Ginevra

Percy Bysshe Shelley (1792–1822) · 1816–1819

iambic pentameter · heroic couplets · 195 lines · from Ode to the West Wind, and Other Poems

Wild, pale, and wonder-stricken, even as oneWho staggers forth into the air and sunFrom the dark chamber of a mortal fever,Bewildered, and incapable, and everFancying strange comments in her dizzy brainOf usual shapes, till the familiar trainOf objects and of persons passed like thingsStrange as a dreamer's mad imaginings,Ginevra from the nuptial altar went;The vows to which her lips had sworn assentRung in her brain still with a jarring din,Deafening the lost intelligence within.

And so she moved under the bridal veil,Which made the paleness of her cheek more pale,And deepened the faint crimson of her mouth,And darkened her dark locks, as moonlight doth,--And of the gold and jewels glittering thereShe scarce felt conscious,--but the weary glareLay like a chaos of unwelcome light,Vexing the sense with gorgeous undelight,A moonbeam in the shadow of a cloudWas less heavenly fair--her face was bowed,And as she passed, the diamonds in her hairWere mirrored in the polished marble stairWhich led from the cathedral to the street;And ever as she went her light fair feetErased these images.

The bride-maidens who round her thronging came,Some with a sense of self-rebuke and shame,Envying the unenviable; and othersMaking the joy which should have been another'sTheir own by gentle sympathy; and someSighing to think of an unhappy home:Some few admiring what can ever lureMaidens to leave the heaven serene and pureOf parents' smiles for life's great cheat; a thingBitter to taste, sweet in imagining.

But they are all dispersed--and, lo! she standsLooking in idle grief on her white hands,Alone within the garden now her own;And through the sunny air, with jangling tone,The music of the merry marriage-bells,Killing the azure silence, sinks and swells;--Absorbed like one within a dream who dreamsThat he is dreaming, until slumber seemsA mockery of itself--when suddenlyAntonio stood before her, pale as she.With agony, with sorrow, and with pride,He lifted his wan eyes upon the bride,And said--'Is this thy faith?' and then as oneWhose sleeping face is stricken by the sunWith light like a harsh voice, which bids him riseAnd look upon his day of life with eyesWhich weep in vain that they can dream no more,Ginevra saw her lover, and forboreTo shriek or faint, and checked the stifling bloodRushing upon her heart, and unsubduedSaid--'Friend, if earthly violence or ill,Suspicion, doubt, or the tyrannic willOf parents, chance or custom, time or change,Or circumstance, or terror, or revenge,Or wildered looks, or words, or evil speech,With all their stings and venom can impeachOur love,--we love not:--if the grave which hidesThe victim from the tyrant, and dividesThe cheek that whitens from the eyes that dartImperious inquisition to the heartThat is another's, could dissever ours,We love not.'--'What! do not the silent hoursBeckon thee to Gherardi's bridal bed?Is not that ring'--a pledge, he would have said,Of broken vows, but she with patient lookThe golden circle from her finger took,And said--'Accept this token of my faith,The pledge of vows to be absolved by death;And I am dead or shall be soon--my knellWill mix its music with that merry bell,Does it not sound as if they sweetly said"We toll a corpse out of the marriage-bed"?The flowers upon my bridal chamber strewnWill serve unfaded for my bier--so soonThat even the dying violet will not dieBefore Ginevra.' The strong fantasyHad made her accents weaker and more weak,And quenched the crimson life upon her cheek,And glazed her eyes, and spread an atmosphereRound her, which chilled the burning noon with fear,Making her but an image of the thoughtWhich, like a prophet or a shadow, broughtNews of the terrors of the coming time.Like an accuser branded with the crimeHe would have cast on a beloved friend,Whose dying eyes reproach not to the endThe pale betrayer--he then with vain repentanceWould share, he cannot now avert, the sentence--Antonio stood and would have spoken, whenThe compound voice of women and of menWas heard approaching; he retired, while sheWas led amid the admiring companyBack to the palace,--and her maidens soonChanged her attire for the afternoon,And left her at her own request to keepAn hour of quiet rest:--like one asleepWith open eyes and folded hands she lay,Pale in the light of the declining day.

Meanwhile the day sinks fast, the sun is set,And in the lighted hall the guests are met;The beautiful looked lovelier in the lightOf love, and admiration, and delightReflected from a thousand hearts and eyes,Kindling a momentary Paradise.This crowd is safer than the silent wood,Where love's own doubts disturb the solitude;On frozen hearts the fiery rain of wineFalls, and the dew of music more divineTempers the deep emotions of the timeTo spirits cradled in a sunny clime:--How many meet, who never yet have met,To part too soon, but never to forget.How many saw the beauty, power and witOf looks and words which ne'er enchanted yet;But life's familiar veil was now withdrawn,As the world leaps before an earthquake's dawn,And unprophetic of the coming hours,The matin winds from the expanded flowersScatter their hoarded incense, and awakenThe earth, until the dewy sleep is shakenFrom every living heart which it possesses,Through seas and winds, cities and wildernesses,As if the future and the past were allTreasured i' the instant;--so Gherardi's hallLaughed in the mirth of its lord's festival,Till some one asked--'Where is the Bride?' And thenA bridesmaid went,--and ere she came againA silence fell upon the guests--a pauseOf expectation, as when beauty awesAll hearts with its approach, though unbeheld;Then wonder, and then fear that wonder quelled;--For whispers passed from mouth to ear which drewThe colour from the hearer's cheeks, and flewLouder and swifter round the company;And then Gherardi entered with an eyeOf ostentatious trouble, and a crowdSurrounded him, and some were weeping loud.

They found Ginevra dead! if it be deathTo lie without motion, or pulse, or breath,With waxen cheeks, and limbs cold, stiff, and white,And open eyes, whose fixed and glassy lightMocked at the speculation they had owned.If it be death, when there is felt aroundA smell of clay, a pale and icy glare,And silence, and a sense that lifts the hairFrom the scalp to the ankles, as it wereCorruption from the spirit passing forth,And giving all it shrouded to the earth,And leaving as swift lightning in its flightAshes, and smoke, and darkness: in our nightOf thought we know thus much of death,--no moreThan the unborn dream of our life beforeTheir barks are wrecked on its inhospitable shore.The marriage feast and its solemnityWas turned to funeral pomp--the company,With heavy hearts and looks, broke up; nor theyWho loved the dead went weeping on their wayAlone, but sorrow mixed with sad surpriseLoosened the springs of pity in all eyes,On which that form, whose fate they weep in vain,Will never, thought they, kindle smiles again.The lamps which, half extinguished in their haste,Gleamed few and faint o'er the abandoned feast,Showed as it were within the vaulted roomA cloud of sorrow hanging, as if gloomHad passed out of men's minds into the air.Some few yet stood around Gherardi there,Friends and relations of the dead,--and he,A loveless man, accepted torpidlyThe consolation that he wanted not;Awe in the place of grief within him wrought.Their whispers made the solemn silence seemMore still--some wept,...Some melted into tears without a sob,And some with hearts that might be heard to throbLeaned on the table and at intervalsShuddered to hear through the deserted hallsAnd corridors the thrilling shrieks which cameUpon the breeze of night, that shook the flameOf every torch and taper as it sweptFrom out the chamber where the women kept;--Their tears fell on the dear companion coldOf pleasures now departed; then was knolledThe bell of death, and soon the priests arrived,And finding Death their penitent had shrived,Returned like ravens from a corpse whereonA vulture has just feasted to the bone.And then the mourning women came.--

Words in this poem 42
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
went n.
Course; way; path; journey; direction.
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
jarring a.
Shaking; disturbing; discordant. [See Jar.]
deafening n.
The act or process of rendering impervious to sound, as a floor or wall; also, the material with which the spaces are filled in this process; pugging.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
moonbeam n.
A ray of light from the moon.
admiring a.
Expressing admiration; as, an admiring glance.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
jangling a.
Producing discordant sounds.
tyrannic a.
Of or pertaining to a tyrant; suiting a tyrant; unjustly severe in government; absolute; imperious; despotic; cruel; arbitrary; as, a tyrannical prince; a tyrannical master; tyrannical government. [L. tyrannicus, Gr. tyrannique. See Tyrant.]
impeach v. t.
To hinder; to impede; to prevent. [OE. empeechier to prevent, hinder, bar, F. empêcher, L. impedicare to entangle; pref. im- in + pedica fetter, fr. pes, pedis, foot. See Foot, and Appeach, Dispa]
imperious a.
Commanding; ascendant; imperial; lordly; majestic. [L. imperiosus: cf. F. impérieux. See Imperial.]
dissever v. t.
To part in two; to sever thoroughly; to sunder; to disunite; to separate; to disperse. [OE. dessevrer; pref. des- (L. dis-) + sevrer to sever, F. sevrer to wean, L. separate to separate. In this word the prefix is intensive. See Dis-, and Sever.]
beckon v. t.
To make a significant sign to; hence, to summon, as by a motion of the hand.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
bier n.
A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
fantasy n.
Fancy; imagination; especially, a whimsical or fanciful conception; a vagary of the imagination; whim; caprice; humor. [See Fancy.]
chilled a.
Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
afternoon n.
The part of the day which follows noon, between noon and evening.
meanwhile n.
The intervening time; as, in the meantime (or mean time).
admiration n.
Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
matin n.
A French mastiff. [F. matin.]
bridesmaid n.
A female friend who attends on a bride at her wedding.
swifter v. t.
To tighten, as slack standing rigging, by bringing the opposite shrouds nearer.
speculation n.
The act of speculating. Specifically: -- (a) Examination by the eye; view. [L. speculatio a spying out, observation: cf. F. spéculation.]
unborn a.
Not born; no yet brought into life; being still to appear; future.
inhospitable a.
Not hospitable; not disposed to show hospitality to strangers or guests; as, an inhospitable person or people. [Pref. in- not + hospitable: cf. L. inhospitalis.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
loveless a.
Void of love; void of tenderness or kindness. Milton. Shelton.
torpidly adv.
In a torpid manner.
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
shook v. t.
To pack, as staves, in a shook.
whereon adv.
On which; -- used relatively; as, the earth whereon we live.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Ginevra is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 2, Project Gutenberg ebook #4798; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, Ginevra, in Ode to the West Wind, and Other Poems (1816–1819), text of Project Gutenberg ebook #4798, Laurel, https://laurelpoetry.com/poem/shelley-later-poems/ginevra.html, id L16455.

Form and metre

Ginevra is 195 lines in 6 verse paragraphs. It is in rhyming couplets, 71% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 27 lines end on an unstressed syllable, a feminine ending. 52% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFF oneA · sunA · feverB · everB · brainC · trainC · thingsD · imaginingsD · wentE · assentE · dinF · withinF
  2. 2 AABBCCDDEEFFGG- veilA · paleA · mouthB · dothB · thereC · glareC · lightD · undelightD · cloudE · bowedE · hairF · stairF · streetG · feetG · images
  3. 3 AABBCCDDEE cameA · shameA · othersB · another'sB · someC · homeC · lureD · pureD · thingE · imaginingE
  4. 4 AABBCCDD--EEFFGGHH--II--JJKKLLMMNNOO--PPQQRR--SSTTUUVVWWXXYY--ZZaabb standsA · handsA · ownB · toneB · bellsC · swellsC · dreamsD · seemsD · suddenly · she · prideE · brideE · oneF · sunF · riseG · eyesG · moreH · forboreH · blood · unsubdued · illI · willI · change · revenge · speechJ · impeachJ · hidesK · dividesK · dartL · heartL · oursM · hoursM · bedN · saidN · lookO · tookO · faith · death · knellP · bellP · saidQ · bedQ · strewnR · soonR · die · fantasy · weakS · cheekS · atmosphereT · fearT · thoughtU · broughtU · timeV · crimeV · friendW · endW · repentanceX · sentenceX · whenY · menY · she · company · soonZ · afternoonZ · keepa · asleepa · layb · dayb
  5. 5 AABB----CCDDEE-EFFGGFF--HHHIIJJKKLL--MM setA · metA · lightB · delightB · eyes · paradise · wood · solitude · wineC · divineC · timeD · climeD · metE · forgetE · wit · yetE · withdrawnF · dawnF · hoursG · flowersG · awakenF · shakenF · possesses · wildernesses · allH · hallH · festivalH · thenI · againI · pauseJ · awesJ · unbeheldK · quelledK · drewL · flewL · company · eye · crowdM · loudM
  6. 6 AABB--CC---DDEEE--FFGG----HHII------JJKKLLMMNNOO--- deathA · breathA · whiteB · lightB · owned · around · glareC · hairC · were · forth · earth · flightD · nightD · moreE · beforeE · shoreE · solemnity · company · theyF · wayF · surpriseG · eyesG · vain · again · haste · feast · roomH · gloomH · airI · thereI · he · torpidly · not · wrought · seem · wept · sobJ · throbJ · intervalsK · hallsK · cameL · flameL · sweptM · keptM · coldN · knolledN · arrivedO · shrivedO · whereon · bone · came
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Wild, pale, and wonder-stricken, even as one10···/˘/˘/··
Who staggers forth into the air and sun10·/˘·······
From the dark chamber of a mortal fever,11···/˘··/˘/˘
Bewildered, and incapable, and ever11˘/˘·˘/˘˘·/˘
Fancying strange comments in her dizzy brain10/˘·/˘··/˘·
Of usual shapes, till the familiar train10·/˘···˘/˘·
Of objects and of persons passed like things10·/˘··/˘···
Strange as a dreamer's mad imaginings,10···/˘·˘/˘˘
Ginevra from the nuptial altar went;10˘/˘··/˘/˘·
The vows to which her lips had sworn assent10········˘/
Rung in her brain still with a jarring din,10·······/˘·
Deafening the lost intelligence within.10/˘··˘/˘˘··
And so she moved under the bridal veil,10·······/˘·
Which made the paleness of her cheek more pale,10···/˘·····
And deepened the faint crimson of her mouth,10·/˘··/˘···
And darkened her dark locks, as moonlight doth,--10·/˘····/··
And of the gold and jewels glittering there10·····/˘/˘·
She scarce felt conscious,--but the weary glare10···/˘··/˘·
Lay like a chaos of unwelcome light,10···/˘·˘/˘·
Vexing the sense with gorgeous undelight,10/˘···/˘···
A moonbeam in the shadow of a cloud10·/···/····
Was less heavenly fair--her face was bowed,10··/˘˘·····
And as she passed, the diamonds in her hair10·····/˘···
Were mirrored in the polished marble stair10·/˘··/˘/˘·
Which led from the cathedral to the street;10····˘/˘···
And ever as she went her light fair feet10·/˘·······
Erased these images.6˘/·/˘˘
The bride-maidens who round her thronging came,10··/˘···/˘·
Some with a sense of self-rebuke and shame,10······˘/··
Envying the unenviable; and others11/˘·˘/·˘˘·/˘
Making the joy which should have been another's11/˘······˘/˘
Their own by gentle sympathy; and some10···/˘/˘˘··
Sighing to think of an unhappy home:10/˘····˘/˘·
Some few admiring what can ever lure10··˘/˘··/˘·
Maidens to leave the heaven serene and pure10/˘···/˘/··
Of parents' smiles for life's great cheat; a thing10·/˘·······
Bitter to taste, sweet in imagining.10/˘····˘/˘˘
But they are all dispersed--and, lo! she stands10····˘/····
Looking in idle grief on her white hands,10/˘·/˘·····
Alone within the garden now her own;10˘/···/˘···
And through the sunny air, with jangling tone,10···/˘··/˘·
The music of the merry marriage-bells,10·/˘··/˘/˘·
Killing the azure silence, sinks and swells;--10/˘·/˘/˘···
Absorbed like one within a dream who dreams10˘/········
That he is dreaming, until slumber seems10···/˘··/˘·
A mockery of itself--when suddenly11·/˘˘·˘/·/˘˘
Antonio stood before her, pale as she.10˘/˘·······
With agony, with sorrow, and with pride,10·/˘˘·/˘···
He lifted his wan eyes upon the bride,10·/˘·······
And said--'Is this thy faith?' and then as one10··········
Whose sleeping face is stricken by the sun10·/˘··/˘···
With light like a harsh voice, which bids him rise10··········
And look upon his day of life with eyes10··········
Which weep in vain that they can dream no more,10··········
Ginevra saw her lover, and forbore10˘/˘··/˘·˘/
To shriek or faint, and checked the stifling blood10·······/˘·
Rushing upon her heart, and unsubdued10/˘·······˘
Said--'Friend, if earthly violence or ill,10···/˘/˘˘··
Suspicion, doubt, or the tyrannic will10˘/˘·······
Of parents, chance or custom, time or change,10·/˘··/˘···
Or circumstance, or terror, or revenge,10·/˘··/˘·˘/
Or wildered looks, or words, or evil speech,10·/˘····/˘·
With all their stings and venom can impeach10·····/˘·˘/
Our love,--we love not:--if the grave which hides10/·········
The victim from the tyrant, and divides10·/˘··/˘·˘/
The cheek that whitens from the eyes that dart10···/˘·····
Imperious inquisition to the heart10˘/˘·˘/˘···
That is another's, could dissever ours,11··˘/˘·˘/˘/˘
We love not.'--'What! do not the silent hours11·······/˘/˘
Beckon thee to Gherardi's bridal bed?10/˘··˘/˘/˘·
Is not that ring'--a pledge, he would have said,10··········
Of broken vows, but she with patient look10·/˘····/˘·
The golden circle from her finger took,10·/˘/˘··/˘·
And said--'Accept this token of my faith,10··˘/·/˘···
The pledge of vows to be absolved by death;10······˘/··
And I am dead or shall be soon--my knell10··········
Will mix its music with that merry bell,10···/˘··/˘·
Does it not sound as if they sweetly said10·······/˘·
"We toll a corpse out of the marriage-bed"?10·······/˘·
The flowers upon my bridal chamber strewn10·/···/˘/˘·
Will serve unfaded for my bier--so soon10··········
That even the dying violet will not die10·/·/˘/˘···
Before Ginevra.' The strong fantasy10··˘/˘··/˘˘
Had made her accents weaker and more weak,10···/˘/˘···
And quenched the crimson life upon her cheek,10···/˘·····
And glazed her eyes, and spread an atmosphere10·······/˘·
Round her, which chilled the burning noon with fear,10·····/˘···
Making her but an image of the thought10/˘···/˘···
Which, like a prophet or a shadow, brought10···/˘··/··
News of the terrors of the coming time.10···/˘··/˘·
Like an accuser branded with the crime10··˘/˘/˘···
He would have cast on a beloved friend,10······˘/˘·
Whose dying eyes reproach not to the end10·/˘·˘/····
The pale betrayer--he then with vain repentance12··˘/˘····˘/˘
Would share, he cannot now avert, the sentence--11···/˘·˘/·/˘
Antonio stood and would have spoken, when10˘/˘····/˘·
The compound voice of women and of men10·/˘··/˘···
Was heard approaching; he retired, while she10··˘/˘·˘/··
Was led amid the admiring company11··˘/·˘/˘/˘˘
Back to the palace,--and her maidens soon10···/˘··/˘·
Changed her attire for the afternoon,10··˘/˘···˘/
And left her at her own request to keep10······˘/··
An hour of quiet rest:--like one asleep10·/·/˘···˘/
With open eyes and folded hands she lay,10·/˘··/˘···
Pale in the light of the declining day.10······˘/˘·
Meanwhile the day sinks fast, the sun is set,10/·········
And in the lighted hall the guests are met;10···/˘·····
The beautiful looked lovelier in the light10·/˘·······
Of love, and admiration, and delight10····˘/˘·˘/
Reflected from a thousand hearts and eyes,10˘/˘··/˘···
Kindling a momentary Paradise.10/˘·/˘·˘/˘·
This crowd is safer than the silent wood,10···/˘··/˘·
Where love's own doubts disturb the solitude;10····˘/·/˘·
On frozen hearts the fiery rain of wine10·/˘··/˘···
Falls, and the dew of music more divine10·····/˘·˘/
Tempers the deep emotions of the time10/˘··/˘˘···
To spirits cradled in a sunny clime:--10·/˘/˘··/˘·
How many meet, who never yet have met,10·/˘··/˘···
To part too soon, but never to forget.10·····/˘·˘/
How many saw the beauty, power and wit10·/··/˘/˘··
Of looks and words which ne'er enchanted yet;10······˘/˘·
But life's familiar veil was now withdrawn,10··˘/˘···˘/
As the world leaps before an earthquake's dawn,10·······/··
And unprophetic of the coming hours,11·······/˘/˘
The matin winds from the expanded flowers11·/˘···˘/˘/˘
Scatter their hoarded incense, and awaken11/˘·/˘/··˘/˘
The earth, until the dewy sleep is shaken11·····/˘··/˘
From every living heart which it possesses,11·/˘/˘···˘/˘
Through seas and winds, cities and wildernesses,11····/˘·/˘˘˘
As if the future and the past were all10···/˘·····
Treasured i' the instant;--so Gherardi's hall11/˘··/˘·˘/˘·
Laughed in the mirth of its lord's festival,10·······/˘˘
Till some one asked--'Where is the Bride?' And then10··········
A bridesmaid went,--and ere she came again10·/······˘/
A silence fell upon the guests--a pause10·/˘·······
Of expectation, as when beauty awes10··˘/˘··/˘·
All hearts with its approach, though unbeheld;10····˘/····
Then wonder, and then fear that wonder quelled;--10·/˘····/˘·
For whispers passed from mouth to ear which drew10·/˘·······
The colour from the hearer's cheeks, and flew10·/˘··/˘···
Louder and swifter round the company;10/˘·/˘··/˘˘
And then Gherardi entered with an eye10··˘/˘/˘···
Of ostentatious trouble, and a crowd10··˘/˘/˘···
Surrounded him, and some were weeping loud.10˘/˘····/˘·
They found Ginevra dead! if it be death10··˘/˘·····
To lie without motion, or pulse, or breath,10····/˘····
With waxen cheeks, and limbs cold, stiff, and white,10·/˘·······
And open eyes, whose fixed and glassy light10·/˘····/˘·
Mocked at the speculation they had owned.10····˘/˘···
If it be death, when there is felt around10··········
A smell of clay, a pale and icy glare,10·······/˘·
And silence, and a sense that lifts the hair10·/˘·······
From the scalp to the ankles, as it were10·····/˘···
Corruption from the spirit passing forth,10˘/˘··/˘/˘·
And giving all it shrouded to the earth,10·/˘··/˘···
And leaving as swift lightning in its flight10·/˘··/˘···
Ashes, and smoke, and darkness: in our night10/˘···/˘·/·
Of thought we know thus much of death,--no more10··········
Than the unborn dream of our life before10··//··/···
Their barks are wrecked on its inhospitable shore.10······˘/˘·
The marriage feast and its solemnity10·/˘···˘/˘˘
Was turned to funeral pomp--the company,11···/˘˘··/˘˘
With heavy hearts and looks, broke up; nor they10·/˘·······
Who loved the dead went weeping on their way10·····/˘···
Alone, but sorrow mixed with sad surprise10˘/·/˘···˘/
Loosened the springs of pity in all eyes,10/˘···/˘···
On which that form, whose fate they weep in vain,10··········
Will never, thought they, kindle smiles again.10·/˘··/˘·˘/
The lamps which, half extinguished in their haste,10····˘/˘···
Gleamed few and faint o'er the abandoned feast,10······˘/˘·
Showed as it were within the vaulted room10·······/˘·
A cloud of sorrow hanging, as if gloom10···/˘/˘···
Had passed out of men's minds into the air.10··········
Some few yet stood around Gherardi there,10······˘/˘·
Friends and relations of the dead,--and he,10··˘/˘·····
A loveless man, accepted torpidly10·/˘·˘/˘/˘˘
The consolation that he wanted not;10··˘/˘··/˘·
Awe in the place of grief within him wrought.10··········
Their whispers made the solemn silence seem10·/˘··/˘/˘·
More still--some wept,...4····
Some melted into tears without a sob,10·/˘·······
And some with hearts that might be heard to throb10··········
Leaned on the table and at intervals10···/˘··/˘˘
Shuddered to hear through the deserted halls10/˘····˘/˘·
And corridors the thrilling shrieks which came10·/˘˘·/˘···
Upon the breeze of night, that shook the flame10··········
Of every torch and taper as it swept10·/˘··/˘···
From out the chamber where the women kept;--10···/˘··/˘·
Their tears fell on the dear companion cold10······˘/˘·
Of pleasures now departed; then was knolled10·/˘·˘/˘···
The bell of death, and soon the priests arrived,10········˘/
And finding Death their penitent had shrived,10·/˘··/˘˘··
Returned like ravens from a corpse whereon10˘/·/˘···˘/
A vulture has just feasted to the bone.10·/˘··/˘···
And then the mourning women came.--8···/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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