To a Contemporary Bunkshooter

Carl Sandburg (1878–1967) · 1916

free verse · 22 lines · from Chicago Poems

You come along. . . tearing your shirt. . . yelling about Jesus.Where do you get that stuff ?What do you know about Jesus?Jesus had a way of talking soft and outside of a few bankers and higher-ups among the con men of Jerusalem everybody liked to have this Jesus around because he never made any fake passes and everything he said went and he helped the sick and gave the people hope.

You come along squirting words at us, shaking your fist and calling us all dam fools so fierce the froth slobbers over your lips. . . always blabbing we're all going to hell straight off and you know all about it.

I've read Jesus' words. I know what he said. You don't throw any scare into me. I've got your number. I know how much you know about Jesus.He never came near clean people or dirty people but they felt cleaner because he came along. It was your crowd of bankers and business men and lawyers hired the sluggers and murderers who put Jesus out of the running.I say the same bunch backing you nailed the nails into the hands of this Jesus of Nazareth. He had lined up against him the same crooks and strong-arm men now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened good. He threw out something fresh and beautiful from the skin of his body and the touch of his hands wherever he passed along.You slimy bunkshooter, you put a smut on every human blossom in reach of your rotten breath belching about hell-fire and hiccupping about this Man who lived a clean life in Galilee.

When are you going to quit making the carpenters build emergency hospitals for women and girls driven crazy with wrecked nerves from your gibberish about Jesus—I put it to you again: Where do you get that stuff; what do you know about Jesus?

Go ahead and bust all the chairs you want to. Smash a whole wagon load of furniture at every performance. Turn sixty somersaults and stand on your nutty head. If it wasn't for the way you scare the women and kids I'd feel sorry for you and pass the hat.I like to watch a good four-flusher work, but not when he starts people puking and calling for the doctors.I like a man that's got nerve and can pull off a great original performance, but you—you're only a bug-house peddler of second-hand gospel—you're only shoving out a phoney imitation of the goods this Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they're dead and the worms have eaten 'em.You tell $6 a week department store girls all they need is Jesus; you take a steel trust wop, dead without having lived, gray and shrunken at forty years of age, and you tell him to look at Jesus on the cross and he'll be all right.You tell poor people they don't need any more money on pay day and even if it's fierce to be out of a job, Jesus'll fix that up all right, all right—all they gotta do is take Jesus the way you say.I'm telling you Jesus wouldn't stand for the stuff you're handing out. Jesus played it different. The bankers and lawyers of Jerusalem got their sluggers and murderers to go after Jesus just because Jesus wouldn't play their game. He didn't sit in with the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.I won't take my religion from any man who never works except with his mouth and never cherishes any memory except the face of the woman on the American silver dollar.

I ask you to come through and show me where you're pouring out the blood of your life.I've been to this suburb of Jerusalem they call Golgotha, where they nailed Him, and I know if the story is straight it was real blood ran from His hands and the nail-holes, and it was real blood spurted in red drops where the spear of the Roman soldier rammed in between the ribs of this Jesus of Nazareth.

Words in this poem

fake n.
One of the circles or windings of a cable or hawser, as it lies in a coil; a single turn or coil. [Cf. Scot. faik fold, stratum of stone, AS. fæc space, interval, G. fach compartment, partition, row, and E. fay to fit.]
went n.
Course; way; path; journey; direction.
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
cleaner n.
One who, or that which, cleans.
backing n.
The act of moving backward, or of putting or moving anything backward.
wherever adv.
At or in whatever place; wheresoever.
ahead adv.
In or to the front; in advance; onward. [Pref. a- + head.]
smash v. t.
To break in pieces by violence; to dash to pieces; to crush. [Cf. Sw. smisk a blow, stroke, smiska to strike, dial. Sw. smaske to kiss with a noise, and E. smack a loud kiss, a slap.]
nutty a.
Abounding in nuts.
department n.
Act of departing; departure. [F. département, fr. départir. See Depart, v. i.]
golgotha n.
Calvary. See the Note under Calvary.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To a Contemporary Bunkshooter is in the public domain. This text is taken from Chicago Poems, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Carl Sandburg, To a Contemporary Bunkshooter, in Chicago Poems (1916), text of Wikisource, Laurel, https://laurelpoetry.com/poem/sandburg-chicago-poems/to-a-contemporary-bunkshooter.html, id L28903.

Form and metre

To a Contemporary Bunkshooter is 22 lines in 9 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A- jesusA · stuff · jesusA · hope
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
You come along. . . tearing your shirt. . . yelling about Jesus.14··˘//˘··/˘··/˘
Where do you get that stuff ?6······
What do you know about Jesus?8······/˘
Jesus had a way of talking soft and outside of a few bankers and higher-ups among the con men of Jerusalem everybody liked to have this Jesus around because he never made any fake passes and everything he said went and he helped the sick and gave the people hope.72/˘····/˘··//···/˘·/˘·······˘/˘˘/˘·˘····/˘·····/˘·/˘·/˘·/˘············/˘·
You come along squirting words at us, shaking your fist and calling us all dam fools so fierce the froth slobbers over your lips. . . always blabbing we're all going to hell straight off and you know all about it.49··˘//˘···/˘···/˘········/˘····/·····/˘···········
I've read Jesus' words. I know what he said. You don't throw any scare into me. I've got your number. I know how much you know about Jesus.34··/˘·········/˘·······/˘········/˘
He never came near clean people or dirty people but they felt cleaner because he came along. It was your crowd of bankers and business men and lawyers hired the sluggers and murderers who put Jesus out of the running.56·/˘···/˘·/˘/˘···/˘····˘/·····/˘·/˘··/˘/˘·/˘·/˘˘··/˘···/˘
I say the same bunch backing you nailed the nails into the hands of this Jesus of Nazareth. He had lined up against him the same crooks and strong-arm men now lined up with you paying your way.46·····/˘··········/˘·/˘˘···················/˘··
This Jesus was good to look at, smelled good, listened good. He threw out something fresh and beautiful from the skin of his body and the touch of his hands wherever he passed along.43·/˘·······/˘····/˘··/˘˘·····/˘······˘/˘··˘/
You slimy bunkshooter, you put a smut on every human blossom in reach of your rotten breath belching about hell-fire and hiccupping about this Man who lived a clean life in Galilee.49·/˘········/˘˘/˘/˘····/˘·/˘···/˘·/˘˘··········/˘·
When are you going to quit making the carpenters build emergency hospitals for women and girls driven crazy with wrecked nerves from your gibberish about Jesus—I put it to you again: Where do you get that stuff; what do you know about Jesus?63···/˘··/˘·/˘˘·˘/˘˘/·˘·/˘··/˘/˘·····/˘˘··/˘·····˘/············/˘
Go ahead and bust all the chairs you want to. Smash a whole wagon load of furniture at every performance. Turn sixty somersaults and stand on your nutty head. If it wasn't for the way you scare the women and kids I'd feel sorry for you and pass the hat.65·˘/···········/˘··/˘˘·/˘˘˘/˘·/˘/˘·····/˘···/˘······/˘····/˘······
I like to watch a good four-flusher work, but not when he starts people puking and calling for the doctors.26·······/˘······/˘···/˘··/˘
I like a man that's got nerve and can pull off a great original performance, but you—you're only a bug-house peddler of second-hand gospel—you're only shoving out a phoney imitation of the goods this Jesus wanted free as air and sunlight.63·············˘/˘˘˘/˘···/˘···/˘·/˘·/˘·/˘/˘··/˘·˘/˘····/˘/˘····/·
You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they're dead and the worms have eaten 'em.42··/˘/˘·/˘/˘·/˘·········/˘·/˘···········/˘·
You tell $6 a week department store girls all they need is Jesus; you take a steel trust wop, dead without having lived, gray and shrunken at forty years of age, and you tell him to look at Jesus on the cross and he'll be all right.54····˘/˘······/˘·········/˘···/˘·/˘··········/˘········
You tell poor people they don't need any more money on pay day and even if it's fierce to be out of a job, Jesus'll fix that up all right, all right—all they gotta do is take Jesus the way you say.50···/˘···/˘·/˘····/˘····················/˘···/˘····
I'm telling you Jesus wouldn't stand for the stuff you're handing out. Jesus played it different. The bankers and lawyers of Jerusalem got their sluggers and murderers to go after Jesus just because Jesus wouldn't play their game. He didn't sit in with the big thieves.67·/˘·/˘/˘·····/˘·/˘··/˘˘·/˘·/˘·˘/˘˘··/˘·/˘˘····/˘···/˘/˘····/˘······
I don't want a lot of gab from a bunkshooter in my religion.17··············˘/˘
I won't take my religion from any man who never works except with his mouth and never cherishes any memory except the face of the woman on the American silver dollar.49····˘/˘·/˘··/˘·······/˘/˘˘/˘/˘˘······/˘··˘/˘˘/˘/˘
I ask you to come through and show me where you're pouring out the blood of your life.19···········/˘······
I've been to this suburb of Jerusalem they call Golgotha, where they nailed Him, and I know if the story is straight it was real blood ran from His hands and the nail-holes, and it was real blood spurted in red drops where the spear of the Roman soldier rammed in between the ribs of this Jesus of Nazareth.74····/˘·˘/˘˘··/˘˘·········/˘···················/˘········/˘/˘········/˘·/˘˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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