On a Friend Recently Dead
The stream goes fast.When this that is the present is the past,'Twill be as all the other pasts have been,A failing hill, a daily dimming scene,A far strange port with foreign life astirThe ship has left behind, the voyagerWill never return to; no, nor see again,Though with a heart full of longing he may strainBack to project himself, and once more countThe boats, the whitened walls that climbed the mount,Mark the cathedral's roof, the gathered spires,The vanes, the windows red with sunset's fires,The gap of the market-place, and watch againThe coloured groups of women, and the menLounging at ease along the low stone wallThat fringed the harbour; and there beyond it allHigh pastures morning and evening scattered with smallSpecks that were grazing sheep.... It is all gone,It is all blurred that once so brightly shone;He cannot now with the old clearness seeThe rust upon one ringbolt of the quay.
And yesterday is dead, and you are dead.Your duplicate that hovered in my headThins like blown wreathing smoke, your features growTo interrupted outlines, and all will goUnless I fight dispersal with my will...So I shall do it ... but too conscious stillThat, when we walked together, had I knownHow soon your journey was to end alone,I should not, now that you have gone from view,Be gathering derelict odds and ends of you;But in the intense lucidity of painYour likeness would have burnt into my brain.I did not know; lovable and unique,As volatile as a bubble and as weak,You sat with me, and my eyes registeredThis thing and that, and sluggishly I heardYour voice, remembering here and there a word.
So in my mind there's not much left of you,And that disintegrates; but while a fewPatches of memory's mirror still are brightNor your reflected image there has quiteFaded and slipped away, it will be wellTo search for each surviving syllableOf voice and body and soul. And some I'll findRight to my hand, and some tangled and blindAmong the obscure weeds that fill the mind.A pause....I plunge my thought's hooked resolute clawsDeep in the turbid past. Like drowned things in the jawsOf grappling-irons, your features to the vergeOf conscious knowledge one by one emerge.Can I not make these scattered things unite? ...I knit my brows and clench my eyelids tightAnd focus to a point.... Streams of dark pinkish lightConvolve; and now spasmodically there flitClear pictures of you as you used to sit:--The way you crossed your legs stretched in your chair,Elbow at rest and tumbler in the air,Jesting on books and politics and worse,And still good company when most perverse.Capricious friend!Here in this room not long before the end,Here in this very room six months agoYou poised your foot and joked and chuckled so.Beyond the window shook the ash-tree bough,You saw books, pictures, as I see them now,The sofa then was blue, the telephoneListened upon the desk, and softly shoneEven as now the fire-irons in the grate,And the little brass pendulum swung, a seal of fateStamping the minutes; and the curtains on window and doorJust moved in the air; and on the dark boards of the floorThese same discreetly-coloured rugs were lying...And then you never had a thought of dying.
You are not here, and all the things in the roomWatch me alone in the gradual growing gloom.The you that thought and felt are I know not where,The you that sat and drank in that arm-chairWill never sit there again.For months you have lainUnder a graveyard's greenIn some place abroad where I've never been.Perhaps there is a stone over you,Or only the wood and the earth and the grass cover you.But it doesn't much matter; for dead and decayed you lieLike a million million others who felt they would never die,Like Alexander and Helen the beautiful,And the last collier hanged for murdering his trull;All done with and buried in an equal bed.
Yes, you are dead like all the other dead.You are not here, but I am here alone.And evening falls, fusing tree, water and stoneInto a violet cloth, and the frail ash-tree hissesWith a soft sharpness like a fall of mounded grain.And a steamer softly puffing along the river passes,Drawing a file of barges; and silence falls again.And a bell tones; and the evening darkens; and in sparse rankThe greenish lights well out along the other bank.I have no force left now; the sights and sounds impingeUpon me unresisted, like raindrops on the mould.And, striving not against my melancholy mood,Limp as a door that hangs upon one failing hinge,Limp, with slack marrowless arms and thighs, I sit and broodOn death and death and death. And quiet, thin and cold,Following of this one friend the hopeless, helpless ghost,The weak appealing wraiths of notable men of oldWho died, pass through the air; and then, host after host,Innumerable, overwhelming, without form,Rolling across the sky in awful silent storm,The myriads of the undifferentiated deadWhom none recorded, or of whom the record faded.O spectacle appallingly sublime!I see the universe one long disastrous strife,And in the staggering abysses of backward and forward timeDeath chasing hard upon the heels of creating life.And I, I see myself as one of a heap of stonesWetted a moment to life as the flying wave goes over,Onward and never returning, leaving no mark behind.There's nothing to hope for. Blank cessation numbs my mind,And I feel my heart thumping gloomy against its cover,My heavy belly hanging from my bones.
Below in the dark streetThere is a tap of feet,I rise and angrily meditateHow often I have let of lateThis thought of death come over me.How often I will sit and backward traceThe deathly history of the human race,The ripples of men who chattered and were still,Known and unknown, older and older, untilBefore man's birth I fall, shivering and aghastThrough a hole in the bottom of the remotest past;Till painfully my spirit throwsHer giddiness off; and then as soonAs I recover and try to think again,Life seems like death; and all my body growsIcily cold, and all my brainCold as the jagged craters of the moon....And I wonder is it not strange that IWho thus have heard eternity's black laughAnd felt its freezing breath,Should sometimes shut it out from memorySo as to play quite prettily with death,And turn an easy epitaph?
I can hear a voice whispering in my brain:"Why this is the old futility again!Criminal! day by dayYour own life is ebbing swiftly away.And what have you done with it,Except to become a maudlin hypocrite?"Yes, I know, I know;One should not think of death or the dead overmuch; but one'smind's made soThat at certain times the roads of thought all lead to death,And false reasoning clouds one's soul as a window with breathIs clouded in winter's air,And all the faith one may haveLies useless and dead as a body in the grave.
Words in this poem 35
- astir adv.
- Stirring; in a state of activity or motion; out of bed. [Pref. a- + stir.]
- voyager n.
- One who voyages; one who sails or passes by sea or water. [Cf. F. voyager traveling.]
- coloured a.
- Having color; tinged; dyed; painted; stained.
- harbour n.
- A station for rest and entertainment; a place of security and comfort; a refuge; a shelter. [OE herbor, herberwe, herberge, Icel. herbergi (cf. OHG. heriberga), orig., a shelter for soldiers; herr army + bjarga to save, help, defend; akin to AS. here ar]
- ringbolt n.
- An eyebolt having a ring through the eye.
- quay n.
- A mole, bank, or wharf, formed toward the sea, or at the side of a harbor, river, or other navigable water, for convenience in loading and unloading vessels. [F. quai. See Key quay.]
- dispersal n.
- The act or result of dispersing or scattering; dispersion.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- derelict a.
- Given up or forsaken by the natural owner or guardian; left and abandoned; as, derelict lands. [L. derelictus, p. p. of derelinquere to forsake wholly, to abandon; de- + relinquere to leave. See Relinquish.]
- odds n.
- Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
- lucidity n.
- The quality or state of being lucid. [Cf. F. lucidité. See Lucid.]
- lovable a.
- Having qualities that excite, or are fitted to excite, love; worthy of love.
- unique a.
- Being without a like or equal; unmatched; unequaled; unparalleled; single in kind or excellence; sole. [F. unique; cf. It. unico; from L. unicus, from unus one. See One.]
- surviving a.
- Remaining alive; yet living or existing; as, surviving friends; surviving customs.
- convolve v. t.
- To roll or wind together; to roll or twist one part on another. [L. convolvere, -volutum; con- + volvere to roll. See Voluble.]
- flit a.
- Nimble; quick; swift. See Fleet.
- shook v. t.
- To pack, as staves, in a shook.
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- trull n.
- A drab; a strumpet; a harlot; a trollop. [G. trolle, trulle; cf. OD. drol a jester, Dan. trold an elf, imp, Sw. troll a goblin, Icel. troll, tröll, a giant, fiend, demon. Cf. Droll, Troll.]
- puffing
- a. & n. from Puff, v. i. & t. Puffing adder. (Zoöl.) Same as Puff adder (b), under Puff.
- sparse v. t.
- To scatter; to disperse. [L. sparsus, p.p. of spargere to scatter.]
- impinge v. t.
- To fall or dash against; to touch upon; to strike; to hit; to ciash with; -- with on or upon. [L. impingere; pref. im- in + pangere to fix, strike; prob. akin to pacisci to agree, contract. See Pact, and cf. Impact.]
- unresisted a.
- Not resisted; unopposed. Bentley.
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- marrowless a.
- Destitute of marrow.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- appealing a.
- That appeals; imploring.
- disastrous a.
- Full of unpropitious stellar influences; unpropitious; ill-boding. [Cf. F. désastreux. See Disaster.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- deathly a.
- Deadly; fatal; mortal; destructive.
- giddiness n.
- The quality or state of being giddy.
- icily adv.
- In an icy manner; coldly.
- prettily adv.
- In a pretty manner.
- futility n.
- The quality of being talkative; talkativeness; loquaciousness; loquacity. [L. futilitas: cf. F. futilité.]
- maudlin a.
- Tearful; easily moved to tears; exciting to tears; excessively sentimental; weak and silly. [From Maudlin, a contr. of Magdalen, OE. Maudeleyne, who is drawn by painters with eyes swelled and red with weeping.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On a Friend Recently Dead is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Collings Squire, On a Friend Recently Dead, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/on-a-friend-recently-dead.html, id L23182.
Form and metre
On a Friend Recently Dead is 159 lines in 7 verse paragraphs. It is in rhyming couplets, 54% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 80%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA----BBCCDDBBEEE--FF fastA · pastA · been · scene · astir · voyager · againB · strainB · countC · mountC · spiresD · firesD · againB · menB · wallE · allE · smallE · gone · shone · seeF · quayF
- 2 AABBCCDDEEFFGGHHH deadA · headA · growB · goB · willC · stillC · knownD · aloneD · viewE · youE · painF · brainF · uniqueG · weakG · registeredH · heardH · wordH
- 3 AABBCCDDDEEEFFGGGHHIIJJKKLLMMNNOOPPQQ youA · fewA · brightB · quiteB · wellC · syllableC · findD · blindD · mindD · pauseE · clawsE · jawsE · vergeF · emergeF · uniteG · tightG · lightG · flitH · sitH · chairI · airI · worseJ · perverseJ · friendK · endK · agoL · soL · boughM · nowM · telephoneN · shoneN · grateO · fateO · doorP · floorP · lyingQ · dyingQ
- 4 AABBCC--DDEEFF- roomA · gloomA · whereB · chairB · againC · lainC · green · been · youD · youD · lieE · dieE · beautifulF · trullF · bed
- 5 -AA----BBCDECEDFDFGGHHIJIJ--KK-- dead · aloneA · stoneA · hisses · grain · passes · again · rankB · bankB · impingeC · mouldD · moodE · hingeC · broodE · coldD · ghostF · oldD · hostF · formG · stormG · deadH · fadedH · sublimeI · strifeJ · timeI · lifeJ · stones · over · behindK · mindK · cover · bones
- 6 AABB-CCDDEEFGHFHG-IJ-JI streetA · feetA · meditateB · lateB · me · traceC · raceC · stillD · untilD · aghastE · pastE · throwsF · soonG · againH · growsF · brainH · moonG · i · laughI · breathJ · memory · deathJ · epitaphI
- 7 AABBCCD-DEE-FF brainA · againA · dayB · awayB · itC · hypocriteC · knowD · one's · soD · deathE · breathE · air · haveF · graveF
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The stream goes fast. | 4 | ···· |
| When this that is the present is the past, | 10 | ·····/˘··· |
| 'Twill be as all the other pasts have been, | 10 | ·····/˘··· |
| A failing hill, a daily dimming scene, | 10 | ·/˘··/˘/˘· |
| A far strange port with foreign life astir | 10 | ·····/˘·˘/ |
| The ship has left behind, the voyager | 9 | ·······/˘ |
| Will never return to; no, nor see again, | 10 | ·/˘/····˘/ |
| Though with a heart full of longing he may strain | 11 | ······/˘··· |
| Back to project himself, and once more count | 10 | ··˘/˘/···· |
| The boats, the whitened walls that climbed the mount, | 10 | ···/˘····· |
| Mark the cathedral's roof, the gathered spires, | 10 | ··˘/˘··/˘· |
| The vanes, the windows red with sunset's fires, | 10 | ···/˘··/·/ |
| The gap of the market-place, and watch again | 11 | ····/˘···˘/ |
| The coloured groups of women, and the men | 10 | ·/˘··/˘··· |
| Lounging at ease along the low stone wall | 10 | /˘··˘/···· |
| That fringed the harbour; and there beyond it all | 11 | ···/˘······ |
| High pastures morning and evening scattered with small | 12 | ·/˘/˘·/˘/˘·· |
| Specks that were grazing sheep.... It is all gone, | 10 | ···/˘····· |
| It is all blurred that once so brightly shone; | 10 | ·······/˘· |
| He cannot now with the old clearness see | 10 | ·/˘····/˘· |
| The rust upon one ringbolt of the quay. | 10 | ·····/˘··· |
| And yesterday is dead, and you are dead. | 10 | ·/˘······· |
| Your duplicate that hovered in my head | 9 | ·/˘·/˘··· |
| Thins like blown wreathing smoke, your features grow | 10 | ···/˘··/˘· |
| To interrupted outlines, and all will go | 11 | ··˘/˘/····· |
| Unless I fight dispersal with my will... | 10 | ····˘/˘··· |
| So I shall do it ... but too conscious still | 10 | ·······/˘· |
| That, when we walked together, had I known | 10 | ····˘/˘··· |
| How soon your journey was to end alone, | 10 | ···/˘···˘/ |
| I should not, now that you have gone from view, | 10 | ·········· |
| Be gathering derelict odds and ends of you; | 11 | ·/˘/˘······ |
| But in the intense lucidity of pain | 10 | ···˘/˘/˘·· |
| Your likeness would have burnt into my brain. | 10 | ·/˘······· |
| I did not know; lovable and unique, | 9 | ····/˘·˘/ |
| As volatile as a bubble and as weak, | 10 | ·/˘··/˘··· |
| You sat with me, and my eyes registered | 9 | ·······/˘ |
| This thing and that, and sluggishly I heard | 9 | ·····/˘·· |
| Your voice, remembering here and there a word. | 10 | ··˘/˘····· |
| So in my mind there's not much left of you, | 10 | ·········· |
| And that disintegrates; but while a few | 10 | ··˘/˘····· |
| Patches of memory's mirror still are bright | 10 | /˘·/˘/˘··· |
| Nor your reflected image there has quite | 10 | ··˘/˘/˘··· |
| Faded and slipped away, it will be well | 10 | /˘··˘/···· |
| To search for each surviving syllable | 9 | ····˘/˘/˘ |
| Of voice and body and soul. And some I'll find | 11 | ···/˘······ |
| Right to my hand, and some tangled and blind | 10 | ······/˘·· |
| Among the obscure weeds that fill the mind. | 10 | ···˘/····· |
| A pause.... | 2 | ·· |
| I plunge my thought's hooked resolute claws | 9 | ·····/˘·· |
| Deep in the turbid past. Like drowned things in the jaws | 12 | ···/˘······· |
| Of grappling-irons, your features to the verge | 10 | ·/˘/·/˘··· |
| Of conscious knowledge one by one emerge. | 10 | ·/˘/˘···˘/ |
| Can I not make these scattered things unite? ... | 10 | ·····/˘·/· |
| I knit my brows and clench my eyelids tight | 10 | ·······/·· |
| And focus to a point.... Streams of dark pinkish light | 12 | ·/˘······/˘· |
| Convolve; and now spasmodically there flit | 9 | ˘/··˘/˘·· |
| Clear pictures of you as you used to sit:-- | 10 | ·/˘······· |
| The way you crossed your legs stretched in your chair, | 10 | ·········· |
| Elbow at rest and tumbler in the air, | 10 | /····/˘··· |
| Jesting on books and politics and worse, | 10 | /˘···/˘··· |
| And still good company when most perverse. | 9 | ···/˘··˘/ |
| Capricious friend! | 4 | ˘/˘· |
| Here in this room not long before the end, | 10 | ·········· |
| Here in this very room six months ago | 10 | ···/˘···˘/ |
| You poised your foot and joked and chuckled so. | 10 | ·······/˘· |
| Beyond the window shook the ash-tree bough, | 10 | ···/˘····· |
| You saw books, pictures, as I see them now, | 10 | ···/˘····· |
| The sofa then was blue, the telephone | 10 | ·/˘····/˘· |
| Listened upon the desk, and softly shone | 10 | /˘·····/˘· |
| Even as now the fire-irons in the grate, | 9 | /···//··· |
| And the little brass pendulum swung, a seal of fate | 12 | ··/˘·/˘····· |
| Stamping the minutes; and the curtains on window and door | 14 | /˘·/˘··/˘·/˘·· |
| Just moved in the air; and on the dark boards of the floor | 13 | ············· |
| These same discreetly-coloured rugs were lying... | 11 | ··˘/˘/˘··/˘ |
| And then you never had a thought of dying. | 10 | ···/····/˘ |
| You are not here, and all the things in the room | 11 | ··········· |
| Watch me alone in the gradual growing gloom. | 10 | ··˘/··/˘/· |
| The you that thought and felt are I know not where, | 11 | ··········· |
| The you that sat and drank in that arm-chair | 10 | ·········· |
| Will never sit there again. | 7 | ·/˘··˘/ |
| For months you have lain | 5 | ····· |
| Under a graveyard's green | 6 | ···/·· |
| In some place abroad where I've never been. | 9 | ···˘/··/· |
| Perhaps there is a stone over you, | 8 | ˘/······ |
| Or only the wood and the earth and the grass cover you. | 14 | ·/˘········/˘· |
| But it doesn't much matter; for dead and decayed you lie | 14 | ··/˘·/˘···˘/·· |
| Like a million million others who felt they would never die, | 14 | ··/˘/˘/˘····/· |
| Like Alexander and Helen the beautiful, | 11 | ··˘/˘·/˘·/˘ |
| And the last collier hanged for murdering his trull; | 11 | ···/˘··/˘·· |
| All done with and buried in an equal bed. | 11 | ····/˘··/˘· |
| Yes, you are dead like all the other dead. | 10 | ·······/˘· |
| You are not here, but I am here alone. | 10 | ········˘/ |
| And evening falls, fusing tree, water and stone | 11 | ·/˘·/˘·/˘·· |
| Into a violet cloth, and the frail ash-tree hisses | 13 | ···/˘······/˘ |
| With a soft sharpness like a fall of mounded grain. | 12 | ···/˘····/˘· |
| And a steamer softly puffing along the river passes, | 15 | ··/˘/˘/˘˘/·/˘/˘ |
| Drawing a file of barges; and silence falls again. | 13 | /˘···/˘·/˘·˘/ |
| And a bell tones; and the evening darkens; and in sparse rank | 14 | ······/˘/˘···· |
| The greenish lights well out along the other bank. | 12 | ·/˘···˘/·/˘· |
| I have no force left now; the sights and sounds impinge | 12 | ··········˘/ |
| Upon me unresisted, like raindrops on the mould. | 13 | ········/···· |
| And, striving not against my melancholy mood, | 12 | ·/˘····/˘·˘· |
| Limp as a door that hangs upon one failing hinge, | 12 | ·········/˘· |
| Limp, with slack marrowless arms and thighs, I sit and brood | 13 | ···/˘˘······· |
| On death and death and death. And quiet, thin and cold, | 11 | ·······/··· |
| Following of this one friend the hopeless, helpless ghost, | 12 | /˘·····/˘/˘· |
| The weak appealing wraiths of notable men of old | 12 | ··˘/˘··/˘··· |
| Who died, pass through the air; and then, host after host, | 12 | ············ |
| Innumerable, overwhelming, without form, | 10 | ˘/˘·˘/˘··· |
| Rolling across the sky in awful silent storm, | 12 | /˘˘/···/˘/˘· |
| The myriads of the undifferentiated dead | 11 | ·/˘··˘/˘·˘· |
| Whom none recorded, or of whom the record faded. | 13 | ··˘/˘····/˘/˘ |
| O spectacle appallingly sublime! | 8 | ·/˘˘/˘˘/ |
| I see the universe one long disastrous strife, | 12 | ···/˘···˘/˘· |
| And in the staggering abysses of backward and forward time | 15 | ···/˘˘/˘·/˘·/˘· |
| Death chasing hard upon the heels of creating life. | 13 | ·/˘······˘/˘· |
| And I, I see myself as one of a heap of stones | 13 | ·····/······· |
| Wetted a moment to life as the flying wave goes over, | 14 | /˘·/˘····/˘··· |
| Onward and never returning, leaving no mark behind. | 13 | /˘·/˘/˘/˘···· |
| There's nothing to hope for. Blank cessation numbs my mind, | 13 | ·/˘·····/˘··· |
| And I feel my heart thumping gloomy against its cover, | 14 | ·····/˘/˘···/˘ |
| My heavy belly hanging from my bones. | 10 | ·/˘/˘/˘··· |
| Below in the dark street | 6 | ······ |
| There is a tap of feet, | 6 | ······ |
| I rise and angrily meditate | 8 | ···/˘/˘· |
| How often I have let of late | 8 | ·/˘····· |
| This thought of death come over me. | 8 | ········ |
| How often I will sit and backward trace | 10 | ·/˘····/˘· |
| The deathly history of the human race, | 10 | ·/˘/˘··/˘· |
| The ripples of men who chattered and were still, | 11 | ·/˘···/˘··· |
| Known and unknown, older and older, until | 11 | ··˘//˘·/˘·· |
| Before man's birth I fall, shivering and aghast | 11 | ······/˘·˘/ |
| Through a hole in the bottom of the remotest past; | 13 | ·····/˘··˘/˘· |
| Till painfully my spirit throws | 8 | ·/˘˘·/˘· |
| Her giddiness off; and then as soon | 9 | ·/˘˘····· |
| As I recover and try to think again, | 11 | ··˘/˘····˘/ |
| Life seems like death; and all my body grows | 10 | ·······/˘· |
| Icily cold, and all my brain | 8 | /˘˘····· |
| Cold as the jagged craters of the moon.... | 9 | ····/˘··· |
| And I wonder is it not strange that I | 10 | ··/˘······ |
| Who thus have heard eternity's black laugh | 9 | ····˘/˘·· |
| And felt its freezing breath, | 6 | ···/˘· |
| Should sometimes shut it out from memory | 9 | ·/·····/˘ |
| So as to play quite prettily with death, | 10 | ·····/˘˘·· |
| And turn an easy epitaph? | 8 | ···/˘/˘· |
| I can hear a voice whispering in my brain: | 10 | ·····/˘··· |
| "Why this is the old futility again! | 10 | ·····˘/˘˘/ |
| Criminal! day by day | 6 | /˘˘··· |
| Your own life is ebbing swiftly away. | 10 | ····/˘/˘˘/ |
| And what have you done with it, | 7 | ······· |
| Except to become a maudlin hypocrite?" | 11 | ···˘/·/˘/˘· |
| Yes, I know, I know; | 5 | ····· |
| One should not think of death or the dead overmuch; but one's | 14 | ·········/˘˘·· |
| mind's made so | 3 | ··· |
| That at certain times the roads of thought all lead to death, | 13 | ··/˘········· |
| And false reasoning clouds one's soul as a window with breath | 13 | ··/˘·····/˘·· |
| Is clouded in winter's air, | 7 | ·/˘·/˘· |
| And all the faith one may have | 7 | ······· |
| Lies useless and dead as a body in the grave. | 12 | ·/˘····/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.