Chapter I: On Doing Good and Evil, and the Result

Saadi (1210–1291), translated by G. S. Davie · 1882

anapaestic tetrameter · rhyming couplets · 22 lines · from The Garden of Fragrance

A man who does good has no evil to fear ;No person does evil that good may appear.The promoters of sin, also, wickedly roam,Like scorpions, that seldom get back to their home.If your nature is such that it benefits none ;The jewel and stone, in like manner are one.I am wrong, oh companion, of temp'rament sweet!In a face, stone and iron, you profit will meet.Such a man's better dead than enduring the shame,That a stone can than him greater excellence claim.Not each son sprung from Adam surpasses the beast;For a brute is less vile than a villain, at least.A man who is wise, leaves the beast far behind—Not the being who, brute-like, attacks his own kind.When a man knows of eating and sleeping alone,Over beasts, in what way is his excellence shown?From the ill-fated horseman, who galloped astray,The footman, in walking, the prize bore away.No person has sown generosity's seed,Who reaps not, in harvest, befitting his need.I never have heard, since my lifetime began,That goodness comes forth to reward the bad man.

Words in this poem

lifetime n.
The time that life continues.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Chapter I: On Doing Good and Evil, and the Result is in the public domain. This text is taken from The Garden of Fragrance: being a complete translation of the Bostan of Sadi from the original Persian into English verse, by G. S. Davie (London: Kegan Paul, Trench and Co., 1882), Internet Archive, the G. S. Davie translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Saadi, Chapter I: On Doing Good and Evil, and the Result, in The Garden of Fragrance (1882), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/saadi-bostan/1-28.html, id L29533.

Form and metre

Chapter I: On Doing Good and Evil, and the Result is 22 lines in a single stanza. It is in rhyming couplets. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 94%).

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKK fearA · appearA · roamB · homeB · noneC · oneC · sweetD · meetD · shameE · claimE · beastF · leastF · behindG · kindG · aloneH · shownH · astrayI · awayI · seedJ · needJ · beganK · manK
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
A man who does good has no evil to fear ;11·······/˘··
No person does evil that good may appear.11·/˘·/˘···˘/
The promoters of sin, also, wickedly roam,12·˘/˘··/˘/˘˘·
Like scorpions, that seldom get back to their home.12·/˘˘·/˘·····
If your nature is such that it benefits none ;12··/˘····/˘˘·
The jewel and stone, in like manner are one.11·/˘····/˘··
I am wrong, oh companion, of temp'rament sweet!12····˘/˘·····
In a face, stone and iron, you profit will meet.12·····/˘·/˘··
Such a man's better dead than enduring the shame,12···/˘··˘/˘··
That a stone can than him greater excellence claim.12······/˘/˘˘·
Not each son sprung from Adam surpasses the beast;12·····/˘˘/˘··
For a brute is less vile than a villain, at least.12········/˘··
A man who is wise, leaves the beast far behind—11···········
Not the being who, brute-like, attacks his own kind.12··/˘···˘/···
When a man knows of eating and sleeping alone,12·····/˘·/˘˘/
Over beasts, in what way is his excellence shown?12········/˘˘·
From the ill-fated horseman, who galloped astray,12···/˘/˘·/˘˘/
The footman, in walking, the prize bore away.11·/˘·/˘···˘/
No person has sown generosity's seed,11·/˘···˘/˘˘·
Who reaps not, in harvest, befitting his need.11····/˘˘/˘··
I never have heard, since my lifetime began,11·/˘····/·˘/
That goodness comes forth to reward the bad man.11·/˘···˘/···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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