
  7. 12 AA delightedA · unitedA
  8. 15 AA blestA · possess'dA
  9. 16 AA blestA · possess'dA
  10. 17 AA hideA · diedA
  11. 19 AABBCC artA · artA · dartsB · heartsB · meC · theeC
  12. 20 AABB-B diseaseA · pleaseA · desiresB · firesB · kiss · hisB
  13. 21 AABBCC fairA · airA · lieB · eyeB · beC · meC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
As in the crystal-centre of the sight10···/˘/˘···
Two subtle beams make but one cone of light,10·/˘·······
Or, when one flame twin'd with another is,10······˘/˘·
They both ascend in one bright pyramis;10··˘/···/˘˘
Our spirits thus into each other flow,10//˘····/˘·
One in our being, one in what we know,9··//·····
In what we will, desire, dislike, approve,10····˘/˘/˘/
In what we love; and one is that pure love.10··········
As in a burning glass the aerial flame10···/˘··/˘·
With the producing ray is still the same,10··˘/˘·····
We to love's purest quintessence refin'd,10···/˘˘/˘˘/
Do both become one undivided mind.10··˘/··˘/˘·
This sacred fire into itself converts10·/˘/··˘/˘/
Our yielding spirits and our melting hearts,10//˘/˘·//˘·
Till both our lines into one spirit run;9··/····/·
So several lines are in their centre one.10·/˘····/˘·
And when thy fair idea is impress'd9····˘/·˘/
In the soft tablet of my easier breast,10···/˘··/˘·
The sweet reflexion brings such sympathy,9··˘/˘··/˘
That I my better self behold in thee;10···/˘·˘/··
And all perfections that in thee combine,10··˘/˘···˘/
By this resultance are entirely mine.10··˘/˘·˘/˘·
Thy rays disperse my shades, who only live10··˘/···/˘·
Bright in the lustre thou art pleas'd to give,10···/˘·····
'But when hereafter thou shalt know8··˘/˘···
That grief hath slain me, come.'6······
'Who would keep another's heart,7···˘/˘·
With her own must never part.'7····/˘·
'Love, with what strange tyrannic laws must they10··········
Comply, which are subjected to thy sway!10˘/··˘/˘···
How far all justice thy commands decline10···/˘·˘/˘/
Which though they hope forbid, yet love enjoin!'10····˘/··˘/
'Or let me not desire, or else possess!10····˘/··˘/
Neither, or both, are equal happiness.'9/˘···/˘/˘
'Thus let me ...3···
Either, or both ...'4/˘··
'To seek t'inspire4····
A heart so pure as mine.'6······
'Sickness, in vain thou dost invade8/˘····˘/
A beauty that can never fade.'8·/˘··/˘·
The additional opening lines figure only in 1657; there, however,16·˘/˘/˘·/˘/˘···/˘
'her' in the second line is misprinted 'our,' and line 4 reads:14···/˘··//˘/···
'Men might languish, and not die7··/˘···
At thy then less scorching fire.'8····/˘/˘
'And (thou in this flame sacrific'd to me),10·····/˘···
We might each other's mutual martyr be.'10···/˘/˘/˘·
'Even in divorce delighted,8/˘·˘/˘/˘
Still in the grave united.'7····˘/˘
'I by thy hate might be releas'd,8······˘/
Who now am prisoner to thy love.'8···/˘···
'Thus whilst so many suppliants do8···/˘···
Implore thy pity they may prove.'8˘/·/˘···
'And may, in spite of Fate, thus blest,8········
Be, by this death, of heaven possess'd.'8·····/˘/
'And be, in spite of Fate, thus blest,8········
By this sad death, of heaven possess'd.'8·····/˘/
'Whose cold embraces do a victim hide10··˘/˘··/˘·
That, paid to Beauty, on Love's altar died.'10···/˘··/˘·
'That her rich work and labours, thou8·····/˘·
Wilt,' etc.5··/˘˘
Wert thou yet fairer than thou art,8···/˘···
(Which lies not in the power of art,)8·····/··
Or hadst thou in thine eyes more darts8········
Than ever Cupid shot at hearts;8·/˘/˘···
Yet if they were not thrown at me,8········
I would not cast a thought on thee.8········
I'd rather marry a disease,8·/˘/˘·˘/
Than court the thing I cannot please:8·····/˘·
She that will cherish my desires9···/˘·˘/˘
Must meet my flames with equal fires.9·····/˘/˘
What pleasure is there in a kiss,8·/˘·····
To him that doubts the heart's not his?8········
I love thee not because thou'rt fair,8········
Softer than down, smoother than air;8/˘··/˘··
Nor for the Cupids that do lie8···/˘···
In either corner of thine eye.8·/˘/˘···
Wouldst thou then know what it might be?8········
'Tis I love you, 'cause you love me.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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