Probably Eltham
Appendix I. to this Memoir.
See A deuoute trentale for old John Clarke, who died in 1506,vol. i. 168; Lamentatio urbis Norvicen., written in 1507, p. 174; andChorus de Dis, &c. in 1513, p. 190.
Books of the Treasury of the Exchequer, B. 4. 15, fol. 7,—Public RecordOffice. Qy. was this our author?
Appendix I. to this Memoir.
In an account of the visit of the Emperor Charles the Fifth toEngland in June 1522, among the lodgings which were occupied on thatoccasion at Greenwich we find mention of “Master Garnyshe house.” SeeRutland Papers, p. 82 (printed for the Camden Society). That a knightwas frequently called “Master,” I have shewn in Notes, vol. ii. 178.
John Peache,Wyllm Sandys,Robert Wotton,Edward Guldeferd,Crystoffyr Garneys.
To my Lorde cardynalls grace,Legate a Latere and chancelerof England.”
“With face so bold, and teeth so sharp,Of viper’s venome, why dost carp?Why are my verses by thee weigh’dIn a false scale? may truth be said?Whilst thou to get the more esteemA learned Poet fain wouldst seem,Skelton, thou art, let all men know it,Neither learned, nor a Poet.”
See vol. ii. 83, where this Lenuoy (which will be moreparticularly noticed presently) is appended to the poem Howe the doutyDuke of Albany, &c.
Animadversions vppon the annotacions and correctōns of someimperfectōns of impressōnes of Chaucers Workes, &c. p. 13,—in Todd’sIllust. of Gower and Chaucer.
In the Church-Wardens Accompts of St. Margaret’s, Westminster(Nichols’s Illust. of Manners and Expences, &c. 4to. p. 9), we findthis entry;
“Satire should, like a polish’d razor, keen,Wound with a touch that’s scarcely felt or seen:Thine is an oyster-knife that hacks and hews,” &c.
See Appendix III. to this Memoir, and Poems attributed toSkelton, vol. ii. 385.
“In hevyn blyse ye xalle wyn to beAmonge the blyssyd company omnium supernorumTher as is alle merth joye and gleeInter agmina angelorumIn blyse to abyde.”
“Chaucer’s worst ribaldry is learn’d by rote,And beastly Skelton Heads of Houses quote”—
Words in this poem
- fain v. t.
- To be glad ; to wish or desire.
- presently adv.
- At present; at this time; now.
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- omnium n.
- The aggregate value of the different stocks in which a loan to government is now usually funded. M'Culloch. [L., of all, gen. pl. of omnis all.]
- alle conj.
- Although; if. See All, conj.
- glee n.
- Music; minstrelsy; entertainment.
- ribaldry n.
- The talk of a ribald; low, vulgar language; indecency; obscenity; lewdness; -- now chiefly applied to indecent language, but formerly, as by Chaucer, also to indecent acts or conduct. [OE. ribaldrie, ribaudrie, OF. ribalderie, ribauderie.]
- rote v. t.
- To learn or repeat by rote.
- beastly a.
- Pertaining to, or having the form, nature, or habits of, a beast.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Probably Eltham is in the public domain. This text is taken from The Poetical Works of John Skelton, Volume 1 (of 2), Project Gutenberg ebook #59997; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Skelton, Probably Eltham, in Poetical Works, Volume I (1500–1529), text of Project Gutenberg ebook #59997, Laurel, https://laurelpoetry.com/poem/skelton-poems/probably-eltham.html, id L08614.
Form and metre
Probably Eltham is 49 lines in 15 stanzas. 86% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 10 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 A-A — · and · —
- 8 AA--BBCC sharpA · carpA · weigh'd · said · esteemB · seemB · itC · poetC
- 12 AA- keenA · seenA · —
- 14 ABAB- beA · supernorumB · gleeA · angelorumB · abyde
- 15 AA roteA · quoteA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Appendix I. to this Memoir. | 8 | ˘/˘···/· |
| See A deuoute trentale for old John Clarke, who died in 1506, | 13 | ············· |
| vol. i. 168; Lamentatio urbis Norvicen., written in 1507, p. 174; and | 16 | ···········/˘··· |
| Chorus de Dis, &c. in 1513, p. 190. | 7 | /˘····· |
| Books of the Treasury of the Exchequer, B. 4. 15, fol. 7,—Public Record | 16 | ···/˘··/·˘··/˘˘/ |
| Office. Qy. was this our author? | 9 | /˘···/˘/˘ |
| Appendix I. to this Memoir. | 8 | ˘/˘···/· |
| In an account of the visit of the Emperor Charles the Fifth to | 16 | ··˘/··/˘··/˘···· |
| England in June 1522, among the lodgings which were occupied on that | 16 | /˘·····/˘··/˘··· |
| occasion at Greenwich we find mention of “Master Garnyshe house.” See | 17 | ˘/˘·/···/˘·/˘···· |
| Rutland Papers, p. 82 (printed for the Camden Society). That a knight | 17 | /˘/˘·/˘··/˘˘/˘··· |
| was frequently called “Master,” I have shewn in Notes, vol. ii. 178. | 13 | ·/˘·/˘······· |
| John Peache, | 2 | ·· |
| Wyllm Sandys, | 3 | ·/˘ |
| Robert Wotton, | 4 | /˘/˘ |
| Edward Guldeferd, | 5 | /˘··· |
| Crystoffyr Garneys. | 5 | ···/˘ |
| To my Lorde cardynalls grace, | 7 | ······· |
| Legate a Latere and chanceler | 9 | /˘······· |
| of England.” | 3 | ·/˘ |
| “With face so bold, and teeth so sharp, | 8 | ········ |
| Of viper’s venome, why dost carp? | 8 | ·/˘····· |
| Why are my verses by thee weigh’d | 8 | ···/˘··· |
| In a false scale? may truth be said? | 8 | ········ |
| Whilst thou to get the more esteem | 8 | ······˘/ |
| A learned Poet fain wouldst seem, | 7 | ··/˘··· |
| Skelton, thou art, let all men know it, | 9 | /˘······· |
| Neither learned, nor a Poet.” | 7 | /˘···/˘ |
| See vol. ii. 83, where this Lenuoy (which will be more | 11 | ··········· |
| particularly noticed presently) is appended to the poem Howe the douty | 18 | ·/˘/˘/˘·˘/˘··/··/˘ |
| Duke of Albany, &c. | 6 | ··/˘˘· |
| Animadversions vppon the annotacions and correctōns of some | 17 | ················· |
| imperfectōns of impressōnes of Chaucers Workes, &c. p. 13,—in Todd’s | 16 | ·········/˘····· |
| Illust. of Gower and Chaucer. | 8 | ···/˘·/˘ |
| In the Church-Wardens Accompts of St. Margaret’s, Westminster | 14 | ···/˘····/˘·/˘ |
| (Nichols’s Illust. of Manners and Expences, &c. 4to. p. 9), we find | 16 | /˘···/˘········· |
| this entry; | 3 | ·/˘ |
| “Satire should, like a polish’d razor, keen, | 10 | /˘···/˘/˘· |
| Wound with a touch that’s scarcely felt or seen: | 10 | ·····/˘··· |
| Thine is an oyster-knife that hacks and hews,” &c. | 11 | ···/˘······ |
| See Appendix III. to this Memoir, and Poems attributed to | 16 | ·˘/˘···/··/˘˘/˘· |
| Skelton, vol. ii. 385. | 4 | /˘·· |
| “In hevyn blyse ye xalle wyn to be | 10 | ·········· |
| Amonge the blyssyd company omnium supernorum | 14 | ·····/˘/˘˘···· |
| Ther as is alle merth joye and glee | 8 | ········ |
| Inter agmina angelorum | 9 | ˘/······· |
| In blyse to abyde.” | 5 | ····· |
| “Chaucer’s worst ribaldry is learn’d by rote, | 10 | /˘·/˘˘···· |
| And beastly Skelton Heads of Houses quote”— | 10 | ·/˘/˘··/˘· |
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