Chapter VII: Story of the Saint in Love
A certain one saw a most beautiful face ;A change in his state, from love's tumult, took place.Out as much perspiration the helpless one threw,As leaves in the spring season carry, of dew.Hippocrates, riding, passed by him and said:" What trouble has fallen on this person's head?"Some one answered, "This man is a pietist chaste,Who never before by a sin was disgraced ;Among deserts and mountains he walks day and night,From society flying and loathing men's sight.His heart has been borne by a charmer, away,And the foot of his vision has sunk in the clay.When the censure of people arrives at his ear,He weeps, saying, 'Cease for a little, to jeer !If I weep, do not say that excuseless I stand!—That my wailing has some wicked motive at hand—It is not the picture that robs me of mind;It is He steals my heart Who this picture designed."These remarks reached the ear of the veteran sage—In wisdom mature, showing culture and age—He replied, "Though the fame of well doing will spread,Ev'ry man does not credit whatever is said.To the painter himself that same portrait pertained,That ravished the heart of the man, crazy-brainedWhy did not an infant, whose age is one day,Allure him and carry his senses away?For in viewing the forms that created have been,Between child and adult, what distinction is seen?A philosopher looks on a camel, the sameAs on beauties of Chinese and Chigilan fame !"In this volume, a veil is my every line,Hanging down over cheeks, heart-alluring and fine.There are meanings that under the black letters crowd,Like beloved beauties veiled or the moon in a cloud.In the lifetime of Sadi no sadness he knows,Who, in rear of the veil, so much loveliness shows.In this banquet-illumining language of mine,Like fire is the light of the fervour divine.If my foes shake from envy, they anger me not!For by this " Persian fire" they become very hot.
Words in this poem
- charmer n.
- One who charms, or has power to charm; one who uses the power of enchantment; a magician. Deut. xviii. 11.
- excuseless a.
- Having no excuse; not admitting of excuse or apology. Whillock.
- veiled a.
- Covered by, or as by, a veil; hidden.
- lifetime n.
- The time that life continues.
- sadness n.
- Heaviness; firmness.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- fervour n.
- Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Chapter VII: Story of the Saint in Love is in the public domain. This text is taken from The Garden of Fragrance: being a complete translation of the Bostan of Sadi from the original Persian into English verse, by G. S. Davie (London: Kegan Paul, Trench and Co., 1882), Internet Archive, the G. S. Davie translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Saadi, Chapter VII: Story of the Saint in Love, in The Garden of Fragrance (1882), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/saadi-bostan/7-32.html, id L29715.
Form and metre
Chapter VII: Story of the Saint in Love is 40 lines in a single stanza. It is in rhyming couplets. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 93%).
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT faceA · placeA · threwB · dewB · saidC · headC · chasteD · disgracedD · nightE · sightE · awayF · clayF · earG · jeerG · standH · handH · mindI · designedI · sageJ · ageJ · spreadK · saidK · pertainedL · brainedL · dayM · awayM · beenN · seenN · sameO · fameO · lineP · fineP · crowdQ · cloudQ · knowsR · showsR · mineS · divineS · notT · hotT
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| A certain one saw a most beautiful face ; | 11 | ·/˘····/˘˘· |
| A change in his state, from love's tumult, took place. | 11 | ·······/˘·· |
| Out as much perspiration the helpless one threw, | 12 | ····˘/˘·/˘·· |
| As leaves in the spring season carry, of dew. | 11 | ·····/˘/˘·· |
| Hippocrates, riding, passed by him and said: | 11 | /˘·/˘·˘···· |
| " What trouble has fallen on this person's head?" | 11 | ·/˘·/˘··/˘· |
| Some one answered, "This man is a pietist chaste, | 12 | ··/˘····/˘˘· |
| Who never before by a sin was disgraced ; | 12 | ·/˘······˘/˘ |
| Among deserts and mountains he walks day and night, | 12 | ··˘/·/˘····· |
| From society flying and loathing men's sight. | 12 | ·˘/˘˘/˘·/˘·· |
| His heart has been borne by a charmer, away, | 11 | ·······/˘˘/ |
| And the foot of his vision has sunk in the clay. | 12 | ·····/˘····· |
| When the censure of people arrives at his ear, | 12 | ··/˘·/˘˘/··· |
| He weeps, saying, 'Cease for a little, to jeer ! | 11 | ··/˘···/˘·· |
| If I weep, do not say that excuseless I stand!— | 12 | ·······˘/˘·· |
| That my wailing has some wicked motive at hand— | 12 | ··/˘··/˘/˘·· |
| It is not the picture that robs me of mind; | 11 | ····/˘····· |
| It is He steals my heart Who this picture designed." | 12 | ········/˘˘/ |
| These remarks reached the ear of the veteran sage— | 12 | ·˘/·····/˘˘· |
| In wisdom mature, showing culture and age— | 11 | ·/˘˘//˘/˘·· |
| He replied, "Though the fame of well doing will spread, | 12 | ·˘/·····/˘·· |
| Ev'ry man does not credit whatever is said. | 12 | ·····/˘·/˘·· |
| To the painter himself that same portrait pertained, | 12 | ··/˘˘/··/˘˘/ |
| That ravished the heart of the man, crazy-brained | 12 | ···˘·····/˘· |
| Why did not an infant, whose age is one day, | 11 | ····/˘····· |
| Allure him and carry his senses away? | 11 | ˘/··/˘·/˘˘/ |
| For in viewing the forms that created have been, | 12 | ··/˘···˘/˘·· |
| Between child and adult, what distinction is seen? | 12 | ····/˘·˘/˘·· |
| A philosopher looks on a camel, the same | 12 | ·˘/˘˘···/˘·· |
| As on beauties of Chinese and Chigilan fame !" | 12 | ··/˘·˘/····· |
| In this volume, a veil is my every line, | 12 | ··/˘····/˘˘· |
| Hanging down over cheeks, heart-alluring and fine. | 12 | /˘·····˘/˘·· |
| There are meanings that under the black letters crowd, | 12 | ··/˘·····/˘· |
| Like beloved beauties veiled or the moon in a cloud. | 12 | ·˘//˘······· |
| In the lifetime of Sadi no sadness he knows, | 12 | ··/·····/˘·· |
| Who, in rear of the veil, so much loveliness shows. | 12 | ········/˘˘· |
| In this banquet-illumining language of mine, | 12 | ··/˘····/˘·· |
| Like fire is the light of the fervour divine. | 12 | ·/˘·····/˘˘/ |
| If my foes shake from envy, they anger me not! | 12 | ·····/˘·/˘·· |
| For by this " Persian fire" they become very hot. | 12 | ···/˘/·˘//˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.