The Sunset
There late was One within whose subtle being,As light and wind within some delicate cloudThat fades amid the blue noon's burning sky,Genius and death contended. None may knowThe sweetness of the joy which made his breathFail, like the trances of the summer air,When, with the Lady of his love, who thenFirst knew the unreserve of mingled being,He walked along the pathway of a fieldWhich to the east a hoar wood shadowed o'er,But to the west was open to the sky.There now the sun had sunk, but lines of goldHung on the ashen clouds, and on the pointsOf the far level grass and nodding flowersAnd the old dandelion's hoary beard,And, mingled with the shades of twilight, layOn the brown massy woods--and in the eastThe broad and burning moon lingeringly roseBetween the black trunks of the crowded trees,While the faint stars were gathering overhead.--'Is it not strange, Isabel,' said the youth,'I never saw the sun? We will walk hereTo-morrow; thou shalt look on it with me.'
That night the youth and lady mingled layIn love and sleep--but when the morning cameThe lady found her lover dead and cold.Let none believe that God in mercy gaveThat stroke. The lady died not, nor grew wild,But year by year lived on--in truth I thinkHer gentleness and patience and sad smiles,And that she did not die, but lived to tendHer aged father, were a kind of madness,If madness 'tis to be unlike the world.For but to see her were to read the taleWoven by some subtlest bard, to make hard heartsDissolve away in wisdom-working grief;--Her eyes were black and lustreless and wan:Her eyelashes were worn away with tears,Her lips and cheeks were like things dead--so pale;Her hands were thin, and through their wandering veinsAnd weak articulations might be seenDay's ruddy light. The tomb of thy dead selfWhich one vexed ghost inhabits, night and day,Is all, lost child, that now remains of thee!
'Inheritor of more than earth can give,Passionless calm and silence unreproved,Whether the dead find, oh, not sleep! but rest,And are the uncomplaining things they seem,Or live, or drop in the deep sea of Love;Oh, that like thine, mine epitaph were--Peace!'This was the only moan she ever made.
Words in this poem
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- unreserve n.
- Absence of reverse; frankness; freedom of communication. T.
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- hoar v. t.
- To become moldy or musty. [AS. harian to grow gray.]
- ashen a.
- Of or pertaining to the ash tree. [See Ash, the tree.]
- hoary a.
- White or whitish."The hoary willows."
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- lingeringly adv.
- With delay; slowly; tediously.
- shalt
- 2d per. sing. of Shall.
- lustreless a.
- Destitute of luster; dim; dull.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- passionless a.
- Void of passion; without anger or emotion; not easily excited; calm.
- unreproved a.
- Not reproved. Sandys.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Sunset is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 2, Project Gutenberg ebook #4798; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Percy Bysshe Shelley, The Sunset, in Ode to the West Wind, and Other Poems (1816–1819), text of Project Gutenberg ebook #4798, Laurel, https://laurelpoetry.com/poem/shelley-later-poems/the-sunset.html, id L16304.
Form and metre
The Sunset is 51 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 4 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-B----A--B--C---C----- beingA · cloud · skyB · know · breath · air · then · beingA · field · o'er · skyB · gold · points · flowersC · beard · lay · east · roseC · trees · overhead · youth · here · me
- 2 A---------B----B---A- layA · came · cold · gave · wild · think · smiles · tend · madness · world · taleB · hearts · grief · wan · tears · paleB · veins · seen · self · dayA · thee
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| There late was One within whose subtle being, | 11 | ·······/˘/˘ |
| As light and wind within some delicate cloud | 10 | ·······/˘· |
| That fades amid the blue noon's burning sky, | 10 | ··˘/···/˘· |
| Genius and death contended. None may know | 10 | /˘··˘/˘··· |
| The sweetness of the joy which made his breath | 10 | ·/˘······· |
| Fail, like the trances of the summer air, | 10 | ···/˘··/˘· |
| When, with the Lady of his love, who then | 10 | ···/˘····· |
| First knew the unreserve of mingled being, | 11 | ·······/˘/˘ |
| He walked along the pathway of a field | 10 | ··˘/·/···· |
| Which to the east a hoar wood shadowed o'er, | 10 | ·······/˘· |
| But to the west was open to the sky. | 10 | ·····/˘··· |
| There now the sun had sunk, but lines of gold | 10 | ·········· |
| Hung on the ashen clouds, and on the points | 10 | ···/˘····· |
| Of the far level grass and nodding flowers | 11 | ···/˘··/˘/˘ |
| And the old dandelion's hoary beard, | 10 | ···/˘·˘/˘· |
| And, mingled with the shades of twilight, lay | 10 | ·/˘····/·· |
| On the brown massy woods--and in the east | 10 | ···/˘····· |
| The broad and burning moon lingeringly rose | 11 | ···/˘·/˘˘˘· |
| Between the black trunks of the crowded trees, | 10 | ·······/˘· |
| While the faint stars were gathering overhead.-- | 10 | ·····/˘/˘/ |
| 'Is it not strange, Isabel,' said the youth, | 10 | ····/˘···· |
| 'I never saw the sun? We will walk here | 10 | ·/˘······· |
| To-morrow; thou shalt look on it with me.' | 10 | ·/˘······· |
| That night the youth and lady mingled lay | 10 | ·····/˘/˘· |
| In love and sleep--but when the morning came | 10 | ·······/˘· |
| The lady found her lover dead and cold. | 10 | ·/˘··/˘··· |
| Let none believe that God in mercy gave | 10 | ··˘/···/˘· |
| That stroke. The lady died not, nor grew wild, | 10 | ···/˘····· |
| But year by year lived on--in truth I think | 10 | ·········· |
| Her gentleness and patience and sad smiles, | 10 | ·/˘˘·/˘··· |
| And that she did not die, but lived to tend | 10 | ·········· |
| Her aged father, were a kind of madness, | 10 | ··/˘····/˘ |
| If madness 'tis to be unlike the world. | 10 | ·/˘···˘/·· |
| For but to see her were to read the tale | 10 | ·········· |
| Woven by some subtlest bard, to make hard hearts | 11 | /˘··/˘····· |
| Dissolve away in wisdom-working grief;-- | 10 | ˘/˘/·/˘/˘· |
| Her eyes were black and lustreless and wan: | 10 | ·········· |
| Her eyelashes were worn away with tears, | 10 | ·/·˘··˘/·· |
| Her lips and cheeks were like things dead--so pale; | 10 | ·········· |
| Her hands were thin, and through their wandering veins | 10 | ·······/˘· |
| And weak articulations might be seen | 10 | ···˘˘/˘··· |
| Day's ruddy light. The tomb of thy dead self | 10 | ·/˘······· |
| Which one vexed ghost inhabits, night and day, | 10 | ····˘/˘··· |
| Is all, lost child, that now remains of thee! | 10 | ······˘/·· |
| 'Inheritor of more than earth can give, | 10 | ˘/˘˘······ |
| Passionless calm and silence unreproved, | 10 | /˘˘··/˘··· |
| Whether the dead find, oh, not sleep! but rest, | 10 | ·········· |
| And are the uncomplaining things they seem, | 10 | ·········· |
| Or live, or drop in the deep sea of Love; | 10 | ·········· |
| Oh, that like thine, mine epitaph were--Peace!' | 10 | ·····/˘··· |
| This was the only moan she ever made. | 10 | ···/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.