The Rendezvous
He faints with hope and fear. It is the hour.Distant, across the thundering organ-swell,In sweet discord from the cathedral-tower,Fall the faint chimes and the thrice-sequent bell.Over the crowd his eye uneasy roves.He sees a plume, a fur; his heart dilates --Soars . . . and then sinks again. It is not hers he loves.She will not come, the woman that he waits.
Braided with streams of silver incense riseThe antique prayers and ponderous antiphones.'Gloria Patri' echoes to the skies;'Nunc et in saecula' the choir intones.He marks not the monotonous refrain,The priest that serves nor him that celebrates,But ever scans the aisle for his blonde head. . . . In vain!She will not come, the woman that he waits.
How like a flower seemed the perfumed placeWhere the sweet flesh lay loveliest to kiss;And her white hands in what delicious ways,With what unfeigned caresses, answered his!Each tender charm intolerable to lose,Each happy scene his fancy recreates.And he calls out her name and spreads his arms . . . No use!She will not come, the woman that he waits.
But the long vespers close. The priest on highRaises the thing that Christ's own flesh enforms;And down the Gothic nave the crowd flows byAnd through the portal's carven entry swarms.Maddened he peers upon each passing faceTill the long drab procession terminates.No princess passes out with proud majestic pace.She has not come, the woman that he waits.
Back in the empty silent church aloneHe walks with aching heart. A white-robed boyPuts out the altar-candles one by one,Even as by inches darkens all his joy.He dreams of the sweet night their lips first met,And groans--and turns to leave--and hesitates . . .Poor stricken heart, he will, he can not fancy yetShe will not come, the woman that he waits.
But in an arch where deepest shadows fallHe sits and studies the old, storied panes,And the calm crucifix that from the wallLooks on a world that quavers and complains.Hopeless, abandoned, desolate, aghast,On modes of violent death he meditates.And the tower-clock tolls five, and he admits at last,She will not come, the woman that he waits.
Through the stained rose the winter daylight dies,And all the tide of anguish unrepressedSwells in his throat and gathers in his eyes;He kneels and bows his head upon his breast,And feigns a prayer to hide his burning tears,While the satanic voice reiterates'Tonight, tomorrow, nay, nor all the impending years,She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring,So true, so confident, so passing fair,That thought of Love as some sweet, tender thing,And not as war, red tooth and nail laid bare,How in that hour its innocence was slain,How from that hour our disillusion dates,When first we learned thy sense, ironical refrain,She will not come, the woman that he waits.
Words in this poem
- thundering a.
- Emitting thunder.
- blonde a.
- Of a fair color; light-colored; as, blond hair; a blond complexion. [F., fair, light, of uncertain origin; cf. AS. blonden-feax gray-haired, old, prop. blended-haired, as a mixture of white and brown or black. See Blend, v. t.]
- unfeigned a.
- Not feigned; not counterfeit; not hypocritical; real; sincere; genuine; as, unfeigned piety; unfeigned love to man.
- carven a.
- Wrought by carving; ornamented by carvings; carved.
- princess n.
- A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
- aching a.
- That aches; continuously painful. See Ache.
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- storied a.
- Told in a story. [From Story.]
- crucifix n.
- A representation in art of the figure of Christ upon the cross; esp., the sculptured figure affixed to a real cross of wood, ivory, metal, or the like, used by the Roman Catholics in their devotions. [F. crucifix or LL. crucifixum, fr. L. crux, crucis, cross + figere, fixum, to fix. See Cross, and Fix, and cf. Crucify.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- satanic a.
- Of or pertaining to Satan; having the qualities of Satan; resembling Satan; extremely malicious or wicked; devilish; infernal.
- tomorrow adv.
- On the day after the present day; on the next day; on the morrow. [Prep. to + morrow.]
- fervent a.
- Hot; glowing; boiling; burning; as, a fervent summer. [F. fervent, L. fervens, -entis. p.pr. of fervere o the boiling hot, to boil, glow.]
- disillusion n.
- The act or process of freeing from an illusion, or the state of being freed therefrom. Lowell.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Rendezvous is in the public domain. This text is taken from Poems, Project Gutenberg ebook #617; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alan Seeger, The Rendezvous, in Poems (1916), text of Project Gutenberg ebook #617, Laurel, https://laurelpoetry.com/poem/seeger-poems/the-rendezvous.html, id L12962.
Form and metre
The Rendezvous is 64 lines in 8 stanzas of 8 lines each. The commonest rhyme scheme is ABABCDCD, in 2 of the 8 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 2 lines end on an unstressed syllable, a feminine ending. 19% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB---- hourA · swellB · towerA · bellB · roves · dilates · loves · waits
- 2 A-A-BCBC riseA · antiphones · skiesA · intones · refrainB · celebratesC · vainB · waitsC
- 3 ----ABAB place · kiss · ways · his · loseA · recreatesB · useA · waitsB
- 4 ABABCDCD highA · enformsB · byA · swarmsB · faceC · terminatesD · paceC · waitsD
- 5 -A-ABCBC alone · boyA · one · joyA · metB · hesitatesC · yetB · waitsC
- 6 ABABC-C- fallA · panesB · wallA · complainsB · aghastC · meditates · lastC · waits
- 7 ABABC-C- diesA · unrepressedB · eyesA · breastB · tearsC · reiterates · yearsC · waits
- 8 ABABCDCD springA · fairB · thingA · bareB · slainC · datesD · refrainC · waitsD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| He faints with hope and fear. It is the hour. | 11 | ·········/˘ |
| Distant, across the thundering organ-swell, | 10 | /˘˘/·/˘/˘· |
| In sweet discord from the cathedral-tower, | 11 | ··/˘··˘/˘/˘ |
| Fall the faint chimes and the thrice-sequent bell. | 10 | ·······/˘· |
| Over the crowd his eye uneasy roves. | 10 | ······˘/˘· |
| He sees a plume, a fur; his heart dilates -- | 10 | ········˘/ |
| Soars . . . and then sinks again. It is not hers he loves. | 12 | ····˘/······ |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
| Braided with streams of silver incense rise | 10 | /˘···/˘˘/· |
| The antique prayers and ponderous antiphones. | 10 | ·˘/··/˘/˘· |
| 'Gloria Patri' echoes to the skies; | 10 | /˘˘··/˘··· |
| 'Nunc et in saecula' the choir intones. | 10 | ·······/˘/ |
| He marks not the monotonous refrain, | 10 | ····˘/˘˘˘/ |
| The priest that serves nor him that celebrates, | 10 | ·······/˘· |
| But ever scans the aisle for his blonde head. . . . In vain! | 11 | ·/········· |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
| How like a flower seemed the perfumed place | 10 | ···/˘··˘/· |
| Where the sweet flesh lay loveliest to kiss; | 10 | ·········· |
| And her white hands in what delicious ways, | 10 | ······˘/˘· |
| With what unfeigned caresses, answered his! | 10 | ··˘/˘/˘/˘· |
| Each tender charm intolerable to lose, | 10 | ·/˘·˘/˘˘·· |
| Each happy scene his fancy recreates. | 10 | ·/˘··/˘/˘· |
| And he calls out her name and spreads his arms . . . No use! | 12 | ············ |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
| But the long vespers close. The priest on high | 10 | ···/˘····· |
| Raises the thing that Christ's own flesh enforms; | 10 | /˘········ |
| And down the Gothic nave the crowd flows by | 10 | ···/˘····· |
| And through the portal's carven entry swarms. | 10 | ···/˘/˘/˘· |
| Maddened he peers upon each passing face | 10 | /˘·····/˘· |
| Till the long drab procession terminates. | 10 | ····˘/˘/˘· |
| No princess passes out with proud majestic pace. | 12 | ·/˘/˘···˘/˘· |
| She has not come, the woman that he waits. | 10 | ·····/˘··· |
| Back in the empty silent church alone | 10 | ···/˘/˘·˘/ |
| He walks with aching heart. A white-robed boy | 10 | ···/˘····· |
| Puts out the altar-candles one by one, | 10 | ···/˘/˘··· |
| Even as by inches darkens all his joy. | 10 | /··/˘/˘··· |
| He dreams of the sweet night their lips first met, | 10 | ·········· |
| And groans--and turns to leave--and hesitates . . . | 10 | ·······/˘· |
| Poor stricken heart, he will, he can not fancy yet | 12 | ·/˘······/˘· |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
| But in an arch where deepest shadows fall | 10 | ·····/˘/·· |
| He sits and studies the old, storied panes, | 10 | ···/˘··/˘· |
| And the calm crucifix that from the wall | 10 | ···/˘····· |
| Looks on a world that quavers and complains. | 10 | ·····/˘·˘/ |
| Hopeless, abandoned, desolate, aghast, | 10 | /˘˘/˘/˘·˘/ |
| On modes of violent death he meditates. | 10 | ···/˘··/˘· |
| And the tower-clock tolls five, and he admits at last, | 12 | ··/·····˘/·· |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
| Through the stained rose the winter daylight dies, | 10 | ·····/˘/·· |
| And all the tide of anguish unrepressed | 10 | ·····/˘··· |
| Swells in his throat and gathers in his eyes; | 10 | ·····/˘··· |
| He kneels and bows his head upon his breast, | 10 | ·········· |
| And feigns a prayer to hide his burning tears, | 10 | ·······/˘· |
| While the satanic voice reiterates | 10 | ··˘/˘·˘/˘· |
| 'Tonight, tomorrow, nay, nor all the impending years, | 13 | ˘/˘/·····˘/˘· |
| She will not come,' the woman that he waits. | 10 | ·····/˘··· |
| Fond, fervent heart of life's enamored spring, | 10 | ·/˘···˘/˘· |
| So true, so confident, so passing fair, | 10 | ···/˘˘·/˘· |
| That thought of Love as some sweet, tender thing, | 10 | ·······/˘· |
| And not as war, red tooth and nail laid bare, | 10 | ·········· |
| How in that hour its innocence was slain, | 10 | ···/·/˘˘·· |
| How from that hour our disillusion dates, | 10 | ···//·˘/˘· |
| When first we learned thy sense, ironical refrain, | 11 | ······˘/˘˘/ |
| She will not come, the woman that he waits. | 10 | ·····/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.