Olimpio: Dead!

Percy Bysshe Shelley (1792–1822) · 1813–1820

iambic pentameter · unrhymed · 92 lines · from Alastor, and Other Poems

MARZIO:We strangled him that there might be no blood;And then we threw his heavy corpse i' the gardenUnder the balcony; 'twill seem it fell.

Here, take this gold, and hasten to your homes.And, Marzio, because thou wast only awedBy that which made me tremble, wear thou this!It was the mantle which my grandfatherWore in his high prosperity, and menEnvied his state: so may they envy thine.Thou wert a weapon in the hand of GodTo a just use. Live long and thrive! And, mark,If thou hast crimes, repent: this deed is none.

LUCRETIA:Hark, 'tis the castle horn: my God! it soundsLike the last trump.

BEATRICE:Some tedious guest is coming.

LUCRETIA:The drawbridge is let down; there is a trampOf horses in the court; fly, hide yourselves!

BEATRICE:Let us retire to counterfeit deep rest;I scarcely need to counterfeit it now:The spirit which doth reign within these limbsSeems strangely undisturbed. I could even sleepFearless and calm: all ill is surely past.

SAVELLA:Lady, my duty to his HolinessBe my excuse that thus unseasonablyI break upon your rest. I must speak withCount Cenci; doth he sleep?

I think he sleeps;Yet, wake him not, I pray, spare me awhile,He is a wicked and a wrathful man;Should he be roused out of his sleep to-night,Which is, I know, a hell of angry dreams,It were not well; indeed it were not well.Wait till day break...Oh, I am deadly sick!

SAVELLA:I grieve thus to distress you, but the CountMust answer charges of the gravest import,And suddenly; such my commission is.

I dare not rouse him: I know none who dare...'Twere perilous;...you might as safely wakenA serpent; or a corpse in which some fiendWere laid to sleep.

SAVELLA:Lady, my moments hereAre counted. I must rouse him from his sleep,Since none else dare.

O, terror! O, despair!Bernardo, conduct you the Lord Legate toYour father's chamber.

BEATRICE:'Tis a messengerCome to arrest the culprit who now standsBefore the throne of unappealable God.Both Earth and Heaven, consenting arbiters,Acquit our deed.

LUCRETIA:Oh, agony of fear!Would that he yet might live! Even now I heardThe Legate's followers whisper as they passedThey had a warrant for his instant death.All was prepared by unforbidden meansWhich we must pay so dearly, having done.Even now they search the tower, and find the body;Now they suspect the truth; now they consultBefore they come to tax us with the fact;O, horrible, 'tis all discovered!

BEATRICE:Mother,What is done wisely, is done well. Be boldAs thou art just. 'Tis like a truant childTo fear that others know what thou hast done,Even from thine own strong consciousness, and thusWrite on unsteady eyes and altered cheeksAll thou wouldst hide. Be faithful to thyself,And fear no other witness but thy fear.For if, as cannot be, some circumstanceShould rise in accusation, we can blindSuspicion with such cheap astonishment,Or overbear it with such guiltless pride,As murderers cannot feign. The deed is done,And what may follow now regards not me.I am as universal as the light;Free as the earth-surrounding air; as firmAs the world's centre. Consequence, to me,Is as the wind which strikes the solid rock,But shakes it not.

Words in this poem 16
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
wast
The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
repent a.
Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
wrathful a.
Full of wrath; very angry; greatly incensed; ireful; passionate; as, a wrathful man.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
waken v. i.
To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
culprit n.
One accused of, or ar An author is in the condition of a culprit; the public are his judges. Prior. [Prob. corrupted for culpate, fr. Law Latin culpatus the accused, p. p. of L. culpare to blame. See Culpable.]
unappealable a.
Not appealable; that can not be carried to a higher tribunal by appeal; as, an unappealable suit or action.
consult n.
The act of consulting or deliberating; consultation; also, the result of consulation; determination; decision.
astonishment n.
The condition of one who is stunned. Hence: Numbness; loss of sensation; stupor; loss of sense. [Cf. OF. est, F. étonnement.]
overbear v. t.
To bear down or carry down, as by excess of weight, power, force, etc.; to overcome; to suppress.
guiltless a.
Free from guilt; innocent.
centre v. i.
To be placed in a center; to be central.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Olimpio: Dead! is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, Olimpio: Dead!, in Alastor, and Other Poems (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/olimpio-dead.html, id L00248.

Form and metre

Olimpio: Dead! is 92 lines in 15 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 21 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 11 -A-A savella · hereA · sleep · dareA
  2. 15 ----A--------AB--B-- beatrice · mother · bold · child · doneA · thus · cheeks · thyself · fear · circumstance · blind · astonishment · pride · doneA · meB · light · firm · meB · rock · not
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
MARZIO:2··
We strangled him that there might be no blood;10·/˘·······
And then we threw his heavy corpse i' the garden12·····/˘···/˘
Under the balcony; 'twill seem it fell.10···/˘˘····
Here, take this gold, and hasten to your homes.10·····/˘···
And, Marzio, because thou wast only awed10·······/˘·
By that which made me tremble, wear thou this!10·····/˘···
It was the mantle which my grandfather10···/˘··/·˘
Wore in his high prosperity, and men10····˘/˘˘··
Envied his state: so may they envy thine.10/˘·····/˘·
Thou wert a weapon in the hand of God10···/˘·····
To a just use. Live long and thrive! And, mark,10··········
If thou hast crimes, repent: this deed is none.10····˘/····
LUCRETIA:3˘/˘
Hark, 'tis the castle horn: my God! it sounds10···/˘·····
Like the last trump.4····
BEATRICE:3/˘˘
Some tedious guest is coming.8·/˘˘··/˘
LUCRETIA:3˘/˘
The drawbridge is let down; there is a tramp10·/········
Of horses in the court; fly, hide yourselves!10·/˘·····˘/
BEATRICE:3/˘˘
Let us retire to counterfeit deep rest;10··˘/·/˘···
I scarcely need to counterfeit it now:10·/˘··/˘···
The spirit which doth reign within these limbs10·/˘·······
Seems strangely undisturbed. I could even sleep10·/˘·˘/··/·
Fearless and calm: all ill is surely past.10/˘·····/˘·
SAVELLA:3···
Lady, my duty to his Holiness10/˘·/˘··/˘˘
Be my excuse that thus unseasonably11··˘/··˘/˘˘˘
I break upon your rest. I must speak with10··········
Count Cenci; doth he sleep?6·/˘···
I think he sleeps;4····
Yet, wake him not, I pray, spare me awhile,10········˘/
He is a wicked and a wrathful man;10···/˘··/˘·
Should he be roused out of his sleep to-night,10··········
Which is, I know, a hell of angry dreams,10·······/˘·
It were not well; indeed it were not well.10····˘/····
Wait till day break...4····
Oh, I am deadly sick!6···/˘·
SAVELLA:3···
I grieve thus to distress you, but the Count10····˘/····
Must answer charges of the gravest import,11·/˘/˘··/˘/˘
And suddenly; such my commission is.10·/˘˘··˘/˘·
I dare not rouse him: I know none who dare...10··········
'Twere perilous;...you might as safely waken11·/˘˘···/˘/˘
A serpent; or a corpse in which some fiend10·/˘·······
Were laid to sleep.4····
SAVELLA:3···
Lady, my moments here6/˘·/˘·
Are counted. I must rouse him from his sleep,10·/˘·······
Since none else dare.4····
O, terror! O, despair!6·/˘·˘/
Bernardo, conduct you the Lord Legate to11˘/˘/˘···/˘·
Your father's chamber.5·/˘/˘
BEATRICE:3/˘˘
'Tis a messenger5··/˘˘
Come to arrest the culprit who now stands10··˘/·/˘···
Before the throne of unappealable God.11···········
Both Earth and Heaven, consenting arbiters,11···/˘˘/˘/˘˘
Acquit our deed.5˘//˘·
LUCRETIA:3˘/˘
Oh, agony of fear!6·/˘˘··
Would that he yet might live! Even now I heard10······/···
The Legate's followers whisper as they passed10·/˘/˘/˘···
They had a warrant for his instant death.10···/˘··/˘·
All was prepared by unforbidden means10··˘/······
Which we must pay so dearly, having done.10·····/˘/˘·
Even now they search the tower, and find the body;11/····/···/˘
Now they suspect the truth; now they consult10··˘/····˘/
Before they come to tax us with the fact;10··········
O, horrible, 'tis all discovered!10·/˘˘··˘/˘˘
BEATRICE:3/˘˘
Mother,2/˘
What is done wisely, is done well. Be bold10···/˘·····
As thou art just. 'Tis like a truant child10·······/˘·
To fear that others know what thou hast done,10···/˘·····
Even from thine own strong consciousness, and thus10/····/˘˘··
Write on unsteady eyes and altered cheeks10··˘/˘··/˘·
All thou wouldst hide. Be faithful to thyself,10·····/˘·˘/
And fear no other witness but thy fear.10···/˘/˘···
For if, as cannot be, some circumstance10···/˘··/˘·
Should rise in accusation, we can blind10····˘/˘···
Suspicion with such cheap astonishment,10˘/˘···˘/˘˘
Or overbear it with such guiltless pride,10·······/˘·
As murderers cannot feign. The deed is done,10·/˘/˘·····
And what may follow now regards not me.10···/˘·˘/··
I am as universal as the light;10····˘/˘···
Free as the earth-surrounding air; as firm10····˘/˘···
As the world's centre. Consequence, to me,10···/˘/˘˘··
Is as the wind which strikes the solid rock,10·······/˘·
But shakes it not.4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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