Chapter VII: Story of the Scholar and the Minstrel's Harp

Saadi (1210–1291), translated by G. S. Davie · 1882

anapaestic tetrameter · rhyming couplets · 8 lines · from The Garden of Fragrance

I have heard that, in comp'ny with tipsy young folk,A scholar a minstrel's small drum and harp broke.Like a harp, he was dragged by the hair through the placeBy the slaves, and was tambour-like thumped on the face.He was sleepless all night, from the pain of the blows ;His tutor rebuked him next day when he rose :"If you wish not to be, tambourine-like, face sore,Oh brother ; hold, harp-like, your face down before !"

Words in this poem

folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
tambour n.
A kind of small flat drum; a tambourine.
sleepless a.
Having no sleep; wakeful.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Chapter VII: Story of the Scholar and the Minstrel's Harp is in the public domain. This text is taken from The Garden of Fragrance: being a complete translation of the Bostan of Sadi from the original Persian into English verse, by G. S. Davie (London: Kegan Paul, Trench and Co., 1882), Internet Archive, the G. S. Davie translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Saadi, Chapter VII: Story of the Scholar and the Minstrel's Harp, in The Garden of Fragrance (1882), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/saadi-bostan/7-7.html, id L29690.

Form and metre

Chapter VII: Story of the Scholar and the Minstrel's Harp is 8 lines in a single stanza. It is in rhyming couplets. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 94%).

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD folkA · brokeA · placeB · faceB · blowsC · roseC · soreD · beforeD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
I have heard that, in comp'ny with tipsy young folk,12········/˘··
A scholar a minstrel's small drum and harp broke.11·/˘·/˘·····
Like a harp, he was dragged by the hair through the place12············
By the slaves, and was tambour-like thumped on the face.12·····/˘·····
He was sleepless all night, from the pain of the blows ;12··/˘········
His tutor rebuked him next day when he rose :12·/˘˘/˘······
"If you wish not to be, tambourine-like, face sore,12·······˘/···
Oh brother ; hold, harp-like, your face down before !"11·/˘········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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