Passages of the Poem, or Connected Therewith

Percy Bysshe Shelley (1792–1822) · 1813–1820

iambic pentameter · heroic couplets · 187 lines · from The Complete Poetical Works, Volume I

Here, my dear friend, is a new book for you;I have already dedicated twoTo other friends, one female and one male,--What you are, is a thing that I must veil;What can this be to those who praise or rail?I never was attached to that great sectWhose doctrine is that each one should selectOut of the world a mistress or a friend,And all the rest, though fair and wise, commendTo cold oblivion--though 'tis in the codeOf modern morals, and the beaten roadWhich those poor slaves with weary footsteps treadWho travel to their home among the deadBy the broad highway of the world--and soWith one sad friend, and many a jealous foe,The dreariest and the longest journey go.

Free love has this, different from gold and clay,That to divide is not to take away.Like ocean, which the general north wind breaksInto ten thousand waves, and each one makesA mirror of the moon--like some great glass,Which did distort whatever form might pass,Dashed into fragments by a playful child,Which then reflects its eyes and forehead mild;Giving for one, which it could ne'er express,A thousand images of loveliness.

If I were one whom the loud world held wise,I should disdain to quote authoritiesIn commendation of this kind of love:--Why there is first the God in heaven above,Who wrote a book called Nature, 'tis to beReviewed, I hear, in the next Quarterly;And Socrates, the Jesus Christ of Greece,And Jesus Christ Himself, did never ceaseTo urge all living things to love each other,And to forgive their mutual faults, and smotherThe Devil of disunion in their souls.

I love you!--Listen, O embodied RayOf the great Brightness; I must pass awayWhile you remain, and these light words must beTokens by which you may remember me.Start not--the thing you are is unbetrayed,If you are human, and if but the shadeOf some sublimer spirit...

And as to friend or mistress, 'tis a form;Perhaps I wish you were one. Some declareYou a familiar spirit, as you are;Others with a ... more inhumanHint that, though not my wife, you are a woman;What is the colour of your eyes and hair?Why, if you were a lady, it were fairThe world should know--but, as I am afraid,The Quarterly would bait you if betrayed;And if, as it will be sport to see them stumbleOver all sorts of scandals. hear them mumbleTheir litany of curses--some guess right,And others swear you're a Hermaphrodite;Like that sweet marble monster of both sexes,Which looks so sweet and gentle that it vexesThe very soul that the soul is goneWhich lifted from her limbs the veil of stone.

It is a sweet thing, friendship, a dear balm,A happy and auspicious bird of calm,Which rides o'er life's ever tumultuous Ocean;A God that broods o'er chaos in commotion;A flower which fresh as Lapland roses are,Lifts its bold head into the world's frore air,And blooms most radiantly when others die,Health, hope, and youth, and brief prosperity;And with the light and odour of its bloom,Shining within the dun eon and the tomb;Whose coming is as light and music are'Mid dissonance and gloom--a starWhich moves not 'mid the moving heavens alone--A smile among dark frowns--a gentle toneAmong rude voices, a beloved light,A solitude, a refuge, a delight.If I had but a friend! Why, I have threeEven by my own confession; there may beSome more, for what I know, for 'tis my mindTo call my friends all who are wise and kind,-And these, Heaven knows, at best are very few;But none can ever be more dear than you.Why should they be? My muse has lost her wings,Or like a dying swan who soars and sings,I should describe you in heroic style,But as it is, are you not void of guile?A lovely soul, formed to be blessed and bless:A well of sealed and secret happiness;A lute which those whom Love has taught to playMake music on to cheer the roughest day,And enchant sadness till it sleeps?...

To the oblivion whither I and thou,All loving and all lovely, hasten nowWith steps, ah, too unequal! may we meetIn one Elysium or one winding-sheet!

If any should be curious to discoverWhether to you I am a friend or lover,Let them read Shakespeare's sonnets, taking thenceA whetstone for their dull intelligenceThat tears and will not cut, or let them guessHow Diotima, the wise prophetess,Instructed the instructor, and why heRebuked the infant spirit of melodyOn Agathon's sweet lips, which as he spokeWas as the lovely star when morn has brokeThe roof of darkness, in the golden dawn,Half-hidden, and yet beautiful.I'll pawnMy hopes of Heaven-you know what they are worth --That the presumptuous pedagogues of Earth,If they could tell the riddle offered hereWould scorn to be, or being to appearWhat now they seem and are--but let them chide,They have few pleasures in the world beside;Perhaps we should be dull were we not chidden,Paradise fruits are sweetest when forbidden.Folly can season Wisdom, Hatred Love.

Farewell, if it can be to say farewellTo those who

I will not, as most dedicators do,Assure myself and all the world and you,That you are faultless--would to God they wereWho taunt me with your love! I then should wearThese heavy chains of life with a light spirit,And would to God I were, or even as near itAs you, dear heart. Alas! what are we? CloudsDriven by the wind in warring multitudes,Which rain into the bosom of the earth,And rise again, and in our death and birth,And through our restless life, take as from heavenHues which are not our own, but which are given,And then withdrawn, and with inconstant glanceFlash from the spirit to the countenance.There is a Power, a Love, a Joy, a GodWhich makes in mortal hearts its brief abode,A Pythian exhalation, which inspiresLove, only love--a wind which o'er the wiresOf the soul's giant harpThere is a mood which language faints beneath;You feel it striding, as Almighty DeathHis bloodless steed...

And what is that most brief and bright delightWhich rushes through the touch and through the sight,And stands before the spirit's inmost throne,A naked Seraph? None hath ever known.Its birth is darkness, and its growth desire;Untameable and fleet and fierce as fire,Not to be touched but to be felt alone,It fills the world with glory-and is gone.

It floats with rainbow pinions o'er the streamOf life, which flows, like a ... dreamInto the light of morning, to the graveAs to an ocean...

What is that joy which serene infancyPerceives not, as the hours content them by,Each in a chain of blossoms, yet enjoysThe shapes of this new world, in giant toysWrought by the busy ... ever new?Remembrance borrows Fancy's glass, to showThese forms more ... sincereThan now they are, than then, perhaps, they were.When everything familiar seemed to beWonderful, and the immortalityOf this great world, which all things must inherit,Was felt as one with the awakening spirit,Unconscious of itself, and of the strangeDistinctions which in its proceeding changeIt feels and knows, and mourns as if each wereA desolation...

Were it not a sweet refuge, Emily,For all those exiles from the dull insaneWho vex this pleasant world with pride and pain,For all that band of sister-spirits knownTo one another by a voiceless tone?

If day should part us night will mend divisionAnd if sleep parts us--we will meet in visionAnd if life parts us--we will mix in deathYielding our mite [?] of unreluctant breathDeath cannot part us--we must meet againIn all in nothing in delight in pain:How, why or when or where--it matters notSo that we share an undivided lot...

And we will move possessing and possessedWherever beauty on the earth's bare [?] breastLies like the shadow of thy soul--till weBecome one being with the world we see...

Words in this poem 25
oblivion n.
The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
mumble v. t.
To speak with the lips partly closed, so as to render the sounds inarticulate and imperfect; to utter words in a grumbling indistinct manner, indicating discontent or displeasure; to mutter. [OE. momelen; cf. D. mompelen, mommelen, G. mummelen, Sw. mumla, Dan. mumle. Cf. Mum, a., Mumm, Mump, v.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
radiantly adv.
In a radiant manner; with glittering splendor.
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
dissonance n.
A mingling of discordant sounds; an inharmonious combination of sounds; discord. [L. dissonantia: cf. F. dissonance.]
enchant v. t.
To charm by sorcery; to act on by enchantment; to get control of by magical words and rites. [F. enchanter, L. incantare to chant or utter a magic formula over or against one, to bewitch; in in, against + cantare to sing. See Chant, and cf. Incantation.]
sadness n.
Heaviness; firmness.
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
elysium n.
A dwelling place assigned to happy souls after death; the seat of future happiness; Paradise.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
discover v. i.
To discover or show one's self.
whetstone n.
A piece of stone, natural or artificial, used for whetting, or sharpening, edge tools. [AS. hwetstan.]
prophetess n.
A female prophet. [Cf. F. prophétesse, L. prophetissa.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
abode n.
Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
inmost a.
Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
desolation n.
The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
voiceless a.
Having no voice, utterance, or vote; silent; mute; dumb.
wherever adv.
At or in whatever place; wheresoever.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Passages of the Poem, or Connected Therewith is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, Passages of the Poem, or Connected Therewith, in The Complete Poetical Works, Volume I (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/passages-of-the-poem-or-connected-therewith.html, id L00270.

Form and metre

Passages of the Poem, or Connected Therewith is 187 lines in 16 verse paragraphs. It is in rhyming couplets, 65% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 38 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBBCCDDEEFFGGG youA · twoA · maleB · veilB · railB · sectC · selectC · friendD · commendD · codeE · roadE · treadF · deadF · soG · foeG · goG
  2. 2 AABBCCDDEE clayA · awayA · breaksB · makesB · glassC · passC · childD · mildD · expressE · lovelinessE
  3. 3 AABB--CCDD- wiseA · authoritiesA · loveB · aboveB · be · quarterly · greeceC · ceaseC · otherD · smotherD · souls
  4. 4 AABBCC- rayA · awayA · beB · meB · unbetrayedC · shadeC · spirit
  5. 5 -A---AABBCCDDEE-- form · declareA · are · inhuman · woman · hairA · fairA · afraidB · betrayedB · stumbleC · mumbleC · rightD · hermaphroditeD · sexesE · vexesE · gone · stone
  6. 6 AABB----CCDDEEFFGGHHIIJJKKLLMM- balmA · calmA · oceanB · commotionB · are · air · die · prosperity · bloomC · tombC · areD · starD · aloneE · toneE · lightF · delightF · threeG · beG · mindH · kindH · fewI · youI · wingsJ · singsJ · styleK · guileK · blessL · happinessL · playM · dayM · sleeps
  7. 7 AABB thouA · nowA · meetB · sheetB
  8. 8 AABBCC--DDE-EFFGGHHII- discoverA · loverA · thenceB · intelligenceB · guessC · prophetessC · he · melody · spokeD · brokeD · dawnE · beautiful · pawnE · worthF · earthF · hereG · appearG · chideH · besideH · chiddenI · forbiddenI · love
  9. 10 AA--BB--CC--DD--EE---- doA · youA · were · wear · spiritB · itB · clouds · multitudes · earthC · birthC · heaven · given · glanceD · countenanceD · god · abode · inspiresE · wiresE · harp · beneath · death · steed
  10. 11 AABBCCB- delightA · sightA · throneB · knownB · desireC · fireC · aloneB · gone
  11. 12 AA-- streamA · dreamA · grave · ocean
  12. 13 --AA---B----CCB- infancy · by · enjoysA · toysA · new · show · sincere · wereB · be · immortality · inherit · spirit · strangeC · changeC · wereB · desolation
  13. 14 -AABB emily · insaneA · painA · knownB · toneB
  14. 15 AABBCCDD divisionA · visionA · deathB · breathB · againC · painC · notD · lotD
  15. 16 AABB possessedA · breastA · weB · seeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Here, my dear friend, is a new book for you;10··········
I have already dedicated two10··˘/˘/˘˘˘·
To other friends, one female and one male,--10·/˘··/····
What you are, is a thing that I must veil;10··········
What can this be to those who praise or rail?10··········
I never was attached to that great sect10·/˘·˘/····
Whose doctrine is that each one should select10·/˘·····˘/
Out of the world a mistress or a friend,10·····/˘···
And all the rest, though fair and wise, commend10········˘/
To cold oblivion--though 'tis in the code10··˘/˘·····
Of modern morals, and the beaten road10·/˘/˘··/˘·
Which those poor slaves with weary footsteps tread10·····/˘/··
Who travel to their home among the dead10·/˘·······
By the broad highway of the world--and so10···/······
With one sad friend, and many a jealous foe,10·····/·/˘·
The dreariest and the longest journey go.10·····/˘/˘·
Free love has this, different from gold and clay,10····/˘····
That to divide is not to take away.10··˘/····˘/
Like ocean, which the general north wind breaks10·/··/˘˘···
Into ten thousand waves, and each one makes10···/˘·····
A mirror of the moon--like some great glass,10·/˘·······
Which did distort whatever form might pass,10··˘/·/˘···
Dashed into fragments by a playful child,10···/˘··/˘·
Which then reflects its eyes and forehead mild;10··˘/···/˘·
Giving for one, which it could ne'er express,10/˘······˘/
A thousand images of loveliness.10·/˘/˘˘·/˘˘
If I were one whom the loud world held wise,10··········
I should disdain to quote authorities10··˘/··˘/˘˘
In commendation of this kind of love:--10··˘/˘·····
Why there is first the God in heaven above,10·······/··
Who wrote a book called Nature, 'tis to be10·····/˘···
Reviewed, I hear, in the next Quarterly;10˘/·····/˘˘
And Socrates, the Jesus Christ of Greece,10·/˘··/˘···
And Jesus Christ Himself, did never cease10·/˘·˘/·/˘·
To urge all living things to love each other,11···/˘····/˘
And to forgive their mutual faults, and smother11··˘/·/˘··/˘
The Devil of disunion in their souls.10·/˘·˘/˘···
I love you!--Listen, O embodied Ray10···/˘·˘/˘·
Of the great Brightness; I must pass away10···/˘···˘/
While you remain, and these light words must be10··˘/······
Tokens by which you may remember me.10/˘····˘/˘·
Start not--the thing you are is unbetrayed,10·········˘
If you are human, and if but the shade10···/˘·····
Of some sublimer spirit...7·····/˘
And as to friend or mistress, 'tis a form;10·····/˘···
Perhaps I wish you were one. Some declare10˘/······˘/
You a familiar spirit, as you are;10··˘/˘/˘···
Others with a ... more inhuman8/˘···˘/˘
Hint that, though not my wife, you are a woman;11·········/˘
What is the colour of your eyes and hair?10···/˘·····
Why, if you were a lady, it were fair10·····/˘···
The world should know--but, as I am afraid,10········˘/
The Quarterly would bait you if betrayed;10·/˘˘····˘/
And if, as it will be sport to see them stumble12··········/˘
Over all sorts of scandals. hear them mumble11·····/˘··/˘
Their litany of curses--some guess right,10·/˘˘·/˘···
And others swear you're a Hermaphrodite;10·/˘···˘/˘·
Like that sweet marble monster of both sexes,11···/˘/˘··/˘
Which looks so sweet and gentle that it vexes11·····/˘····
The very soul that the soul is gone9·/˘······
Which lifted from her limbs the veil of stone.10·/˘·······
It is a sweet thing, friendship, a dear balm,10·····/˘···
A happy and auspicious bird of calm,10·/˘·˘/˘···
Which rides o'er life's ever tumultuous Ocean;11····/·/˘˘/˘
A God that broods o'er chaos in commotion;11·····/˘·˘/˘
A flower which fresh as Lapland roses are,10·/···/·/˘·
Lifts its bold head into the world's frore air,10··········
And blooms most radiantly when others die,11···/˘˘˘·/˘·
Health, hope, and youth, and brief prosperity;10······˘/˘˘
And with the light and odour of its bloom,10·····/˘···
Shining within the dun eon and the tomb;11/˘····/˘···
Whose coming is as light and music are10·/˘····/˘·
'Mid dissonance and gloom--a star8·/˘˘····
Which moves not 'mid the moving heavens alone--11·····/˘/˘˘/
A smile among dark frowns--a gentle tone10·······/˘·
Among rude voices, a beloved light,10···/˘·˘/˘·
A solitude, a refuge, a delight.10·/˘··/˘·˘/
If I had but a friend! Why, I have three10··········
Even by my own confession; there may be10/···˘/˘···
Some more, for what I know, for 'tis my mind10··········
To call my friends all who are wise and kind,-10··········
And these, Heaven knows, at best are very few;10··/····/˘·
But none can ever be more dear than you.10···/˘·····
Why should they be? My muse has lost her wings,10··········
Or like a dying swan who soars and sings,10···/˘·····
I should describe you in heroic style,10··˘/··˘/˘·
But as it is, are you not void of guile?10··········
A lovely soul, formed to be blessed and bless:10·/˘·······
A well of sealed and secret happiness;10·····/˘/˘˘
A lute which those whom Love has taught to play10··········
Make music on to cheer the roughest day,10·/˘····/˘·
And enchant sadness till it sleeps?...8·˘//˘···
To the oblivion whither I and thou,10··˘/˘/˘···
All loving and all lovely, hasten now10·/˘··/˘/˘·
With steps, ah, too unequal! may we meet10····˘/˘···
In one Elysium or one winding-sheet!10··˘/˘··/˘·
If any should be curious to discover11·/˘··/˘·˘/˘
Whether to you I am a friend or lover,11·········/˘
Let them read Shakespeare's sonnets, taking thence10···/·/˘/˘·
A whetstone for their dull intelligence10·/····˘/˘˘
That tears and will not cut, or let them guess10··········
How Diotima, the wise prophetess,9······/˘˘
Instructed the instructor, and why he10˘/˘·˘/˘···
Rebuked the infant spirit of melody11˘/·/˘/˘·/˘˘
On Agathon's sweet lips, which as he spoke10··········
Was as the lovely star when morn has broke10···/˘·····
The roof of darkness, in the golden dawn,10···/˘··/˘·
Half-hidden, and yet beautiful.8·/˘··/˘˘
I'll pawn2··
My hopes of Heaven-you know what they are worth --10···/······
That the presumptuous pedagogues of Earth,10··˘/˘·····
If they could tell the riddle offered here10·····/˘/˘·
Would scorn to be, or being to appear10·····/˘·˘/
What now they seem and are--but let them chide,10··········
They have few pleasures in the world beside;10···/˘···˘/
Perhaps we should be dull were we not chidden,11˘/·········
Paradise fruits are sweetest when forbidden.11/˘···/˘·˘/˘
Folly can season Wisdom, Hatred Love.10/˘·/˘/˘/˘·
Farewell, if it can be to say farewell10·/·······/
To those who3···
I will not, as most dedicators do,10··········
Assure myself and all the world and you,10˘/·/······
That you are faultless--would to God they were10···/˘·····
Who taunt me with your love! I then should wear10··········
These heavy chains of life with a light spirit,11·/˘······/˘
And would to God I were, or even as near it11·······/···
As you, dear heart. Alas! what are we? Clouds10····˘/····
Driven by the wind in warring multitudes,10/····/˘/˘·
Which rain into the bosom of the earth,10·····/˘···
And rise again, and in our death and birth,10··˘/··/···
And through our restless life, take as from heaven11··//˘····/˘
Hues which are not our own, but which are given,11····/····/˘
And then withdrawn, and with inconstant glance10··˘/··˘/˘·
Flash from the spirit to the countenance.10···/˘··/˘˘
There is a Power, a Love, a Joy, a God10···/······
Which makes in mortal hearts its brief abode,10···/˘···˘/
A Pythian exhalation, which inspires11·/˘˘·˘/˘·˘/
Love, only love--a wind which o'er the wires11·/˘······/˘
Of the soul's giant harp6···/˘·
There is a mood which language faints beneath;10·····/˘···
You feel it striding, as Almighty Death10···/˘·˘/˘·
His bloodless steed...4·/˘·
And what is that most brief and bright delight10········˘/
Which rushes through the touch and through the sight,10·/˘·······
And stands before the spirit's inmost throne,10·····/˘/˘·
A naked Seraph? None hath ever known.10·/˘/˘··/˘·
Its birth is darkness, and its growth desire;11···/˘···˘/˘
Untameable and fleet and fierce as fire,11·········/˘
Not to be touched but to be felt alone,10········˘/
It fills the world with glory-and is gone.10·····/˘···
It floats with rainbow pinions o'er the stream10···/·/˘···
Of life, which flows, like a ... dream7·······
Into the light of morning, to the grave10·····/˘···
As to an ocean...5···/˘
What is that joy which serene infancy10·····˘//˘˘
Perceives not, as the hours content them by,10˘/···/˘/··
Each in a chain of blossoms, yet enjoys10·····/˘·˘/
The shapes of this new world, in giant toys10·······/˘·
Wrought by the busy ... ever new?8···/˘/˘·
Remembrance borrows Fancy's glass, to show10˘/˘/˘/˘···
These forms more ... sincere5···˘/
Than now they are, than then, perhaps, they were.10······˘/··
When everything familiar seemed to be10·/˘·˘/˘···
Wonderful, and the immortality10/˘˘···˘/˘˘
Of this great world, which all things must inherit,11········˘/˘
Was felt as one with the awakening spirit,10······˘/˘/
Unconscious of itself, and of the strange10·/˘·˘/····
Distinctions which in its proceeding change10˘/˘···˘/˘·
It feels and knows, and mourns as if each were10··········
A desolation...5··˘/˘
Were it not a sweet refuge, Emily,10·····/˘/˘˘
For all those exiles from the dull insane10···/····˘/
Who vex this pleasant world with pride and pain,10···/˘·····
For all that band of sister-spirits known10·····/˘/˘·
To one another by a voiceless tone?10··˘/˘··/˘·
If day should part us night will mend division11········˘/˘
And if sleep parts us--we will meet in vision11·········/˘
And if life parts us--we will mix in death10··········
Yielding our mite [?] of unreluctant breath10/˘/·······
Death cannot part us--we must meet again10·/˘·····˘/
In all in nothing in delight in pain:10···/˘·˘/··
How, why or when or where--it matters not10·······/˘·
So that we share an undivided lot...10······˘/˘·
And we will move possessing and possessed10····˘/˘·˘/
Wherever beauty on the earth's bare [?] breast10˘/˘/˘·····
Lies like the shadow of thy soul--till we10···/······
Become one being with the world we see...10˘/·/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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