Odes I

George Santayana (1863–1952) · 1922

iambic pentameter · 28 lines · from Poems

What god will choose me from this labouring nationTo worship him afar, with inward gladness,At sunset and at sunrise, in some PersianGarden of roses;

Or under the full moon, in rapturous silence,Charmed by the trickling fountain, and the moaningOf the death-hallowed cypress, and the myrtleHallowed by Venus?

O for a chamber in an eastern tower,Spacious and empty, roofed in odorous cedar,A silken soft divan, a woven carpetRich, many-coloured;

A jug that, poised on her firm head, a negressFetched from the well; a window to the ocean,Lest of the stormy world too deep seclusionMake me forgetful!

Thence I might watch the vessel-bearing watersBeat the slow pulses of the life eternal,Bringing of nature's universal travailInfinite echoes;

And there at even I might stand and listenTo thrum of distant lutes and dying voicesChanting the ditty an Arabian captiveSang to Darius.

So would I dream awhile, and ease a littleThe soul long stifled and the straitened spirit,Tasting new pleasures in a far-off countrySacred to beauty.

Words in this poem

labouring a.
That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
divan n.
A book; esp., a collection of poems written by one author; as, the divan of Hafiz. [Persia] [Per. diwan a book of many leaves, an account book, a collection of books, a senate, council: cf. Ar. daiwan, F. divan.]
negress n.
A black woman; a female negro. [Cf. F. négrese, fem. of négre a negro. See Negro.]
forgetful a.
Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
thrum n.
One of the ends of weaver's threads; hence, any soft, short threads or tufts resembling these. [OE. thrum, throm; akin to OD. drom, D. dreum, G. trumm, lump, end, fragment, OHG. drum end, Icel. edge, brim, and L. terminus a limit, term. Cf. Term.]
ditty n.
A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Odes I is in the public domain. This text is taken from Poems, Project Gutenberg ebook #49721; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: George Santayana, Odes I, in Poems (1922), text of Project Gutenberg ebook #49721, Laurel, https://laurelpoetry.com/poem/santayana-poems/odes-i.html, id L21733.

Form and metre

Odes I is 28 lines in 7 stanzas of 4 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 5 -AA- waters · eternalA · travailA · echoes
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
What god will choose me from this labouring nation11·······/˘/˘
To worship him afar, with inward gladness,11·/˘·˘/·/˘/˘
At sunset and at sunrise, in some Persian11·/···/···/˘
Garden of roses;5/˘·/˘
Or under the full moon, in rapturous silence,11·······/˘/˘
Charmed by the trickling fountain, and the moaning11···/˘/˘··/˘
Of the death-hallowed cypress, and the myrtle11···/˘/˘··/˘
Hallowed by Venus?5/˘·/˘
O for a chamber in an eastern tower,11···/˘··/˘/˘
Spacious and empty, roofed in odorous cedar,11/˘·/˘··/˘/˘
A silken soft divan, a woven carpet11·/˘·˘/·/˘/˘
Rich, many-coloured;5·/˘/˘
A jug that, poised on her firm head, a negress11·········/˘
Fetched from the well; a window to the ocean,11·····/˘··/˘
Lest of the stormy world too deep seclusion11···/˘···˘/˘
Make me forgetful!5··˘/˘
Thence I might watch the vessel-bearing waters11·····/˘/˘/˘
Beat the slow pulses of the life eternal,11···/˘···˘/˘
Bringing of nature's universal travail11/˘·/˘·˘/˘˘/
Infinite echoes;5/˘˘/˘
And there at even I might stand and listen11···/˘····/˘
To thrum of distant lutes and dying voices11···/˘··/˘/˘
Chanting the ditty an Arabian captive11/˘·/˘·˘/˘/˘
Sang to Darius.5··˘/˘
So would I dream awhile, and ease a little11····˘/···/˘
The soul long stifled and the straitened spirit,11···/˘····/˘
Tasting new pleasures in a far-off country11/˘·/˘····/˘
Sacred to beauty.5/˘·/˘

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