Letter to Maria Gisborne
The spider spreads her webs, whether she beIn poet's tower, cellar, or barn, or tree;The silk-worm in the dark green mulberry leavesHis winding sheet and cradle ever weaves;So I, a thing whom moralists call worm,Sit spinning still round this decaying form,From the fine threads of rare and subtle thought--No net of words in garish colours wroughtTo catch the idle buzzers of the day--But a soft cell, where when that fades away,Memory may clothe in wings my living nameAnd feed it with the asphodels of fame,Which in those hearts which must remember meGrow, making love an immortality.
Whoever should behold me now, I wist,Would think I were a mighty mechanist,Bent with sublime Archimedean artTo breathe a soul into the iron heartOf some machine portentous, or strange gin,Which by the force of figured spells might winIts way over the sea, and sport therein;For round the walls are hung dread engines, suchAs Vulcan never wrought for Jove to clutchIxion or the Titan:--or the quickWit of that man of God, St. Dominic,To convince Atheist, Turk, or Heretic,Or those in philanthropic council met,Who thought to pay some interest for the debtThey owed to Jesus Christ for their salvation,By giving a faint foretaste of damnationTo Shakespeare, Sidney, Spenser, and the restWho made our land an island of the blest,When lamp-like Spain, who now relumes her fireOn Freedom's hearth, grew dim with Empire:--With thumbscrews, wheels, with tooth and spike and jag,Which fishers found under the utmost cragOf Cornwall and the storm-encompassed isles,Where to the sky the rude sea rarely smilesUnless in treacherous wrath, as on the mornWhen the exulting elements in scorn,Satiated with destroyed destruction, laySleeping in beauty on their mangled prey,As panthers sleep;--and other strange and dreadMagical forms the brick floor overspread,--Proteus transformed to metal did not makeMore figures, or more strange; nor did he takeSuch shapes of unintelligible brass,Or heap himself in such a horrid massOf tin and iron not to be understood;And forms of unimaginable wood,To puzzle Tubal Cain and all his brood:Great screws, and cones, and wheels, and grooved blocks,The elements of what will stand the shocksOf wave and wind and time.--Upon the tableMore knacks and quips there be than I am ableTo catalogize in this verse of mine:--A pretty bowl of wood--not full of wine,But quicksilver; that dew which the gnomes drinkWhen at their subterranean toil they swink,Pledging the demons of the earthquake, whoReply to them in lava--cry halloo!And call out to the cities o'er their head,--Roofs, towers, and shrines, the dying and the dead,Crash through the chinks of earth--and then all quaffAnother rouse, and hold their sides and laugh.This quicksilver no gnome has drunk--withinThe walnut bowl it lies, veined and thin,In colour like the wake of light that stainsThe Tuscan deep, when from the moist moon rainsThe inmost shower of its white fire--the breezeIs still--blue Heaven smiles over the pale seas.And in this bowl of quicksilver--for IYield to the impulse of an infancyOutlasting manhood--I have made to floatA rude idealism of a paper boat:--A hollow screw with cogs--Henry will knowThe thing I mean and laugh at me,--if soHe fears not I should do more mischief.--NextLie bills and calculations much perplexed,With steam-boats, frigates, and machinery quaintTraced over them in blue and yellow paint.Then comes a range of mathematicalInstruments, for plans nautical and statical,A heap of rosin, a queer broken glassWith ink in it;--a china cup that wasWhat it will never be again, I think,--A thing from which sweet lips were wont to drinkThe liquor doctors rail at--and which IWill quaff in spite of them--and when we dieWe'll toss up who died first of drinking tea,And cry out,--'Heads or tails?' where'er we be.Near that a dusty paint-box, some odd hooks,A half-burnt match, an ivory block, three books,Where conic sections, spherics, logarithms,To great Laplace, from Saunderson and Sims,Lie heaped in their harmonious disarrayOf figures,--disentangle them who may.Baron de Tott's Memoirs beside them lie,And some odd volumes of old chemistry.Near those a most inexplicable thing,With lead in the middle--I'm conjecturingHow to make Henry understand; but no--I'll leave, as Spenser says, with many mo,This secret in the pregnant womb of time,Too vast a matter for so weak a rhyme.
And here like some weird Archimage sit I,Plotting dark spells, and devilish enginery,The self-impelling steam-wheels of the mindWhich pump up oaths from clergymen, and grindThe gentle spirit of our meek reviewsInto a powdery foam of salt abuse,Ruffling the ocean of their self-content;--I sit--and smile or sigh as is my bent,But not for them--Libeccio rushes roundWith an inconstant and an idle sound,I heed him more than them--the thunder-smokeIs gathering on the mountains, like a cloakFolded athwart their shoulders broad and bare;The ripe corn under the undulating airUndulates like an ocean;--and the vinesAre trembling wide in all their trellised lines--The murmur of the awakening sea doth fillThe empty pauses of the blast;--the hillLooks hoary through the white electric rain,And from the glens beyond, in sullen strain,The interrupted thunder howls; aboveOne chasm of Heaven smiles, like the eye of LoveOn the unquiet world;--while such things are,How could one worth your friendship heed the warOf worms? the shriek of the world's carrion jays,Their censure, or their wonder, or their praise?
You are not here! the quaint witch Memory sees,In vacant chairs, your absent images,And points where once you sat, and now should beBut are not.--I demand if ever weShall meet as then we met;--and she replies.Veiling in awe her second-sighted eyes;'I know the past alone--but summon homeMy sister Hope,--she speaks of all to come.'But I, an old diviner, who knew wellEvery false verse of that sweet oracle,Turned to the sad enchantress once again,And sought a respite from my gentle pain,In citing every passage o'er and o'erOf our communion--how on the sea-shoreWe watched the ocean and the sky together,Under the roof of blue Italian weather;How I ran home through last year's thunder-storm,And felt the transverse lightning linger warmUpon my cheek--and how we often madeFeasts for each other, where good will outweighedThe frugal luxury of our country cheer,As well it might, were it less firm and clearThan ours must ever be;--and how we spunA shroud of talk to hide us from the sunOf this familiar life, which seems to beBut is not:--or is but quaint mockeryOf all we would believe, and sadly blameThe jarring and inexplicable frameOf this wrong world:--and then anatomizeThe purposes and thoughts of men whose eyesWere closed in distant years;--or widely guessThe issue of the earth's great business,When we shall be as we no longer are--Like babbling gossips safe, who hear the warOf winds, and sigh, but tremble not;--or howYou listened to some interrupted flowOf visionary rhyme,--in joy and painStruck from the inmost fountains of my brain,With little skill perhaps;--or how we soughtThose deepest wells of passion or of thoughtWrought by wise poets in the waste of years,Staining their sacred waters with our tears;Quenching a thirst ever to be renewed!Or how I, wisest lady! then enduedThe language of a land which now is free,And, winged with thoughts of truth and majesty,Flits round the tyrant's sceptre like a cloud,And bursts the peopled prisons, and cries aloud,'My name is Legion!'--that majestic tongueWhich Calderon over the desert flungOf ages and of nations; and which foundAn echo in our hearts, and with the soundStartled oblivion;--thou wert then to meAs is a nurse--when inarticulatelyA child would talk as its grown parents do.If living winds the rapid clouds pursue,If hawks chase doves through the aethereal way,Huntsmen the innocent deer, and beasts their prey,Why should not we rouse with the spirit's blastOut of the forest of the pathless pastThese recollected pleasures?You are nowIn London, that great sea, whose ebb and flowAt once is deaf and loud, and on the shoreVomits its wrecks, and still howls on for more.Yet in its depth what treasures! You will seeThat which was Godwin,--greater none than heThough fallen--and fallen on evil times--to standAmong the spirits of our age and land,Before the dread tribunal of "to come"The foremost,--while Rebuke cowers pale and dumb.You will see Coleridge--he who sits obscureIn the exceeding lustre and the pureIntense irradiation of a mind,Which, with its own internal lightning blind,Flags wearily through darkness and despair--A cloud-encircled meteor of the air,A hooded eagle among blinking owls.--You will see Hunt--one of those happy soulsWhich are the salt of the earth, and without whomThis world would smell like what it is--a tomb;Who is, what others seem; his room no doubtIs still adorned with many a cast from Shout,With graceful flowers tastefully placed about;And coronals of bay from ribbons hung,And brighter wreaths in neat disorder flung;The gifts of the most learned among some dozensOf female friends, sisters-in-law, and cousins.And there is he with his eternal puns,Which beat the dullest brain for smiles, like dunsThundering for money at a poet's door;Alas! it is no use to say, 'I'm poor!'Or oft in graver mood, when he will lookThings wiser than were ever read in book,Except in Shakespeare's wisest tenderness.--You will see Hogg,--and I cannot expressHis virtues,--though I know that they are great,Because he locks, then barricades the gateWithin which they inhabit;--of his witAnd wisdom, you'll cry out when you are bit.He is a pearl within an oyster shell.One of the richest of the deep;--and thereIs English Peacock, with his mountain Fair,Turned into a Flamingo;--that shy birdThat gleams i' the Indian air--have you not heardWhen a man marries, dies, or turns Hindoo,His best friends hear no more of him?--but youWill see him, and will like him too, I hope,With the milk-white Snowdonian AntelopeMatched with this cameleopard--his fine witMakes such a wound, the knife is lost in it;A strain too learned for a shallow age,Too wise for selfish bigots; let his page,Which charms the chosen spirits of the time,Fold itself up for the serener climeOf years to come, and find its recompenseIn that just expectation.--Wit and sense,Virtue and human knowledge; all that mightMake this dull world a business of delight,Are all combined in Horace Smith.--And these.With some exceptions, which I need not teaseYour patience by descanting on,--are allYou and I know in London.I recallMy thoughts, and bid you look upon the night.As water does a sponge, so the moonlightFills the void, hollow, universal air--What see you?--unpavilioned Heaven is fair,Whether the moon, into her chamber gone,Leaves midnight to the golden stars, or wanClimbs with diminished beams the azure steep;Or whether clouds sail o'er the inverse deep,Piloted by the many-wandering blast,And the rare stars rush through them dim and fast:--All this is beautiful in every land.--But what see you beside?--a shabby standOf Hackney coaches--a brick house or wallFencing some lonely court, white with the scrawlOf our unhappy politics;--or worse--A wretched woman reeling by, whose curseMixed with the watchman's, partner of her trade,You must accept in place of serenade--Or yellow-haired Pollonia murmuringTo Henry, some unutterable thing.I see a chaos of green leaves and fruitBuilt round dark caverns, even to the rootOf the living stems that feed them--in whose bowersThere sleep in their dark dew the folded flowers;Beyond, the surface of the unsickled cornTrembles not in the slumbering air, and borneIn circles quaint, and ever-changing dance,Like winged stars the fire-flies flash and glance,Pale in the open moonshine, but each oneUnder the dark trees seems a little sun,A meteor tamed; a fixed star gone astrayFrom the silver regions of the milky way;--Afar the Contadino's song is heard,Rude, but made sweet by distance--and a birdWhich cannot be the Nightingale, and yetI know none else that sings so sweet as itAt this late hour;--and then all is still--Now--Italy or London, which you will!
Next winter you must pass with me; I'll haveMy house by that time turned into a graveOf dead despondence and low-thoughted care,And all the dreams which our tormentors are;Oh! that Hunt, Hogg, Peacock, and Smith were there,With everything belonging to them fair!--We will have books, Spanish, Italian, Greek;And ask one week to make another weekAs like his father, as I'm unlike mine,Which is not his fault, as you may divine.Though we eat little flesh and drink no wine,Yet let's be merry: we'll have tea and toast;Custards for supper, and an endless hostOf syllabubs and jellies and mince-pies,And other such lady-like luxuries,--Feasting on which we will philosophize!And we'll have fires out of the Grand Duke's wood,To thaw the six weeks' winter in our blood.And then we'll talk;--what shall we talk about?Oh! there are themes enough for many a boutOf thought-entangled descant;--as to nerves--With cones and parallelograms and curvesI've sworn to strangle them if once they dareTo bother me--when you are with me there.And they shall never more sip laudanum,From Helicon or Himeros (1);--well, come,And in despite of God and of the devil,We'll make our friendly philosophic revelOutlast the leafless time; till buds and flowersWarn the obscure inevitable hours,Sweet meeting by sad parting to renew;--'To-morrow to fresh woods and pastures new.'
Words in this poem 64
- garish a.
- Showy; dazzling; ostentatious; attracting or exciting attention. [Cf. OE. gauren to stare; of uncertain origin. Cf. gairish.]
- whoever pron.
- Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
- mechanist n.
- A maker of machines; one skilled in mechanics.
- portentous a.
- Of the nature of a portent; containing portents; foreschadowing, esp. foreschadowing ill; ominous. [L. portentosus.]
- jove n.
- The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
- convince v. t.
- To overpower; to overcome; to subdue or master. [L. convincere, -victum, to refute, prove; con- + vincere to conquer. See Victor, and cf. Convict.]
- atheist n.
- One who disbelieves or denies the existence of a God, or supreme intelligent Being. [Gr. athéiste.]
- turk n.
- A member of any of numerous Tartar tribes of Central Asia, etc.; esp., one of the dominant race in Turkey. [Per. Turk; probably of Tartar origin: cf. F. Turc.]
- heretic n.
- One who holds to a heresy; one who believes some doctrine contrary to the established faith or prevailing religion. [L. haereticus, Gr. hérétique. See Heresy.]
- philanthropic a.
- Of or pertaining to philanthropy; characterized by philanthropy; loving or helping mankind; as, a philanthropic enterprise. [Cf. F. philanthropique.]
- foretaste n.
- A taste beforehand; enjoyment in advance; anticipation.
- damnation n.
- The state of being damned; condemnation; openly expressed disapprobation. [F. damnation, L. damnatio, fr. damnare. See Damn.]
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- exulting a.
- Rejoicing triumphantly or exceedingly; exultant.
- horrid a.
- Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
- tubal a.
- Of or pertaining to a tube; specifically, of or pertaining to one of the Fallopian tubes; as, tubal pregnancy.
- catalogize v. t.
- To insert in a catalogue; to register; to catalogue.
- swink v. i.
- To labor; to toil; to salve. [AS. swincan, akin to swingan. See Swing.]
- quaff v. t.
- To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
- gnome n.
- An imaginary being, supposed by the Rosicrucians to inhabit the inner parts of the earth, and to be the guardian of mines, quarries, etc. [F. gnome, prob. fr. Gr. i. e., of the treasures in the inner parts of the earth, or fr. Know.]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- idealism n.
- The quality or state of being ideal. [Cf. F. idéalisme.]
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- disarray v. t.
- To throw into disorder; to break the array of. [Pref. dis- + array, v.: cf. OF. desarroyer, desarreier.]
- womb n.
- The belly; the abdomen. [OE. wombe, wambe, AS. wamb, womb; akin to D. wam belly, OS. & OHG. wamba, G. wamme, wampe, Icel. vömb, Sw. v&mb, Dan. vom, Goth. wamba.]
- archimage n.
- The high priest of the Persian Magi, or worshipers of fire.
- enginery n.
- The act or art of managing engines, or artillery.
- trellised a.
- Having a trellis or trellises.
- hoary a.
- White or whitish."The hoary willows."
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- unquiet v. t.
- To disquiet. Ld. Herbert. [1st pref. un- + quiet.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- veiling n.
- A veil; a thin covering; also, material for making veils.
- oracle v. i.
- To utter oracles.
- enchantress n.
- A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
- sadly adv.
- Wearily; heavily; firmly.
- jarring a.
- Shaking; disturbing; discordant. [See Jar.]
- anatomize v. t.
- To dissect; to cut in pieces, as an animal vegetable body, for the purpose of displaying or examining the structure and use of the several parts. [Cf. F. anatomiser.]
- sceptre n.
- A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]
- peopled a.
- Stocked with, or as with, people; inhabited.
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- inarticulately adv.
- In an inarticulate manner. Hammond.
- pathless a.
- Having no beaten path or way; untrodden; impenetrable; as, pathless woods.
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- irradiation n.
- Act of irradiating, or state of being irradiated. [Cf. F. irradiation.]
- wearily adv.
- In a weary manner.
- thundering a.
- Emitting thunder.
- graver n.
- One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- inverse a.
- Opposite in order, relation, or effect; reversed; inverted; reciprocal; -- opposed to direct. [L. inversus, p. p. of invertere: cf. F. inverse. See Invert.]
- shabby a.
- Torn or worn to rage; poor; mean; ragged. [See Shab, n., Scabby, and Scab.]
- scrawl v. t.
- To draw or mark awkwardly and irregularly; to write hastily and carelessly; to scratch; to scribble; as, to scrawl a letter. [Probably corrupted from scrabble.]
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- moonshine n.
- The light of the moon.
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- philosophize v. i.
- To reason like a philosopher; to search into the reason and nature of things; to investigate phenomena, and assign rational causes for their existence.
- thaw v. i.
- To melt, dissolve, or become fluid; to soften; -- said of that which is frozen; as, the ice thaws.
- descant v. i.
- To sing a variation or accomplishment. [From descant; n.; or directly fr. OF. descanter, deschanter; L. dis- + cantare to sing.]
- laudanum n.
- Tincture of opium, used for various medical purposes. [Orig. the same wort as ladanum, ladbdanum: cf. F. laudanum, It. laudano, ladano. See Ladanum.]
- helicon n.
- A mountain in Boeotia, in Greece, supposed by the Greeks to be the residence of Apollo and the Muses.
- philosophic a.
- Of or pertaining to philosophy; versed in, or imbued with, the principles of philosophy; hence, characterizing a philosopher; rational; wise; temperate; calm; cool. [L. philosophicus: cf. F. philosophique.]
- outlast v. t.
- To exceed in duration; to survive; to endure longer than.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Letter to Maria Gisborne is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Percy Bysshe Shelley, Letter to Maria Gisborne, in The Complete Poetical Works, Volume I (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/letter-to-maria-gisborne.html, id L00263.
Form and metre
Letter to Maria Gisborne is 325 lines in 5 verse paragraphs. It is in rhyming couplets, 63% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 38 lines end on an unstressed syllable, a feminine ending. 46% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--CCDDEEA- beA · treeA · leavesB · weavesB · worm · form · thoughtC · wroughtC · dayD · awayD · nameE · fameE · meA · immortality
- 2 AABBCCCDDEEEFFGGHH--IIJJKKLLMMNNOOPP-QQRRSSTTUUVVWWXXYYZZ--aabbccddee--ffgggghhiijj--kkllmm wistA · mechanistA · artB · heartB · ginC · winC · thereinC · suchD · clutchD · quickE · dominicE · hereticE · metF · debtF · salvationG · damnationG · restH · blestH · fire · empire · jagI · cragI · islesJ · smilesJ · mornK · scornK · layL · preyL · dreadM · overspreadM · makeN · takeN · brassO · massO · understoodP · woodP · brood · blocksQ · shocksQ · tableR · ableR · mineS · wineS · drinkT · swinkT · whoU · hallooU · headV · deadV · quaffW · laughW · withinX · thinX · stainsY · rainsY · breezeZ · seasZ · i · infancy · floata · boata · knowb · sob · nextc · perplexedc · quaintd · paintd · mathematicale · staticale · glass · was · thinkf · drinkf · ig · dieg · teag · beg · hooksh · booksh · logarithmsi · simsi · disarrayj · mayj · lie · chemistry · thingk · conjecturingk · nol · mol · timem · rhymem
- 3 --AABBCCDDEEFFGGHHIIJJ--KK i · enginery · mindA · grindA · reviewsB · abuseB · contentC · bentC · roundD · soundD · smokeE · cloakE · bareF · airF · vinesG · linesG · fillH · hillH · rainI · strainI · aboveJ · loveJ · are · war · jaysK · praiseK
- 4 AABBAACCDD----EEFFGGHHII--JJKKLL----MMNN--OO--PPQQRR--SSTTUU---VVWWXXYYZZaabb--ccdddeeffff--gghhiijj-kkllmmnnooppqqrrssttu-uvvww--xxyyzzAABBCCDDEEFFGGHHIIJJKK--LL seesA · imagesA · beB · weB · repliesA · eyesA · homeC · comeC · wellD · oracleD · again · pain · o'er · shore · togetherE · weatherE · stormF · warmF · madeG · outweighedG · cheerH · clearH · spunI · sunI · be · mockery · blameJ · frameJ · anatomizeK · eyesK · guessL · businessL · are · war · how · flow · painM · brainM · soughtN · thoughtN · years · tears · renewedO · enduedO · free · majesty · cloudP · aloudP · tongueQ · flungQ · foundR · soundR · me · inarticulately · doS · pursueS · wayT · preyT · blastU · pastU · pleasures · now · flow · shoreV · moreV · seeW · heW · standX · landX · comeY · dumbY · obscureZ · pureZ · minda · blinda · despairb · airb · owls · souls · whomc · tombc · doubtd · shoutd · aboutd · hunge · flunge · dozensf · cousinsf · punsf · dunsf · door · poor · lookg · bookg · tendernessh · expressh · greati · gatei · witj · bitj · shell · therek · fairk · birdl · heardl · hindoom · youm · hopen · antelopen · wito · ito · agep · pagep · timeq · climeq · recompenser · senser · mights · delights · theset · teaset · allu · london · recallu · nightv · moonlightv · airw · fairw · gone · wan · steepx · deepx · blasty · fasty · landz · standz · wallA · scrawlA · worseB · curseB · tradeC · serenadeC · murmuringD · thingD · fruitE · rootE · bowersF · flowersF · cornG · borneG · danceH · glanceH · oneI · sunI · astrayJ · wayJ · heardK · birdK · yet · it · stillL · willL
- 5 AAB-BBCCDDDEEFFFGGHHIIJJKKLLMMNN haveA · graveA · careB · are · thereB · fairB · greekC · weekC · mineD · divineD · wineD · toastE · hostE · piesF · luxuriesF · philosophizeF · woodG · bloodG · aboutH · boutH · nervesI · curvesI · dareJ · thereJ · laudanumK · comeK · devilL · revelL · flowersM · hoursM · renewN · newN
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The spider spreads her webs, whether she be | 10 | ·/˘······· |
| In poet's tower, cellar, or barn, or tree; | 10 | ·/˘//˘···· |
| The silk-worm in the dark green mulberry leaves | 11 | ·······/·˘· |
| His winding sheet and cradle ever weaves; | 10 | ·/˘··/˘/˘· |
| So I, a thing whom moralists call worm, | 10 | ·····/˘˘·· |
| Sit spinning still round this decaying form, | 10 | ·/˘···˘/˘· |
| From the fine threads of rare and subtle thought-- | 10 | ·······/˘· |
| No net of words in garish colours wrought | 10 | ·····/˘/˘· |
| To catch the idle buzzers of the day-- | 10 | ···/˘/˘··· |
| But a soft cell, where when that fades away, | 10 | ········˘/ |
| Memory may clothe in wings my living name | 10 | /˘·····/˘· |
| And feed it with the asphodels of fame, | 10 | ·········· |
| Which in those hearts which must remember me | 10 | ······˘/˘· |
| Grow, making love an immortality. | 10 | ·/˘···˘/˘˘ |
| Whoever should behold me now, I wist, | 10 | ˘/˘·˘/···· |
| Would think I were a mighty mechanist, | 10 | ·····/˘/˘˘ |
| Bent with sublime Archimedean art | 9 | ··˘/····· |
| To breathe a soul into the iron heart | 10 | ·······/˘· |
| Of some machine portentous, or strange gin, | 10 | ··˘/˘/˘··· |
| Which by the force of figured spells might win | 10 | ·····/˘··· |
| Its way over the sea, and sport therein; | 10 | ·········· |
| For round the walls are hung dread engines, such | 10 | ·······/˘· |
| As Vulcan never wrought for Jove to clutch | 10 | ·/˘/˘····· |
| Ixion or the Titan:--or the quick | 10 | ˘/˘··/˘··· |
| Wit of that man of God, St. Dominic, | 10 | ·······/˘˘ |
| To convince Atheist, Turk, or Heretic, | 11 | ·˘//˘˘··/˘˘ |
| Or those in philanthropic council met, | 10 | ····˘/˘/˘· |
| Who thought to pay some interest for the debt | 10 | ·····/˘··· |
| They owed to Jesus Christ for their salvation, | 11 | ···/˘···˘/˘ |
| By giving a faint foretaste of damnation | 11 | ·/˘··/˘·˘/˘ |
| To Shakespeare, Sidney, Spenser, and the rest | 10 | ·/·/˘/˘··· |
| Who made our land an island of the blest, | 10 | ··/··/˘··· |
| When lamp-like Spain, who now relumes her fire | 11 | ·········/˘ |
| On Freedom's hearth, grew dim with Empire:-- | 10 | ·/˘····/˘˘ |
| With thumbscrews, wheels, with tooth and spike and jag, | 10 | ·········· |
| Which fishers found under the utmost crag | 10 | ·/˘····/·· |
| Of Cornwall and the storm-encompassed isles, | 10 | ·/˘···˘/˘· |
| Where to the sky the rude sea rarely smiles | 10 | ·······/˘· |
| Unless in treacherous wrath, as on the morn | 10 | ···/˘····· |
| When the exulting elements in scorn, | 10 | ··˘/˘/˘˘·· |
| Satiated with destroyed destruction, lay | 10 | ····˘/˘/˘· |
| Sleeping in beauty on their mangled prey, | 10 | /˘·/˘··/˘· |
| As panthers sleep;--and other strange and dread | 10 | ·/˘··/˘··· |
| Magical forms the brick floor overspread,-- | 10 | /˘˘······· |
| Proteus transformed to metal did not make | 11 | /˘˘˘/·/˘··· |
| More figures, or more strange; nor did he take | 10 | ·/˘······· |
| Such shapes of unintelligible brass, | 10 | ····˘/˘˘˘· |
| Or heap himself in such a horrid mass | 10 | ··˘/···/˘· |
| Of tin and iron not to be understood; | 10 | ···/····˘/ |
| And forms of unimaginable wood, | 10 | ····˘/˘˘˘· |
| To puzzle Tubal Cain and all his brood: | 10 | ·/˘/˘····· |
| Great screws, and cones, and wheels, and grooved blocks, | 10 | ········˘· |
| The elements of what will stand the shocks | 10 | ·/˘˘······ |
| Of wave and wind and time.--Upon the table | 11 | ·········/˘ |
| More knacks and quips there be than I am able | 11 | ·········/˘ |
| To catalogize in this verse of mine:-- | 10 | ·/˘˘˘····· |
| A pretty bowl of wood--not full of wine, | 10 | ·/˘······· |
| But quicksilver; that dew which the gnomes drink | 10 | ·//˘······ |
| When at their subterranean toil they swink, | 10 | ···˘˘/˘··· |
| Pledging the demons of the earthquake, who | 10 | /˘·/˘··/·· |
| Reply to them in lava--cry halloo! | 10 | ˘/···/˘·˘/ |
| And call out to the cities o'er their head,-- | 10 | ·····/˘··· |
| Roofs, towers, and shrines, the dying and the dead, | 10 | ·/···/˘··· |
| Crash through the chinks of earth--and then all quaff | 10 | ·········· |
| Another rouse, and hold their sides and laugh. | 10 | ˘/˘······· |
| This quicksilver no gnome has drunk--within | 10 | ·//˘······ |
| The walnut bowl it lies, veined and thin, | 10 | ·/·····˘·· |
| In colour like the wake of light that stains | 10 | ·/˘······· |
| The Tuscan deep, when from the moist moon rains | 10 | ·/˘······· |
| The inmost shower of its white fire--the breeze | 10 | ·/˘/···/·· |
| Is still--blue Heaven smiles over the pale seas. | 10 | ···/······ |
| And in this bowl of quicksilver--for I | 10 | ·····//˘·· |
| Yield to the impulse of an infancy | 10 | ···/˘··/˘˘ |
| Outlasting manhood--I have made to float | 10 | ˘/˘/······ |
| A rude idealism of a paper boat:-- | 10 | ··˘/˘··/˘· |
| A hollow screw with cogs--Henry will know | 10 | ·/˘···/˘·· |
| The thing I mean and laugh at me,--if so | 10 | ·········· |
| He fears not I should do more mischief.--Next | 10 | ·······/˘· |
| Lie bills and calculations much perplexed, | 10 | ····˘/˘·˘/ |
| With steam-boats, frigates, and machinery quaint | 10 | ···/˘·˘/˘· |
| Traced over them in blue and yellow paint. | 10 | ·······/˘· |
| Then comes a range of mathematical | 10 | ······˘/˘˘ |
| Instruments, for plans nautical and statical, | 10 | /˘··/˘···· |
| A heap of rosin, a queer broken glass | 10 | ···/˘··/˘· |
| With ink in it;--a china cup that was | 10 | ·····/˘··· |
| What it will never be again, I think,-- | 10 | ···/˘·˘/·· |
| A thing from which sweet lips were wont to drink | 10 | ·········· |
| The liquor doctors rail at--and which I | 10 | ·/˘/˘····· |
| Will quaff in spite of them--and when we die | 10 | ·········· |
| We'll toss up who died first of drinking tea, | 10 | ·······/˘· |
| And cry out,--'Heads or tails?' where'er we be. | 11 | ······˘˘/·· |
| Near that a dusty paint-box, some odd hooks, | 10 | ···/˘····· |
| A half-burnt match, an ivory block, three books, | 10 | ·····/˘··· |
| Where conic sections, spherics, logarithms, | 11 | ·/˘/˘/˘/˘·˘ |
| To great Laplace, from Saunderson and Sims, | 10 | ·····/˘˘·· |
| Lie heaped in their harmonious disarray | 10 | ····˘/˘·˘/ |
| Of figures,--disentangle them who may. | 10 | ·/˘·˘/˘··· |
| Baron de Tott's Memoirs beside them lie, | 10 | /˘··/··/·· |
| And some odd volumes of old chemistry. | 10 | ···/˘··/˘˘ |
| Near those a most inexplicable thing, | 10 | ·····˘/˘˘· |
| With lead in the middle--I'm conjecturing | 11 | ····/˘·˘/˘˘ |
| How to make Henry understand; but no-- | 10 | ···/˘·˘/·· |
| I'll leave, as Spenser says, with many mo, | 10 | ···/˘··/˘· |
| This secret in the pregnant womb of time, | 10 | ·/˘··/˘··· |
| Too vast a matter for so weak a rhyme. | 10 | ···/˘····· |
| And here like some weird Archimage sit I, | 10 | ·········· |
| Plotting dark spells, and devilish enginery, | 10 | /˘···/˘/˘˘ |
| The self-impelling steam-wheels of the mind | 10 | ··˘/˘····· |
| Which pump up oaths from clergymen, and grind | 10 | ·····/˘··· |
| The gentle spirit of our meek reviews | 10 | ·/˘/·/˘·˘/ |
| Into a powdery foam of salt abuse, | 10 | ···/˘···˘/ |
| Ruffling the ocean of their self-content;-- | 11 | /˘˘·/˘···˘/ |
| I sit--and smile or sigh as is my bent, | 10 | ·········· |
| But not for them--Libeccio rushes round | 10 | ·······/˘· |
| With an inconstant and an idle sound, | 10 | ··˘/˘··/˘· |
| I heed him more than them--the thunder-smoke | 10 | ·······/˘· |
| Is gathering on the mountains, like a cloak | 10 | ·/˘··/˘··· |
| Folded athwart their shoulders broad and bare; | 10 | /˘˘/·/˘··· |
| The ripe corn under the undulating air | 11 | ······/˘·˘· |
| Undulates like an ocean;--and the vines | 10 | /˘···/˘··· |
| Are trembling wide in all their trellised lines-- | 10 | ·/˘····/˘· |
| The murmur of the awakening sea doth fill | 11 | ·/˘··˘/˘··· |
| The empty pauses of the blast;--the hill | 10 | ·/˘/˘····· |
| Looks hoary through the white electric rain, | 10 | ·/˘···˘/˘· |
| And from the glens beyond, in sullen strain, | 10 | ·······/˘· |
| The interrupted thunder howls; above | 10 | ··˘/˘/˘··· |
| One chasm of Heaven smiles, like the eye of Love | 11 | ·/˘·/······ |
| On the unquiet world;--while such things are, | 10 | ··˘/˘····· |
| How could one worth your friendship heed the war | 10 | ·····/˘··· |
| Of worms? the shriek of the world's carrion jays, | 10 | ·······/˘· |
| Their censure, or their wonder, or their praise? | 10 | ·/˘··/˘··· |
| You are not here! the quaint witch Memory sees, | 10 | ·······/˘· |
| In vacant chairs, your absent images, | 10 | ·/˘··/˘/˘˘ |
| And points where once you sat, and now should be | 10 | ·········· |
| But are not.--I demand if ever we | 10 | ····˘/·/˘· |
| Shall meet as then we met;--and she replies. | 10 | ········˘/ |
| Veiling in awe her second-sighted eyes; | 10 | /˘···/˘/˘· |
| 'I know the past alone--but summon home | 10 | ····˘/·/˘· |
| My sister Hope,--she speaks of all to come.' | 10 | ·/˘······· |
| But I, an old diviner, who knew well | 10 | ····˘/˘··· |
| Every false verse of that sweet oracle, | 11 | /˘˘·····/˘˘ |
| Turned to the sad enchantress once again, | 10 | ····˘/˘·˘/ |
| And sought a respite from my gentle pain, | 10 | ···/˘··/˘· |
| In citing every passage o'er and o'er | 10 | ·/˘/˘/˘··· |
| Of our communion--how on the sea-shore | 10 | ·/˘/˘····· |
| We watched the ocean and the sky together, | 11 | ···/˘···˘/˘ |
| Under the roof of blue Italian weather; | 11 | ······˘/˘/˘ |
| How I ran home through last year's thunder-storm, | 10 | ·······/˘· |
| And felt the transverse lightning linger warm | 10 | ···˘//˘/˘· |
| Upon my cheek--and how we often made | 10 | ·······/˘· |
| Feasts for each other, where good will outweighed | 10 | ···/˘···˘/ |
| The frugal luxury of our country cheer, | 10 | ·/˘/˘·//˘· |
| As well it might, were it less firm and clear | 10 | ·········· |
| Than ours must ever be;--and how we spun | 10 | ·/·/˘····· |
| A shroud of talk to hide us from the sun | 10 | ·········· |
| Of this familiar life, which seems to be | 10 | ··˘/˘····· |
| But is not:--or is but quaint mockery | 10 | ·······/˘˘ |
| Of all we would believe, and sadly blame | 10 | ····˘/·/˘· |
| The jarring and inexplicable frame | 10 | ·/˘··˘/˘˘· |
| Of this wrong world:--and then anatomize | 10 | ······˘/˘˘ |
| The purposes and thoughts of men whose eyes | 10 | ·/˘˘······ |
| Were closed in distant years;--or widely guess | 10 | ···/˘··/˘· |
| The issue of the earth's great business, | 9 | ·/˘····/˘ |
| When we shall be as we no longer are-- | 10 | ·······/˘· |
| Like babbling gossips safe, who hear the war | 10 | ·/˘/˘····· |
| Of winds, and sigh, but tremble not;--or how | 10 | ·····/˘··· |
| You listened to some interrupted flow | 10 | ·/˘···˘/˘· |
| Of visionary rhyme,--in joy and pain | 10 | ·/˘·˘····· |
| Struck from the inmost fountains of my brain, | 10 | ···/˘/˘··· |
| With little skill perhaps;--or how we sought | 10 | ·/˘·˘/···· |
| Those deepest wells of passion or of thought | 10 | ·/˘··/˘··· |
| Wrought by wise poets in the waste of years, | 10 | ···/˘····· |
| Staining their sacred waters with our tears; | 10 | /˘·/˘/˘·/· |
| Quenching a thirst ever to be renewed! | 10 | /˘··/˘··˘/ |
| Or how I, wisest lady! then endued | 10 | ···/˘/˘·˘/ |
| The language of a land which now is free, | 10 | ·/˘······· |
| And, winged with thoughts of truth and majesty, | 10 | ·······/˘˘ |
| Flits round the tyrant's sceptre like a cloud, | 10 | ···/˘/˘··· |
| And bursts the peopled prisons, and cries aloud, | 11 | ···/˘/˘··˘/ |
| 'My name is Legion!'--that majestic tongue | 10 | ···/˘·˘/˘· |
| Which Calderon over the desert flung | 10 | ··˘/···/˘· |
| Of ages and of nations; and which found | 10 | ·/˘··/˘··· |
| An echo in our hearts, and with the sound | 10 | ·/˘·/····· |
| Startled oblivion;--thou wert then to me | 10 | /˘˘/˘····· |
| As is a nurse--when inarticulately | 12 | ············ |
| A child would talk as its grown parents do. | 10 | ·······/˘· |
| If living winds the rapid clouds pursue, | 10 | ·/˘··/˘·˘/ |
| If hawks chase doves through the aethereal way, | 10 | ·········· |
| Huntsmen the innocent deer, and beasts their prey, | 10 | ···/˘····· |
| Why should not we rouse with the spirit's blast | 10 | ·······/˘· |
| Out of the forest of the pathless past | 10 | ···/˘··/˘· |
| These recollected pleasures? | 7 | ··˘/˘/˘ |
| You are now | 3 | ··· |
| In London, that great sea, whose ebb and flow | 10 | ·/˘······· |
| At once is deaf and loud, and on the shore | 10 | ·········· |
| Vomits its wrecks, and still howls on for more. | 10 | /˘········ |
| Yet in its depth what treasures! You will see | 10 | ·····/˘··· |
| That which was Godwin,--greater none than he | 10 | ···/˘/˘··· |
| Though fallen--and fallen on evil times--to stand | 11 | ·/˘·/˘·/··· |
| Among the spirits of our age and land, | 10 | ···/˘·/··· |
| Before the dread tribunal of "to come" | 10 | ····˘/˘··· |
| The foremost,--while Rebuke cowers pale and dumb. | 10 | ·/··˘//··· |
| You will see Coleridge--he who sits obscure | 10 | ···/˘···˘/ |
| In the exceeding lustre and the pure | 10 | ··˘/˘/˘··· |
| Intense irradiation of a mind, | 10 | ˘/˘·˘/˘··· |
| Which, with its own internal lightning blind, | 10 | ····˘/˘/˘· |
| Flags wearily through darkness and despair-- | 10 | ·/˘˘·/˘·˘/ |
| A cloud-encircled meteor of the air, | 10 | ··˘/˘/˘··· |
| A hooded eagle among blinking owls.-- | 10 | ·/˘/˘··/˘· |
| You will see Hunt--one of those happy souls | 10 | ·······/˘· |
| Which are the salt of the earth, and without whom | 11 | ··········· |
| This world would smell like what it is--a tomb; | 10 | ·········· |
| Who is, what others seem; his room no doubt | 10 | ···/˘····· |
| Is still adorned with many a cast from Shout, | 10 | ··˘/·/···· |
| With graceful flowers tastefully placed about; | 10 | ·/˘//˘˘··· |
| And coronals of bay from ribbons hung, | 10 | ·······/˘· |
| And brighter wreaths in neat disorder flung; | 10 | ·/˘···˘/˘· |
| The gifts of the most learned among some dozens | 11 | ·········/˘ |
| Of female friends, sisters-in-law, and cousins. | 11 | ·/··/˘···/˘ |
| And there is he with his eternal puns, | 10 | ······˘/˘· |
| Which beat the dullest brain for smiles, like duns | 10 | ···/˘····· |
| Thundering for money at a poet's door; | 10 | /˘·/˘··/˘· |
| Alas! it is no use to say, 'I'm poor!' | 10 | ˘/········ |
| Or oft in graver mood, when he will look | 10 | ···/˘····· |
| Things wiser than were ever read in book, | 10 | ·/˘··/˘··· |
| Except in Shakespeare's wisest tenderness.-- | 10 | ···/·/˘/˘˘ |
| You will see Hogg,--and I cannot express | 10 | ······˘/˘/ |
| His virtues,--though I know that they are great, | 10 | ·/˘······· |
| Because he locks, then barricades the gate | 10 | ·····/˘··· |
| Within which they inhabit;--of his wit | 10 | ····˘/˘··· |
| And wisdom, you'll cry out when you are bit. | 10 | ·/˘······· |
| He is a pearl within an oyster shell. | 10 | ·······/˘· |
| One of the richest of the deep;--and there | 10 | ···/˘····· |
| Is English Peacock, with his mountain Fair, | 10 | ·/˘/···/˘· |
| Turned into a Flamingo;--that shy bird | 10 | ····˘/˘··· |
| That gleams i' the Indian air--have you not heard | 11 | ····/˘····· |
| When a man marries, dies, or turns Hindoo, | 10 | ···/˘····· |
| His best friends hear no more of him?--but you | 10 | ·········· |
| Will see him, and will like him too, I hope, | 10 | ·········· |
| With the milk-white Snowdonian Antelope | 10 | ·······/˘· |
| Matched with this cameleopard--his fine wit | 10 | ·········· |
| Makes such a wound, the knife is lost in it; | 10 | ·········· |
| A strain too learned for a shallow age, | 10 | ····˘··/˘· |
| Too wise for selfish bigots; let his page, | 10 | ···/˘/˘··· |
| Which charms the chosen spirits of the time, | 10 | ···/˘/˘··· |
| Fold itself up for the serener clime | 10 | ·˘/······· |
| Of years to come, and find its recompense | 10 | ·······/˘· |
| In that just expectation.--Wit and sense, | 10 | ····˘/˘··· |
| Virtue and human knowledge; all that might | 10 | /˘·/˘/˘··· |
| Make this dull world a business of delight, | 10 | ·····/˘·˘/ |
| Are all combined in Horace Smith.--And these. | 10 | ··˘/·/˘··· |
| With some exceptions, which I need not tease | 10 | ··˘/˘····· |
| Your patience by descanting on,--are all | 10 | ·/˘······· |
| You and I know in London. | 7 | ·····/˘ |
| I recall | 3 | ·/· |
| My thoughts, and bid you look upon the night. | 10 | ·········· |
| As water does a sponge, so the moonlight | 10 | ·/˘·····/· |
| Fills the void, hollow, universal air-- | 10 | ···/˘·˘/˘· |
| What see you?--unpavilioned Heaven is fair, | 10 | ·······/·· |
| Whether the moon, into her chamber gone, | 10 | ·······/˘· |
| Leaves midnight to the golden stars, or wan | 10 | ·/···/˘··· |
| Climbs with diminished beams the azure steep; | 10 | ··˘/˘··/˘· |
| Or whether clouds sail o'er the inverse deep, | 10 | ·······˘/· |
| Piloted by the many-wandering blast, | 10 | /˘˘··//˘˘· |
| And the rare stars rush through them dim and fast:-- | 10 | ·········· |
| All this is beautiful in every land.-- | 10 | ···/˘˘·/˘· |
| But what see you beside?--a shabby stand | 10 | ····˘/·/˘· |
| Of Hackney coaches--a brick house or wall | 10 | ·/˘/˘····· |
| Fencing some lonely court, white with the scrawl | 10 | /˘·/˘····· |
| Of our unhappy politics;--or worse-- | 10 | ·/˘/˘/˘··· |
| A wretched woman reeling by, whose curse | 10 | ·/˘/˘/˘··· |
| Mixed with the watchman's, partner of her trade, | 10 | ···/˘/˘··· |
| You must accept in place of serenade-- | 10 | ··˘/····˘/ |
| Or yellow-haired Pollonia murmuring | 10 | ·/˘····/˘˘ |
| To Henry, some unutterable thing. | 10 | ·/˘·˘/˘˘˘· |
| I see a chaos of green leaves and fruit | 10 | ···/˘····· |
| Built round dark caverns, even to the root | 10 | ···/˘/˘··· |
| Of the living stems that feed them--in whose bowers | 11 | ··/˘······/ |
| There sleep in their dark dew the folded flowers; | 11 | ·······/˘/˘ |
| Beyond, the surface of the unsickled corn | 10 | ···/˘····· |
| Trembles not in the slumbering air, and borne | 10 | /˘···/˘··· |
| In circles quaint, and ever-changing dance, | 10 | ·/˘··/˘/˘· |
| Like winged stars the fire-flies flash and glance, | 10 | ····/˘···· |
| Pale in the open moonshine, but each one | 10 | ···/˘/···· |
| Under the dark trees seems a little sun, | 10 | ·······/˘· |
| A meteor tamed; a fixed star gone astray | 10 | ·/˘·····˘/ |
| From the silver regions of the milky way;-- | 11 | ··/˘/˘··/˘· |
| Afar the Contadino's song is heard, | 10 | ˘/········ |
| Rude, but made sweet by distance--and a bird | 10 | ·····/˘··· |
| Which cannot be the Nightingale, and yet | 10 | ·/˘··/˘˘·· |
| I know none else that sings so sweet as it | 10 | ·········· |
| At this late hour;--and then all is still-- | 10 | ···/˘····· |
| Now--Italy or London, which you will! | 10 | ·/˘˘·/˘··· |
| Next winter you must pass with me; I'll have | 10 | ·/˘······· |
| My house by that time turned into a grave | 10 | ·········· |
| Of dead despondence and low-thoughted care, | 10 | ··˘/˘··/˘· |
| And all the dreams which our tormentors are; | 10 | ·····//·˘· |
| Oh! that Hunt, Hogg, Peacock, and Smith were there, | 10 | ····/····· |
| With everything belonging to them fair!-- | 10 | ·/˘·˘/˘··· |
| We will have books, Spanish, Italian, Greek; | 10 | ····/˘˘/˘· |
| And ask one week to make another week | 10 | ······˘/˘· |
| As like his father, as I'm unlike mine, | 10 | ···/˘··˘/· |
| Which is not his fault, as you may divine. | 10 | ········˘/ |
| Though we eat little flesh and drink no wine, | 10 | ···/˘····· |
| Yet let's be merry: we'll have tea and toast; | 10 | ···/˘····· |
| Custards for supper, and an endless host | 10 | /˘·/˘··/˘· |
| Of syllabubs and jellies and mince-pies, | 10 | ·····/˘··· |
| And other such lady-like luxuries,-- | 10 | ·/˘·/˘·/˘˘ |
| Feasting on which we will philosophize! | 10 | /˘····˘/˘˘ |
| And we'll have fires out of the Grand Duke's wood, | 10 | ···/······ |
| To thaw the six weeks' winter in our blood. | 10 | ·····/˘·/· |
| And then we'll talk;--what shall we talk about? | 10 | ·········· |
| Oh! there are themes enough for many a bout | 10 | ····˘/·/·· |
| Of thought-entangled descant;--as to nerves-- | 10 | ··˘/˘/˘··· |
| With cones and parallelograms and curves | 10 | ·········· |
| I've sworn to strangle them if once they dare | 10 | ···/˘····· |
| To bother me--when you are with me there. | 10 | ·/˘······· |
| And they shall never more sip laudanum, | 10 | ···/˘··/˘˘ |
| From Helicon or Himeros (1);--well, come, | 10 | ·/˘······· |
| And in despite of God and of the devil, | 11 | ··˘/·····/˘ |
| We'll make our friendly philosophic revel | 11 | ··//˘·˘/˘/˘ |
| Outlast the leafless time; till buds and flowers | 11 | ˘/·/˘····/˘ |
| Warn the obscure inevitable hours, | 11 | ··˘/˘/˘˘˘/˘ |
| Sweet meeting by sad parting to renew;-- | 10 | ·/˘··/˘·˘/ |
| 'To-morrow to fresh woods and pastures new.' | 10 | ·/˘····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.