Canto X

Samuel Rogers (1763–1855) · 1792–1834

iambic pentameter · 55 lines · from Poems

—Then CORA came, the youngest of her race,And in her hands she hid her lovely face;Yet oft by stealth a timid glance she cast,And now with playful step the Mirror pass’d,Each bright reflection brighter than the last!And oft behind it flew, and oft before;The more she search’d, pleas’d and perplex’d the more!And look’d and laugh’d, and blush’d with quick surprize;Her lips all mirth, all ecstasy her eyes!But soon the telescope attracts her view;And lo, her lover in his light canoeRocking, at noon-tide, on the silent sea,Before her lies! It cannot, cannot be.Late as he left the shore, she linger’d there,Till, less and less, he melted into air!—Sigh after sigh steals from her gentle frame,And say—that murmur—was it not his name?She turns, and thinks; and, lost in wild amaze,Gazes again, and could for ever gaze!Nor can thy flute, ALONSO, now excite,As in VALENCIA, when, with fond delight,FRANCISCA, waking, to the lattice flew,So soon to love and to be wretched too!Hers thro’ a convent-grate to send her last adieu.—Yet who now comes uncall’d; and round and round,And near and nearer flutters to its sound;Then stirs not, breathes not—on enchanted ground?Who now lets fall the flowers she cull’d to wearWhen he, who promis’d, should at eve be there;And faintly smiles, and hangs her head asideThe tear that glistens on her cheek to hide?Ah, who but CORA?—till inspir’d, possess’d,At once she springs, and clasps it to her breast!

Soon from the bay the mingling croud ascends,Kindred first met! by sacred instinct Friends!Thro’ citron groves, and fields of yellow maize,Thro’ plantain-walks where not a sun-beam plays.Here blue savannas fade into the sky.There forests frown in midnight majesty;Ceiba,m and Indian fig, and plane sublime,Nature’s first-born, and reverenc’d by Time!There sits the bird that speaks! there, quivering, riseWings that reflect the glow of evening skies!Half bird, half fly,n the fairy king of flowersReigns there, and revels thro’ the fragrant hours;oGem full of life, and joy, and song divine,Soon in the virgin’s graceful ear to shine.’Twas he that sung, if antient Fame speaks truth,“Come! follow, follow to the Fount of Youth!I quaff the ambrosial mists that round it rise,Dissolv’d and lost in dreams of Paradise!”For there call’d forth, to bless a happier hour,It met the sun in many a rainbow-shower!Murmuring delight, its living waters roll’d’Mid branching palms and amaranths of gold!

Words in this poem

cora n.
The Arabian gazelle (Gazella Arabica), found from persia to North Africa.
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
amaze v. t.
To bewilder; to stupefy; to bring into a maze. [Pref. a- + maze.]
valencia n.
A kind of woven fabric for waistcoats, having the weft of wool and the warp of silk or cotton. [Perhaps fr. Valence in France.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
ambrosial a.
Consisting of, or partaking of the nature of, ambrosia; delighting the taste or smell; delicious.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto X is in the public domain. This text is taken from Poems, Project Gutenberg ebook #13586; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Rogers, Canto X, in Poems (1792–1834), text of Project Gutenberg ebook #13586, Laurel, https://laurelpoetry.com/poem/rogers-poems/canto-x.html, id L09764.

Form and metre

Canto X is 55 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 3 lines end on an unstressed syllable, a feminine ending. 13% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBBCCDDEEFFGGHHIIJJKKKLLLMMNNOO raceA · faceA · castB · pass'dB · lastB · beforeC · moreC · surprizeD · eyesD · viewE · canoeE · seaF · beF · thereG · airG · frameH · nameH · amazeI · gazeI · exciteJ · delightJ · flewK · tooK · adieuK · roundL · soundL · groundL · wearM · thereM · asideN · hideN · possess'dO · breastO
  2. 2 AABB--CCDDD-EEFFD-GGHH ascendsA · friendsA · maizeB · playsB · sky · majesty · sublimeC · timeC · riseD · skiesD · flowersD · hours;o · divineE · shineE · truthF · youthF · riseD · paradise · hourG · showerG · roll'dH · goldH
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
—Then CORA came, the youngest of her race,10·/˘··/˘···
And in her hands she hid her lovely face;10·······/˘·
Yet oft by stealth a timid glance she cast,10·····/˘···
And now with playful step the Mirror pass’d,10···/˘··/˘·
Each bright reflection brighter than the last!10··˘/˘/˘···
And oft behind it flew, and oft before;10··········
The more she search’d, pleas’d and perplex’d the more!10······˘/··
And look’d and laugh’d, and blush’d with quick surprize;10··········
Her lips all mirth, all ecstasy her eyes!10·····/˘˘··
But soon the telescope attracts her view;10···/˘·˘/··
And lo, her lover in his light canoe10···/˘···˘/
Rocking, at noon-tide, on the silent sea,10/˘·····/˘·
Before her lies! It cannot, cannot be.10·····/˘/˘·
Late as he left the shore, she linger’d there,10·······/˘·
Till, less and less, he melted into air!—10·····/˘···
Sigh after sigh steals from her gentle frame,10·······/˘·
And say—that murmur—was it not his name?10···/˘·····
She turns, and thinks; and, lost in wild amaze,10········˘/
Gazes again, and could for ever gaze!10/˘˘/···/˘·
Nor can thy flute, ALONSO, now excite,10····˘/˘·˘/
As in VALENCIA, when, with fond delight,10··˘/˘···˘/
FRANCISCA, waking, to the lattice flew,10···/˘··/˘·
So soon to love and to be wretched too!10·······/˘·
Hers thro’ a convent-grate to send her last adieu.12···/˘·····˘/
—Yet who now comes uncall’d; and round and round,10····˘/····
And near and nearer flutters to its sound;10···/˘/˘···
Then stirs not, breathes not—on enchanted ground?10······˘/˘·
Who now lets fall the flowers she cull’d to wear10·····/····
When he, who promis’d, should at eve be there;10···/˘·····
And faintly smiles, and hangs her head aside10·/˘·····˘/
The tear that glistens on her cheek to hide?10···/˘·····
Ah, who but CORA?—till inspir’d, possess’d,10···/˘·˘/˘/
At once she springs, and clasps it to her breast!10··········
Soon from the bay the mingling croud ascends,10·····/˘·˘/
Kindred first met! by sacred instinct Friends!10/˘···/˘/˘·
Thro’ citron groves, and fields of yellow maize,10·/˘····/˘·
Thro’ plantain-walks where not a sun-beam plays.10·/˘·······
Here blue savannas fade into the sky.10··˘/˘·····
There forests frown in midnight majesty;10·/˘··/·/˘˘
Ceiba,m and Indian fig, and plane sublime,11····/˘···˘/
Nature’s first-born, and reverenc’d by Time!10/˘········
There sits the bird that speaks! there, quivering, rise10·······/˘·
Wings that reflect the glow of evening skies!10··˘/···/˘·
Half bird, half fly,n the fairy king of flowers11······/˘··/
Reigns there, and revels thro’ the fragrant hours;o11···/˘··/˘/·
Gem full of life, and joy, and song divine,10········˘/
Soon in the virgin’s graceful ear to shine.10···/˘/˘···
’Twas he that sung, if antient Fame speaks truth,10··········
“Come! follow, follow to the Fount of Youth!10·/˘/˘·····
I quaff the ambrosial mists that round it rise,11···˘/˘·····
Dissolv’d and lost in dreams of Paradise!”10˘/·····/˘·
For there call’d forth, to bless a happier hour,11·······/˘/˘
It met the sun in many a rainbow-shower!11·····/·/·/˘
Murmuring delight, its living waters roll’d10/˘˘/·/˘/˘·
’Mid branching palms and amaranths of gold!10·/˘··/˘···
Notes from the edition 5

Samuel Rogers's own notes to his Poems (Project Gutenberg #13586).

  1. Stanza 2, line 3 Ætas est illis aurea. Apertis vivunt hortis. P. Martyr, dec. I. 3.
  2. Stanza 2, line 9 The Parrot, as described by Aristotle. Hist. Animal, viii. 12.
  3. Stanza 2, line 11 The Humming-bird. Kakopit (florum regulus) is the name of an Indian bird, referred to this class by Seba.
  4. Stanza 2, line 14 Il sert après sa mort àparer les jeunes Indiennes, qui portent en pendans d’oreilles deux de ces charmans oiseaux. Buffon.
  5. Stanza 2, line 22 According to an antient tradition. See Oviedo, Vega, Herrera, &c. Not many years afterwards a Spaniard of distinction wandered every where in search of it; and no wonder, as Robertson observes, when Columbus himself could imagine that he had found the seat of Paradise,

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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