First Citizen:, That, Is the Archbishop

Percy Bysshe Shelley (1792–1822) · 1813–1820

iambic pentameter · unrhymed · 89 lines · from Alastor, and Other Poems

Rather say the Pope:London will be soon his Rome: he walksAs if he trod upon the heads of men:He looks elate, drunken with blood and gold;--Beside him moves the Babylonian womanInvisibly, and with her as with his shadow,Mitred adulterer! he is joined in sin,Which turns Heaven's milk of mercy to revenge.

Good Lord! rain it down upon him!...Amid her ladies walks the papist queen,As if her nice feet scorned our English earth.The Canaanitish Jezebel! I would beA dog if I might tear her with my teeth!There's old Sir Henry Vane, the Earl of Pembroke,Lord Essex, and Lord Keeper Coventry,And others who make base their English breedBy vile participation of their honoursWith papists, atheists, tyrants, and apostates.When lawyers masque 'tis time for honest menTo strip the vizor from their purposes.A seasonable time for masquers this!When Englishmen and Protestants should sitdust on their dishonoured headsTo avert the wrath of Him whose scourge is feltFor the great sins which have drawn down from Heavenand foreign overthrow.The remnant of the martyred saints in RochefortHave been abandoned by their faithless alliesTo that idolatrous and adulterous torturerLewis of France,--the Palatinate is lost--Canst thou be--art thou?

LEIGHTON:I WAS Leighton: whatI AM thou seest. And yet turn thine eyes,And with thy memory look on thy friend's mind,Which is unchanged, and where is written deepThe sentence of my judge.

Are these the marks with whichLaud thinks to improve the image of his MakerStamped on the face of man? Curses upon him,The impious tyrant!

It is said besidesThat lewd and papist drunkards may profaneThe Sabbath with theirAnd has permitted that most heathenish customOf dancing round a pole dressed up with wreathsOn May-day.A man who thus twice crucifies his GodMay well ... his brother.--In my mind, friend,The root of all this ill is prelacy.I would cut up the root.

And by what means?

Smiting each Bishop under the fifth rib.

You seem to know the vulnerable placeOf these same crocodiles.

I learnt it inEgyptian bondage, sir. Your worm of NileBetrays not with its flattering tears like they;For, when they cannot kill, they whine and weep.Nor is it half so greedy of men's bodiesAs they of soul and all; nor does it wallowIn slime as they in simony and liesAnd close lusts of the flesh.

Give place, give place!You torch-bearers, advance to the great gate,And then attend the Marshal of the MasqueInto the Royal presence.

What thinkest thouOf this quaint show of ours, my aged friend?Even now we see the redness of the torchesInflame the night to the eastward, and the clarionsAnd their sounds, floating hither round the pageant,Rouse up the astonished air.

I will not think but that our country's woundsMay yet be healed. The king is just and gracious,Though wicked counsels now pervert his will:These once cast off--

As adders cast their skinsAnd keep their venom, so kings often change;Councils and counsellors hang on one another,Hiding the loathsomeLike the base patchwork of a leper's rags.

THE YOUTH:Oh, still those dissonant thoughts!--List how the musicGrows on the enchanted air! And see, the torchesRestlessly flashing, and the crowd dividedLike waves before an admiral's prow!

Give placeTo the Marshal of the Masque!

Words in this poem 19
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
babylonian a.
Of or pertaining to the real or to the mystical Babylon, or to the ancient kingdom of Babylonia; Chaldean.
invisibly adv.
In an invisible manner, Denham.
adulterer n.
A man who commits adultery; a married man who has sexual intercourse with a woman not his wife. [Formed fr. the verb adulter, with the E. ending -er. See Advoutrer.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
papist n.
A Roman catholic; one who adheres to the Church of Rome and the authority of the pope; -- an offensive designation applied to Roman Catholics by their opponents. [F. papiste. See Pape, Pope.]
canaanitish a.
Of or pertaining to Canaan or the Canaanites.
jezebel n.
A bold, vicious woman; a termagant. Spectator. [From Jezebel, Heb. Izebel, the wife of Ahab king of Israel.]
masque n.
A mask; a masquerade.
scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
adulterous a.
Guilty of, or given to, adultery; pertaining to adultery; illicit.
torturer n.
One who tortures; a tormentor.
palatinate v. t.
To make a palatinate of. Fuller.
lewd a.
Not clerical; laic; laical; hence, unlearned; simple. [OE.lewed, lewd, lay, ignorant, vile, AS. l laical, belonging to the laity.]
vulnerable a.
Capable of being wounded; susceptible of wounds or external injuries; as, a vulnerable body. [L. vulnerabilis wounding, injurious, from vulnerare to wound, vulnus a wound; akin to Skr. vra: cf. F. vulnérable.]
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
pageant n.
A theatrical exhibition; a spectacle. [OE. pagent, pagen, originally, a movable scaffold or stage, hence, what was exhibited on it, fr. LL. pagina, akin to pangere to fasten; cf. L. pagina page, leaf]
dissonant a.
Sounding harshly; discordant; unharmonious. [L. dissonans, -antis, p. pr. of dissonare to disagree in sound, be discordant; dis- + sonare to sound: cf. F. dissonant. See Sonant.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

First Citizen:, That, Is the Archbishop is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, First Citizen:, That, Is the Archbishop, in Alastor, and Other Poems (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/first-citizen-that-is-the-archbishop.html, id L00281.

Form and metre

First Citizen:, That, Is the Archbishop is 89 lines in 15 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 8.8 syllables. 26 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --A-A-A- pope · walks · menA · gold · womanA · shadow · sinA · revenge
  2. 9 ----A-A- in · nile · they · weep · bodiesA · wallow · liesA · flesh
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Rather say the Pope:5/˘···
London will be soon his Rome: he walks9/˘·······
As if he trod upon the heads of men:10··········
He looks elate, drunken with blood and gold;--10··˘//˘····
Beside him moves the Babylonian woman11˘/····˘/˘/˘
Invisibly, and with her as with his shadow,12˘/˘˘······/·
Mitred adulterer! he is joined in sin,10/˘˘/˘·····
Which turns Heaven's milk of mercy to revenge.11··/˘··/˘·˘/
Good Lord! rain it down upon him!...8········
Amid her ladies walks the papist queen,10˘/·/˘··/˘·
As if her nice feet scorned our English earth.10······//˘·
The Canaanitish Jezebel! I would be10·/˘˘/˘˘···
A dog if I might tear her with my teeth!10··········
There's old Sir Henry Vane, the Earl of Pembroke,11···/˘····/·
Lord Essex, and Lord Keeper Coventry,10·/˘··/˘/˘˘
And others who make base their English breed10·/˘····/˘·
By vile participation of their honours11··˘·˘/˘··/˘
With papists, atheists, tyrants, and apostates.11···/˘/˘·˘/˘
When lawyers masque 'tis time for honest men10·/˘····/˘·
To strip the vizor from their purposes.10···/˘··/˘˘
A seasonable time for masquers this!10·/˘˘˘·····
When Englishmen and Protestants should sit10··/˘·/˘˘··
dust on their dishonoured heads7···˘/˘·
To avert the wrath of Him whose scourge is felt11·˘/········
For the great sins which have drawn down from Heaven11·········/˘
and foreign overthrow.6·/˘/˘·
The remnant of the martyred saints in Rochefort11·/˘··/˘··/˘
Have been abandoned by their faithless allies11··˘/˘··/˘/˘
To that idolatrous and adulterous torturer11··˘/˘·˘/˘/˘
Lewis of France,--the Palatinate is lost--11/˘···˘/˘˘··
Canst thou be--art thou?5·····
LEIGHTON:2/˘
I WAS Leighton: what5··/˘·
I AM thou seest. And yet turn thine eyes,9·········
And with thy memory look on thy friend's mind,10···/˘·····
Which is unchanged, and where is written deep10··˘/···/˘·
The sentence of my judge.6·/˘···
Are these the marks with which6······
Laud thinks to improve the image of his Maker12···˘/·/˘··/˘
Stamped on the face of man? Curses upon him,11······/˘···
The impious tyrant!6·˘/˘/˘
It is said besides5···˘/
That lewd and papist drunkards may profane10···/˘/˘·˘/
The Sabbath with their5·/˘··
And has permitted that most heathenish custom12··˘/˘··/˘˘/˘
Of dancing round a pole dressed up with wreaths10·/˘·······
On May-day.3···
A man who thus twice crucifies his God10·····/˘···
May well ... his brother.--In my mind, friend,9···/˘····
The root of all this ill is prelacy.10·······/˘˘
I would cut up the root.6······
And by what means?4····
Smiting each Bishop under the fifth rib.10/˘·/˘·····
You seem to know the vulnerable place10·····/˘˘˘·
Of these same crocodiles.6···/˘·
I learnt it in4····
Egyptian bondage, sir. Your worm of Nile10˘/˘/˘·····
Betrays not with its flattering tears like they;10˘/···/˘···
For, when they cannot kill, they whine and weep.10···/˘·····
Nor is it half so greedy of men's bodies11·····/˘··/˘
As they of soul and all; nor does it wallow11·········/˘
In slime as they in simony and lies10·····/˘˘··
And close lusts of the flesh.6······
Give place, give place!4····
You torch-bearers, advance to the great gate,10··/˘˘/····
And then attend the Marshal of the Masque10··˘/·/˘···
Into the Royal presence.7···/˘/˘
What thinkest thou4·/˘·
Of this quaint show of ours, my aged friend?10·····/˘···
Even now we see the redness of the torches11/····/˘··/˘
Inflame the night to the eastward, and the clarions12˘/····/˘··/˘
And their sounds, floating hither round the pageant,11···/˘/˘··/˘
Rouse up the astonished air.7···˘/˘·
I will not think but that our country's wounds10······//˘·
May yet be healed. The king is just and gracious,11·········/˘
Though wicked counsels now pervert his will:10·/˘/˘·˘/··
These once cast off--4····
As adders cast their skins6·/˘···
And keep their venom, so kings often change;10···/˘··/˘·
Councils and counsellors hang on one another,11/˘·/˘···˘/˘
Hiding the loathsome5/˘·/˘
Like the base patchwork of a leper's rags.10···/···/˘·
THE YOUTH:2··
Oh, still those dissonant thoughts!--List how the music11···/˘····/˘
Grows on the enchanted air! And see, the torches12···˘/˘····/˘
Restlessly flashing, and the crowd divided11/˘˘/˘···˘/˘
Like waves before an admiral's prow!9·····/˘˘·
Give place2··
To the Marshal of the Masque!7··/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Percy Bysshe Shelley