Medallion

Carl Sandburg (1878–1967) · 1918

iambic heptameter · 7 lines · from Cornhuskers

The brass medallion profile of your face I keep always.It is not jingling with loose change in my pockets.It is not stuck up in a show place on the office wall.I carry it in a special secret pocket in the dayAnd it is under my pillow at night.The brass came from a long ways off: it was up against hell and high water, fire and flood, before the face was put on it.It is the side of a head; a woman wishes; a woman waits; a woman swears behind silent lips that the sea will bring home what is gone.

Words in this poem

medallion n.
A large medal or memorial coin. [F. médaillion, It. medaglione, augm. of medaglia. See Medal.]
jingling n.
The act or process of producing a jingle; also, the sound itself; a chink.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Medallion is in the public domain. This text is taken from Cornhuskers, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Carl Sandburg, Medallion, in Cornhuskers (1918), text of Wikisource, Laurel, https://laurelpoetry.com/poem/sandburg-cornhuskers/medallion.html, id L29067.

Form and metre

Medallion is 7 lines in a single stanza. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 76%).

See other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
The brass medallion profile of your face I keep always.14··˘/˘/······/·
It is not jingling with loose change in my pockets.13···/˘˘·····/˘
It is not stuck up in a show place on the office wall.14···········/˘·
I carry it in a special secret pocket in the day15·/˘···/˘/˘/˘···
And it is under my pillow at night.10······/˘··
The brass came from a long ways off: it was up against hell and high water, fire and flood, before the face was put on it.30················/˘/˘··········
It is the side of a head; a woman wishes; a woman waits; a woman swears behind silent lips that the sea will bring home what is gone.34········/˘/˘·/˘··/˘···/˘··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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