Chapter III: On the Patience and Firmness of the Godly
I thus have a tale from the men of the way—Beneficent poor ; king-like beggars are they.In the morning, to beg, an old pauper set out;And on seeing the door of a mosque gave a shout."This house," some one answered, " belongs not to menWho are wont to give alms; wait not impudent, then !"He inquired of him, "Who is the lord of this placeWhere no mercy is shown towards any one's case?""Be silent," he said, " such false words to let fall!The lord of this house is the Lord over all!"The lamps and the pray'r-niche, the old person eyed;In warmth, from the depths of his heart, he replied:"What a pity it is to go on, from this place!Disappointed to go from this door's a disgrace.Not a street have I quitted, despairing, before ;Why should I, in shame, go away from this door?Here, too, I will stretch out the hand of demand,For I know that I will not return, with bare hand."He sat for a year as a worshipper, there ;As a suppliant, lifted his hands up in pray'r.The feet of his life sank, one night, in the mud,And his heart took to throbbing, from poorness of blood.In the morning, a lamp at his head some one laid,And saw his last breath, like the morning lamp, fade.He was raving and saying in accents of pride :" Whoe'er knocked at the Bounteous One's door, it oped wide!"To a searcher, endurance and patience are good ;I've not heard of an Alchymist, doleful in mood.Much gold he converts into ashes, alas !In the hope that, one day, he'll make gold out of brass.In purchasing, gold is a good thing to spend ;You can't better buy, than the smiles of the "friend."If your heart, through a mistress, should suffer distress,Another grief soother you'll get to caress.Don't embitter your joy through a sour face, accursed!With another one's beauty, extinguish the first !And yet, if in beauty she has not a peer,For a little annoyance, desert not the dear !One can sever his heart from a person, 'tis true,When he finds he is able, without him, to do.
Words in this poem
- pauper n.
- A poor person; especially, one development on private or public charity. Also used adjectively; as, pouper immigrants, pouper labor. [L. See Poor.]
- disappointed a.
- Defeated of expectation or hope; balked; as, a disappointed person or hope.
- despairing a.
- Feeling or expressing despair; hopeless.
- suppliant a.
- Asking earnestly and submissively; entreating; beseeching; supplicating. [F., p.pr. of supplier to entreat, L. supplicare. See Supplicate, and cf. Supplicant.]
- poorness n.
- The quality or state of being poor (in any of the senses of the adjective).
- bounteous a.
- Liberal in charity; disposed to give freely; generously liberal; munificent; beneficent; free in bestowing gifts; as, bounteous production. [OE. bountevous, fr. bounte bounty.]
- soother n.
- One who, or that which, soothes.
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- embitter v. t.
- To make bitter or sad. See Imbitter.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Chapter III: On the Patience and Firmness of the Godly is in the public domain. This text is taken from The Garden of Fragrance: being a complete translation of the Bostan of Sadi from the original Persian into English verse, by G. S. Davie (London: Kegan Paul, Trench and Co., 1882), Internet Archive, the G. S. Davie translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Saadi, Chapter III: On the Patience and Firmness of the Godly, in The Garden of Fragrance (1882), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/saadi-bostan/3-8.html, id L29600.
Form and metre
Chapter III: On the Patience and Firmness of the Godly is 40 lines in a single stanza. It is in rhyming couplets. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT wayA · theyA · outB · shoutB · menC · thenC · placeD · caseD · fallE · allE · eyedF · repliedF · placeG · disgraceG · beforeH · doorH · demandI · handI · thereJ · pray'rJ · mudK · bloodK · laidL · fadeL · prideM · wideM · goodN · moodN · alasO · brassO · spendP · friendP · distressQ · caressQ · accursedR · firstR · peerS · dearS · trueT · doT
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I thus have a tale from the men of the way— | 11 | ··········· |
| Beneficent poor ; king-like beggars are they. | 11 | ·˘/˘···/˘·· |
| In the morning, to beg, an old pauper set out; | 12 | ··/˘····/˘·· |
| And on seeing the door of a mosque gave a shout. | 12 | ··/˘········ |
| "This house," some one answered, " belongs not to men | 12 | ····/˘˘˘/··· |
| Who are wont to give alms; wait not impudent, then !" | 12 | ········/˘˘· |
| He inquired of him, "Who is the lord of this place | 12 | ·˘/········· |
| Where no mercy is shown towards any one's case?" | 12 | ··/˘····/˘·· |
| "Be silent," he said, " such false words to let fall! | 11 | ·/˘········ |
| The lord of this house is the Lord over all!" | 11 | ··········· |
| The lamps and the pray'r-niche, the old person eyed; | 11 | ········/˘· |
| In warmth, from the depths of his heart, he replied: | 11 | ·········˘/ |
| "What a pity it is to go on, from this place! | 12 | ··/˘········ |
| Disappointed to go from this door's a disgrace. | 12 | ·˘/˘······˘/ |
| Not a street have I quitted, despairing, before ; | 12 | ·····/˘˘/˘·· |
| Why should I, in shame, go away from this door? | 11 | ······˘/··· |
| Here, too, I will stretch out the hand of demand, | 11 | ·········˘/ |
| For I know that I will not return, with bare hand." | 12 | ·······˘/··· |
| He sat for a year as a worshipper, there ; | 11 | ··········· |
| As a suppliant, lifted his hands up in pray'r. | 12 | ··/˘˘/˘····· |
| The feet of his life sank, one night, in the mud, | 11 | ··········· |
| And his heart took to throbbing, from poorness of blood. | 12 | ·····/˘·/˘·· |
| In the morning, a lamp at his head some one laid, | 12 | ··/˘········ |
| And saw his last breath, like the morning lamp, fade. | 11 | ·······/˘·· |
| He was raving and saying in accents of pride : | 12 | ··/˘·/˘·/˘·· |
| " Whoe'er knocked at the Bounteous One's door, it oped wide!" | 12 | ····/˘˘····· |
| To a searcher, endurance and patience are good ; | 12 | ··/˘/˘˘·/˘·· |
| I've not heard of an Alchymist, doleful in mood. | 12 | ········/˘·· |
| Much gold he converts into ashes, alas ! | 11 | ···/˘··/˘˘/ |
| In the hope that, one day, he'll make gold out of brass. | 12 | ············ |
| In purchasing, gold is a good thing to spend ; | 11 | ·/˘˘······· |
| You can't better buy, than the smiles of the "friend." | 11 | ··/˘······· |
| If your heart, through a mistress, should suffer distress, | 12 | ·····/˘·/˘˘/ |
| Another grief soother you'll get to caress. | 11 | ˘/˘·/˘···˘/ |
| Don't embitter your joy through a sour face, accursed! | 12 | ·˘/˘····/··· |
| With another one's beauty, extinguish the first ! | 12 | ·˘/˘·/˘˘/˘·· |
| And yet, if in beauty she has not a peer, | 11 | ····/˘····· |
| For a little annoyance, desert not the dear ! | 12 | ··/˘˘/˘/˘··· |
| One can sever his heart from a person, 'tis true, | 12 | ··/˘····/˘·· |
| When he finds he is able, without him, to do. | 12 | ·····/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.