Pompeii and Herculaneum

Friedrich Schiller (1759–1805) · 1805

iambic pentameter · 72 lines · from The Poems of Schiller: Third Period

What wonder this?--we ask the lympid well,O earth! of thee--and from thy solemn wombWhat yieldest thou?--is there life in the abyss--Doth a new race beneath the lava dwell?Returns the past, awakening from the tomb?Rome--Greece!--Oh, come!--Behold--behold! for this!Our living world--the old Pompeii sees;And built anew the town of Dorian Hercules!House upon house--its silent halls once moreOpes the broad portico!--Oh, haste and fillAgain those halls with life!--Oh, pour alongThrough the seven-vista'd theatre the throng!Where are ye, mimes?--Come forth, the steel prepareFor crowned Atrides, or Orestes haunt,Ye choral Furies, with your dismal chant!The arch of triumph!--whither leads it?--stillBehold the forum!--on the curule chairWhere the majestic image? Lictors, whereYour solemn fasces?--Place upon his throneThe Praetor--here the witness lead, and thereBid the accuser stand

--O God! how loneThe clear streets glitter in the quiet day--The footpath by the doors winding its lifeless way!The roofs arise in shelter, and aroundThe desolate Atrium--every gentle roomWears still the dear familiar smile of home!Open the doors--the shops--on dreary nightLet lusty day laugh down in jocund light!

See the trim benches ranged in order!--SeeThe marble-tesselated floor--and thereThe very walls are glittering livinglyWith their clear colors. But the artist, where!Sure but this instant he hath laid asidePencil and colors!--Glittering on the eyeSwell the rich fruits, and bloom the flowers!--See allArt's gentle wreaths still fresh upon the wall!Here the arch Cupid slyly seems to glideBy with bloom-laden basket. There the shapesOf genii press with purpling feet the grapes,Here springs the wild Bacchante to the dance,And there she sleeps [while that voluptuous tranceNow on one knee upon the centaur-steedsHovering--the Thyrsus plies.--Hurrah!--away she speeds!

Come--come, why loiter ye?--Here, here, how fairThe goodly vessels still! Girls, hither turn,Fill from the fountain the Etruscan urn!On the winged sphinxes see the tripod.--Ho!Quick--quick, ye slaves, come--fire!--the hearth prepare!Ha! wilt thou sell?--this coin shall pay thee--this,Fresh from the mint of mighty Titus!--Lo!Here lie the scales, and not a weight we missSo--bring the light! The delicate lamp!--what toilShaped thy minutest grace!--quick pour the oil!Yonder the fairy chest!--come, maid, beholdThe bridegroom's gifts--the armlets--they are gold,And paste out-feigning jewels!--lead the brideInto the odorous bath--lo! unguents still--And still the crystal vase the arts for beauty fill!

But where the men of old--perchance a prizeMore precious yet in yon papyrus lies,And see ev'n still the tokens of their toil--The waxen tablets--the recording style.The earth, with faithful watch, has hoarded all!Still stand the mute penates in the hall;Back to his haunts returns each ancient god.Why absent only from their ancient standThe priests?--waves Hermes his Caducean rod,And the winged victory struggles from the hand.Kindle the flame--behold the altar there!Long hath the god been worshipless--to prayer.

Words in this poem 27
womb n.
The belly; the abdomen. [OE. wombe, wambe, AS. wamb, womb; akin to D. wam belly, OS. & OHG. wamba, G. wamme, wampe, Icel. vömb, Sw. v&mb, Dan. vom, Goth. wamba.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
dorian a.
Of or pertaining to the ancient Greeks of Doris; Doric; as, a Dorian fashion.
theatre n.
An edifice in which dramatic performances or spectacles are exhibited for the amusement of spectators; anciently uncovered, except the stage, but in modern times roofed. [F. thé\'83tre, L. theatrum, Gr. dhya to meditate, think. Cf. Theory.]
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
forum n.
A market place or public place in Rome, where causes were judicially tried, and orations delivered to the people. [L.; akin to foris, foras, out of doors. See Foreign.]
curule a.
Of or pertaining to a charoit. [L. curulis, fr. currus a charoit: cf. F. curule.]
fasces n.
A bundle of rods, having among them an ax with the blade projecting, borne before the Roman magistrates as a badge of their authority.
lone n.
A lane. See Loanin.
footpath n.
A narrow path or way for pedestrains only; a footway.
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
jocund
Merry; cheerful; gay; airy; lively; sportive. [L. jocundus, jucundus, orig., helpful, fr. juvare to help. See Aid.]
livingly adv.
In a living state. Sir T. Browne.
artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
bacchante n.
A priestess of Bacchus.
hurrah interj.
A word used as a shout of joy, triumph, applause, encouragement, or welcome. [Cf. G., Dan., & Sw. hurra. Cf. Huzza.]
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
etruscan n.
Of or relating to Etruria. [L. Etruscus.]
tripod n.
Any utensil or vessel, as a stool, table, altar, caldron, etc., supported on three feet. [L. tripus, -odis, Gr. Tri-) + Foot, and cf. Tripos, Trivet.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
papyrus n.
A tall rushlike plant (Cyperus Papyrus) of the Sedge family, formerly growing in Egypt, and now found in Abyssinia, Syria, Sicily, etc. The stem is triangular and about an inch thick. [L., fr. Gr. Paper.]
penates n.
The household gods of the ancient Romans. They presided over the home and the family hearth. See Lar. [L.]
caducean a.
Of or belonging to Mercury's caduceus, or wand.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Pompeii and Herculaneum is in the public domain. This text is taken from The Poems of Schiller — Third period, Project Gutenberg ebook #6796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Friedrich Schiller, Pompeii and Herculaneum, in The Poems of Schiller: Third Period (1805), text of Project Gutenberg ebook #6796, Laurel, https://laurelpoetry.com/poem/schiller-third-period/pompeii-and-herculaneum.html, id L21875.

Form and metre

Pompeii and Herculaneum is 72 lines in 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABCABCDD-EFFG--EGG-G- wellA · wombB · abyssC · dwellA · tombB · thisC · seesD · herculesD · more · fillE · alongF · throngF · prepareG · haunt · chant · stillE · chairG · whereG · throne · thereG · stand
  2. 2 -AA---BB lone · dayA · wayA · around · room · home · nightB · lightB
  3. 3 -A-AB-CCBDDEEFF see · thereA · livingly · whereA · asideB · eye · allC · wallC · glideB · shapesD · grapesD · danceE · tranceE · steedsF · speedsF
  4. 4 ABB-CADCDEEFF-GG fairA · turnB · urnB · tripod · hoC · prepareA · thisD · loC · missD · toilE · oilE · beholdF · goldF · bride · stillG · fillG
  5. 5 AA--BBCDCDEE prizeA · liesA · toil · style · allB · hallB · godC · standD · rodC · handD · thereE · prayerE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
What wonder this?--we ask the lympid well,10·/˘·······
O earth! of thee--and from thy solemn womb10·······/˘·
What yieldest thou?--is there life in the abyss--11·/˘······˘/
Doth a new race beneath the lava dwell?10·······/˘·
Returns the past, awakening from the tomb?10˘/··˘/˘···
Rome--Greece!--Oh, come!--Behold--behold! for this!10····˘/˘/··
Our living world--the old Pompeii sees;10/˘/˘······
And built anew the town of Dorian Hercules!12··˘/···/˘/˘·
House upon house--its silent halls once more10·····/˘···
Opes the broad portico!--Oh, haste and fill10···/˘·····
Again those halls with life!--Oh, pour along10˘/······˘/
Through the seven-vista'd theatre the throng!10··/··/˘˘··
Where are ye, mimes?--Come forth, the steel prepare10········˘/
For crowned Atrides, or Orestes haunt,10··˘···˘/˘·
Ye choral Furies, with your dismal chant!10·/˘/˘··/˘·
The arch of triumph!--whither leads it?--still10···/˘/˘···
Behold the forum!--on the curule chair10˘/·/˘··/˘·
Where the majestic image? Lictors, where10··˘/˘/˘···
Your solemn fasces?--Place upon his throne10·/˘/˘·····
The Praetor--here the witness lead, and there10·/˘··/˘···
Bid the accuser stand6··˘/˘·
--O God! how lone4····
The clear streets glitter in the quiet day--10···/˘··/˘·
The footpath by the doors winding its lifeless way!12·/····/˘·/˘·
The roofs arise in shelter, and around10··˘/·/˘···
The desolate Atrium--every gentle room10·/˘/˘/˘/˘·
Wears still the dear familiar smile of home!10····˘/˘···
Open the doors--the shops--on dreary night10/˘·····/˘·
Let lusty day laugh down in jocund light!10·/˘····/˘·
See the trim benches ranged in order!--See10···/˘··/˘·
The marble-tesselated floor--and there10·/˘/˘·˘···
The very walls are glittering livingly11·/˘··/˘˘/˘˘
With their clear colors. But the artist, where!10···/˘··/˘·
Sure but this instant he hath laid aside10···/˘···˘/
Pencil and colors!--Glittering on the eye10/˘·/˘/˘···
Swell the rich fruits, and bloom the flowers!--See all10·······/··
Art's gentle wreaths still fresh upon the wall!10·/˘·······
Here the arch Cupid slyly seems to glide10···/˘/˘···
By with bloom-laden basket. There the shapes10···/˘/˘···
Of genii press with purpling feet the grapes,10·····/˘···
Here springs the wild Bacchante to the dance,9····/˘···
And there she sleeps [while that voluptuous trance10······˘/˘·
Now on one knee upon the centaur-steeds10·······/··
Hovering--the Thyrsus plies.--Hurrah!--away she speeds!12/˘·/˘·˘/˘/··
Come--come, why loiter ye?--Here, here, how fair10···/˘·····
The goodly vessels still! Girls, hither turn,10·/˘/˘··/˘·
Fill from the fountain the Etruscan urn!10···/˘·˘/˘·
On the winged sphinxes see the tripod.--10···˘/˘··/·
Ho!1·
Quick--quick, ye slaves, come--fire!--the hearth prepare!10·····/··˘/
Ha! wilt thou sell?--this coin shall pay thee--this,10··········
Fresh from the mint of mighty Titus!--Lo!10·····/˘/˘·
Here lie the scales, and not a weight we miss10··········
So--bring the light! The delicate lamp!--what toil10·····/˘···
Shaped thy minutest grace!--quick pour the oil!10··/˘˘·····
Yonder the fairy chest!--come, maid, behold10/˘·/˘···˘/
The bridegroom's gifts--the armlets--they are gold,10·/········
And paste out-feigning jewels!--lead the bride10···/˘/˘···
Into the odorous bath--lo! unguents still--10···/˘·····
And still the crystal vase the arts for beauty fill!12···/˘····/˘·
But where the men of old--perchance a prize10······˘/··
More precious yet in yon papyrus lies,10·/˘···˘/˘·
And see ev'n still the tokens of their toil--10·····/˘···
The waxen tablets--the recording style.10·/˘/˘·˘/˘·
The earth, with faithful watch, has hoarded all!10···/˘··/˘·
Still stand the mute penates in the hall;10····˘/˘···
Back to his haunts returns each ancient god.10····˘/·/˘·
Why absent only from their ancient stand10·/˘/˘··/˘·
The priests?--waves Hermes his Caducean rod,11···/˘·˘/˘˘·
And the winged victory struggles from the hand.10···/˘/˘···
Kindle the flame--behold the altar there!10/˘··˘/·/˘·
Long hath the god been worshipless--to prayer.10··········

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