Venus and Adonis
Shakespeare's narrative poem in six-line stanzas.
What this poem is
Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is considered likely to be Shakespeare's first publication.
The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. The poem is pastoral, and at times erotic, comic and tragic. It contains discourses on the nature of love, and observations of nature.
It is written in stanzas of six lines of iambic pentameter rhyming ABABCC; although this verse form was known before Shakespeare's use, it is now commonly known as the Venus and Adonis stanza, after this poem. This form was also used by Edmund Spenser and Thomas Lodge. The poem consists of 199 stanzas or 1,194 lines.
Adonis is a young man renowned for his incredible beauty. However, he is not interested at all in love; he only wants to go hunting. Venus is the goddess of love. When she sees Adonis, she falls in love with him, and comes down to earth, where she encounters him setting out on a hunt. She desires him to get off his horse, and speak to her. Adonis doesn't want to talk to any woman, not even a goddess. So she forces him, and then lies down beside him, gazes at him, and talks of love. She craves a kiss; he wants to leave and go hunting. He manages to get away, and he goes to get his horse.
Adapted from the Wikipedia article “Venus and Adonis (Shakespeare poem)” (revision 1374152375), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.
Measured across the book
Across its 1,194 lines, 96% of stressed syllables fall on the beat (95% interval 96% to 97%). Alliteration runs at 1.24 times what shuffling the words would give (0.45 observed against 0.36 expected). 22% of the lines have a feminine ending.
Baselines and intervals are described in the methods.
Contents
About this text
Public domain. Text from Venus and Adonis, Project Gutenberg ebook #1045. Free to read, print, copy and reuse.