The Nympholept
There was a boy--not above childish fears --With steps that faltered now and straining ears,Timid, irresolute, yet dauntless still,Who one bright dawn, when each remotest hillStood sharp and clear in Heaven's unclouded blueAnd all Earth shimmered with fresh-beaded dew,Risen in the first beams of the gladdening sun,Walked up into the mountains. One by oneEach towering trunk beneath his sturdy strideFell back, and ever wider and more wideThe boundless prospect opened. Long he strayed,From dawn till the last trace of slanting shadeHad vanished from the canyons, and, dismayedAt that far length to which his path had led,He paused--at such a height where overheadThe clouds hung close, the air came thin and chill,And all was hushed and calm and very still,Save, from abysmal gorges, where the soundOf tumbling waters rose, and all aroundThe pines, by those keen upper currents blown,Muttered in multitudinous monotone.Here, with the wind in lovely locks laid bare,With arms oft raised in dedicative prayer,Lost in mute rapture and adoring wonder,He stood, till the far noise of noontide thunder,Rolled down upon the muffled harmoniesOf wind and waterfall and whispering trees,Made loneliness more lone. Some Panic fearWould seize him then, as they who seemed to hearIn Tracian valleys or Thessalian woodsThe god's hallooing wake the leafy solitudes;I think it was the same: some piercing senseOf Deity's pervasive immanence,The Life that visible Nature doth indwellGrown great and near and all but palpable . . .He might not linger, but with winged stridesLike one pursued, fled down the mountain-sides --Down the long ridge that edged the steep ravine,By glade and flowery lawn and upland green,And never paused nor felt assured againBut where the grassy foothills opened. Then,While shadows lengthened on the plain belowAnd the sun vanished and the sunset-glowLooked back upon the world with fervid eyeThrough the barred windows of the western sky,Homeward he fared, while many a look behindShowed the receding ranges dim-outlined,Highland and hollow where his path had lain,Veiled in deep purple of the mountain rain.
Words in this poem 17
- dauntless a.
- Incapable of being daunted; undaunted; bold; fearless; intrepid.
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- stride v. t.
- To walk with long steps, especially in a measured or pompous manner. [AS. stridan to stride, to strive; akin to LG. striden, OFries. strida to strive, D. strijden to strive, to contend, G. streiten, OHG. stritan; of uncertain orig]
- abysmal a.
- Pertaining to, or resembling, an abyss; bottomless; unending; profound.
- multitudinous a.
- Consisting of a multitude; manifold in number or condition; as, multitudinous waves.
- monotone n.
- A single unvaried tone or sound. [See Monotonous, Monotony.]
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- loneliness n.
- The condition of being lonely; solitude; seclusion.
- lone n.
- A lane. See Loanin.
- thessalian a.
- Of or pertaining to Thessaly in Greece. [Cf. L. Thessalius.]
- pervasive a.
- Tending to pervade, or having power to spread throughout; of a pervading quality.
- immanence n.
- The condition or quality of being immanent; inherence; an indwelling.
- indwell v. t.
- To dwell in; to abide within; to remain in possession.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- fervid a.
- Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
- homeward a.
- Being in the direction of home; as, the homeward way.
- veiled a.
- Covered by, or as by, a veil; hidden.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Nympholept is in the public domain. This text is taken from Poems, Project Gutenberg ebook #617; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alan Seeger, The Nympholept, in Poems (1916), text of Project Gutenberg ebook #617, Laurel, https://laurelpoetry.com/poem/seeger-poems/the-nympholept.html, id L12923.
Form and metre
The Nympholept is 49 lines in a single stanza. It is in rhyming couplets, 69% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 6 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFFGGHHIIJJKKLLMMNN--OO--PPQQRRSSTTUUVV fearsA · earsA · stillB · hillB · blueC · dewC · sunD · oneD · strideE · wideE · strayedF · shadeF · dismayedF · ledG · overheadG · chillH · stillH · soundI · aroundI · blownJ · monotoneJ · bareK · prayerK · wonderL · thunderL · harmoniesM · treesM · fearN · hearN · woods · solitudes · senseO · immanenceO · indwell · palpable · stridesP · sidesP · ravineQ · greenQ · againR · thenR · belowS · glowS · eyeT · skyT · behindU · outlinedU · lainV · rainV
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| There was a boy--not above childish fears -- | 10 | ·······/˘· |
| With steps that faltered now and straining ears, | 10 | ···/˘··/˘· |
| Timid, irresolute, yet dauntless still, | 10 | /˘˘/˘˘·/˘· |
| Who one bright dawn, when each remotest hill | 10 | ······˘/˘· |
| Stood sharp and clear in Heaven's unclouded blue | 11 | ·····/˘···· |
| And all Earth shimmered with fresh-beaded dew, | 10 | ···/˘··/˘· |
| Risen in the first beams of the gladdening sun, | 11 | /˘······/˘· |
| Walked up into the mountains. One by one | 10 | ·····/˘··· |
| Each towering trunk beneath his sturdy stride | 10 | ·/˘····/˘· |
| Fell back, and ever wider and more wide | 10 | ···/˘/˘··· |
| The boundless prospect opened. Long he strayed, | 10 | ·/˘/˘/˘··· |
| From dawn till the last trace of slanting shade | 10 | ·······/˘· |
| Had vanished from the canyons, and, dismayed | 10 | ·/˘··/˘·˘/ |
| At that far length to which his path had led, | 10 | ·········· |
| He paused--at such a height where overhead | 10 | ·······/˘/ |
| The clouds hung close, the air came thin and chill, | 10 | ·········· |
| And all was hushed and calm and very still, | 10 | ·······/˘· |
| Save, from abysmal gorges, where the sound | 10 | ··˘/˘/˘··· |
| Of tumbling waters rose, and all around | 10 | ·/˘/˘····· |
| The pines, by those keen upper currents blown, | 10 | ·····/˘/˘· |
| Muttered in multitudinous monotone. | 11 | /˘······/˘· |
| Here, with the wind in lovely locks laid bare, | 10 | ·····/˘··· |
| With arms oft raised in dedicative prayer, | 10 | ·········· |
| Lost in mute rapture and adoring wonder, | 11 | ···/˘·˘/˘/˘ |
| He stood, till the far noise of noontide thunder, | 11 | ·······/˘/˘ |
| Rolled down upon the muffled harmonies | 10 | ·····/˘/˘˘ |
| Of wind and waterfall and whispering trees, | 10 | ···/˘··/˘· |
| Made loneliness more lone. Some Panic fear | 10 | ·/˘˘···/˘· |
| Would seize him then, as they who seemed to hear | 10 | ·········· |
| In Tracian valleys or Thessalian woods | 11 | ···/˘·˘/˘˘· |
| The god's hallooing wake the leafy solitudes; | 11 | ······/˘/˘· |
| I think it was the same: some piercing sense | 10 | ·······/˘· |
| Of Deity's pervasive immanence, | 10 | ·/˘˘˘/˘/˘˘ |
| The Life that visible Nature doth indwell | 11 | ···/˘˘/˘·/˘ |
| Grown great and near and all but palpable . . . | 10 | ·······/˘˘ |
| He might not linger, but with winged strides | 10 | ···/˘···˘· |
| Like one pursued, fled down the mountain-sides -- | 10 | ··˘/···/˘· |
| Down the long ridge that edged the steep ravine, | 10 | ········˘/ |
| By glade and flowery lawn and upland green, | 10 | ···/˘··/˘· |
| And never paused nor felt assured again | 10 | ·/˘···˘/˘/ |
| But where the grassy foothills opened. Then, | 10 | ···/˘/·/˘· |
| While shadows lengthened on the plain below | 10 | ·/·/˘····· |
| And the sun vanished and the sunset-glow | 10 | ···/˘··/·· |
| Looked back upon the world with fervid eye | 10 | ·······/˘· |
| Through the barred windows of the western sky, | 10 | ···/˘··/˘· |
| Homeward he fared, while many a look behind | 10 | /˘···/···· |
| Showed the receding ranges dim-outlined, | 10 | ··˘/˘/˘·/· |
| Highland and hollow where his path had lain, | 10 | /˘·/˘····· |
| Veiled in deep purple of the mountain rain. | 10 | ···/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.