Beatrice: No
SAVELLA:Nor thou?
Where was it found? What is it? It should beOrsino's hand! It speaks of that strange horrorWhich never yet found utterance, but which madeBetween that hapless child and her dead fatherA gulf of obscure hatred.
SAVELLA:Is it so?Is it true, Lady, that thy father didSuch outrages as to awaken in theeUnfilial hate?
BEATRICE:Not hate, 'twas more than hate:This is most true, yet wherefore question me?
SAVELLA:There is a deed demanding question done;Thou hast a secret which will answer not.
BEATRICE:What sayest? My Lord, your words are bold and rash.
SAVELLA:I do arrest all present in the nameOf the Pope's Holiness. You must to Rome.
LUCRETIA:O, not to Rome! Indeed we are not guilty.
BEATRICE:Guilty! Who dares talk of guilt? My Lord,I am more innocent of parricideThan is a child born fatherless...Dear mother,Your gentleness and patience are no shieldFor this keen-judging world, this two-edged lie,Which seems, but is not. What! will human laws,Rather will ye who are their ministers,Bar all access to retribution first,And then, when Heaven doth interpose to doWhat ye neglect, arming familiar thingsTo the redress of an unwonted crime,Make ye the victims who demanded itCulprits? 'Tis ye are culprits! That poor wretchWho stands so pale, and trembling, and amazed,If it be true he murdered Cenci, wasA sword in the right hand of justest God.Wherefore should I have wielded it? UnlessThe crimes which mortal tongue dare never nameGod therefore scruples to avenge.
SAVELLA:You ownThat you desired his death?
BEATRICE:It would have beenA crime no less than his, if for one momentThat fierce desire had faded in my heart.'Tis true I did believe, and hope, and pray,Ay, I even knew...for God is wise and just,That some strange sudden death hung over him.'Tis true that this did happen, and most trueThere was no other rest for me on earth,No other hope in Heaven...now what of this?
SAVELLA:Strange thoughts beget strange deeds; and here are both:I judge thee not.
BEATRICE:And yet, if you arrest me,You are the judge and executionerOf that which is the life of life: the breathOf accusation kills an innocent name,And leaves for lame acquittal the poor lifeWhich is a mask without it. 'Tis most falseThat I am guilty of foul parricide;Although I must rejoice, for justest cause,That other hands have sent my father's soulTo ask the mercy he denied to me.Now leave us free; stain not a noble houseWith vague surmises of rejected crime;Add to our sufferings and your own neglectNo heavier sum: let them have been enough:Leave us the wreck we have.
SAVELLA:I dare not, Lady.I pray that you prepare yourselves for Rome:There the Pope's further pleasure will be known.
LUCRETIA:O, not to Rome! O, take us not to Rome!
BEATRICE:Why not to Rome, dear mother? There as hereOur innocence is as an armed heelTo trample accusation. God is thereAs here, and with His shadow ever clothesThe innocent, the injured and the weak;And such are we. Cheer up, dear Lady, leanOn me; collect your wandering thoughts. My Lord,As soon as you have taken some refreshment,And had all such examinations madeUpon the spot, as may be necessaryTo the full understanding of this matter,We shall be ready. Mother; will you come?
LUCRETIA:Ha! they will bind us to the rack, and wrestSelf-accusation from our agony!Will Giacomo be there? Orsino? Marzio?All present; all confronted; all demandingEach from the other's countenance the thingWhich is in every heart! O, misery!
SAVELLA:She faints: an ill appearance this.
BEATRICE:My Lord,She knows not yet the uses of the world.She fears that power is as a beast which graspsAnd loosens not: a snake whose look transmutesAll things to guilt which is its nutriment.She cannot know how well the supine slavesOf blind authority read the truth of thingsWhen written on a brow of guilelessness:She sees not yet triumphant InnocenceStand at the judgement-seat of mortal man,A judge and an accuser of the wrongWhich drags it there. Prepare yourself, my Lord;Our suite will join yours in the court below.
Words in this poem
- hapless a.
- Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
- unfilial a.
- Unsuitable to a son or a daughter; undutiful; not becoming a child.
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- parricide n.
- Properly, one who murders one's own father; in a wider sense, one who murders one's father or mother or any ancestor. [F., fr. L. parricida; pater father + caedere to kill. See Father, Homicide, and cf. Patricide.]
- fatherless a.
- Destitute of a living father; as, a fatherless child.
- arming n.
- The act of furnishing with, or taking, arms.
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- acquittal n.
- The act of acquitting; discharge from debt or obligation; acquittance.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- supine a.
- Lying on the back, or with the face upward; -- opposed to prone. [L. supinus, akin to sub under, super above. Cf. Sub-, Super-.]
- suite n.
- A retinue or company of attendants, as of a distinguished personage; as, the suite of an ambassador. See Suit, n., 5. [F. See Suit, n.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Beatrice: No is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Percy Bysshe Shelley, Beatrice: No, in Alastor, and Other Poems (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/beatrice-no.html, id L00250.
Form and metre
Beatrice: No is 119 lines in 19 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 29 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 --A-A be · horror · madeA · father · hatredA
- 9 ------AA-------A---- beatrice · lord · parricide · mother · shield · lie · lawsA · ministersA · first · do · things · crime · it · wretch · amazed · wasA · god · unless · name · avenge
- 13 -A--------A----- beatrice · meA · executioner · breath · name · life · false · parricide · cause · soul · meA · house · crime · neglect · enough · have
- 16 -A-A--------- beatrice · hereA · heel · thereA · clothes · weak · lean · lord · refreshment · made · necessary · matter · come
- 17 ----AA- lucretia · wrest · agony · marzio · demandingA · thingA · misery
- 19 -A----------A- beatrice · lordA · world · grasps · transmutes · nutriment · slaves · things · guilelessness · innocence · man · wrong · lordA · below
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| SAVELLA: | 3 | ··· |
| Nor thou? | 2 | ·· |
| Where was it found? What is it? It should be | 10 | ·········· |
| Orsino's hand! It speaks of that strange horror | 11 | ˘/˘······/˘ |
| Which never yet found utterance, but which made | 10 | ·/··/˘˘··· |
| Between that hapless child and her dead father | 11 | ···/˘····/˘ |
| A gulf of obscure hatred. | 7 | ···˘//˘ |
| SAVELLA: | 3 | ··· |
| Is it so? | 3 | ··· |
| Is it true, Lady, that thy father did | 10 | ···/˘··/˘· |
| Such outrages as to awaken in thee | 11 | ·/·˘··˘/˘·· |
| Unfilial hate? | 4 | ˘/˘· |
| BEATRICE: | 3 | /˘˘ |
| Not hate, 'twas more than hate: | 6 | ······ |
| This is most true, yet wherefore question me? | 10 | ·····/˘/˘· |
| SAVELLA: | 3 | ··· |
| There is a deed demanding question done; | 10 | ····˘/˘/˘· |
| Thou hast a secret which will answer not. | 10 | ···/˘··/˘· |
| BEATRICE: | 3 | /˘˘ |
| What sayest? My Lord, your words are bold and rash. | 10 | ·········· |
| SAVELLA: | 3 | ··· |
| I do arrest all present in the name | 10 | ··˘/·/˘··· |
| Of the Pope's Holiness. You must to Rome. | 10 | ···/˘˘···· |
| LUCRETIA: | 3 | ˘/˘ |
| O, not to Rome! Indeed we are not guilty. | 11 | ····˘/···/˘ |
| BEATRICE: | 3 | /˘˘ |
| Guilty! Who dares talk of guilt? My Lord, | 9 | /˘······· |
| I am more innocent of parricide | 10 | ···/˘˘·/˘˘ |
| Than is a child born fatherless...Dear mother, | 11 | ·····/˘˘·/˘ |
| Your gentleness and patience are no shield | 10 | ·/˘˘·/˘··· |
| For this keen-judging world, this two-edged lie, | 10 | ···/˘····· |
| Which seems, but is not. What! will human laws, | 10 | ·······/˘· |
| Rather will ye who are their ministers, | 10 | /˘·····/˘˘ |
| Bar all access to retribution first, | 10 | ··/···˘/˘· |
| And then, when Heaven doth interpose to do | 10 | ···/··˘/·· |
| What ye neglect, arming familiar things | 10 | ··˘//˘˘/˘· |
| To the redress of an unwonted crime, | 10 | ··˘/··˘/˘· |
| Make ye the victims who demanded it | 10 | ···/˘·˘/˘· |
| Culprits? 'Tis ye are culprits! That poor wretch | 10 | /˘···/˘··· |
| Who stands so pale, and trembling, and amazed, | 10 | ·····/˘·˘/ |
| If it be true he murdered Cenci, was | 10 | ·····/˘/˘· |
| A sword in the right hand of justest God. | 10 | ·······/˘· |
| Wherefore should I have wielded it? Unless | 10 | /˘···/˘··· |
| The crimes which mortal tongue dare never name | 10 | ···/˘··/˘· |
| God therefore scruples to avenge. | 8 | ···/˘·˘/ |
| SAVELLA: | 3 | ··· |
| You own | 2 | ·· |
| That you desired his death? | 7 | ··˘/˘·· |
| BEATRICE: | 3 | /˘˘ |
| It would have been | 4 | ···· |
| A crime no less than his, if for one moment | 11 | ·········/˘ |
| That fierce desire had faded in my heart. | 10 | ··˘/·/˘··· |
| 'Tis true I did believe, and hope, and pray, | 10 | ····˘/···· |
| Ay, I even knew...for God is wise and just, | 10 | ··/······· |
| That some strange sudden death hung over him. | 10 | ···/˘····· |
| 'Tis true that this did happen, and most true | 10 | ·····/˘··· |
| There was no other rest for me on earth, | 10 | ···/˘····· |
| No other hope in Heaven...now what of this? | 10 | ·/˘··/···· |
| SAVELLA: | 3 | ··· |
| Strange thoughts beget strange deeds; and here are both: | 10 | ··˘/······ |
| I judge thee not. | 4 | ···· |
| BEATRICE: | 3 | /˘˘ |
| And yet, if you arrest me, | 7 | ····˘/· |
| You are the judge and executioner | 10 | ······˘/˘˘ |
| Of that which is the life of life: the breath | 10 | ·········· |
| Of accusation kills an innocent name, | 10 | ··˘/˘··/˘· |
| And leaves for lame acquittal the poor life | 10 | ····˘/˘··· |
| Which is a mask without it. 'Tis most false | 10 | ·········· |
| That I am guilty of foul parricide; | 10 | ···/˘··/˘˘ |
| Although I must rejoice, for justest cause, | 10 | ····˘/·/˘· |
| That other hands have sent my father's soul | 10 | ·/˘····/˘· |
| To ask the mercy he denied to me. | 10 | ···/˘·˘/·· |
| Now leave us free; stain not a noble house | 10 | ·······/˘· |
| With vague surmises of rejected crime; | 10 | ··˘/˘·˘/˘· |
| Add to our sufferings and your own neglect | 10 | ··//˘···˘/ |
| No heavier sum: let them have been enough: | 10 | ·/˘·····˘/ |
| Leave us the wreck we have. | 6 | ······ |
| SAVELLA: | 3 | ··· |
| I dare not, Lady. | 5 | ···/˘ |
| I pray that you prepare yourselves for Rome: | 10 | ····˘/˘/·· |
| There the Pope's further pleasure will be known. | 10 | ···/˘/˘··· |
| LUCRETIA: | 3 | ˘/˘ |
| O, not to Rome! O, take us not to Rome! | 10 | ·········· |
| BEATRICE: | 3 | /˘˘ |
| Why not to Rome, dear mother? There as here | 10 | ·····/˘··· |
| Our innocence is as an armed heel | 10 | /˘/˘˘····· |
| To trample accusation. God is there | 10 | ·/˘·˘/˘··· |
| As here, and with His shadow ever clothes | 10 | ·····/·/˘· |
| The innocent, the injured and the weak; | 10 | ·/˘˘·/˘··· |
| And such are we. Cheer up, dear Lady, lean | 10 | ·······/˘· |
| On me; collect your wandering thoughts. My Lord, | 10 | ··˘/·/˘··· |
| As soon as you have taken some refreshment, | 11 | ·····/˘·˘/˘ |
| And had all such examinations made | 10 | ····˘·˘/˘· |
| Upon the spot, as may be necessary | 11 | ·······/˘·˘ |
| To the full understanding of this matter, | 11 | ····˘/˘··/˘ |
| We shall be ready. Mother; will you come? | 10 | ···/˘/˘··· |
| LUCRETIA: | 3 | ˘/˘ |
| Ha! they will bind us to the rack, and wrest | 10 | ·········· |
| Self-accusation from our agony! | 11 | ··˘/˘·/˘/˘˘ |
| Will Giacomo be there? Orsino? Marzio? | 10 | ·/˘··˘/˘·· |
| All present; all confronted; all demanding | 11 | ·/˘·˘/˘·˘/˘ |
| Each from the other's countenance the thing | 10 | ···/˘/˘˘·· |
| Which is in every heart! O, misery! | 11 | ···/˘˘··/˘˘ |
| SAVELLA: | 3 | ··· |
| She faints: an ill appearance this. | 8 | ····˘/˘· |
| BEATRICE: | 3 | /˘˘ |
| My Lord, | 2 | ·· |
| She knows not yet the uses of the world. | 10 | ·····/˘··· |
| She fears that power is as a beast which grasps | 10 | ···/······ |
| And loosens not: a snake whose look transmutes | 10 | ·/˘······· |
| All things to guilt which is its nutriment. | 10 | ·······/˘˘ |
| She cannot know how well the supine slaves | 10 | ·˘/····˘/· |
| Of blind authority read the truth of things | 10 | ··˘/˘····· |
| When written on a brow of guilelessness: | 11 | ·/˘········ |
| She sees not yet triumphant Innocence | 10 | ····˘/˘/˘˘ |
| Stand at the judgement-seat of mortal man, | 10 | ···/˘··/˘· |
| A judge and an accuser of the wrong | 10 | ····˘/˘··· |
| Which drags it there. Prepare yourself, my Lord; | 10 | ····˘/˘/·· |
| Our suite will join yours in the court below. | 10 | /········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.